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1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic (by 2 people)   Your rating: 1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic

Ranked #7611 in How-To, #75907 overall

Rated G. (Control what you see)

For The Aspiring Guitarist

A great way to share with all of you my knowledge of the guitar. Thanks for checkin' this out!

My Review Of The TonePort UX2 

The freedom of great sound.

The TonePort UX2 made by Line6 is absolute bliss in a little plastic box. For the guitarist, bassist, pianist or vocalist it serves two main purposes.

  • Outstanding versatility for recording projects.

  • A standalone method of practicing for the dedicated musician.


  • The UX2 has been widely used in both home and professional studios for quite some time now. It features two 1/4 inch inputs for guitar, bass and keyboard. Two mic inputs that can be used for vocal or instrument micing and includes a piece of software called the GearBox, which is where all of the fun happens.


    The GearBox includes 18 guitar amps, 5 bass amps, 24 guitar speaker cabinets and 5 bass guitar speaker cabinets, all replicas of real amps and cabinets, spanning 4 decades of musical technology. All of the amps and cabinets feature knobs for drive, bass, treble, presence, cut and volume, and some even have more features. All of these are tweak-able, along with the 29 stomp box and effect pedals.

    The GearBox features an outstanding Equalizer that I like to use as a pre-EQ for recording. It is a blast to use, because the combinations are unlimited and even the pickiest musician can find what he or she desires in their sound.


    It also includes a phantom power button for those extra picky mics, headphone volume, two mic gain knobs and an output gain knob, for your monitors of choice.

    I also enjoy the fact that it is extremely user friendly, and can be setup and ready to go within a matter of minutes. Its so diverse, that I can hear a specific tone off of an album and recreate it with the UX2, almost to the T. I admit that I was hesitant when it came to shilling out the $250 for it, but I have gotten so much use out of it. I use it everyday, whether I am practicing or recording and have recorded complete works with it, time and time again. I've even done some recording for some other musicians who were skeptical of it. I showed them how to quickly use it so that they could get the exact sound that they wanted for their recordings, and they had a blast with it.

  • My verdict? - pure freedom
  •  

    Line 6 Tone Port UX2

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    Amazon Price: $139.99 (as of 11/19/2008) Buy Now

    A Brief History Of The Guitar 

    For the nerd in all of us

    The origins of the instrument go as far back as 5,000 years. The guitar evolved from its ancestor, the Sitar, an instrument still in use today, whose origins are widely and correctly associated with India, but the Sitar was also in use in Asia many years ago. Some of the cultures that "got their groove on" were the Hittites, the Romans and the Moors.

    The modern guitar started its long, structural journey with the Roman's Cithara, which was brought to Hispania around 40 AD. It was from here developed into the 4 string Oud by the Moors, some time during the 8th century. We must assume that there was a Samash-like store that existed, because the instrument really caught on.

    The 6 string Scandinavian Lute became quite popular in areas of Viking conquest. The Norse Hero Gunther has made appearances in carvings, playing this instrument with his toes.


    The Scandinavian Lute

    By this point, the Moors had developed an instrument called the guitarra morisca, which had a very wide neck and several sound holes. This was from here, refined into an instrument known as the guitarra latina, which had a narrower neck and one sound hole. The guitarra latina is the closest instrument to the modern day guitar.



    The guitar was from this point, refined even more by a man named Antonio Torres Jurado, in Seville during the 1850's.

    Finally, the journey of the modern guitar was concluded with an electric form, developed by a man named George Beauchamp in 1936. Beauchamp founded Rickenbacher.

    It was Danelectro that made the electric guitar widely public, however.

    The Best Approach To Learning How To Play The Guitar Inside And Out 

    Guitar Godliness Could Be Right Around The Corner For You

    If you are new to the guitar world, let's say anywhere from no experience to a few months experience, you may feel that overwhelming sense of pressure. More specifically, I can put it into these exact words "I've got such a long ways to go and yet so little time". I'm not trying to speak for everyone, but I have seen this look of "where do I start? what is that? how do you do that? can I do that? will I ever be able to do that? where am I?", many, many times before.

    So here is my advice to you if you are a new guitarist.

  • First, a word about theory. Some musicians start by learning musical theory, right off the bat. I do not encourage this. It is just too much at times to handle. A little bit is ok, but don't push it. You could very well learn scales, modes, modulation and thousands of chords early on, but the problem with a lot of musicians who start out this way, is that their playing becomes sterile. They lose the feel of music. Yngwie Malmsteen put it best. He said that "improvisation is the genesis of all musical creativity". I highly recommend that you put on some albums that you adore, and just find a note that seems to fit. Your ear will tell you when a note fits and when it doesn't fit. Add more notes, constructing a little bit of a solo. You will find that from these notes, you can create a chord, by combining them. Theory is important to learn at some point, but the idea is to learn everything that you can about it, and then throw it out the window. Learn to improvise. You'll be so far ahead of a lot of guitarists. Trust me


  • Consider yourself a master guitarist, now. You had the thought, well guess what? guitar is more addictive than heroin, so you're not going to just set it down any time soon. It is a gift that has been bestowed upon you for life now. A beautiful ball and chain, if you will. Have respect for yourself. Don't ever, ever say things like "I will never be able to do that", or "its time to move on to something else, now". These things don't fit with art, sorry.


  • Take your time. I preach this relentlessly. Do not push yourself. Your hands and mind are on their own clock, and that clock delivers much faster and better results than your ego ever will.


  • Listen to all types of music, including songs or albums that don't have a lick of guitar on them. Malsteen even said that, too.


  • If you encounter a guitarist who is further along than yourself, ignore the arrogance that he or she may possess, and pick their brain, instead.


  • If you are this arrogant guitarist, set aside your ego, and treat all people who are eager to learn, as your students. You were once where they are at, now.


  • Learning to tune a guitar, developing callus and finding the courage to play when you don't feel up to the challenge, comes easily after a few months or weeks. If you have been playing for three years and are pretty good, you will know that this is still true. Even the best guitarists have to stop and take their time with something new. That is where the passion lies. The challenge. Its a game and music beckons you to tame it.


  • An abundance of effect pedals never hide your inability to play. Eventually you will have to put in a little sweat, but the rewards are inconceivably gorgeous.


  • Work really hard to create new ways to express yourself on the guitar. Playing the same riffs for years on end does not aid anyone. Even if you find your own style (the ultimate goal) and have a niche, you should allow that niche to show you where it wants to go next. Listening to a lot of different genres of music will really help you with this. Don't get locked in.


  • This all sounds like a lot of work, but believe me it is not. It is a philosophy that delivers. It requires no work to become open-minded, though many people would tell you otherwise. Being open-minded comes down to making an instant decision to do so. When this is achieved, new ways of thinking and therefor, new philosophies are as easy as pie.

    Staying Motivated 

    There is a major problem in the mindset of most people, when it comes to tackling a new challenge. As you may know, depending on how far you plan to go with maximizing your guitar skills, you will no doubt be stared down by the face of overwhelment.

    The point is that whether you want to play like Keith Richards, or shred like Malmsteen, you will be challenged evenly, like the rest of us. This is a part of the learning process, and the more advanced the style of music that you choose to pursue, the more ground you'll have to cover.

    This is very daunting for newer guitarists, so allow me to share with you some positive news.

    The first thing that may be difficult for you to understand, is that learning and developing your skills as a guitarist improve over time. Its kind of like compound interest. It grows with speed and mass. What this means, is that as you get older, you will still continue to encounter difficult passages, but the difference is that you will be able to nail them very quickly. The reason for this is because you know how to teach yourself better now. You know how to take your time and you can detect when are really getting it. Your hands become more sensitive and you notice every little difference in the way you pick a string, and the way your fingers push down on the frets. If you are playing guitar and have just started, feel comforted in knowing that this process has already begun for you, and will grow very quickly.

    Take your time. I can not put enough emphasis on this. If you are aspiring to become a fast guitarist, just promise yourself to be a little patient. Let me give you a scenario. You are just starting learn some fast riffs. You can only play them very slowly. Let's assume that you practice these riffs for an hour everyday, while taking your time. Now lets play around with the opposite scenario. Lets say that you are playing these same riffs for an hour a day, but you've decided to jump right in and try and shred them right off the bat.
    Let us look at the progress after 3 weeks of practicing, involving both approaches.

    1. After 3 weeks of picking cleanly and working your speed and dexterity up = insanely fast picking skills and amazing fluidity. Not to mention a head that is now full of understanding and mass amounts of creativity.

    2. After 3 weeks of trying to be Malmsteen reincarnate = no one can even tell what you are playing. No distinguishable notes can be heard. You are trying too hard and its depressing. The worst part is that it is going to now take you at least 9 weeks to catch up to your wiser self.

    A trick to keeping focused with this kind of development, is to enjoy the music that you are playing, even if it is slow. Speed can be beautiful, but music as a whole has been described as the language of God. Keep this in mind.

    One more thing before I depart. Even the best guitarists wake up in the morning playing terribly.
    Its just something that happens. I had a really good friend who would pick up a guitar, hit a few awful notes and then put the guitar back down, exclaiming "I'm just not feeling it today". The sad thing was that had he kept with it for about a half hour, he would have caught right back up to where he had been the day before. Once you reach that half hour mark, you can then build upon your current skill level. Increasing it by a notch. Tomorrow repeat this process. Just always take your time.

    Thank you for taking the time to read this and I wouldn't steer you wrong. These really are the ultimate secrets to becoming the guitarist that you see yourself as.

    GuitArticles 

    A sampling of an article featured at GuitArticles.
    GuitArticles is my blog, where I have been teaching some rather thirsty students. At the time that I am writing this, my blog is 6 weeks old and I have already written 24 lessons. I plan on covering every aspect imaginable. I write and conceive instructions at the speed of thought and eventually, everything will be covered. Enjoy!

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    A Sleek Black Cat (Improvisation) 

    This is me detoxing after a long day

    A Sleek Black Cat (improvisation)

    Sorry about the glitches guys. My computer and me aren't on good speaking terms and I'm push quite a bit of sound through my crummy little speakers. Anyways, this is like an Urban style Latin improve that I came up with. Hope you like. http://www.guitarticles.blogspot.com

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    Tomatito 

    My personal God

    Tomatito is considered to be an absolute master of Flamenco and in my opinion the best that there has ever been.

    Tomatito Bulerias

    This 1980, Tomatito was way ahead of his time with modern synchopation. Despite his modern style, he keeps an earthy "gipsy" sound in his playing. This clip is from "Rito y Geografia del Toque" DVD set, which is a must for any guitar aficionado. New CD available at: http://www.flamenco-teacher.com/storeitem?item=800106 Also check out my website: http://www.richardmarlow.com/

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    Stanley Jordan tearin' it up 

    What can I say? the master himself.

    Stanley Jordan - Amazing Guitar Tapping (jazz) on letterman

    http://www.marinoshop.com.br - Stanley Jordan (July 31, 1959— ) is an American jazz/jazz fusion guitarist, best known for his development of the touch technique for playing guitar. He was born in Chicago, Illinois. He received an A.B. in music from Princeton University in 1981. Normally, a guitarist must use two hands to play each note. One hand presses down a guitar string behind a chosen fret to prepare the note, and the other hand either plucks or strums the string to play that note. Jordan's touch technique is an advanced form of two-handed tapping. The guitarist produces a note using only one finger by quickly tapping (or "hammering") his finger down behind the appropriate fret. The force of impact causes the string to vibrate enough to immediately sound the note, and Jordan executes tapping with both hands, and with more legato than is normally associated with guitar tapping. The note's volume can be controlled by varying the force of impact: tapping with greater force produces a louder note.A helpful analogy to visualize this technique is the distinction between a harpsichord and a piano. A harpsichord produces sound by plucking its strings, and a piano produces sound by striking its strings with tiny hammers. However, while notes produced on a harpsichord or piano sustain after the hammer has struck or the pick has plucked, fingers must remain on a tapped note in order for the sound to continue. This similarity is what led Jordan to attempt such a technique in the first place;[citation needed] he was a classically trained pianist before playing guitar and wanted greater freedom in voicing chords on his guitar. While the above analogy may have been Jordan's inspiration to employ a tapping technique, it is not a sound analogy. A piano's hammer leaves the string after hitting it, like a guitarist's pick would normally do. A more helpful analogy would be that of a clavichord; when a clavichord tangent (hammer) hits the string, it remains in contact with the string as long as the key is held, acting as both like a guitar pick (the initiator of the sound) and a finger on a fret (becoming the clavichord's nut). The guitar tapping technique thus is almost identical to the method that clavichords have used for hundreds of years, with the guitarist's finger taking on the role of the tangent. Jordan's two-handed tapping allows the guitarist to play melody and chords simultaneously. It is also possible, as Jordan has demonstrated, to play simultaneously on two different guitars. The technique generally requires a guitar with lower action and lighter-gauge strings. It is very difficult to use on a classical guitar, but possible on a steel string acoustic. The technique is the same as that employed by players of the Chapman Stick which was developed by Emmett Chapman in 1969, and later discovered by Jordan, independently. Jimmie Webster is the earliest guitarist known to have tapped on strings seriously[citation needed], but he didn't use the right hand orientation used by Chapman and Jordan. Their approach allowed for full counterpoint with each hand as an equal element. Other guitarists have employed similar methods of playing at times, using the more conventional hand angles used by Webster: rock guitarists (though the emphasis tends to be on very fast lead guitar playing rather than polyphony) such as Steve Hackett, Eddie Van Halen, Steve Vai, Randy Rhoads, and Joe Satriani, and many acoustic guitarists following the lead of Michael Hedges and employing two-handed tapping to play rich, percussive pieces (Clive Carroll, Preston Reed, and Justin King are examples). Jazz-funk guitarist Charlie Hunter employs a similar technique using a custom-made 8-string guitar on which he simultaneously plays basslines, chords and melodies. Another feature of Jordan's playing is the tuning he uses: from bass to treble EADGCF (all in fourths as on the Chapman Stick, compared with the standard EADGBE). So the patterns for chords are the same wherever they are played on the fretboard. Jordan was the first artist to be signed by Bruce Lundvall when the latter became president of Blue Note Records in 1985 and, consequently, Magic Touch was the first release (not reissue) of the rejuvenated label. Jordan is currently a resident of Sedona, Arizona, where he owns Sedona Books and Music. He attends Arizona State University, working toward a master's degree in music therapy.

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    Amazing Guitarist 

    This kid is so smooth

    Ozielzinho - Cross

    Ozielzinho - Cross

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    Hellman 

    Hellman is my personal God

    His technique = perfection.
    His creativity = pure bliss
    His phrasing = passion
    His hair = me giving my right arm to have hair like that.

    From Hellman WITH Love ~for Kids~

    The tab and bg are attached to my mini album Change http://hellman.jp/storeglobal.htm From Hellman With Love ~For Kids~ VIDEO CONTEST Enter the contest and enjoy it! I'm waiting for your coming. Check it! http://hellman.jp/videocontest.htm from hellman's tab and bg is contained in my mini album Change. http://hellman.jp/storeglobal.htm

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    Luna 

    This is a song that I wrote and recorded.

    Luna

    My tribute to a great piece of film history. http://www.guitarticles.blogspot.com

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    Paganini's Caprice No. 24 Played By A Very Young Child 

    I give it 5 stars personally

    Perfection of technique - so beautiful!

    Paganini_Caprice_no_24

    unknown Asian guitar soloist playing Paganini caprice

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    Some Amazing Resources That I have Found 

    Guitar or Music Related

    A Popular History Of The Art Of Music
    This is a free and fascinating ebook by W.S.B. Mathews. It is very complete and is one of the most well put together ebooks that I have ever seen. There are plenty of images and the table of contents is superb. Not to mention the fact that it is a whopping 506 pages long. Read it in your spare time, hehe. Very generous of this man to offer it to the world for free. I would have bought it, regardless.
    Guitarz
    Guitarz is a great site if you want to see some crazy looking instruments. It is very nice and is monstrously put together, and I mean that in a good way. Full of information and resources and I respect the cleanliness of the layout. Constantly updated, with a real sense of passion coming through. I check it out regularly.
    Guitar Idol
    Guitar Idol is as prestigious as it gets. The best unheard of guitarists enter this infamous competition every year. There is a lot at stake and the blood, sweat and tears that these guys release could fill buckets. Seriously, the best gather here. Until they decide to make a reality show out of this, this is it. The grand prize is gargantous and for these guys who have worked so hard, it could mean a direct path to stardom and the opportunity to inspire their loyal, youthful followers. Regardless, these guys (as you will clearly see) are already heroes. 2 of them, who are in videos on this page (Ozielzinho and Hellman), were featured this year.

    Interesting Facts About Music 

    Some of these are rather shocking

  • Charles Manson recorded an album called Lie.

  • Mr. Mojo Risin' is an anagram for Jim Morrison.

  • Most toilets flush in E flat

  • The horse in the song Jingle Bells, is named Bobtail.

  • The Dark Side Of The Moon was on the Billboard top 200 for 741 weeks, or 14 years.
  • You Can Follow Me On Twitter 

    This will help anyone who is interested stay connected to what I am working on at the moment. Content will be relevant to music, guitar and art in general.

      Follow capitalalchemy

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      Let Me Know What You Think 

      clive10 wrote...

      in reply to Jason Shadrick Thank you for the invite - the site is awesome and I have joined and I will make sure to get the word out - take care.

      ReplyPosted October 27, 2008

      Lensmaster

      Jason Shadrick wrote

      I have enjoyed reading your blog. I would like to invite you and your readers to join our guitar community.

      http://guitarworkshop.ning.com

      Thanks,
      Jason Shadrick
      National Guitar Workshop
      www.guitarworkshop.com

      Reply Posted October 24, 2008

      X
      clive10

      About clive10

      My name is Tennyson Williams and I have been playing guitar for 8 years now. I used to play 16 hrs a day and I did this for about 2 years, so I got pretty good at it. I've also studied many styles of music. Metal, Bossa Nova, Country, Jazz - all of it. I now have a blog called GuitArticles where I am teaching people a the speed of light.

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