The Horse Paintings Of Wild Faces Gallery

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The Horse Paintings Of Mona Majorowicz

This lens was created to showcase some of the horse paintings of mine that I like best.

I will talk a little about each, whether it be about the horse or the creation of the painting. Most images will have a link to my website for print and purchasing information.

Just One Of Those Horse Crazy Girls

I participate in art fairs as one of the ways I market my art. No matter how long the hours or how hot the weather, the one thing that always brings a smile to my face is watching the countless young girls flipping through my print bin looking for just the right horse picture. That one image that comes closest to their fantasy horse.

As they come over to me, clutching it like a treasure, their parent often says something like "she's completely horse crazy".

Sometimes, in the interest of maintaining a good creative energy, it's helpful to not cling too tightly to reality.Occasionally I ask her if she has a horse and depending on her reply, I say, "You're a lucky girl." or "I completely understand. It took me 30 years before I got a horse of my own." Regardless of their situation, their reaction to my statement is always the same. Shock and perhaps a little horror. Either because they have a horse and can't quite grasp what it is like to be denied such a basic need. Or they are suddenly faced with the idea that sometimes you might not get that long-dreamt-of pony. At least, not right away.

For much of my life I was unhorsed. I had to rely on friends or work at equestrian jobs to get my horse fix. I have always loved horses. And it is a good bet that they were my subject matter the first time I picked up a crayon. When I was a child, I had no interest in dolls. However, my collection of model horses was quite large.

My paintings tend to shift between a realistic look to a more expressionistic style. Slipping back and forth tends to feed my creative side.

My work is not so much about trying to recreate reality, as it is about filtering reality from an emotional and spiritual place.
My passion for horses is so fundamental and deep, I have yet to completely understand where it comes from and why. They have filled my imagination and been my artistic inspiration since the beginning. I think horses are just deeply embedded in my genetic code.

My Reference Horses

I work exclusively off my own reference photos. I have spent many year and unknown amounts of money to build a equine reference library of around 15,000 images.

I draw upon personal experiences and emotions when creating. However, photos play an important role as my primary reference source. Using them can be a bit of a two-edged sword. They are extremely helpful for anatomy and lighting, but they can also distort reality, both figuratively and literally.

About The Author Of The Horse Art Of WIld Faces Gallery

Mona Majorowicz Of WIld Faces Gallery

Me and my horse My name is Mona Majorowicz I am a professional artist who has been making my living selling my work for some time now. I am an animal artist, (meaning I paint critters) who works primarily in Oil Pastel or Water Soluble Pencil.

I own and operate Wild Faces Gallery with my husband Mike in a small rural town in Iowa. There we sell my original artwork and prints, as well as do quality custom framing and offer Giclee printing for other artists as well as for ourselves. I have over 20 years experience in the art and framing industry, both as a business owner and as a working artist.

I write a regular column for Apples 'N Oats (an equestrian magazine) about painting horses. If you would like to see real life photos of Catch, or want to follow the painting's progress (with full story) from start to finish please visit my blog, Fur In The Paint

Animals are my passion and art is how I chose to express it.

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All copyrights are retained by the artist,
Mona Majorowicz of Wild Faces Gallery.


The artwork or content in this lens may not be used or reproduced, either
in part or in whole, without the express written consent from the artist.

What's Your Favorite Breed Of Horse In Art?

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All The Beautiful Horses

Spanish Gold: An original watercolor Pencil painting by Mona Majorowicz

As a painter of horses I prefer to paint just plain ol' regular horses. I adore the back yard pony or work horse in the field as much as the finest dressage animal or show horse.

That being said, I do occasionally get caught up in beauty for beauty sake. And the following horses are some examples where they were just too gorgeous to not be painted..



For ordering information regarding prints of any of these images or to see the full line of horse art available, please click here to visit Wild Faces Gallery website.

Or by clicking on the image of your choice will take you to it's specific page.

A Painting Of An Andalusian Stallion In Traditional Spanish Tack

Watercolor Pencil On Suede Board

Spanish Gold: Andalusian Stallion by Mona Majorowicz

Spanish Gold
by Mona Majorowicz

This painting is based on an Andalusian Stallion named Alborozo, whom I was fortunate enough to photograph while at the Kentucky Horse Park for Breyerfest 2008.

So What's The Definition Of A Stalker Anyway?
For the entire 3 days I was at the Kentucky Horse Park, I spent the bulk of my time following "Big Al" around. That's what I took to affectionately calling him (in my head) after we shared a moment during photo op together. In between his performances the owners kept him hidden away in a covered stall. Presumably to keep people like me from pestering him incessantly.Of course I was not alone in my adoration, as Big Al was almost constantly surrounded by fans. I however, was by far the most tenacious.

About an hour before his show, they would begin grooming him out and get him tacked up. Then Avi would take him down to the outdoor arena for a warm up session. The best thing was everybody else (meaning thousands of horse crazy women) were all in the indoor arena watching the other horse performers. So I had him all to myself. It wasn't until the last day that I stayed indoors to watch Alborozo and Avi perform. And they were truly spectacular.

This Lens Shows Images Of This Painting In Process

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Painting of Friesian Stallion

Oil Pastel On Museum Board

Natural Grace:An original oil pastel painting by Mona Majorowicz

Natural Grace by Mona Majorowicz

The number one thing I get asked when people look at this painting is "Did that horse really have that long of hair?" The answer . . . Yes, it really did.

I photographed the model for this painting at the MN Horse Expo. The tail draped both left and right on the ground behind him. He had several people working on him getting him ready for his spot as a fine example of a Friesian in the parade of breeds. One person held him while another was putting polish on his hooves and two others were brushing out his tail and body. Quite the diva when you really think about it.

The truth about the painting is I did this painting as an experiment. I was still new to oil pastels and was just sort of goofing around. When I finished with it, I was moderately pleased with the piece. I like it's deco feel and lavender colors. But I really didn't think it had much commercial appeal.

My husband had to talk me into making prints of it because I was pretty sure no one would want a painting of a horses butt. (And yes, I've heard all the jokes) Turns out. I was wrong. It's been a great image for me and a good conversation piece.

Painting of Andalusian Stallion

Watercolor Pencil On Arches Watercolor Paper

Caballero:An original watercolor pencil painting by Mona Majorowicz

Caballero by Mona Majorowicz

I have attended the MN Horse Expo for many years and have collected vast amounts of photos for my reference library. This particular horse I photographed from a young age when he was quite dark (gray or white Andalusians are born black and progressively lighten as they age) until most recently where he is almost completely white and his mane and tail are a beautiful shade of silver.

This painting was done somewhere in between. It was the first year he was moved up to a using bit and he was really beginning to master his dressage and Spanish moves.

Dressage Horse With Braided Mane and Flowers

Watercolor Pencil On Arches Watercolor Paper

Red Cranations:An original Watercolor Pencil Painting by Mona Majorowicz

Red Carnations
by Mona Majorowicz

This painting is sort of a combination of three different horses that I photographed the same year at the MN Horse Expo The primary model was a horse named Leo. Leo was a liver chestnut so clearly I changed the color. The face shape and markings and the wonderfully expressive eye are all Leo.

Through a string of events, a print of Red Carnations ended up with the owner of the actual horse, as a gift from a friend. She recognized him in the artwork, and wrote me a letter, telling me he had passed away. Leo had injured himself that weekend at the expo where I photographed him. After a 10 month struggle to restore his soundness, he had been put to sleep. I had been one of the last people to photograph him when he was healthy.

One of the many blessings of being an animal artist is that it brings people into my life that share a common interest. The owner invited me to visit their farm where she raised Peruvian Pasos with her mother. Since then, I have spent a couple of weekends with these warm and generous people. We talked a great deal about how Leo came into her life and what he has meant to her. At that time she was still deeply feeling his loss. She said something that resonated within me. She said that she had given him a home and love, but that he had given her so much more. Through my art and travels I have heard variations of this story time and time again. "I thought I was saving him. But in the end, he saved me."

I have always been fascinated with the bonds people form with their animals. How some can view them as non-sentient beings, while others regard them as family. For those of us who open ourselves up to the friendship and solace that animals have to offer, they can have a profound impact on our lives. Personally, I believe animals, as well as people, come into our lives for a purpose.

Painting Of A Friesian Stallion

Watercolor Pencil on Suede Board

Liberty:An original watercolor Pencil painting by Mona Majorowicz

Frieisans are one of my favorite breeds. Yeah, I know I'm totally alone in this.



Liberty by Mona Majorowicz

Tall, Dark and Seriously Handsome
Any one who likes horses . . . even a little, likes Friesians.

Anyone who is a romantic. . . even a little, likes Friesians.

They really do have all the attributes I admire in horses. They have size. In general they have great temperaments. They're black. (Ever since I read Walter Farley's The Black Stallion that has been the color of choice for me.) They have unbelievable hair. Seriously what's not to love?

Paintings Of Baby Horses: Foals and Fillies

Serenity: Oil Pastel Painting of Paint Horse Foal

I really don't do many paintings of juvenile or baby animals. I think I can too easily fall into the trap of making them too cute. These Three paintings are the only young horses images I have in print.



For ordering information regarding prints of any of these images or to see the full line of horse art available, please click here to visit Wild Faces Gallery website.

Or clicking on the image of your choice will take you to it's specific page.

Painting Of Foal Resting

Oil Pasten On Museum Board

Serenity: Oil Pastel Painting by Mona Majorowicz

Serenity by Mona Majorowicz

This was a foal from a local breeder who at the time of my taking the reference photos had around sixty paint horses with foals or in varying state of pregnancy. With so much color and beauty surrounding me, I was in equestrian artists heaven. I spent the day walking among the mare and foals in the pasture and shot roll upon roll of film.

Yes, I'm still old school. I only use my digital camera for blog stuff. There's something about holding those 4 x 6 glossies in my hand, while breathing in the faint whiff of developing chemicals that makes my heart go pitter-pat.

Okay, back to the horses. This muscular little guy grabbed my attention primarily because of his pink nose. I really do have a thing for pink noses and I have a tendency to put them on horses who don't actually have one. I also tend to like negative space. And often select my images based on how they crop out. I really liked the shape the foal's body makes against the negative space of the grass.

Painting Of Mare And Foal

Oil Pastel On Museum Board

Devotion:An original Oil Pastel painting by Mona majorowicz

Devotion by Mona Majorowicz

I like the foal looking out at the viewer. And I especially like the tenderness expressed by the mare. On a compositional level I find the tension between them intriguing. The lines of their bodies and the way their heads come together to form a subtle heart shape--it is almost as if it is a hidden symbol reflecting their bond.

Painting of Resting Foal

Watercolor Pencil on Suede Board

Tuckered Out:An original watercolor pencil painting by Mona Majorowicz

Tuckered Out
by Mona Majorowicz

This was the first painting I did using suede board for my substrate and I fell in love. It has certain limitations to the abuse I usually deal out, (I tend to layer in color until my paper screams for mercy) but the suede offers a visual softness that I struggle to create on watercolor papers.

I've had the photo of this foal laying in my to do pile for nearly a decade. It wasn't until I decided to try suede that I actually used it. Sometimes it takes just the right combination of medium and substrate to make me say, "Hey, I think I'll do this one today." And apparently suede matboard was just such a trigger.

Paintings Featuring Your Basic Average Horse

They're Often The Best Kind

Soul: An original watercolor pencil painting by Mona Majorowicz

For ordering information regarding prints of any of these images or to see the full line of horse art available, please click here to visit Wild Faces Gallery website.

Or by clicking on the image of your choice will take you to it's specific page.

Painting Of A Horse Face Close Up

Watercolor Pencil On Suede Board

Soul - An original watercolor painting by Mona Majorowicz

Soul - A portrait of my horse.

My horse's name is Chicory and this is an excerpt from one of my stories written for Apples 'n Oats equestrian magazine.

It is a blustery cold Iowa morning, complete with a fresh dusting of snow. As I make my way to the barn my fingers are already starting to sting. I break the thick layer of ice on the water tank and head inside to give Chicory his hay and grain. He greets me with a nicker and a nuzzle, then regards me with his large liquid eyes while greedily eating his breakfast. My feet are beginning to get cold and my hands are now numb and yet I stand with him for awhile.

I am often asked why I paint so many horse paintings and it is at moments like this that I find my answer. It is a fascination which never seems to get completely fulfilled. I believe I create horse images for the same reason those early cave dwellers did; because I am in awe of their beauty and spirit. Painting is a way of knowing the horse just a little bit more.

Being with my horse reminds me of who I really am. I am a woman who lives close to the earth. I am rarely happier than when I am sweaty and muddy and smell pungently of horse. I work indoors under artificial lights to create a life filled with animals, freedoms and the outdoors. We are not so different, my horse and I. Sunshine, fields of green, and a cool breeze are all bliss, especially on a cloudy day with the threat of snow.

Painting of A Bay Horse

Watercolor Pencil on Arches Watercolor Paper

Catch Penny II: An original watercolor Pencil painting by Mona Majorowicz

Catch Penny II by Mona Majorowicz

The horse in this portrait is of a very special gelding named Catch Penny II. Catch is a wonderful horse with loads of personality. He was 27 at the time of my painting him. Then and even now several years later, he still works as a dressage schoolmaster.

He loves kids and tolerates all sorts of antics from children, including standing patiently for hours while a little girl did him up in ribbons and pink glitter. But the true mark of his greatness as a schooling horse is, while excellent with children he doesn't suffer any kind of foolishness from adults.

To Read More About Catch and To Follow The Painting In Progress, Please Visit This Lens.

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Painting Of A Rescued Arabian Horse

Watercolor Pencil On Arches Watercolor Paper

Simplicity: An origianl oil pastel painting by Mona Majorowicz

CoIton by Mona Majorowicz

Early in 2008 the Iowa Equine Rescue & Awareness League (IERAL) asked me to create a portrait as part of a fund raiser. IERAL is an established non-profit organization which provides care and rehabilitation for the animals they take in.

This image is of Colton, a lovely little 7 year old, gray Arabian gelding, who's likable demeanor immediately entranced me. His gentle, sweet nature and good manners reminded me much of my own horse.

Colton was blind, probably from a virus that went untreated. The good new is, with donations and the help from sales of this image he was able to have surgery. So, that coupled with his beauty in both looks and spirit, made him the ideal poster child (urm . . . horse) for an IREAL fund raise

To Read All About Colton And His Eye Surgery Please Visit This Lens.

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Painting Of A Herd Of Horses

Oil Pastel On Museum Board

Kindred Spirits:An original oil pastel painting by Mona Majorowicz

Kindred Spirits by Mona Majorowicz

With this many horses I need to balance the area of interest with the "not so important" stuff. It is beneficial to have a flow to the painting, so the eye can travel comfortably around the image. I liked the long sloping line of the partial horses on the foreground left. They help to avoid chaos by providing the eye a way out of the painting.

I am attracted to repeating patterns. The curves of the necks and the backs, as well as the monochromatic coloring of having all bays and grays, intrigues me. The models were once again my neighbor's herd. It was made up of about a dozen broodmares with foals and yearlings.

When I started this painting, I again toyed with the idea of horses as landscapes. I envisioned their arching necks and gently sloping backs as rolling hills. Initially, my plan was to have negative space or a background along the top third of the painting. It would provide the skyline, so to speak. However, the problem with this was that it made the horses look rather squatty. It didn't work at all. So on to plan B. Fill it with horses. From my experience, This is always a no-fail plan.

Did You Have A Favorite Horse Painting Of Mine?

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An original painting by Mona Majorowicz

Working Girls by Mona Majorowicz

To See More Of My Horse Art Please Visit My Draft Horse Art Lens

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Other Lenses About My Artwork

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The Black Stallion

by Walter Farley

Okay, so I had to include this since this was probably the most formative book on what equine beauty was all about for me as a child. For the longest time Arabs where my very favorite breed. And even to this day I love a black horse.

The Black Stallion

Amazon Price: $4.99 (as of 05/27/2012)Buy Now

Books About Horse Artists

Painters and Photographers

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And A Few Books On How To Draw And Paint Horses

In case you want to give it a try.

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I Would Love To Hear Your Thoughts.

The Horse Art Of WIld Faces Gallery Guestbook

  • Coe Apr 9, 2012 @ 2:23 pm | delete
    Your horse paintings are gorgeous!
  • divya Jul 1, 2011 @ 12:45 am | delete
    its really natural n awsome beauties...
  • sukkran May 1, 2011 @ 1:47 am | delete
    awesome. ~blessed~
  • Tipi Apr 25, 2011 @ 9:59 am | delete
    Your horse paintings are absolutely glorious, I was completely taken in by them, beautiful and lensrolled/featured on my Horses Clipart page, thank you!
  • AnneVis Apr 21, 2011 @ 8:38 am | delete
    Awesome lens, you have some great paintings here!
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My Other Horse Related Lenses

Pages Pertaining To All Things Equine

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MY Blog: Fur In The Paint

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Oil Pastels: Some Basic Information
Tips and Tools for working with Oil Pastels
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WildFacesGallery

My name is Mona Majorowicz. I am a professional artist who has been making my living selling my work for some time now. I have been in the art and framing... more »

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