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Creating a Fantasy Realm

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Creating a Fantasy Realm

 

Are you writing a fantasy novel? Have you joined NaNoWriMo and don't know what to do next? Do you know where your characters live? Need help creating that new world? You can find help here! On this lens are some things that I do when creating a new world.

Level of Reality 

When writing fantasy, you must ask the reader to suspend their judgment of reality and step into a world different from their own, but how do you decide how much belief they well need to suspend?

Well, for me, it depends totally on the story I am writing. If it's a more space opera sci-fi fantasy on another planet with aliens and space ships, than I don't bother clinging to any reality at all and let anything go, but if it's a historical fiction type fantasy, like the NaNo novel I'm writing this year, where the hero stumbles upon a lost civilization that hasn't changed in a thousand years, than I try to stick with a lot of the historic facts about real people from ancient history, so that my readers well feel they have stepped through time right along with my hero.

For me it just depends on where I want to story to go and how far I want to send my readers into the depths of pure imagination, so it's different with every book I write.

What about you? Before you can write your story, you must create your world. Before you can create your world you must ask yourself: What level of reality do I want to keep? How far well I ask my readers to stretch their imagination for the sake of my story?

Realm of Golden Trees

What is you world like? What does your world look like? What lives in your world? 

The questions in this section could apply to your entire planet, or just one city... your world, your choice.

  • Does it look like earth, with mixed realms, deserts, swamps, forests, fields, jungles, seasons, warm, cold, everything all mixed together on one planet?

  • Is it a single environment realm: ice realm, fire realm, swamp world, sandy wasteland, other?

  • What type of people live there? Do they resemble humans? Alien insects? Reptilian? Green skinned humanoids? Faeries?

  • What type of animal life is in your world? Mammals? Birds? Insects? Fish? Reptiles? A little of each? A lot of one and none of the others?

  • What kind of plant life is there in your world? Lots of lush greenery? Are plants rare? Plentiful? Fruit bearing? Thorny? Pretty but deadly? Edible? Poisonous? Are plants "alive" and eat people?

  • Is there much water in your world? Large oceans or only small streams in a sandy wasteland?

  • Are there many forests or is the woodland quickly disappearing?

World History Atlas 

World History Atlas

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Revised and updated to include recent archaeological discoveries and historical events, the World History Atlas is the most wide-ranging portrait of world history ever published. Combining state-of-the-art cartography with historical information and detailed regional mapping, this is a compelling look at the human journey.

Release Date: 12/31/1969

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Timelines of World History 

Timelines of World History

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Depth is ruthlessly sacrificed to breadth in this atlas of world history. The material is arranged in separate timelines-for Asia, Africa, Europe and "Americas and Australasia"-running vertically down facing pages, with supplementary maps and short sidebar essays. The format is meant to give these regions equal representation and facilitate comparative history by correlating at a glance contemporaneous events across the globe. Unfortunately, while some developments-such as the early spread of agriculture, technology and cities-are occasionally illuminated by this approach, it is almost always historically incoherent. The division of timelines by continent is particularly thoughtless. Events in the Roman Empire are confusingly split up between Asian, African and European timelines, while the Asia timeline jumbles together the journeys of St. Paul with news from Han China. The "Americas and Australasia" timeline stays blank for pages on end as empires rise and fall elsewhere, taking up space better used to flesh out other too-terse entries; its spurious continuity implies that the United States is more an outgrowth of Olmec history than European history. While possibly of value for quick reference, the graphical juxtaposition of factoids presented here is no substitute for skillful narrative synthesis. Photos and illustrations throughout.

Release Date: 12/31/1969

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Fantasy Art

What about your population? How well do you know them? 

For this section you should focus on one specific area and not the entire planet. Say the city/village where your story takes place.

  • What type of peoples live here?

  • How long have they lived in this place?

  • How did they get here?

  • What do their homes look like? Are they small grass huts or huge stone palaces or something in between?

  • What is the economy like?

  • What is the average income level? What percent of the population is poor? What percent is wealthy?

  • What type of currency do they use? Shells? Beads? Gold? Nuts? Livestock? Coinage? Paper?

  • What are the local trade goods? Timber? Fish? Eggs? Weapons? Corn?

  • What is family life like? Large families with lots of children? Small families with one or two children? Multi-generational families with grandparents, aunts, uncles, and cousin all under one roof?

Creating Characters: How to Build Story People 

Creating Characters: How to Build Story People

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Vibrant, believable characters help drive a fictional story. Along with a clever plot, well-drawn characters make us want to continue reading a novel or finish watching a movie. In Creating Characters, Dwight V. Swain shows how writers can invent interesting characters and improve them so that they move a story along.

Release Date: 12/31/1969

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Haven't Created Characters Yet? Create Them Now! 

Creating Characters with Personality 

Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels

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From Snow White to Shrek, from Fred Flintstone to SpongeBob Square-Pants, the design of a character conveys personality before a single word of dialogue is spoken. Creating Characters with Personality shows artists how to create a distinctive character, then place that character in context with a script, establish hierarchy, and maximize the impact of pose and expression. Practical exercises help readers put everything together to make their new characters sparkle. Lessons from the author, who designed the dragon Mushu (voiced by Eddie Murphy) in Disney's Mulan-plus big-name experts in film, TV, video games, and graphic novels-make a complex subject accessible to every artist.

Release Date: 02/01/2006

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UnderSea Realm

How do your characters act? Culture and Rituals in your world. 

  • What types of religions do they practice?

  • What types of gods are believed in or worshiped? One god? Many gods? Nature gods? Ancestor gods?

  • What constitutes a marriage in your world? How are the weddings preformed?

  • How do people dress? Does everyone dress nearly the same? Do different income levels determine dress code? Does age affect what they wear? Do young people dress "different" to be rebellious?

  • What holidays or holy days to people celebrate? What about birthdays and anniversaries?

  • Where do people go for medical help? A wise woman? A doctor? A witch? A shaman? An herbalist?

  • How do people travel? On foot? Horseback? Camel? Elephant? Bike? Motorcar? Train? Plane? Hovercraft? Jet pack? Giant Butterfly? Teleport?

  • How to they care for their dead? Do they have funerals? Paid mourners? Burials? Crypts? Tombs? Pyramids?

  • What do your people value most? Food? Gold? Gemstones? Water? Livestock? Artworks? Antiques? Shells? Dragon's teeth? Warm blankets?

  • What foods are customary? How do they eat their food? Raw or cooked? With their hands or with forks? Fruits and vegetables or meats and fish? Do they grow it themselves or buy it in stores?

Peoples of the World : Their Cultures, Traditions, and Ways of Life 

Peoples of the World : Their Cultures, Traditions, and Ways of Life

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Long viewed as an authority on exotic peoples, National Geographic has drawn together a dozen leading experts to explore for the first time the astounding array of cultures still surviving on Earth, even as many are threatened with extinction.

Spectacular photographs and compelling essays by such notables as Harvard-based anthropologist David Maybury-Lewis, archaeologist and writer Brian Fagan, and National Geographic Explorer-in-Residence Wade Davis, reveal how people define themselves, their cultures, and their worlds. And an exhaustive reference list of hundreds of cultures worldwide will help readers place ethnic groups in the most remote corners of the globe. Extensive, specially commissioned maps detail the topography and help explain how people develop culture in response to their environments.

In thought-provoking text, these experts not only examine the diversity of these cultures and the regions that produced them but also the notion of ethnicity itself-its impact on history; the effects of immigration on ethnic identity; and the threats facing many of these marginal cultures.

Release Date: 11/01/2001

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Marriages in Fantasy or Sci-Fi? 

Should they be like marriages in the real world?

Have you ever read a science fiction or fantasy book, where nothing is at all like our human world as we know it, and than it ended with a blatantly Christian marriage ceremony (often with a priest, vows, and rings) and the couple living happily ever after? What's wrong with this picture? Alien world... everything is different, than suddenly BAM! a wedding straight from our world? huh? What gives? Does this ever bother you? Why do writers put so much details into creating their world, yet none into creation a non-human marriage?

In my sci-fi books my aliens live on earth and have adopted several earth customs, however marriage was not one of them. They use the words husband and wife because otherwise humans wouldn't understand them, but never have I ever included a wedding or a ceremony or a church/priest etc. It bothered me that these people who were so different in other things would suddenly get married in a traditional human-style wedding.

Likewise my fantasy characters are rarely human, and more often faeries (usually Sirens or Phookas), and like my aliens, they do not follow after human traditions.

Here are things you will never find my sci-fi/fantasy characters with/doing:

setting foot inside a church
worshiping God/fearing Satan
getting married
wearing wedding rings
celebrating family holidays (birthdays, anniversaries, etc)
celebrating human holidays (Christmas, valentines, Halloween, etc)

How do I deal with this in the stories?

setting foot inside a church

Well, it is not unusual for them to puzzle over human rituals, one of my characters may go to a human church to find out why human go there, but than he will be very confused over the fact that the human god requires humans to talk (pray, etc) to him in a building built by the hands of man... they will ask, that if the human god is so powerful, why would he cower in a building built by the inferior humans

I do have one alien character, who raised with strict Christian humans, grew up o become a powerful, brutal, and very dangerous cult leader, starting his own "church" and slaughtering all "evil humans" in the name of a snake god, which he later began to claim he was that god. I had this happen, because aliens are not humans and think differently than humans and therefor could not understand talk about blood sacrifice that is so widely preached from the Bible, and therefor the used Moses' book of Leviticus as the basis of there cult, and followed it's instructions on blood sacrifice to the letter... when humans complain that the aliens shouldn't be sacrificing humans, the aliens become confused and deeply puzzled and point out that they are only doing what the humans' instruction book (the Bible) told them to do

worshiping God/fearing Satan

my aliens come from a galaxy that has no "gods", they have no concept of worshiping gods or fearing demons, they practice no sacrifices, they preach no scripture, they quote no prayers, they do not sit around waiting for a god to protect them

my faeries likewise follow no gods or demons nor have a concept for doing so

getting married

often my characters (both alien and faerie) well say they are married, but rarely they are married has humans call marriage... my main character (in several books) for example has had 4 wives, the first of whom he idolizes to the extreme, and when she dies he moans her for the rest of his 500+ years. I had a story where he was required by a human law to give the humans a copy of a marriage certificate, at that point he was at a loss, because he had never heard of a marriage certificate and had no idea what the humans were asking for. When the humans said that it was a piece of paper that proved he was married, he responded with an answer that she had borne his children, therefor they were married. This resulted in an uproar from the humans, who than wanted details of the wedding ceremony, the church, the priest, etc... my poor confused alien had no idea what they were talking about and in the end the humans came to the conclusion that my alien was never married in spite of his claims that he was, because no ceremony had ever been preformed and the children were born out of wedlock.... to which my alien scuffed at the humans and there silly unimportant rituals and said their inferior laws didn't apply to him since he wasn't human anyways... he continued to maintain that he was married.

wearing wedding rings

the above mentioned alien and his wife never had wedding rings... though he did at one point, around the time that he first began to call her his wife, give her a very large ruby hung on a pendant... the ruby later on became very important to the story, as it was stolen after her death, and he went crazy trying to track it down and get it back... though it is never actually said in the story, it is assumed/understood that it was upon giving her that ruby that he claimed her as his wife, and therefor, on his home planet there must have been some tradition of giving the "bride" a stone of some sort to symbolize that she was "claimed" or married. I have used this stone giving with other alien couples from this same planet, though this was the only time I used a ruby. Other times I used sapphires, emeralds, or opals. This character is said to be the wealthiest man on his planet, he is the son of a king, and therefor the ruby was something that had more value than anything else he (or anyone else on the planet) owned. It seemed that he man had a stone of great value, which told others his standing in the community, and would trust no one to touch it... by giving it to a woman, he told the world, he valued her as much as the stone: in other words he was saying "she's mine, touch her and die"

celebrating family holidays (birthdays, anniversaries, etc)

my aliens and faeries rarely know how old they are or how many years they had been married... they remember dates with events... such as: he was born during the great war

celebrating human holidays (Christmas, valentines, Halloween, etc)

like other things humans do, my aliens view holidays as foolish and trivial rituals

Living Tribes 

Living Tribes

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The dignified and beautiful photographs capture the universal essence of humanity and the sweeping majesty of our environment. Informative introductions explain the cultural context of the images -- how tribal cultures evolved and the various threats to their existence.

This book is a tribute to humanity's relentless spirit to survive and thrive even in some of the most hostile conditions on Earth.

Release Date: 12/31/1969

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People Around the World 

People Around the World

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This volume presents the cultural, social, and economic aspects of selected countries and explains the geographical reasons for their uniqueness. At the same time, the author emphasizes the interaction of world cultures, their influences upon each other, and the inevitability of globalization. The chapters are arranged by continent, each prefaced with a map. Within each one, several nations and/or regions are examined in sections of varying length. For example, for Asia, 7 countries and 4 regions are examined, 14 pages are devoted to information and photos of South America in general and another 2 to Brazil, while the continent of Africa is broken down into 5 areas. The U.S. receives the most attention. Brief historical background is offered for the chosen places and large color photographs depict urban and country scenes, technological achievements, or cultural aspects (often showing a traditional costume). At the end of each chapter, boxes note important statistics for each country and include a small color picture of the national flag. The writing is clear and engaging and the statistical information is useful. There is a seven-page index and an extensive acknowledgments page for the photographs, but no sources for the statistics. While the book will be of limited use for reports, it's a browser's delight.

Release Date: 10/15/2002

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Icy Fantasy Art

I don't want horses, so... 

So you are writing fantasy, but your world doesn't have horses so what do you do? A lot depends on your type of fantasy... is it based on reality or complete fantasy? Do you want real animals or mythical beasts?

Here are some real animals you could consider:

    camels
    llamas
    kangaroos
    elephants
    taper
    tigers
    lions
    jaguar
    wolves
    oxen
    sharks
    crocodile
    kamodo dragons
    rhinos
    hippos
    zebra



Here are some mythical beasts they could use:

    dragons
    kelpies
    hydra
    unicorns
    sea monsters
    Cerberus (3 headed dogs)
    roc/rook (giant eagles)
    minotaur
    basilisk
    cockatrice
    amphisbaena
    phoenix
    Phookas
    griffins
    hippogriffs
    centaurs
    sphinx
    Pegasus
    bunyip
    phookas
    kracken
    frost giants
    chimeras
    hippocamps
    manticore



If you are unfamiliar with any of these creatures, search for them by name on Google or Wikipedia and you'll find tons of info about each one.

 

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The human mind needs monsters. 

In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures.

Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors

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Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations.

Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.

Release Date: 12/31/1969

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Does your world have fantasy creatures? If so what kind? 

  • Does your world have dragons? If so, what type? How big? Do they talk? Are they friendly or fierce? scaly? Winged? Feathered? Where do they live?

  • Are there any water sprites? If so, what type? Mermaids? Merrows? Sirens? Kelpies? Sielkies? Greenwitches? Swampies? Are they good? Evil? Friendly or human eating? Freshwater, saltwater, or both?

  • Any little people? Gnomes? Elves? Dwarves? Leprechauns? Pixies? Flower Faeries? Browings? Goblins? Are they good? Mean? Do they grant wishes?

Need Help Creating Fantasy Creatures? 

Wonderland

 

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What is Fantasy? 

Fantasy is a genre that uses magic and other supernatural forms as a primary element of plot, theme, and/or setting. Fantasy is generally distinguished from science fiction and horror by the expectation that it steers clear of technological and macabre themes, respectively, though there is a great deal of overlap between the three (collectively known as speculative fiction).

In its broadest sense, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent works embraced by a wide audience today.

Mushroom Forest

Mythical Birds and Beasts from Many Lands 

Mythical Birds and Beasts from Many Lands

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The creators of Magical Tales from Many Lands (Dutton, 1993) offer folktales and lore about mythical beasts, from unicorns, mermaids, and dragons to thunderbirds, nagas, and phoenixes. The 10 stories are from a variety of cultures and are narrated in an informal yet smooth storytelling style, often with light, effective touches of humor. Mayo makes a curious choice in her retelling of the story of the Minotaur, however; the princess Ariadne leaves Theseus due to seasickness. In most versions of the myth, Theseus abandons her under orders from one of the gods or goddesses. Mayo's source notes are virtually impeccable, incorporating information to enhance the story as well as at least one specific source for each story, except for the tale about the Minotaur. Ray's distinctive textured paintings are lush and full paged, with plenty of motifs, borders, and smaller illustrations scattered across the pages. The earthy palette adds mystery and magic to the text, and her restrained use of gold highlighting is, as always, highly effective. The large physical format with clear type and lots of white space is particularly appealing. Perfect for independent readers or reading aloud, this collection will also have wide appeal among storytellers.

Release Date: 12/31/1969

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You Can Find More Help For Writers At These Lenses Too 

Links to Sites That Might Help You Build a Better World 

Fantasy Worldbuilding Questions Part 1
Questions to help the fantasy writer create a believable imaginary setting.
Magical World Builder's Guide
Magical World Builder's Guide
By, Stephanie Cottrell BryantNavigationBasic
Worldbuilding Checklist
"Whats needed to build a world?"
Niven's laws - Wikipedia, the free encyclopedia
Niven's laws From Wikipedia, the free encyclopedia

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Copyright Info: 

The content of this lens was created by Wendy C. Allen compiled from posts on EK's Star Log, the official blog of author and artist Wendy C. Allen, a.k.a. EelKat. Reprinted here on Squidoo with permission.

EK's Star Log Copyright © Wendy C. Allen 2005-2007. Star Log, Space Dock 13, The Twighlight Manor Press, Moonsnails, Buried Treasure, Copper Cockeral, and Xavier's Nest Copyright © Wendy C. Allen 2005-2007. Twighlight Manor, EelKat, White Rock Asylum, Planet Ptarmagin, Crystonite Chronicles, Etiole, Sir Roderic, The Swanzen Family, and all other related characters, info, writings, names, images, and content Copyright © Wendy C. Allen 1978-2007.

All content written and designed by Wendy C. Allen unless otherwise stated. No part of this site may be reproduced or transmitted without the express permission of the author. All rights reserved.

Reuse of these names, characters, writings, and images are not allowed without prior authorization.

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Ener-G

I was leaving a comment in your lens on NaNoWriMo about my fantasy to someday write Fantasy, then saw this lens about it! Very exciting and great info. Thank you.

Posted October 09, 2008

Tiddledeewinks

I nominated this for LOTD. Love the pics!

Posted September 02, 2008

EelKat

Well, with NaNoWriMo coming up again soon, I'm in my planning stages. Two years ago I did aghast-horror-romance-fantasy set in old day America, last year it was adventure-romance-fantasy set in ancient Maya/Inca backdrop.... this year? Momoyama (Medieval) Japan! So I'm doing pretty good I think: 3 years running in fantasy and not a Euro style setting in sight! YAY!

---------------------------
Before you publish your NaNoNovel be sure you read this:
Publishing Methods

Got suggestions for the best fictional men ever? I'm making a list and most of my choices got crossed off! I need ideas for more.

Posted August 24, 2008

EelKat

@B7T

Wow... you think this lens is long? It's one of my short lenses! There's only about 4,000 words here, most of my lenses average in the 10,000 to 20,000 word range.

Posted August 24, 2008

B7T

(I had so much to say, I had to start another blurb!)

I wanted to add something else for you to consider, that I used to wonder at while watching Star Trek: How come Earth has so many cultures, and the people on other planets seem to have only one? Wouldn't you think their cultures would be just as diverse?

Also, I invite you to join my Steampunk Enthusiasts group; I'm admitting lenses on topics that might be useful for creators of speculative fiction of all sorts! (Who knows? If it becomes popular enough, maybe you will find some of those "on-topic" lenses there that you could lensroll here!)

Posted April 14, 2008

B7T

Excellent information! (The lens is so long, though; you might want to add a Table of Contents module or two!) I've encountered stories in "alien" settings where some element resembled Earth culture more than it should have. But consider this: A truly alien story would have to be written in an alien tongue created as part of the cultural setting, and I don't think most people would want to go that far! So it's not unexpected that people would take shortcuts in other regards, so that the audience could more easily follow the story! And even if you did want to make a parallel with Earth culture, it's odd that a modern Christian marriage ceremony would be imitated so often, when there are certainly a number of other historical and cultural variations from which to choose!

Posted April 14, 2008

NeonZeppelin

This is a great! Thanks for the helpful lens!

Posted April 02, 2008

amandaquerque

Another excellent informational addition to the BIG LENSES group!

Posted March 28, 2008

Tiddledeewinks

I don't write books, just squidoo lenses now!

Posted March 21, 2008

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