Sewing A Kimono: Step by Step Instructions

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Sewing A Kimono: Step by Step Instructions

Second in my series of CosPlay lenses, here is my lens about the art of making a kimono. As this lens grows it will come to include step by step instruction for making a patterns, selecting the fabric, dyeing the cloth, decorating it with Japanese Kimono-stitch embroidery, and finally sewing the kimono.

This was originally intended to be a section on my Lord Sesshomaru Costume lens, however, as you can see that lens got rather long! Additionally, I plan to make other costumes from the InuYasha series (each with it's own lens), many of which will also require the making of a kimono. As such I have decided to create a separate lens for the sewing instructions of a kimono, so that it can be linked back to each of these lenses.

Created March 22, 2008
Last updated on July 8, 2008

Kimono

The Art of Sewing Beauty.

A Note About The Word "Kimono": 

Before I go any farther, I'd like to make a note about the word "kimono". While the kimono has been worn in various forms for approximately 3,000 years, the actual word "kimono" did not exist prior to the 1920's. A kimono is not a specific garment per say, but is rather a relative term used by Europeans to describe all "T shaped" garments that originated from Japan. The term kimono is used by non-Japanese to describe any one of over a hundred different Japanese garments, many of which are no longer worn today.

When most Americans and Europeans say "kimono", often what they are referring to is the furisode, like worn by Geisha. Other garments Westerners mean when they say "kimono" are kosode, junihitoe, Nuihaku, Yukata, najuban, nemaki, or uchikake, just to name a few. For Westerners, remembering all those names of all those garments, which to the untrained eye, all look the same, is a very confusing thing, resulting in the use of a single word to describe all of them, and that word is of course "kimono".

The word kimono, when translated into English, means literally "a thing to wear". It was originally used to differentiate between cloths worn by Europeans and those worn by Japanese.

This information, however, is not common knowledge in America, so when Americans use the word kimono, they assume that they are talking about a garment worn in Japan, when in fact Japan has no garment called a kimono at all! Confusing, I know. Anyways, this lens is written with the American audience in mind, they being the target audience. As such, I will be using the word kimono through out this lens, to mean any "T shaped" garment of Japanese origin in general. When I am referring to a specific type of garment (a kosode, for instance) I will use the actual name of said garment. Hopefully by doing this I will avoid confusing any of my readers.

Desinger Kimono Fashion Show on YouTube vids 

Kimono Samba Hawaii fashion demonstration

Chieko Yamaguchi of Japan and New Zealand demonstrated her artform of giving rebirth to vintage kimono and obi in creating practical garments for contemporary women, with a minimum of labor, sewing and without fussy closures, relying on knotting and tying.

Runtime: 174
1977 views
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curated content from YouTube

What is a Kimono? 

What Wikipedia says:


Make Your Own Japanese Clothes:
Patterns and Ideas for Modern Wear

The kimono ("something worn") is the national costume of Japan. Originally the word "kimono" referred to all types of clothing, but it has come to denote a particular type of traditional full-length garment.

Kimonos are T-shaped, straight-lined robes that fall to the ankle, with collars and wide, full-length sleeves. Kimonos are wrapped around the body, always with the left side over the right (except when dressing the dead for burial) and secured by a wide belt called an obi, which is usually tied at the back. Kimonos are generally worn with traditional footwear (especially geta, thonged wood-platform footwear; and a type of thong-like footwear) and split-toe socks (tabi).


How to Make Sewing Patterns


Today, kimonos are most often worn by women, and on special occasions. Traditionally, unmarried women wore a style of kimono called furisode, which have floor-length sleeves, on special occasions. A few older women and even fewer men still wear kimonos on a daily basis. Men wear kimonos most often at weddings, tea ceremonies, and other very special or very formal occasions. Kimonos are also worn by both men and women in certain sports, such as kendo. Professional sumo wrestlers are often seen in kimonos because they are required to wear traditional Japanese dress whenever appearing in public.

Kimono hobbyists in Japan can take courses on how to put on and wear kimonos. Classes cover selecting seasonally and event-appropriate patterns and fabrics, matching the kimono undergarments and accessories to the kimono, layering the undergarments according to subtle meanings, selecting and tying obi, and other topics. There are also clubs devoted to kimono culture, such as Kimono de Ginza.

As kimono has another name gofuku (literally "clothes of Wu"), the earliest kimono were heavily influenced by traditional Chinese clothing, which is known as hanfu today, through extensive cultural adoptions between China and Japan, as early as the fifth century ce. It was during the 8th century, however, when Chinese fashions came into style among the Japanese, and the overlapping collar became particularly a women's fashion.

During Japan's Heian period (794-1192 ce), the kimono became increaslingly stylized, though one still wore a half-apron, called a mo, over it.


The Kimono Inspiration:
Art and Art-To-Wear in America


During the Muromachi age (1392-1573), the Kosode, a single kimono formerly considered underwear, began to be worn without the hakama pants over it, and thus began to be held closed by an obi "belt" .

During the Edo period (1603-1867), the sleeves began to grow in length, especially among unmarried women, and the Obi became wider, with various styles of tying coming into fashion. Since then, the basic shape of both men's and women's kimono has remained essentially unchanged.

Kimono for men are available in various sizes, but kimono for women are typically of similar size, and are adjusted for various body sizes by tucking and folding. An ideally-tailored kimono has sleeves that end at the wrist when the arms are lowered. A man's kimono should fall approximately to the ankle without tucking. A woman's kimono is longer to allow for the ohashori, the tuck that can be seen under the obi.


Japanese Kimono Designs Coloring Book
(Dover Coloring Book)


Kimono are made from a single bolt of fabric called a tan. Bolts come in standard dimensions of about 14 inches wide and 12.5 yards (enough for one adult kimono), and the entire fabric is used to make the kimono. The finished kimono consists of four main strips of fabric: two panels covering the body and two panels forming the sleeves, with additional smaller strips forming the narrow front panel and collar. In the past, the kimono was often taken apart for washing as separate panels, and re-sewn by hand. Due to the fact that the entire bolt remains in the finished garment without cutting, the kimono can be easily retailored to fit a different person.

The maximum length of the sleeve is dictated by the width of the fabric. The distance from the center of the spine to the end of the sleeve could not exceed twice the width of the fabric. Traditional kimono fabric was typically no more than 36 centimeters (14 inches) wide. Thus the distance from spine to wrist could not exceed a maximum of roughly 68 centimeters (27 inches). Modern kimono fabric is woven as wide as 42 centimeters (17 inches) to accommodate modern Japanese body sizes. Very tall or heavy people, such as sumo wrestlers, must have kimono custom-made by joining multiple bolts of fabric together or custom-woven.

Traditional kimono are sewn by hand, and their fabrics are also frequently hand made and hand decorated. Various techniques such as dye resist are used for applying decoration and patterns to the base cloth. Repeating patterns that cover a large area of a kimono are traditionally done with the y%u016Bzen resist technique and a stencil. Over time there have been many variations in color, fabric and style, as well as accessories such as the obi.

Kimono and obis are traditionally made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). Modern kimono are also widely available in less-expensive easy-care fabrics such as rayon, cotton sateen, cotton, polyester and other synthetic fibers. Silk is still considered the ideal fabric, however, and is a must for formal occasions.


Japanese Kimono Paper Dolls in Full Color
(Paper Dolls)


Customarily, woven patterns and dyed repeat patterns are considered informal; Formal kimono have free-style designs dyed over the whole surface or along the hem. During the Heian period, kimono were worn with up to a dozen or more colorful contrasting layers, with each combination of colors being a named pattern. Today, the kimono is normally worn with a single layer on top of a slip style undergarment. The pattern of the kimono can also determine in what season it should be worn. For example, a pattern with butterflies or cherry blossoms would be worn in spring. Watery designs are common during the summer. A popular autumn motif is the russet leaf of the Japanese maple; for winter, designs may include bamboo, pine trees and plum blossoms.

Old kimono are often recycled in various ways: altered to make haori, hiyoku, or kimono for children, used to patch similar kimono, used for making handbags and similar kimono accessories, and used to make covers, bags or cases for various implements, especially for sweet-picks used in tea ceremonies. Kimono with damage below the waistline can also be worn under hakama to hide the damage. Historically, skilled craftsmen laboriously picked the silk thread from old kimono and rewove it into a new textile in the width of a heko obi for men's kimono, using a recycling weaving method called saki-ori.

The is a Japanese traditional garment worn by women, men and children. The word "kimono", which literally means a "thing to wear" (ki "wear" and mono "thing"),kimono from Merriam-Webster has come to denote these full-length robes. The standard plural of the word kimono in English is kimonos,dictionary.reference.com but the unmarked Japanese plural kimono is also sometimes used.

Kimonos are T-shaped, straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimonos are wrapped around the body, always with the left side over the right (except when dressing the dead for burial),HanamiWeb - What Kimono Signifies and secured by a sash called an obi, which is tied at the back. Kimonos are general...

What Will It Cost? 

On Wikipedia we find the quote:

      Kimonos can be expensive. A woman's kimono may easily exceed US$10,000; a complete kimono outfit, with kimono, undergarments, obi, ties, socks, sandals and accessories, can exceed US$20,000. A single obi may cost several thousand dollars. However, most kimonos owned by kimono hobbyists or by practitioners of traditional arts are far less expensive. Enterprising people make their own kimonos and undergarments by following a standard pattern, or by recycling older kimonos. Cheaper and machine-made fabrics can substitute for the traditional hand-dyed silk. There is also a thriving business in Japan for second-hand kimonos, which can cost as little as ¥500. Women's obis, however, mostly remain an expensive item. Although simple patterned or plain colored ones can cost as low as ¥1,500, even a used obi can cost hundreds of dollars, and experienced craftsmanship is required to make them. Men's obis, even those made from silk, tend to be much less expensive, because they are narrower, shorter and less decorative than those worn by women.


I think the key word in the above quote is "CAN". A kimono "can" cost a small fortune, but that is not to say that every kimono will or even does. As a general rule, if you are going to make your own kimono, you can figure that the cost is going to be in the range of $100 to $2,000, depending on the design and materials you choose to use.


Kimono Vanishing Tradition:
Japanese Textiles of the 20th Century


When considering buying or sewing a kimono, you must first ask yourself:

    What type of kimono am I looking for?
    How often am I going to wear it?
    Where will I wear it?
    How much money am I willing to spend on it?


As the quote above tells you,the sky is the limit when it comes to the amount of money you could put into your kimono, but does that mean a kimono has to be expensive? No.

Are you looking for a casual kimono you can wear every day? Than you may only need to spend a few hundred dollars.

Are looking for one-of-a-kind hand-dyed, hand painted, hand-embroidered, gold trimmed ceremonial fantasy-style imperial robes to wear just once to the next CosPlay convention and completely wow the socks off everyone there? Than yes, you could easily spend a fortune and hit the $20,000 mentioned in the quote above.

How much money you spend on your kimono is determined, by many factors: cost of materials is going to play the biggest factor in cost.

 


Making Kimono & Japanese Clothes


Materials:

First off you are going to need a lot of fabric. Basically you have 3 choices when it come down to the fabric width: the common 45 inches, less common 60 inches, the even less common 35 inches, and the hard to find authentic kimono width of 15 inches.

The widths are general guidelines used by the fashion industry, and not the actual widths, which can vary by as much as 4 inches. For example, a 35" width of fabric may actually measure as little as 28" to as much as 38". Also nearly every yardage listed as 60" is actually 56" to 58". A 15" bolt of kimono silk (which is usually hand woven by native craftsmen in Japan), could be as little as 13" wide or as much as 18" wide, depending on the weaver's loom size and how tightly the weaver pulled the shuttle.

These variances in fabric width usually cause no problems for the seamstress or costumer, because they will be cutting with a paper or cardboard pattern. However, it can make a difference when sewing a kimono, as a paper pattern is rarely used when cutting the fabric. Instead the costumer measures the width of the fabric, and determines how many rectangle strips will be needed to make a kimono the width needed. The answer will usually be either 4 or 6. When buying fabric to make a kimono, always know the actual width of the fabric, not the estimated width, as this well affect the amount of cloth you need to buy. If in doubt, or if you plan to buy the cloth mail-order or online, where you can't see it in person, than buy at least 2 yards more than you think you need, just in case. It is better to have to much fabric that to have not enough, as you can not always match the cloth.

If you are making a kimono without using a paper-store bought pattern, than you may not be sure how much fabric you should buy. For the average, bathrobe, or daily wear type kimono, the minimum amounts are listed below. Please not that these are MINIMUMS, meaning that these will make an ankle-length, non-swing sleeve kimono, with a tight fitted body width and you should buy no less than this minimum. You should add at least 2 yards more if you want long swing-sleeves and a fuller body width. Keep in mind that longest ankle-length swing sleeve will require 2 yards of fabric for EACH sleeve, thus requiring 4 yards more than the minimums listed below.

    5 yds of 60" width (Western/America/Eruopean)
    7 yds of 45" width (Western/American/Eruopean)
    12 yds of 15" width (Eastern/Chinese/Japanese)

The type of fabric you use will greatly affect the cost. You should use a light-weight to medium-weight fabric with a soft hand and a fairly good drape. It should not be too light weight as to be a sheer fabric, therefor gauze and chiffon are not recommended, nor should it be so heavy-weight that the fabric hang stiffly. Listed below are some recommended fabrics:


Fabric Savvy:
The Essential Guide for Every Sewer



    Kimono Silk
    Silk
    Crepe Back Satin
    Brocade
    Cotton


For most people, the fabric will cost you from $7 to $45 (or more) per yard, depending on the type, content, weave, dye, and weight. This translates to at the cheapest you spend $35 for 5 yards of $7 60" fabric, though you are more likely to spend $175 for 7 yards of $25 45" fabric, as this would be considered the average.

If you want to go really authentic and buy handwoven-hand-dyed-hand-embroidered Chinese Silk made in the pre-1600's methods, than you can plan on paying $100 - $400 per yard for 16 yards of 14" - 30" silk, bringing your costs up to $1,600 to $6,400 for the fabric alone. Traditionally kimonos are made from strips of silk woven 14" to 18" wide, using the selvages edges as the seam edges, and thus no cutting of the fabric is necessary.


Claire Shaeffer's Fabric Sewing Guide


Than again, you could just go to your local Wal-Mart and buy 45" cotton quilting cloth for a mere $1 per yard, costing you only $7 for the cloth.

The finally "look" you have in mine will afftect the width of the strips you will want to use.

If you are making a modern day style kimono, worn with and held tightly closed by an obi, the finished garment will be very tight, very straight, and very "fitted" in appearance, as the fabric will be cut into 14" wide strips for this style of kimono.

However, if you are going for the classical 1600's look, which is a wide, flowing, loosely belt kimono called a kosode, and worn in several layers, without an obi, than you will be needing to use wider strips of fabric at 18" wide per strip.

This 4" difference in width per strip, will effect how much fabric you are going to need to buy, and in turn effect how much it will cost you to make your kimono.

The thing here is, that you only spend what you are comfortable spending. There is no reason to break the bank on a single kimono. Likewise there is no reason you can't go hog wild and spend a fortune on it either. The choice is yours.

What Color Should I Make My Kimono? 

The simplest answer are often the best. The simplest answer here is: Any color you want it to be! There was a time when certain garment style could only be worn in certain colors and by certain social classes, but today, kimono are pretty much anything goes.

If you are making a kimono for historical reenactment, than your best bet is to research your choose time period to see which style wee being worn and which colors were period. Styles, colors and fads changed frequently, every 20 or 30 years, so styles and colors vary widely; too widely to do any kind of study of it here o this lens. Additionally styles and colors varied from one region to the next.

When doing historical reenactment, know this: in several periods, certain colors and design patterns were banned, and could not be worn by the public. For example, in some regions from 700 - 900 AD, only nobles could wear white. For a short period, only royalty could wear yellow. Throughout most of the 1800's colors wear banned entirely and commoners were only allowed to wear shades of black, brown, and gray. Regardless of era, Samurai class always wore bolder patterns and brighter colors than working class, and may wear garments that rival those worn by nobles. Nobles and royal families usually word garments embellished with heavy embroidery, while serving class wore dyed garments, and working class peasants wore homespun weaves. The more wealth you had the more elaborate your cloths became. During most eras (approx. BC - 1550 and 1650 - 1930) heavy embroidery and bright colors were limited to royal families, lords, samurai, and Noh actors. Only during the Momoyama Era (approx 1560 - 1630), did commoners wear embroidered kimono and bright colors.

If you are doing SCA garb, than green is a great big no-no, because they didn't have green dye before the Momoyama Era about 1613, and to be eligable for SCA you must be historically accurate from a time period prior to 1599. The SCA time line stops at 1599, so if you are SCA than avoid green and most pinks, and stick with reds, oranges, yellows, rusts, golds, browns, purples, whites, and grays.

Another thing to keep in mind when it comes to kimono colors: While the modern day kimono are generally only worn by women, historically they were worn by both men and women, and historically it was the men who wore the bright colors, while the women wore the drabber more muted shades. The reason for this was that the men dressed "to be seen in public", while the women dressed to stay at home and work.

For those of you who are not concerned with historical reenactment wear, than the sky is the limit and you can do whatever you want.

Common Kimono Colors 

It is a common thing to see the colors of kimono being worn to blend and match the surrounding colors of nature, with the colors worn changing with the seasons.

The basic rule when choosing what color to make you kimono is this: go outside, look at the sky, look at the trees, look at the birds, look at the water, look at the flowers. Make a note of the colors you see and pick the one(s) that suit you best and make your kimono that color. If you wear kimono year 'round, than you should own at least 4 kimono, one to match the colors of each season. Some of the common "seasonal kimono" colors are as follows:

Spring Kimono:

    Your spring kimono should be the color of spring flowers, cool spring mornings and bright spring days. It should match the spring colors of your local region. Some commonly seen spring kimono colors include: shades of pastel pink, mint green, sky blue, pale lilac, whisper gray, crisp white, and baby chick yellow.

    Spring kimono are usually dyed and pained with a spattering of flower sprays and flower petals. If you live in cooler regions, it may also be lightly embroidered for added warmth.


Summer Kimono:

    Your summer kimono, will take the colors of you spring kimono and make them brighter and more vibrant. Common summer kimono colors include shades of fuchsia, turquoise, violet, sunny yellow, apple green, and lavender.

    Summer kimono are often decorated with large flower blossoms such as peony, painted and dyed, but almost never embroidered, as embroidery is used to add warmth, which is not needed in the hot summer months.


Autumn Kimono:

    Your autumn kimono should look to the trees and sunsets for it's color inspirations. Autumn kimono use the colors of fall foliage. Burnt orange and rust being the two most popular color choices. For the autumn kimono browns, burnt sienna, cream, ivory, golden yellows, mauves, burgundies, plums, tans, wine, dark reds, pine greens, gold, bronze, and all shades of orange are common.

    Maple leaves and bamboo are the most common autumn designs. Autumn kimono are often embellished with heavy embroidery, with gold couching being very common. Autumn kimono are usually lined.

    Autumn kimono are my personal favorites. I love all the glittering gold trimmed shades of orange. (Orange being my favorite color!)


Winter Kimono:

    For your winter kimono, you should look to the sky line. Winter kimono are the darkest hued, taking their colors from sunsets, mountain vistas, bare tree branches, ever green pines, stormy coastlines, and mist colored storm clouds. Common winter kimono colors include: rich pine greens, sand, coral, salmon, navy blue, gray-blues, white, shades of gray, black, browns, ocean greens, ocean blues, and all colors found in sand, snow, mud, and rocks. All of the autumn colors may appear on a winter kimono, but in drabber, darker shades.

    Winter kimono are often heavily embroidered to add an extra layer of insulating warmth. All over embroidery, leaving not a stitch of fabric left bare, is not unheard of. Winter kimono are always lined and may have multiple linings depended on how cold a region you live in. In sub-zero regions the innermost lining may be made of fur.

Kosode on eBay 

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eBay

Some Thoughts on Double Lined Kimono 

How you choose to make your kimono well depend upon many factors, including where you live, where you plan to wear it, and how often it well be worn.

As for myself, I wear kimono as part of my daily wear. Taking this thought into consideration, means that I will not be making this as a costume quality outfit but rather a daily wear quality outfit. For my personal kimono I will require the construction to be made to withstand the rigors of being worn every day in my active lifestyle.

Next I must consider where it is that I live. I live in Maine. Right now during the 4th of July week, it is hard to think about the temperature and weather we have during the rest of the year, because right now it is 97F. It has been in the 80's and 90's F all week. Here I am dieing from the heat, and thinking about making a double lined kimono. Nice. However, as I said, I live in Maine, and for 7 months of the year the temperature doesn't rise over 60F, and 3 months of the year it stays well below 20F, with the temps going to -15F for a few weeks each year. It's rare that we get temps over 70F. It's a heat wave when it hits 80F, and weeks like right now, I'm wishing I lived on the North Pole, because I really can't take it when the heat gets over 60F. I am not used to the heat and I do not like it one bit. I love our nippy cold weather and can't wait for it's return. I live in Maine. Our winters are long. Our winters are cold. Our winters last for 4 to 6 months of the year. And so, taking our weather into consideration, I am planning to make most of my kimono double lined. Only my summer kimono remain unlined.

 

-- this section being edited and shall return shortly --

To see the difference between a lined kimono and a double lined kimono please see the two photos shown below:

A Lined Kimono

A Double Lined Kimono

Furisode Kimono

Furisode on eBay 

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Uchikake on eBay 

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Best Info On Making Traditional Kimonos 

The Kosode
The Kosode: a Japanese garment for the SCA period. This article exists to fill a perceived gap in Japanese portrayals in the SCA.
Yes, modern kimono are beautiful, but they're, well, MODERN, and do not, in my mind, constitute a reasonable attempt at pre-17th century dress. We can do so much . . .

How to Make a Kimono
S.C.A. - Barony of Bryn Gwlad Home Page, How to make a kimono.

Mr. Cardon's basic Japanese garb
Simple basic Japanese garb by Magariki Katsuichi no Koredono, CM, CS, OSC For our purposes, there are two basic garments: kosode and hakama. While these patterns may not be exactly correct and authentic to pre-Edo Japan, they're pretty close, and fine for beginners.

From Modern Kimono to Historic Kosode
Getting re-Oriented:
From Modern Kimono to Historic Kosode
By Milesent Vibert (Grace Vibbert, Grace@case.edu)
Introduction: With the relative ease of purchasing used kimono from Japan it is not uncommon to see a vast array of these modern traditional garments at SCA events; fortunately it is relati...

Reader Poll: Sewing a Kimono 

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Making the Pattern 

For the sewer used to buying commercial paper patterns, you may find sewing a kimono a task to avoid, because there is no pattern involved in making them. Just because there is no pattern, is no reason to avoid making a kimono, however. They are actually quite simple to make.

If you absolutely must have a pattern, than you will need to buy some plain tissue paper. It would be best, if you could find a roll 14", 15", 16", or 18" wide, depending on how wide you want your finished kimono to be. Buying a roll of paper already the correct width will save you a lot of time and hassle with cutting straight lines.

You will need four pattern pieces:

    * The Body: 14" (15", 16", or 18") wide x 56" (58" or 60" long depending on how tall you are) long: cut 4

    * The Sleeves (Kosode style): 14" (15", 6", or 18") wide x 22" long (up to 40"): cut 2

    * The Sleeves (Furisode or long swinging style): 14" (15", 6", or 18") wide x 54" long (up to 90"): cut 2

    * The front panel: half the width of the body (7", 8", or 9") wide x 40" (or up to 57") long: cut 2, tapering from top at an angle to create a point

    * The collar: 7" - 9" wide x 54" long: cut 1


As you can see there are variances, and you can thus cut the fabric shorter, longer, wider, skinnier depending on your personal preference.

Layout and Cutting 

Traditionally, you would buy a roll of silk, and cut your kimono pieces to the length required for each piece. You would not cut any width, because you would use the full width of the bolt of fabric, as the width of your kimono's body and sleeve pieces.

Traditional bolts of kimono silk were sold in the following widths: 13", 14", 15", 16", and 18". Depending on the width of the bolt you chose to use, your finished kimono would be: 55", 60", 65", 70", or 80" wide.


Traditional Japanese Fashions Paper Dolls
(Traditional Fashions)


Unless you live in Japan, finding fabric in 13" - 18" widths will be next to impossible. For my own kimonos, I buy my silk from a dealer on eBay, who lives in Japan and gets his cloth from local silk weavers. Most of the bolts are from 13" - 15" wide. The silk cloth itself, is very different from the silk you would buy at WalMart or Jo-Ann's or online from a fabric dealer. Handwoven Japanese kimono silk has a soft buttery hand and velvety feel to it that is pure heaven to the senses and is completely unlike the silk fabric Americans are used to seeing.

Personally I am only interested in making kimono (kosode) which are more or less historically accurate to period kimono of the 1300s - 1600s, and it is because of this, that I buy bolts of hand woven silk and have them shipped to me in the US from a dealer in Japan.

However, most people intent on making a kimono are just making it for a thing to throw on and wear around the house, or to be part of a costume, either CosPlay or reenactment, and in either case are more interested in making something quick and easy, rather than historically accurate.

For those, taking this rout, ie, than you'll be buying your cloth locally from a craft or fabric store, and you will be purchasing fabric in 45", 54", 58", 60" or 62" widths, as these are the widths sold in the US.

In this case you have two options.

    * One: You can draw, cut, and layout all of the paper pattern pieces listed above, and than pin them down to the fabric and cut them out.

    * Two: Cut your cloth into long strips of fabric, the proper width: 14", 15", 16" or 18" wide. Than cut the strips into the correct lengths. No pattern needed.

I'd recommend the second cutting/layout method as easier, faster, and does not require a paper pattern.

Fantasy Style Kimono

Kimono Embroidery 

Traditionally many kimono were embroidered. If you plan to embroider your kimono, that that is the next step you must take after cutting out the cloth. The cloth must be embroidered before the kimono is sewn together.

 

The rest of the kimono embroidery section has been moved to it's own lens. Please go here to see it:

Sewing it Up 

Sewing up your kimono, is pretty simple really. There are only minimal corners, and nearly all straight seams. A kimono actually makes for a very good beginners project for this very reason.

Kimono are traditionally sewn by hand, using a rolled and self bound seam, so that there are no raw edges. Kimono seams are very tiny, only a quarter inch or less.

If you are using the traditional delicate Japanese silk, I do not recommend sewing your kimono by machine, as this type of silk is very easily damaged by the feed dogs, and if your machine drips oil, it will not wash out.

For all other types of cloth, you can stitch this up either by hand or machine.


    IMPORTANT NOTE BEFORE SEWING:

    Remember, if you have embroidered your cloth, that you must line up the design from each section to each other section to be certain that the picture is straight across the seams.


When I sew mine, I proceed in this order:

Sew the center back seam from top to bottom.

Sew the front and back together across the shoulder seams. I do this by pinning the right from to right back, and sew from the side seam across to the center. Than repeat this step for the left side, again stitching in from the side to the center.

The next step is to attach the sleeves.

    It should be noted here, that I use Japanese silk, which has a selvage on either side of 15" width, thus eliminating the need for hems on the sleeves. If you are NOT using Japanese silk, than you will need to hem, both wrist and shoulder edges of each sleeve section.

    AND you will need to hem the side seams of the kimono, starting at the bottom front edge stitching up to the shoulder and than down to the bottom back edge. If you have cut the side seams on the selvage than this step is not needed.


I do not hem the sleeves and side seams because I use 15" wide silk. If you do hem the sleeves and side seams, you well need to use a hand rolled handkerchief hem. So wither you have needed to hem or not, the next step is to attach the sleeves.

To attach the sleeves you need to have a space of floor, where you can spread out the entire kimono, flat on the floor, right side up.

Fold the sleeve piece in half, wrong sides together, put a pin at the center fold. Unfold sleeve piece, and lay it on top of the kimono, rights sides together, lining the pin up with the shoulder seam. Stitch from the shoulder seam to the back, stopping after 7". Next stitch from the shoulder seam to the front, stopping after 7".

Repeat with the other sleeve.

Next sew sleeve closed. Turn kimono wrong side out. Measure from the center of the cuff down 7" and mark with a pin. Stitch from the pin, down to the bottom edge of the sleeve. This will leave a cuff opening 14" around. Continue stitching across the bottom of the sleeve. You may leave the back side open, or stitch it half way to the top, creating a "pocket" sleeve.

Now sew the side seams. With kimono wrong side out. Measure and pin, 4" below the sleeve (leave this section open and unstitched.) Start at the 4" mark and stitch down to the hem.

...front panel and collar steps being edited, will return shortly...

The last step is to hem the bottom edge. How much you hem it is personal preference. Traditionally, the hem is a hand rolled handkerchief hem, under 1/4" wide. Your kimono should be long, extending 2" - 4" past your feet. It will lose this length when belted up, and will fall to your ankles.

And now you should have your kimono finished and ready to wear.

Great Kimonos on eBay 

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Noh Kimonos on eBay 

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Antique Kimonos, Momoyama Period, 16th century

Spotlight on Kimono History 

NORIO YAMANAKA was born in Shiga Prefecture in 1928. In 1964 he founded the Sodo Kimono Academy, the first institute of its kind to encourage the wearing of Japan's national dress in everyday life. His philosophy is that wearing the kimono properly depends as much on the person's inner nature as on
the garment itself. His movement has spread throughout Japan, and more than five million people have been taught how to wear the kimono by the fifty thousand consultants the academy has graduated.

Mr. Yamanaka was appointed chairman of the All Japan Kimono Consultants Association when it was formed in 1969. He is the author of several books on the kimono in Japanese, and since 1970 he has annually led delegations of more than a hundred members each, traveling to forty-five countries in Asia, Europe and North and South America to familiarize other people with this form of dress. In 1980 and 1982 he was invited to the United Nations headquarters in New York, where he lectured and gave demonstrations on the theme of the kimono and Japanese culture.

The Book of Kimono

Amazon Price: $18.48 (as of 12/08/2009)Buy Now
List Price: $28.00
Used Price: $6.00

This practical and attractive book makes available for the first time the basic knowledge and vocabulary needed to select and put on a kimono and obi.

Whether for women or men, all kimono are cut and sewn essentially from a single pattern, but a number of variations must be considered, depending on the occasion. Guidelines are given to making these choices, and the way to dress in a kimono, from the preliminaries to tieing the bustle sash, is
described in detail and fully illustrated. For women, there are formal kimono, obi and accessories, and the lightweight summer yukata; for men, the yukata and the ceremonial ensemble of kimono, haori coat and hakama skirt. Children's kimono for festive events are also described.

Kimono fashions have evolved over the centuries in response to varied influences. Today modern innovations are making the wearing of kimono at home and elsewhere an attractive alternative to Western garments. These are included here, along with a discussion of aesthetics, the history of the kimono, and the meaning that kimono culture can have for wearers and admirers throughout the world.

Release Date: 12/31/1969

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Vintage Embroidered Kimono

Kimonos on eBay 

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Great Kimono on eBay 

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Reader Poll: Why a Kimono? 

Below I have listed the possible reason why you might want to make a kimono, listing them from cheapest to most expensive to make. So, why are you making yours?

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Japanese Kimono Design Techniques 

Japanese Kimono Design Techniques
Japanese Kimono Design Techniques

one-of-a-kind kimonos shown on our Vintage Japanese Kimono pages have been decorated with a wide array of traditional techniques, each with distinctive characteristics that encouraged imaginative imagery.

The Kosode
The Kosode: a Japanese garment for the SCA period. This article exists to fill a perceived gap in Japanese portrayals in the SCA.
Yes, modern kimono are beautiful, but they're, well MODERN, and do not, in my mind, constitute a reasonable attempt at pre-17th century dress. We can do so much . . .

Dyeing and Hand Painting 

...this section is still being written, coming soon...

Spotlight on Shibori Dyeing 

Shibori for Textile Artists

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Shibori is the Japanese term (from the word meaning "to squeeze or wring") for the dye-resist technique of binding, clamping or gathering the cloth so that the dye cannot reach certain parts. The result is a most powerful combination: a carefully structured design with the organic freedom of the unpredictable.

One of the richest textile traditions in the world, shibori has been used in Japan, Africa, India and South America for centuries to create vibrant color, bold patterns, and intricate motifs. In recent years, a resurgence of the art has revealed its full potential. Janice Gunner's book is aimed at quilters, embroiderers and textile artists who want to master the techniques of shibori and to find ways of using the fabric for a range of textile applications.

The book begins with the historical and cultural background of shibori; then goes on to explain, with clear, precise instructions and diagrams, how to make a wide range of exquisite fabrics. Gunner covers many different techniques, including tied-resist, stitched-resist, wrapped-resist, clamp-resist, folded- and pleated-resist, as well as immersion, space and indigo dyeing. Stunning examples of shibori pieces appear throughout the book both to inspire and guide; and practical advice is given on incorporating shibori textiles into the reader's own quilted and embroidered work.

Release Date: 12/31/1969

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Detail of Vintage Japanese Kimono Embroidery

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Detail of Vintage Kimono Embroidery

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Detail of Vintage Dyed & Embroidered Kimono

Where To Find Out More Info: 

Marubeni
Marubeni official web site.This page offers you information about paintings by famous artists and beatiful kimonos owned by us.

Children's kimono for sale
Many of these kimono are more appropriate for display than for wearing. This is especially true for the boy's kimonos, which usually are quite small (for a 3 or 5-year old) and delicate (intended for ceremonies rather than play). Click on the thumbnail to view the enlargement or links in the description to see other views. To order, click the Order Link.

SUNTORY MUSEUM OF ART
"Noh costume, nuihaku type, with hydrangea design"(Click on the photograph for a larger image.)Center-to-sleeve width:66.0 Length:140.5
Edo period. Hydrangea flowers embroidered on white plain-weave silk rise dynamically from the right]hand hem toward the left shoulder. The area within the cluster

MARLA MALLETT
Vintage Japanese Kimono - 1 From the collection of MARLA MALLETT: TEXTILES HOME
The elegant Japanese kimono on these pages are one-of-a-kind works of textile art that can either be displayed or worn. A range of decorative approaches is shown in these kimonos . . .

Noh robe for woman's role
Noh robe for woman's role with design of fans and swirling water (Kanze-mizu) Embroidery and metallic leaf imprint on parti-colored satin damask. Marubeni official web site.This page offers you information about paintings by famous artists and beatiful kimonos owned by us.

"Kimono" Collection
Marubeni official web site.This page offers you information about paintings by famous artists and beatiful kimonos owned by us. "Kimono" Collection.

Outer robe (uchikake) with scenes of filial piety [Japan] | Work of Art | Timeline of Art History | The Metropolitan Museum of Art
In the late Edo period in Japan, warrior-class women often wore robes with classical or literary themes, Japanese or Chinese. Embedded in this robe's decoration of a winter landscape are visual references to the ancient Chinese Confucian legends of Twenty-four Paragons of Filial Piety.

Kimono Fabric, Kimono Pattern, How to Make a Kimono
Kimono fabric, kimono pattern and how to make a kimono.

Why Do We Reenact? ? In Defense of Hollywood / Articles / Reconstructing History > Uncompromising Excellence in Historical Clothing and Accoutrements for the Living Historian
Reconstructing History produces a line of dressmaker patterns geared towards re-enactors and makers of replica clothing. These patterns are exacting in historical detail and include copious notes of interest to the re-enactor and clothing historian. They . . .

Japanese Women in the Heian Period (794-1185)
It's cherry blossom time again in Kyoto and all thoughts turn to the heyday of the ancient capital (well, my thoughts do anyway). Heian-kyo, now known as Kyoto, was the capital of Japan and the imperial residence from 794 until 1868. For most of that period, the Emperor was just a puppet figurehead and the Shogun really ran the country. But back in the tenth century, Heian-kyo was the center of wealth, commerce, power, and style.

Kimono Hypertext: History
Kimono Hypertext: HistoryFrom the primitive Jomon period
through the Yamato, Asuka, Nara, Heian, Muromachi, and Edo periods, factors including climate,
life and customs of the Imperial court, laws, the development of
skills in weaving and dyeing, and the availability of materials have
influenced the . . .

How to Make a Kimono
S.C.A. - Barony of Bryn Gwlad Home Page

Miko - Wikipedia, the free encyclopedia
Miko From Wikipedia, the free encyclopedia Jump to: navigation, search
Miko at Aso shrine in Aso, Japan
Miko (%u5DEB%u5973, Miko? lit. "Shrine Maiden") is a Japanese term that anciently meant "female shaman, shamaness; medium; prophet" who conveyed divine oracles, and currently means "shrine maiden;

Encyclopedia of Shinto - Home : Officiants : Miko
A general term for a woman possessing the magico-religious power to receive oracles (takusen) from the kami in a state of spirit possession (kamigakari). Nowadays the term generally refers to a woman who assists shrine priests in ritual or clerical work.

The Costume Museum - The Rebirth of The Tale of Genji
the rebirth of the tale of Genji

A History of Japanese Clothing and Accessories
This site serves two purposes. The first is to provide as detailed an overview as possible on the history of Japanese clothing. The second purpose is to provide readers with the material to allow them to recreate the items of clothing and accessories.

In my study of Japanese history, I have long been frustrated over the lack of detailed information in English on what people were actually wearing. Also, as a re-enactor, I've felt the frustration of not being able to access enough information to allow me to recreate the outfits that had caught my interest.

Herein, I will provide as much historical reference material as will comfortably fit in the space allowed. In addition to information on what the various garments worn were, I will also detail as much as possible matters of sumptuary tradition and regulations.

Portraying a Japanese Buddhist Monk
Japanese Gardens and Aesthetics Portraying a Japanese Buddhist Monk in the SCA Garb
Sects
Monastic Life
Persona Play
Some Writings
Suggested Reading
Japanese Films Essential Dharma Folklore The Clan of Matsuyama SCA Resources
(The Chatelaine's Box) Links HOME
Portraying a...

Ookii.com
ookii.org Okinawa day 9 and 10
Home


Kimono Gallery - Vintage Kimono Online Shop Yamatoku
Vintage Kimono Online Shop YAMATOKU Corporation from Japan.We can send the items within 5 business days to all over the region!

Special Kimono for Sale
Special Kimono for Sale

Other Sites of Interest 

SCA: Briana's Clothing Page
I noticed that there was a definite difference between costumes and clothes. Costumes are usually created for a visual effect only and don't always include all the under-layers. (Theatrical costumes usually fall into this category.) They don't tend to last as long, showing age and wear quickly. Without the support of the under-layers, they tend to have more stress points, which lead to this wear. After being worn for a while, they begin to look like a Halloween costume. . .

SCA: The Kosode
The Kosode: a Japanese garment for the SCA period. This article exists to fill a perceived gap in Japanese portrayals in the SCA. Yes, modern kimono are beautiful, but they're, well, MODERN, and do not,in my mind, constitute a reasonable attempt at pre-17th century dress. We can do so much . . .

SCA Inc. - Information for Newcomers
SCA Home PageMembership -
Resources -
Society Officers -
Documents&Publications Kingdoms & Groups -
Activities -SCA Events
Resources and Information for Newcomers This page is aimed at helping newcomers to the Society for Creative Anachronism get started.
Many more links can be . . .

The Costume Page - Schools & Instructions
The Costume Page: Costuming Resources Online - Making and Wearing Costumes - Schools and Classes, Instructions and Techniques

SCA: Newcomer
Newcomer Information %uFFFD Welcome to the SCA!!!
This webpage is for folks who have
discovered the
Society for Creative Anachronism (SCA)
and are interested in getting involved.
The following articles are
presented to assist new members.


The SCA Without Breaking the Bank
A page for SCAdians who want to have fun without spending a lot of money.

Milieux: The Costume Site
Milieux: The Costume Site-web index for costumers and those interested in costume. History, images, research, musueums, instruction, organizations, events, and large source/suppliers listings

Misperceptions about Medieval Clothing
Misperceptions about Medieval ClothingPeople wore dull coloured clothesWhen you think of medieval commoners, you probably think of . . .

LARP Garb
Although some of these items have been designed based on historical documentation - from paintings to written records - our selection of garb is designed for LARP gamers, not necessarily to be historical reproductions. If you don't see what you want here, check out our custom garb order information.

Welcome to LARP.COM, your home for Live Action Roleplaying
LARP.COM, your home for Live Action Role Playing on the web. We have many sites related to LARPing, Live Action roleplaying, or just LARP in traditional Fantasy, Science Fiction, or even Contemporary settings. From the Camarilla to NERO, from the United States to Sweden and many other countries arou . . .

Costuming For Larger Figures
One thing in the SCA that you can count on is that we all have to clothe ourselves in our chosen garb. For some people, this is simple - those (especially females) who are a size 8-14.

For novice sewers, especially, the problems come when you have a larger figure to work with. Fear Not! - Madilayn is here to help you.

I really know what I am talking about here - I am not afraid to admit that I am a size 26-28 mundane size and I make my own clothes, and have been big all of my life. So, if you are sewing for yourself, or are going to make clothes for a larger lady, please read this. You may be an experienced sewer or just a confident person, and read this and say "I know that", but this is mostly aimed at those who are having difficulties, or just don't know where to start.

Lord Sesshomaru's Samurai Kimono

Featured Lenses: Other Lenses To Help You Out 

A Gallery of Kimono Photos on Flickr  

chikage753_2009 by renfield

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Lo-Mob Antique by simplyrikkles

Lo-Mob Antique

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Kimono

Kyoto (19 of 38) by Nizam Uddin

Kyoto (19 of 38)

Kyoto (34 of 38) by Nizam Uddin

Kyoto (34 of 38)

Kyoto (15 of 38) by Nizam Uddin

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Kyoto (25 of 38) by Nizam Uddin

Kyoto (25 of 38)

back from the baths, 12:30 a.m. by craigemorsels

back from the baths,...

hanging out with Skills Hak and Ellen Kimono by Torley

hanging out with Ski...

Ellen Kimono transforms by Torley

Ellen Kimono transfo...

Cardigan for baby Finlay by chatirygirl

Cardigan for baby Fi...

DSC02870 by kyty♥

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papachika753_2009 by renfield

papachika753_2009

Kyoto (28 of 38) by Nizam Uddin

Kyoto (28 of 38)

Kyoto (9 of 38) by Nizam Uddin

Kyoto (9 of 38)

Kyoto (2 of 38) by Nizam Uddin

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Kyoto (20 of 38) by Nizam Uddin

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Kyoto (35 of 38) by Nizam Uddin

Kyoto (35 of 38)

Kyoto (29 of 38) by Nizam Uddin

Kyoto (29 of 38)

Kyoto (37 of 38) by Nizam Uddin

Kyoto (37 of 38)

Kyoto (5 of 38) by Nizam Uddin

Kyoto (5 of 38)

Kyoto (23 of 38) by Nizam Uddin

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Kyoto (32 of 38) by Nizam Uddin

Kyoto (32 of 38)

Kyoto (14 of 38) by Nizam Uddin

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Kyoto (36 of 38) by Nizam Uddin

Kyoto (36 of 38)

Kyoto (33 of 38) by Nizam Uddin

Kyoto (33 of 38)

Kyoto (24 of 38) by Nizam Uddin

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Kyoto (21 of 38) by Nizam Uddin

Kyoto (21 of 38)

Kyoto (18 of 38) by Nizam Uddin

Kyoto (18 of 38)

Kyoto (38 of 38) by Nizam Uddin

Kyoto (38 of 38)

Kyoto (4 of 38) by Nizam Uddin

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Kyoto (31 of 38) by Nizam Uddin

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Kyoto (17 of 38) by Nizam Uddin

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Kyoto (8 of 38) by Nizam Uddin

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Kyoto (13 of 38) by Nizam Uddin

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Kyoto (6 of 38) by Nizam Uddin

Kyoto (6 of 38)

Kyoto (10 of 38) by Nizam Uddin

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Kyoto (16 of 38) by Nizam Uddin

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Kyoto (7 of 38) by Nizam Uddin

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Kyoto (11 of 38) by Nizam Uddin

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Kyoto (27 of 38) by Nizam Uddin

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Kyoto (22 of 38) by Nizam Uddin

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Kyoto (12 of 38) by Nizam Uddin

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Kyoto (26 of 38) by Nizam Uddin

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Kyoto (30 of 38) by Nizam Uddin

Kyoto (30 of 38)

Kyoto (1 of 38) by Nizam Uddin

Kyoto (1 of 38)

Kyoto (3 of 38) by Nizam Uddin

Kyoto (3 of 38)

DSC02896 by kyty♥

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  • Reply
    Chiisai Watashi Chiisai Watashi Apr 18, 2009 @ 10:49 am | in reply to Okinawa_Soba
    Hear, hear!
  • Reply
    Okinawa_Soba Okinawa_Soba Mar 30, 2009 @ 8:07 pm
    Hi ! I really like your site.

    Just a minor comment, and no big deal. Near the top you say, "....Americans use the word kimono, [and] they assume that they are talking about a garment worn in Japan, when in fact Japan HAS NO GARMENT CALLED A KIMONO..."

    For some styles of "Kimono" (but not all, of course), the Japanese will use the generic KIMONO instead of saying the specific type. For example, most Japanese wouldn't say. "OH, what a beautiful FURISODE!!!". Instead, they would say "What a beautiful KIMONO !!!" --- even though they know it's furisode. On the other hand, they would not ask for a KIMONO when they wanted a YUKATA.

    Things aren't always ridged in the use of the word KIMONO. Although foreigners do use the term too broadly and incorrectly at times, the Japanese themselves prefer the generic word KIMONO instead of specific terms for many styles in casual conversation.

    Because of this, a visitor to Japan would conclude that there IS a garment called a KIMONO.

    Thanks.
  • Reply
    charlino charlino Feb 16, 2009 @ 8:27 pm
    The kimono is one of my favorite fashion designs.
  • Reply
    Northernista Northernista Jan 31, 2009 @ 11:24 am
    Very, very nice lens, thank you!
  • Reply
    EverythingMouse EverythingMouse Nov 19, 2008 @ 4:46 pm
    A beautiful lens with great content.

    You have been Blessed by a Squid Angel
  • Reply
    Seiaeka Seiaeka Oct 9, 2008 @ 6:44 pm
    I am also making a Sesshomaru Costume, but my intent is to dye the sleeves and other necessary parts and then add the crest embroidery ontop of it.
    Though I will most likely be using cotton for the whole process as I cannot afford silk.
    Will there be more detailed instructions on the sewing of the kimono and a process for dying sections of the fabric? As well as instructions for people using wider fabrics, since I will be using 60" most likely.
    Image references added to the textual sewing instructions would be extremely helpful.
    We should both share our costumes when they are done, though I think mine will also take a few years to complete as well. ^^;
    Is it recommneded to do dye and embroidery combination for this project?
  • Reply
    BigGirlBlue BigGirlBlue Oct 6, 2008 @ 3:00 am
    Wow, incredibly detailed. There's so much here it's practically a website. I now know for certain that I won't make one but they are incredibly beautiful and I envy anyone who creates one. Beautiful.
  • Reply
    EelKat EelKat Jul 10, 2008 @ 1:34 am
    updates still ongoing... sorry it's taking me so long to get this one finished. Just letting you know I haven't forgotten. Added new info today, more coming soon.
  • Reply
    EelKat EelKat Mar 26, 2008 @ 7:47 am
    This lens is undergoing some major edits and updates so it might look a bit skimpy for a bit while I move things around, but I'll have the content back up soon. I'll let you guys know when I'm done with the updating, by sending out a squid cast about it.

CosPlay, Costume Making, and Historical Reenactment - Recent Contributions - Zimbio 

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