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Setting Dichroic Glass in Art Clay Silver, Precious Metal Clay, ACS, PMC, Metal Clay

1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic (by 47 people)   Your rating: 1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic

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Silver Clay and Dichroic Fused Glass, A Match Made in Heaven

 

I love the shimmer & sparkle of fused dichroic glass. I also love the cool sheen of pure silver. When the two are combined, it's truly a match made in heaven. The color and sparkle of the glass adds dramatic impact to the silver. The silver provides a beautiful background for the vibrant glass. With metal clay, it is super easy to create fabulous, one of a kind pieces that are eye-catching and beautiful. My intention in writing this guide is to provide guidance for those of you who might want to delve into the world of metal clay and glass.

Make something beautiful, it will bring you Joy!

I have lots of items for sale for both fusing glass and working with metal clay. Check my shop out at heartofthefire.etsy.com You can also check out my main website at artandsoulct.com

Getting Started 

Basic Information you need to know.

There are two types of Silver Clay, Art Clay Silver, which is the brand I use, and Precious Metal Clay, or PMC.

Basically, microscopic particles of silver are embedded in an organic binder which forms a putty like clay that can be rolled, stamped, molded, sculpted, carved, brushed, etc. After drying, the clay is fired with a torch, in a kiln, or on a gas stove. The organic binders burn away, and you are left with pure silver. After firing the piece needs to be wire brushed, burnished or polished in a tumbler to bring out the true beauty of the silver.

I work exclusively with Art Clay Silver 650/1200 lowfire slowdry clay. I like it the best because, in my opinion, the slower drying time allows for more creative freedom, and the low firing temperature is best for combining the clay with glass or stones. It also has the lowest shrinkage rate.

First of all, to incorporate glass into your metal clay work, you do need to fire in a kiln. Glass is very durable if it is heated and cooled in a controlled manner, but is fragile and will crack from stress if it is not annealed properly or is heated unevenly. I like to use a kiln with a digital readout, though you can work with a pyrometer instead. I use the Paragon Caldera kiln for both my fusing and metal clay. It retails for $695, and is well worth the investment. I sell it for $540. It is fully programmable and expandable so is a great starter kiln. It runs on regular 120 volt electricity. If you are serious about making jewelry with silver clay, and want to work with stones and fused glass, it is a great thing to have. There is a smaller kiln, the firefly, which I also sell for $340 for the base kiln. This kiln comes either manual or with digital programming. The programmable kiln is almost as much as the caldera, so I recommend the caldera if you are going to go with a programmable kiln because it is more versatile. The firefly is great if you are only going to do metal clay and small glass cabs, but if you want to expand into fused glass dishes, bowls, drop ring vases and more, the Caldera is better.

Alternatively, there may be craft centers in your area where you can have your pieces fired for you. I have a studio here in Windsor, CT, where I teach glass fusing and metal clay and I provide firing services to my students and customers for a small fee, so there is likely someone near you who would be willing to do the same if you are not yet ready to invest in a kiln. You can check out bead shops, art studios and craft centers, and maybe even some schools.

What You Need 

A list of Materials

  • Silver Clay of Choice
  • (I personally recommend Art Clay Silver slow dry lowfire)
  • Fused Glass Cabochon of Choice
  • - If you do not fuse glass yourself, you can purchase cabochons from me. Just email me and I can let you know what I have available and how much they would be. I also sell a fused glass kit for making your own at my Etsy shop heartofthefire.etsy.com If you live in the CT area, I teach classes in fused glass. You can view my class schedule at artandsoulct.com
  • Olive Oil
  • to lubricate hands and tools
  • PVC Pipe
  • to use as a rolling pin for the clay
  • Teflon Sheet
  • Waxed Paper, or other surface to work on that will release the clay easily
  • Rubber Stamp
  • texture plate or other means of applying texture to the clay
  • Vegetable oil spray
  • for spraying molds or stamps prior to impressing the clay
  • Cutting tool
  • exacto, needle tool, or other tool to cut the clay
  • Slip or Syringe
  • of Silver Clay, Slip is a paste of silver clay and water. Syringes filled with slip are very handy to have and are also available for sale at my store, Metal Clay Magic, but you can easily mix slip by putting clay scraps in a film canister or small jar with a little bit of water (distilled is best, but you can use tap) and mixing them together.
  • Brushes
  • Carving tools, & whatever else you would like to use to impress, shape or carve the clay

    Directions 

    Begin by having a design in mind. You can do pendants, rings, pins, bracelets, anything you want.

    Once you have an idea, oil your hands and the roller. Begin by cutting off a suitable size piece of clay. You want to have a strong enough base for the glass to be supported, without wasting clay. Using cards as guides, roll out your clay to an even thickness. If you are using thick cards, three card thickness is fine. You can then impress it with texture by spraying a rubber stamp or other texture item with the vegetable spray and then pressing into the clay. I like to place the clay onto the stamp or texture plate and roll the clay onto the stamp with my roller to get an even & deep impression. Alternatively, I will put the stamp or texture plate on the clay and then roll over the stamp. This works best if it is a shallow, intricate design.

    Decide where you want to place your glass piece on the object before you cut out your design to make sure there is enough room to support it and for the piece to have good proportions. Then use your exacto, blade or other cutting tool to cut out the shape of the piece. Roll up your scraps and put them back in the original packaging with a wet piece of paper towel to keep the clay workable.

    Next, press down on your glass piece to make an impression of its shape. Remove it and use your cutting tool to cut out the clay where the glass will be going. Cut just inside the impression of the glass so there is some clay for the glass to grab onto. This saves on clay and also gives the glass a stronger "seat" in your piece. Put the clay you cut out in with your scraps, or use it to make a bail or decorative elements for your piece.

    Place the glass back on the piece and press it down. Now you want to create a bezel, either by creating a thin coil of clay, or squeezing an outline of slip around the glass.

    Complete your project 

    If you are using a syringe, you can squeeze out a line of slip at the very base of the glass, making sure it adheres to the background piece of clay as in this image. If you don't have a syringe, no problem. make a thin coil of clay, brush some slip on your background piece, and adhere the coil to the background around the base of your glass.

    Once your glass is adhered, you can decorate your piece by adding balls, coils, or pieces of clay, carving into the clay, squeezing syringe clay, whatever your heart desires.

    If you are making a pendant, you need to consider how you will hang it. You can either put a hole at the top, or create a bail with clay.

    Once your design is complete, let it dry thoroughly, do any sanding or smoothing you feel necessary, clean off the glass cab with a cotton swab dipped in alcohol, and then fire it.

    I fire to 1250 degrees farenheit, then turn off the kiln and let it cool slowly to allow the glass to anneal. I usually let the kiln cool overnight and open it in the morning.

    To finish the piece, I wire brush it, being careful around the glass, and then tumble or burnish the silver. The tumbler does not harm the glass.

    I hope this guide helps you to explore the creative and wonderful worlds of both metal clay and dichroic glass. Remember to have fun and enjoy the process.

    If you have any questions, you can feel free to contact me at lisel33@sbcglobal.net. I sell all the tools and materials you need to get started. There is also a lot of information on the artclayworld.com website.

    Dichroic Cabs and Glass Fusing Kits 

    I sell pre-fused glass cabs, metal clay, and kits for fusing, as well as kilns & tools to help you get started.

    I have a wonderful glass fusing kit that is perfect for creating glass cabs. It contains 1/2 pound of precut glass in a variety of colors and shapes, including a great selection of dichroic. I also include easy instructions. All you need is a kiln. The fusing kit is only $25 plus shipping. I have lots of items for sale for both fusing glass and working with metal clay. Check my shop out at heartofthefire.etsy.com

    I also teach a variety of classes and workshops in metalsmithing, fused glass, metal clay, mosaics and more. I teach in CT and other locations. To view my current schedule, just check out my main website at artandsoulct.com

    I also sell Art Clay Silver, syringes, tools, kilns and more at excellent prices. If you are interested in more information, feel free to contact me directly. My email address is lisel33@sbcglobal.net.

    Great kilns at great prices 

    My two favorite kilns, the Paragon Caldera and Firefly

    As a distributor for Paragon, I am proud to sell the Caldera and Firefly kilns at reduced prices to help people get started with both metal clay and fused glass.

    I can sell other kilns in the Paragon line, but these are the two I recommend for this purpose.

    For more information and to see some of my work, check out my store heartofthefire.etsy.com and my main website artandsoulct.com

    Feedback, Guidance and Ratings 

    Please take a moment to give me feedback

    I'm new to creating lenses. I love the opportunity to share with others and would love to receive your feedback and suggestions. If you find this lens valuable, please consider adding your rating by clicking on the appropriate star at the top of the page (you must be registered on Squidoo to rate a lens).

    If there is anything you think would make this lens more valuable, a topic you would like to see added, or any feedback of any kind (what you like, what you don't, what you'd like to see more of), please let me know! You can contact me at lisel33@sbcglobal.net.

    My website is artandsoulct.com

    You can see some of my work at heartofthefire.etsy.com

    Wonderful books on the subjects of metal clay and fused glass 

    You can learn so much from books. They are a worthwhile investment and great reference to keep around.

    These are some of my favorite books on the subjects.

    Metal Clay The Complete Guide: Innovative Techniques to Inspire Any Artist

    I haven't yet read this book. It's brand new, but I have heard raves about it and can't wait to get it.

    Amazon Price: $19.79 (as of 07/26/2008)

    Dichroics: Art Glass All Dressed Up

    Amazon Price: (as of 07/26/2008)

    Metal Clay and Mixed Media Jewelry: Innovative Projects Featuring Resin, Polymer Clay, Fiber, Glass, Ceramics, Collage Materials, and More

    This book shows a wonderful variety of other media that can be mixed with metal clay for innovative & beautiful designs.

    Amazon Price: $14.93 (as of 07/26/2008)

    Metal Clay for Beaders

    I love this book for the basic ideas & projects.

    Amazon Price: $13.57 (as of 07/26/2008)

    Metal Clay Beyond the Basics

    Amazon Price: $13.57 (as of 07/26/2008)

    Please take a moment to sign my guest book. 

    I would love to hear your comments and suggestions on what I can do to make this lens better.

    Jeanne Wakeman

    I ordered your Glass Fusing Kit and I'm having a great time. Thanks for this tutorial, it's a big help.

    Posted May 31, 2008

    GeminiSky

    Thanks for this informative lens! Beautiful jewelry too!
    This is the next type of jewelry making I've been wanting to try.
    I love the creative possibilities

    Jennifer Camara
    Gemini Sky Jewelry
    ">

    Posted April 04, 2008

    DazzlingDesigns

    A really wonderful lens on Dichroic glass and PMC. I gave you 5-Stars! Please feel free to stop by my Unique Handmade Jewelry lens.

    Thanks,
    Donia
    Handmade Beaded Jewelry Gallery

    Posted April 01, 2008

    GulinoArtware

    What a great lens.

    Posted March 25, 2008

    Zie

    I just found your writing on MC and fused galss. Thanks for the info

    Posted March 21, 2008

     
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    Here are some other great lenses on the topic of metal clay 

    Art Clay Silver and Precious Metal Clay are probably the hottest new thing to come around in the jewelry making universe. Many talented artists are doing amazing work in this great new medium and are generously sharing their expertise in these fantas...
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    lisel33

    About lisel33

    Check out my website at www.artandsoulct.com

    I've always been interested in making stuff. As a child, I believed you couldn't be an artist unless you could draw really, really well. I never quite felt I could draw well enough to be an "artist", so I never tried. It took me many years to realize that artistic expression takes many forms. It springs from the depths of the soul and brings us closer to our inherent Divinity. Once I had that realization, there was no stopping me. I started as a potter, and then got into metalsmithing, glass fusing, lampworking and metal clay, among other things. Next on my list are felting and mosaics.

    My passion for creating and helping others get in touch with their own creativity lead me to open Art & Soul Gallery/Studio in Windsor, CT in the summer of 2005. At the Gallery, I showcase my work and the work of over 35 local artists and artisans as well as teaching a variety of classes and workshops.

    I take great pleasure in helping people discover just how creative they really are. Many of my students have started their own businesses as artisans and others have wowed their friends and family with their creations. I've also had a lot of mother/daughter, husband/wife, etc. pairings which has given these people wonderful bonding experiences and a new way to enjoy their relationships with each other. It is so gratifying to see someone who felt "creatively challenged" light up when they realize what they are capable of.

    I have a website at www.artandsoulct.com,
    and an etsy shop at heartofthefire.etsy.com. I am an authorized wholesale distributor for Art Clay Silver and level one Certifiied ACS instructor. I am a member of Wesleyan Potters, the Art Clay Society and the PMC Guild.

    You can see my work at Wesleyan Potters in Middletown, CT, The Wadsworth Atheneum museum store in Hartford, CT, Art & Soul Gallery/Studio in Windsor, CT and at various art shows through the year as well as on Etsy.

    As an interfaith minister, I embrace the truth underlying all faiths and beliefs. I believe we all have a higher purpose which involves bringing greater love and light to the world. I am dedicated to living a life of purpose and facilitating others in doing the same. I lead a weekly meditation group and teach classes and workshops and lead retreats in spiritual awareness and growth.

    One of my favorite quotes is from Bill Moyers -
    "Creativity is piercing the mundane to find the marvelous." May you find the marvelous inherent in every moment.

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