Who is Gene Shaw

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Gene Shaw; The Mysterious Jazz Trumpeter

"The answer to the question concerning my real identity is hidden in my relationship with the past... found in my relationship with the future... annihilated in my relationship with the present. My background cannot be hidden, for I am the sought as well as the seeker -- the lost, as well as the found."

A quote from the book "Jazz, The Artless Art, A Handbook For A Young Man" and the last known writings of Gene Shaw. He's been called a rare artist with an amazing trumpet tone, but just who WAS this mysterious musician who touched jazz history and than... disappeared?
Wikipedia gives us this brief description...,

The Man Behind The Music

An Unusual Life

Clarence Eugene Shaw was born on August 17th 1926 to Clarence Shaw and Inda Ray Shaw. Part of his roots through his great grandfather Stephan Roy were from the American Indian Blackfoot tribe. He grew up in Detroit, Michigan (on "The wrong side of the tracks" he'd like to say,) across the tracks from Sammy Davis Jr, whom he actively disliked. He spent his childhood as an only child raised by his aunt and uncle while his mother worked for the "Fords" as a live in maid. He rarely saw his mother as she worked continuously and seldom made it home to see her son. When she did have the opportunity to visit it was always for brief periods of time and even briefer moments of longed for affection. Gene missed his mother tremendously and often wished to change both their lives so he could spend more time with her. Sadly this was not to be.
Gene grew up without many of the common items every contemporary child takes for granted, and aside from his mother, toys were the things he talked about missing the most, often saying he'd never owned even one. Gene was so traumatized by poverty and by the difficulty of his early childhood that he would later give his only daughters boys names feeling that his girls had the double disavantage of not only being born black, but female as well, in a world that was kind to neither.
As a young adult he left the home of his aunt and uncle to serve in the army and later while playing in a Jazz club in Detroit, he met and married his wife Marjorie Belle Wilson, a white woman from Owensboro, Ky. But in the 1950s interracial couples weren't exactly well-received and seeking a more open environment, the new couple took up residence in Greenwich Village NY. Gene and his wife instantly became part of the exciting and somewhat controversial "beat generation" a movement centered in "The Village" where non-conformity and experimentation were encouraged, expected and welcomed. After the well documented recording sessions with the "Charlie Mingus Jazz Workshop," Gene and Marj together with Marj's dog jigger, and Gene's Siamese cat Kimmy, they opened a small store in the center of the village where they sold jewelry, ceramics, ran a school for hypnosis and explored the world of the metaphysical.

"Regardless of how it looks, man has been given the gift of being able to work on himself to refine his vision... to refine his life so that he comes to know himself as he really is and things as they really are...free from all the subjective elements of his ordinary nature."

Greenwich Village Wiki

Greenwich Village

The Beat Generation

This Is The Beat Generation By John Clellon Holmes

Portrait Of An American Woman

Marjorie Bell Wilson

Marjorie Bell Wilson Shaw

What a horrible world it would be....
If white sheep were all you could see.
To correct the oversight
I've placed a frisky one in sight
He's happy, gay and very bright
and dark as a starless night.


From her daughters baby book, July 10th 1959

When Marjorie Wilson walked into that small smoky jazz club one night, drawn by the mournful soulful sounds of Gene's trumpet, she was already a woman ahead of her time. A talented pianist from a family of musicians and pilots, in high school, she served in JROTC, by 20 she'd built her own house, and she later would be honored as an important contributor to her all male company. This may not seem in anyway out of the ordinary today, but in the 50s a woman's role was in the home and these small accomplishments were the exception and not the rule of the times. Although Marj's family were contemporary in thought, in the 1950s when she fell in love with Gene she was an aberration and they could not break their belief in currant traditions concerning the races. To be intimately involved with a black man was something they could not except. When Marj married Gene she became an outcast, shunned by the most important people in her life.
Even in the open environment of The Village their relationship was fraught with adversity and at times, violence. Yet through all the hardship this unusual couple were an inspiration to each other. After the birth of her first child a year prior, Marj wrote a response published in a later issue, to an article written by a Mrs. Chennault for Ebony, (Dec, 1960) entitled "How I face The World With My Negro Child," Needless to say her feelings about her own experience were quite different than the authors, she wrote;

My husband and I are interracial - that is, our skins are not the same color. He is a so-called Negro and I, a so-called Caucasian. We are both America, therefore I doubt the authenticity of the tag of either race. Society has a way of forgiving us "our little sins" when it seems we are sorry and are attempting to conform by dissolving the unfortunate union. The open defiance of conformity by preserving the union invites every fanatic, of every description, to vent his anger on the offender."

Still her and Gene's convictions would remain steadfast through harassment. She goes on to write:

"In our household we do not believe in race. We believe in individuals. My daughter is being taught to believe first , last and always in herself and to make decisions from that point alone."

Throughout their relationship she would support him in his music, embrace and share the teachings of Gurdjieff, and document their accomplishments through scrapbooks and photos until his death in 1973. Although she never felt that it did her justice, the third song, Marj, On the Breakthrough album, was written for her by Gene.

"My Daughter Married A Negro." - Interracial Relationships in the United States As Portrayed By Popular Media 1950-1975

A Womans Role In the 1950s

Interracial Marriages and the Effects on Children

Race Remixed, a look at how mixed race kids see themselves today

Gene And Gurdjieff

We are asleep.....

Man is asleep, said Gurdjieff, he has no real consciousness or will. He is not free; to him, everything happens. He can become conscious and find his true place as a human being in the creation, but this requires a profound transformation.

In 1912 Gurdjieff brought into the world a strange new teaching. It was not a religion or philosophy, but a new way in which to live. Who am I, What is the purpose of life? Gurdjieff sought the answers to these questions and eventually became convinced that they could be found through ancient traditions. His teachings taught that owing to the abnormal conditions of modern life, we no longer function in a harmonious way. In order to become harmonious, we must develop new faculties-or actualize latent potentialities-through "work on oneself." We must become fully "awake" and he presented his ideas in three forms; writing - intellect, music - emotion, and movement - the physical.

"Man's possibilities are very great. You cannot even conceive a shadow of what man is capable of attaining. But nothing can be attained in sleep. In the consciousness of a sleeping man his illusions, his 'dreams' are mixed with reality. He lives in a subjective world and he can never escape from it. And this is the reason why he can never make use of all the powers he possesses and why he lives in only a small part of himself."

Gene's relationship with the teachings of Gurdjieff were profound and life long. "The Work" and the struggle to live his life ''awake" influenced every aspect of his life from his relationships to the composition and philosophy of his music. He often hosted Gurdjieff meetings at his home and not only played Gurdjieff's music for the group, but composed and performed his own original interpretations for the piano. Group members would practice "movements" to these musical pieces, precise physical motions that resembled dance, that were designed to create a simultaneous mental and physical awareness between intellect and body.

The Gurdjieff Society

The Gurdjieff International Review

The Gurdjieff Foundation

Gene's Later Years

The Artless Art...

Gene Shaw

3 years after the birth of his first daughter they gave birth to their second. She however was born in Illinois. They'd moved from New York to the hotbed environment of Chicago where the frustrations of the times began to take it's toll on the young couple. Their relationship began to deteriorate. During this time he recorded 3 Lps for Argo one of which was composed entirely with the exception of one song by Richard Evans, for the sound of Genes trumpet.
After his marriage dissolved. Gene and his band could often be found at the Wise Fool's Club in Lincoln Park, one of the hottest jazz venues of the time that still exists today. He made many appearances there but also performed weekly at a hotel his flat was attached to, in exchange for free rent. By the early 70s he put down his trumpet for a while to try his hand at another business, a doll house store where he'd put his formidable carpentry skills to work creating doll houses and their miniature furnishings. The music called to him however and finding the simple life of a carpenter un-fulfilling, he left the country for South America and stayed for a 2 year hiatus to rest and reflect and continue "The Work" in solitude. In his letters he was continuously awed by the graciousness of the local peoples and the never ending beauty of the landscape.
In 1970 he returned to the states and took up residence in Santa Monica, California where he met the second love of his life, had a son, and wrote his book Jazz, The Artless Art, A Handbook For Young Men. He was in the process of putting together a new band called "Christian" when he became ill. He passed away August 1974 in Santa Monica and his ashes were scattered on the beach a year later.
His music lives on today inspiring young musicians with his sound and creating new fans of jazz around the world.

Wise Fool's Pub

Grand Master Nicolas Rossolimo

Gene; Happy to play with "The artist of chess....."

Gene Shaw Playing Chess

Gene's favorite pastime was chess and he often played the game with Grandmaster Nicolas Rossolimo who had a school near Gene's shop in Greenwich Village. It was one of Gene's favorite strategic games and throughout his life and no matter where he was, it was difficult to find him without a board in his possession.

The Music.., Video?

Recording From Carnival Sketches On YouTube

Trivia:
When Gene arranged the music he would write the composition for each instrument on his wife's piano. He played in many hotels and clubs throughout Chicago, New York and Detroit.
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Discography

"Tell me sir, what, then, is music?"

"Music is a bridge. Sound is a bridge. But one difficult to travel.., especially alone. Music is more concrete, more safe, so we can traverse it's entire length in safety. Music is a fine bridge."

Brownie, "A bridge to what, sir.., to where?"

"You know to what, and you know to where.., exactly as you knew that music was a place and that place was a prayer."


From: Jazz, The Artless Art, The Handbook For A Young Man

Date: October 11, 1962
Location: Ter-Mar Recording Studio, Chicago, IL
Label: Argo
Clarence 'Gene' Shaw (ldr), Sherman Morrison (ts), Clarence 'Gene' Shaw (t), James Taylor (p), Sidney Robinson (b), Bernard Martin (d)

a. 11928 AD's Blues - 4:35 (Clarence 'Gene' Shaw)
b. 11929 Tonight - 6:55 (Leonard Bernstein, Stephen Sondheim)
c. 11931 The Thing - 4:29 (Clarence 'Gene' Shaw)
d. 11932 Marj - 5:21 (Clarence 'Gene' Shaw)
e. 11933 Six Bits - 6:34 (Carl Davis)
f. 11934 Autumn Walk - 5:27 (James L. Taylor)
All titles on: Argo LP 12": LP 707 - Break Through
Cadet LP 12": UXP 124 - Break Through
Dusty Groove CD: DGA 3001 - Break Through (2008)
Additional selections: 11930 Our Tune (4:57) and 11927 It's A Long Way (7:21) - composers unknown.
____________________________________________________________________________
Date: July 8, 1963
Location: Chicago, IL
Label: Argo
Clarence 'Gene' Shaw (ldr), Jay Peters (ts), Clarence 'Gene' Shaw (t), James Taylor (p), Sidney Robinson (b), Gerald Donovan (d)

a. 12541 Debut In Blues (Thomas Clay Washington)
b. 12542 Thieves' Carnival (James L. Taylor)
c. 12543 Karachi (James L. Taylor)
d. 12545 When Sunny Gets Blue (Marvin Fisher, Jack Segal)
e. 12546 Not Too Cool (Thomas Clay Washington)
f. 12547 Travelog (Sidney Robinson)
g. 12548 The Gentle Princess (Clarence 'Gene' Shaw)
All titles on: Argo LP 12": LP 726 - Debut In Blues
Argo LP 12": ARC 501 - Debut In Blues
Chess LP 12": CH 91564 - Debut In Blues
Chess LP 12": CH 9188 - Debut In Blues (1984)
Additional selection 12544 "Who Knows" - composer unknown.
____________________________________________________________________________
Date: May 11, 1964
Location: Ter-Mar Recording Studio, Chicago, IL
Label: Argo
Clarence 'Gene' Shaw (ldr), Clarence 'Gene' Shaw (t), Charles Stepney (vib), Roland Faulkner (g), Richard Evans (b), Marshall Thompson (d), Benny Cooke (cga)

a. 13227 The Big Sunrise (Richard Lee Evans) / arr: Richard Evans
b. 13228 Goin' Downtown (Richard Lee Evans) / arr: Richard Evans
c. 13229 Cha Bossa (Richard Lee Evans) / arr: Richard Evans
d. 13230 Street Dance (Richard Lee Evans) / arr: Richard Evans
e. 13231 Goin' Back Home (Richard Lee Evans) / arr: Richard Evans
All titles on: Argo LP 12": LP 743 - Carnival Sketches
Roland Faulkner (g) on a-c, e.
____________________________________________________________________________
Date: July 17, 1964
Location: Ter-Mar Recording Studio, Chicago, IL
Label: Argo
Clarence 'Gene' Shaw (ldr), Kenny Soderblom (f, bf), Clarence 'Gene' Shaw (t), Eddie Higgins (p), Richard Evans (b), Vernel Fournier (d), Marshall Thompson (cga)

a. 13350 Soulero (Richard Lee Evans) / arr: Richard Evans
b. 13351 Ain't That Soul (Richard Lee Evans) / arr: Richard Evans
c. 13352 Samba Nova (Richard Lee Evans) / arr: Richard Evans
d. 13353 Days Of Wine And Roses (Henry Mancini, Johnny Mercer) / arr: Richard Evans
All titles on: Argo LP 12": LP 743 - Carnival Sketches
Kenny Soderblom (f) on b-c; (bf) on a; Marshall Thompson (cga) on a-b.
____________________________________________________________________________
Source: Michael Fitzgerald

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Breakthrough..

Dusty Groove Records

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Dusty Groove Records

Or Purchase Through Amazon

"Breakthrough" from Amazon

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Gene's Scrapbook Photos

Marj's memory book...

Tell Us Your Memories of Gene Shaw!

Are you old enough to remember Gene Shaw? Do you know someone who is? Share your Gene Shaw stories, history, thoughts, rants, raves, and any other memories you may have on this great artist, We'd love to hear your take!

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  • Reply
    Lenni Bukowski Sep 18, 2011 @ 7:15 pm | delete
    I met Gene Shaw at Bill Chavers' store 'Old Wells record Sho" on north State Street in Chicago in the late 60's. Talked with him many times there; yet I was in my late teens and really regret not paying more attention to the words and knowledge being taught to me in those meetings. Having known Mr. Gene Shaw has been a joy of my life.
  • Reply
    NimaB Oct 5, 2011 @ 10:38 am | delete
    Wow, that's a really big compliment and for Gene and nice to hear! I too have moments I regret, in my case being too young to understand what he was telling me! I'd asked him why so many people came to visit him from all over the world, what was it about his music that made him special, I was like 9-10 at the time, and he answered me, words that I just couldn't "get" at the time. I do remember that it had to do specifically with the sound/music he could make from the end of his trumpet, something to do with the "bell" of the trumpet itself. To this day I wish I understood what he was explaining to me!

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You Can Dance If You Want To....

Yes, You CAN Dance To Jazz!

This is IDJ, a jazz dance group from London in their heyday. There was a massive Jazz scene in UK in the late 70's/ early 80's. Feat Jerry, Gary, Afro, Marshall
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The Trumpet

Everything you wanted to know about the trumpet!

You thought all trumpets were the same? Boy were YOU wrong! Read all about trumpets by clicking the link below!

Profile Of the Trumpet

Dedication

And a friendly warning...

This lens is dedicated to Lion Shaw who lost his father too soon.

Friendly Warning; all photos are in the personal possession of the Shaw family. While we love to share Gene's information, these photos are not to be copied or posted outside of this Squidoo lens without our permission. Since we own the originals and they exist no where else on earth, well..., better to think twice before using them!

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NimaB

Artist living in Europe. Hope you enjoy my lenses on unusual topics ranging from Gene Shaw trumpeter to the virtual art movement!

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