Marble Statue, Bronze Garden Sculptures, Bronze Casting, Greek Bronze Sculptures
Ranked #13,721 in Arts & Design, #267,253 overall
Marble Statue
Marble Statue
The marble statue of Hera was reported by archeologist Dimitris Pantermalis to be 2,200 years old. Preliminary analysis of its stone and craftsmanship has matched it to a statue of Zeus discovered in the same ruined city in 2003. Pantermalis speculates that the Hera and Zeus statues are a matched set, which would mark the first time two statues of different gods from the same Greek temple were recovered.
Images of the Hera statue as shown in numerous media reports show a female figure seated on a throne dressed in loose garments. Unfortunately the head is missing, but the life-sized figure still conjures images of the Goddess Hera presiding over worshippers in a grand and beautiful temple with Mount Olympus commanding the horizon.
The ancient city of Dion has been identified as a major religious center for the ancient Macedonians. According to a March 1, 2007 article in the Seattle Post-Intelligencer about the Hera statue, Alexander the Great gave offerings at her temple before launching his legendary invasion of the Persian Empire.
Although the Hera statue post-dates the era of Alexander the Great, she was placed in a venerable temple where once walked such heroes of history. At the feet of the Hera statue, supplicants with simple or complicated problems must have given offerings of food and fine goods. Women wishing for their Greek sons to return home safely from war likely prayed to the statue. And priests surely schemed in the shadows of their marble Gods for power and prestige.
When studying ancient cultures, it is easy to let your imagination wander. There are always more questions than answers when information is coming from scattered ruins and scraps of written records. Where history must yield to the unknown, literature takes over. Authors conceive of grand sagas as intricate and entertaining as the mythology of ancient civilizations, like the Greeks, to serve the role of telling stories about people and places in the distant past. The fantasy genre is particularly inspired by the gaping holes of history. Think of all the lost civilizations and unknown ancient intrigues that have no way to be told except through modern muses whispering their stories to fantasy and historical fiction genre authors.
The mystery of ancient civilizations teases you with the unknown. Unearthed artifacts whether they are masterworks of art or simple every day tools excite your imagination as you wonder what life was really like thousands of years ago. The recently discovered statue of the Greek Goddess Hera in the ruins of the ancient Greek city of Dion serves as an excellent example of the thrilling visions that we can see from the ancient world.
The marble statue of Hera was reported by archeologist Dimitris Pantermalis to be 2,200 years old. Preliminary analysis of its stone and craftsmanship has matched it to a statue of Zeus discovered in the same ruined city in 2003. Pantermalis speculates that the Hera and Zeus statues are a matched set, which would mark the first time two statues of different gods from the same Greek temple were recovered.
Images of the Hera statue as shown in numerous media reports show a female figure seated on a throne dressed in loose garments. Unfortunately the head is missing, but the life-sized figure still conjures images of the Goddess Hera presiding over worshippers in a grand and beautiful temple with Mount Olympus commanding the horizon.
The ancient city of Dion has been identified as a major religious center for the ancient Macedonians. According to a March 1, 2007 article in the Seattle Post-Intelligencer about the Hera statue, Alexander the Great gave offerings at her temple before launching his legendary invasion of the Persian Empire.
Although the Hera statue post-dates the era of Alexander the Great, she was placed in a venerable temple where once walked such heroes of history. At the feet of the Hera statue, supplicants with simple or complicated problems must have given offerings of food and fine goods. Women wishing for their Greek sons to return home safely from war likely prayed to the statue. And priests surely schemed in the shadows of their marble Gods for power and prestige.
When studying ancient cultures, it is easy to let your imagination wander. There are always more questions than answers when information is coming from scattered ruins and scraps of written records. Where history must yield to the unknown, literature takes over. Authors conceive of grand sagas as intricate and entertaining as the mythology of ancient civilizations, like the Greeks, to serve the role of telling stories about people and places in the distant past. The fantasy genre is particularly inspired by the gaping holes of history. Think of all the lost civilizations and unknown ancient intrigues that have no way to be told except through modern muses whispering their stories to fantasy and historical fiction genre authors.
The mystery of ancient civilizations teases you with the unknown. Unearthed artifacts whether they are masterworks of art or simple every day tools excite your imagination as you wonder what life was really like thousands of years ago. The recently discovered statue of the Greek Goddess Hera in the ruins of the ancient Greek city of Dion serves as an excellent example of the thrilling visions that we can see from the ancient world.
Bronze Garden Sculptures
Bronze Garden Sculptures
Have you ever been out sightseeing with family or friends only to come across a magnificent sculpture of something so unique that it practically took your breath away? That is exactly the kind of response you would get with a bronze horse statue. Your statue could be located at the entrance of your driveway for all passersby to admire or placed as an eye catcher at the entrance of a secluded ranch. Maybe you want a beautiful landmark to distinguish a particular office building, or just a personal keepsake in your own home to pass down from one generation to the next.
Whatever decorating ideas you may have in mind, a miniature bronzehorse statue would add such a sense of distinctiveness and awe to any room, as would a stunning livesize statue situated at the entrance of a driveway.
A Bronze Horse Statue is a Great Gift Idea
A bronze horse statue can be given as a gift to a child on a special occasion or to an adult who loves horses. Any horse lover would be thrilled to receive such a priceless gift, and giving such a gift doesn't have to mean breaking the bank. The statues can be small enough to fit on a desktop, or you might commission a sculptor to create a life-size image. With horse statue commissions, you can have your favorite horse sculpted or do the same for a close friend or family member as a gift.
The statue could be even the most personal of gifts to recreate an image of a once loved horse or of such a unique horse that you would want to remember it throughout the years. If you enjoy collecting, or have thought about starting a collection, the uniquely made bronze horse statue would be a breath taking collection to own.
Decorating Indoors with a Bronze Horse Statue
Adding a bronze horse statue under a well-loved horse portrait painting could be the finishing touch of a cozy room. There's nothing quite like a statue somewhere near to accent a beautiful painting, whether it were a statue of an Arabian horse or a wild Mustang. It will present an image for the mind to view over and over again.
Adding an equine would definitely spice up a den in any home. Having your office decorated with such a distinction is just as important. These statues can add just the touch of uniqueness needed to fit your personality if you're a horse lover. There are desksize horse sculptures to fit on your desk or floor statues to place in a prominent corner of the room.
Have you ever been out sightseeing with family or friends only to come across a magnificent sculpture of something so unique that it practically took your breath away? That is exactly the kind of response you would get with a bronze horse statue. Your statue could be located at the entrance of your driveway for all passersby to admire or placed as an eye catcher at the entrance of a secluded ranch. Maybe you want a beautiful landmark to distinguish a particular office building, or just a personal keepsake in your own home to pass down from one generation to the next.
Whatever decorating ideas you may have in mind, a miniature bronzehorse statue would add such a sense of distinctiveness and awe to any room, as would a stunning livesize statue situated at the entrance of a driveway.
A Bronze Horse Statue is a Great Gift Idea
A bronze horse statue can be given as a gift to a child on a special occasion or to an adult who loves horses. Any horse lover would be thrilled to receive such a priceless gift, and giving such a gift doesn't have to mean breaking the bank. The statues can be small enough to fit on a desktop, or you might commission a sculptor to create a life-size image. With horse statue commissions, you can have your favorite horse sculpted or do the same for a close friend or family member as a gift.
The statue could be even the most personal of gifts to recreate an image of a once loved horse or of such a unique horse that you would want to remember it throughout the years. If you enjoy collecting, or have thought about starting a collection, the uniquely made bronze horse statue would be a breath taking collection to own.
Decorating Indoors with a Bronze Horse Statue
Adding a bronze horse statue under a well-loved horse portrait painting could be the finishing touch of a cozy room. There's nothing quite like a statue somewhere near to accent a beautiful painting, whether it were a statue of an Arabian horse or a wild Mustang. It will present an image for the mind to view over and over again.
Adding an equine would definitely spice up a den in any home. Having your office decorated with such a distinction is just as important. These statues can add just the touch of uniqueness needed to fit your personality if you're a horse lover. There are desksize horse sculptures to fit on your desk or floor statues to place in a prominent corner of the room.
Bronze Casting
The traditional process used to cast bronze, developed and used 4,000 years ago, is called lost wax casting. This method results in highly detailed, quality castings and has changed very little over the centuries. The method was used by craftsmen and artists from every culture from ancient Mesopotamia and Egypt up to today.
This process begins with the object that is to be cast. An artist creates a sculpture from clay or wax as these substances remain soft. These sculptures can be very intricate and finely detailed. A mold is then made of the sculpture, usually in two pieces, sometimes more when a sculpture is very large. Plaster is used on small pieces, but fiberglass is also used, especially for larger sculptures. After the molding material has been applied and it has dried thoroughly, the mold is then opened and the original sculpture is removed. Usually the original is destroyed in this process, as the molding material is very rigid. That is why the original sculpture is made of a soft material so that it can be removed from the mold.
After all of the original sculpture has been removed and the mold cleaned, a thin coating of wax is brushed onto the inside of the mold. This is done to capture every intricate detail of the mold. The mold is then put together, and wax is poured in the mold while it is being slowly rotated. After a layer of wax at least three quarters of an inch forms on the inside of the mold, the rest of the wax is dumped out. When the wax has thoroughly hardened, the mold is removed. The wax cast is then worked on by artisans to ensure that it is as perfect as possible.
The wax casts are then dipped into a mixture of plaster and sand. This is repeated many times. Each dipping has to dry thoroughly before the next. With each successive dip, the sand and plaster mixture gets more coarse. This results in a very strong shell being built up over the wax cast. After these shells have hardened, vents and 'runners' are added to allow the molten bronze to enter the shell, and for gases and excess metal to escape. The shells are then placed into a kiln and baked at very high temperatures. This heat causes the wax inside of the shell to melt away, leaving an exact image of the sculpture in the shell. This gives the process its name of 'lost wax casting'. After baking, the shell is now a mold ready for molten bronze.
This process begins with the object that is to be cast. An artist creates a sculpture from clay or wax as these substances remain soft. These sculptures can be very intricate and finely detailed. A mold is then made of the sculpture, usually in two pieces, sometimes more when a sculpture is very large. Plaster is used on small pieces, but fiberglass is also used, especially for larger sculptures. After the molding material has been applied and it has dried thoroughly, the mold is then opened and the original sculpture is removed. Usually the original is destroyed in this process, as the molding material is very rigid. That is why the original sculpture is made of a soft material so that it can be removed from the mold.
After all of the original sculpture has been removed and the mold cleaned, a thin coating of wax is brushed onto the inside of the mold. This is done to capture every intricate detail of the mold. The mold is then put together, and wax is poured in the mold while it is being slowly rotated. After a layer of wax at least three quarters of an inch forms on the inside of the mold, the rest of the wax is dumped out. When the wax has thoroughly hardened, the mold is removed. The wax cast is then worked on by artisans to ensure that it is as perfect as possible.
The wax casts are then dipped into a mixture of plaster and sand. This is repeated many times. Each dipping has to dry thoroughly before the next. With each successive dip, the sand and plaster mixture gets more coarse. This results in a very strong shell being built up over the wax cast. After these shells have hardened, vents and 'runners' are added to allow the molten bronze to enter the shell, and for gases and excess metal to escape. The shells are then placed into a kiln and baked at very high temperatures. This heat causes the wax inside of the shell to melt away, leaving an exact image of the sculpture in the shell. This gives the process its name of 'lost wax casting'. After baking, the shell is now a mold ready for molten bronze.
Greek Bronze Sculptures
Greek sculpture "evolved" throughout, and paralleled the historical significances of this ancient civilization through three (3) major historical periods. We see how for the Greeks, art and the events of the day were significantly entwined.
Each of the three main periods of Greek sculpture presented its own unique contributions in the art of sculpting the human form. Ancient Greeks were skilled craftsmen and incorporated the human appearance into every aspect of their art from the earliest period the Archaic, through the middle Classical period, into the Hellenistic period. Although today we view sculpting as an art form, in early ancient times the Greeks viewed it as a learned trade or skill.
Due to the Greek's unique appreciation for sculpture, this art form was nurtured by the city of Athens, then the sculptural hub of Greece, as it grew through various periods. This 'financial support' is why the Ancient Greeks created vast amounts of sculpture. Art was not so prolific in areas of the world where it wasn't profitable.
During the Archaic period, from 650 B.C. to 480 B.C., dictators ruled the most powerful Greek cities. Despite tyrannical rule and political and social unrest, the arts flourished. The Greek's victory at Persia's attempt to conquer them in Asia Minor, ushered in a celebration in Greek Art, "symbolizing the triumph of civilized peoples over the forces of barbarism". "The origins of democracy can be traced to Athens in the years following the fall of the tyrannical Peisistratids (560-510 BC)".(Penn Museum)
The earliest full size stone Greek sculptures were one dimensional nude males and females (kouroi and draped korai). As beautiful as every sculpture was, they were being created as grave markers, cult images, and as dedications for sanctuaries rather than works of art. Obvious differences in the male and female sculptures of this period are that males stand nude, forward facing, one leg forward and arms to the side with clenched fists, where the females stand with feet together, always fully clothed with nothing more than their feet and arms bare. "The difference between the sexes is striking" (Baron 11). Many human sculptures displayed 'the Archaic smile', which was not created to display emotion, but rather as a simple, easy solution for the artist creating the "face".
Heavy Egyptian influence is evidenced by the similarities found in many sculptures during this period. Some art historians believe Egyptian artists used a grid system, with spacing between each line to define their proportions. "Using this same grid system, artists of the Greek Archaic period produced the simple and limiting style that led to the creation of the rigid sculptural forms of that period."
Each of the three main periods of Greek sculpture presented its own unique contributions in the art of sculpting the human form. Ancient Greeks were skilled craftsmen and incorporated the human appearance into every aspect of their art from the earliest period the Archaic, through the middle Classical period, into the Hellenistic period. Although today we view sculpting as an art form, in early ancient times the Greeks viewed it as a learned trade or skill.
Due to the Greek's unique appreciation for sculpture, this art form was nurtured by the city of Athens, then the sculptural hub of Greece, as it grew through various periods. This 'financial support' is why the Ancient Greeks created vast amounts of sculpture. Art was not so prolific in areas of the world where it wasn't profitable.
During the Archaic period, from 650 B.C. to 480 B.C., dictators ruled the most powerful Greek cities. Despite tyrannical rule and political and social unrest, the arts flourished. The Greek's victory at Persia's attempt to conquer them in Asia Minor, ushered in a celebration in Greek Art, "symbolizing the triumph of civilized peoples over the forces of barbarism". "The origins of democracy can be traced to Athens in the years following the fall of the tyrannical Peisistratids (560-510 BC)".(Penn Museum)
The earliest full size stone Greek sculptures were one dimensional nude males and females (kouroi and draped korai). As beautiful as every sculpture was, they were being created as grave markers, cult images, and as dedications for sanctuaries rather than works of art. Obvious differences in the male and female sculptures of this period are that males stand nude, forward facing, one leg forward and arms to the side with clenched fists, where the females stand with feet together, always fully clothed with nothing more than their feet and arms bare. "The difference between the sexes is striking" (Baron 11). Many human sculptures displayed 'the Archaic smile', which was not created to display emotion, but rather as a simple, easy solution for the artist creating the "face".
Heavy Egyptian influence is evidenced by the similarities found in many sculptures during this period. Some art historians believe Egyptian artists used a grid system, with spacing between each line to define their proportions. "Using this same grid system, artists of the Greek Archaic period produced the simple and limiting style that led to the creation of the rigid sculptural forms of that period."
Statue Sculpture
Statue Sculpture
94 years ago on August 23,1913 in Copenhagen was opened one of the ten world's mostly known monuments - the statue of the Little Mermaid, a heroine of Hans Christian Andersen's fairy tale. Since then the Little Mermaid sitting at Langelline Quay by the entrance of the city port is considered a national symbol and the main place of interest of Copenhagen.
Sitting on a granite boulder at the shore edge Andersen's Little Mermaid is thoughtfully looking afar. This wonderful bronze sculpture is created by Danish sculptor Edward Erickson under the order of the large brewer and patron of art Charles Jacobsen. The model served for the statue was the sculptor's wife, the Royal opera and ballet theatre's dancer Helen Price. In 1913 Charles Jacobsen has presented the sculpture to the city, and since then it is impossible to imagine the Danish capital without the Little Mermaid.
The Little Mermaid has been repeatedly exposed to vandalism acts. In 1961, 1963 and 1976 it was poured with paint, drawn over with panties and bra, and even have been blown up, but each time the statue has been reconstructed by the original breadboard model.
In 1964 unknown persons have decapitated the statue. Fortunately, there was saved the old plaster mould on which a new head was made. Criminals haven't been found. To tell the truth, there were such talks that the act of vandalism was committed by the Danish writer and the artist "situationist" Jorgen Nash, who has confessed in 1997 in his memories that it was him who has sawn off the Mermaid's head and drowned it in one of Copenhagen lakes.
In the summer of 1984 hooligans have cut off the Mermaid's right hand. These were two young guys, who came to police and admitted, that they committed this barbarous act being drunk. Hooligans were punished only for "the municipal property defacement", and the Little Mermaid was reconstructed again.
Portrait statuary became a popular form of art and there were many wonderful works created in this genre. One of the most famous was Polyeuctus' figure of Demosthenes (a copy can be found in Copenhagen and Oxford). Hellenistic sculptors delved deep into the expression of human emotions in their sculptures. "The fullest dramatic use is made of swirling drapery, but the main force is lent by the vigorous carving of muscles and the writhing, tense bodies. If this alone were not enough to convey the horror of the struggle the faces too were carved with expressions of extreme anguish: (Boardman 213). "Hellenistic sculptors had other standards. In work of traditional character they kept the old impassivity, but where the aim was naturalistic or dramatic they enjoyed their virtuosity.
94 years ago on August 23,1913 in Copenhagen was opened one of the ten world's mostly known monuments - the statue of the Little Mermaid, a heroine of Hans Christian Andersen's fairy tale. Since then the Little Mermaid sitting at Langelline Quay by the entrance of the city port is considered a national symbol and the main place of interest of Copenhagen.
Sitting on a granite boulder at the shore edge Andersen's Little Mermaid is thoughtfully looking afar. This wonderful bronze sculpture is created by Danish sculptor Edward Erickson under the order of the large brewer and patron of art Charles Jacobsen. The model served for the statue was the sculptor's wife, the Royal opera and ballet theatre's dancer Helen Price. In 1913 Charles Jacobsen has presented the sculpture to the city, and since then it is impossible to imagine the Danish capital without the Little Mermaid.
The Little Mermaid has been repeatedly exposed to vandalism acts. In 1961, 1963 and 1976 it was poured with paint, drawn over with panties and bra, and even have been blown up, but each time the statue has been reconstructed by the original breadboard model.
In 1964 unknown persons have decapitated the statue. Fortunately, there was saved the old plaster mould on which a new head was made. Criminals haven't been found. To tell the truth, there were such talks that the act of vandalism was committed by the Danish writer and the artist "situationist" Jorgen Nash, who has confessed in 1997 in his memories that it was him who has sawn off the Mermaid's head and drowned it in one of Copenhagen lakes.
In the summer of 1984 hooligans have cut off the Mermaid's right hand. These were two young guys, who came to police and admitted, that they committed this barbarous act being drunk. Hooligans were punished only for "the municipal property defacement", and the Little Mermaid was reconstructed again.
Portrait statuary became a popular form of art and there were many wonderful works created in this genre. One of the most famous was Polyeuctus' figure of Demosthenes (a copy can be found in Copenhagen and Oxford). Hellenistic sculptors delved deep into the expression of human emotions in their sculptures. "The fullest dramatic use is made of swirling drapery, but the main force is lent by the vigorous carving of muscles and the writhing, tense bodies. If this alone were not enough to convey the horror of the struggle the faces too were carved with expressions of extreme anguish: (Boardman 213). "Hellenistic sculptors had other standards. In work of traditional character they kept the old impassivity, but where the aim was naturalistic or dramatic they enjoyed their virtuosity.
Marble Sculptures
Marble Sculptures
Marble is traditionally seen as a cold and difficult stone--but in the hands of the great sculptors of the past, you'd never know it. Looking at their works, one sees motion and beauty, as well as the silent calm of still repose. Marble sculptures from ancient Greece and Rome remain our best inheritance from those countries, and the legacy of marble sculpture continues to captivate both artists and audiences up to this day.
It is certainly not difficult to see why: after all, with marble's fine sheen and beautiful polish, it makes a great substance for contemplation. Since so many of the great marble statues of the past are lodged in museums, an art reproduction house like the one we have here at Museum Replicas can be a great way to bring the beauty of marble into your own home or office. With our staff of highly trained and talented artists, we have succeeded in capturing the beauty of many statues in Carrera, Alabaster and Jade marble.
In order to illustrate this, simply look at the statue against which all other marble statues are judged: Michelangelo's "David." With its beautiful lines and dynamic design, you would think this statue would be impossible to reproduce. You'd be wrong, however, as the amazing reproduction viewable at our online gallery can demonstrate (www.museum-replicas.com). After seeing it, it's likely that you too will believe that, though only Michelangelo could sculpt David, only the talented artists we employ here at Museum Replicas could resculpt it.
Sculptures from the Philippines come in a variety of mediums. There are glass sculptures, marble sculptures, bronze and mixed medium sculptures. The themes, forms and styles used for Filipino sculptures run the artistic gamut from abstract sculptures to figure studies.
During the 18th century sculptures from the Philippines reflected Catholic themes. One of the most famous 18th century Filipino sculptures was the Virgin of the Immaculate Conception. This sculpture was created in ivory. It was decorated using polychrome, glass, silver and gilding.
Alma Quinto is a modern Filipino sculptress that works in a variety of mediums and art forms. Her Lolita's Pet is a mixed medium sculpture that has been featured in several publications. It is currently valued at about S$500. If you enjoy the sculptures created by this artist then you may also be interested in the illustrations, paintings, textiles and installation pieces created by this artist as well.
Duddley Diaz is another modern artist from the Philippines who specializes in unique sculptures. He was born in the Philippines in 1962. His artistic education started at the University of the Philippines where he earned a BFA. It then continued at the Academia di Belle Arti in Florence, Italy. Here Diaz studied both painting and sculpting.
Marble is traditionally seen as a cold and difficult stone--but in the hands of the great sculptors of the past, you'd never know it. Looking at their works, one sees motion and beauty, as well as the silent calm of still repose. Marble sculptures from ancient Greece and Rome remain our best inheritance from those countries, and the legacy of marble sculpture continues to captivate both artists and audiences up to this day.
It is certainly not difficult to see why: after all, with marble's fine sheen and beautiful polish, it makes a great substance for contemplation. Since so many of the great marble statues of the past are lodged in museums, an art reproduction house like the one we have here at Museum Replicas can be a great way to bring the beauty of marble into your own home or office. With our staff of highly trained and talented artists, we have succeeded in capturing the beauty of many statues in Carrera, Alabaster and Jade marble.
In order to illustrate this, simply look at the statue against which all other marble statues are judged: Michelangelo's "David." With its beautiful lines and dynamic design, you would think this statue would be impossible to reproduce. You'd be wrong, however, as the amazing reproduction viewable at our online gallery can demonstrate (www.museum-replicas.com). After seeing it, it's likely that you too will believe that, though only Michelangelo could sculpt David, only the talented artists we employ here at Museum Replicas could resculpt it.
Sculptures from the Philippines come in a variety of mediums. There are glass sculptures, marble sculptures, bronze and mixed medium sculptures. The themes, forms and styles used for Filipino sculptures run the artistic gamut from abstract sculptures to figure studies.
During the 18th century sculptures from the Philippines reflected Catholic themes. One of the most famous 18th century Filipino sculptures was the Virgin of the Immaculate Conception. This sculpture was created in ivory. It was decorated using polychrome, glass, silver and gilding.
Alma Quinto is a modern Filipino sculptress that works in a variety of mediums and art forms. Her Lolita's Pet is a mixed medium sculpture that has been featured in several publications. It is currently valued at about S$500. If you enjoy the sculptures created by this artist then you may also be interested in the illustrations, paintings, textiles and installation pieces created by this artist as well.
Duddley Diaz is another modern artist from the Philippines who specializes in unique sculptures. He was born in the Philippines in 1962. His artistic education started at the University of the Philippines where he earned a BFA. It then continued at the Academia di Belle Arti in Florence, Italy. Here Diaz studied both painting and sculpting.
Bronze Sculptures
Bronze Sculptures
The making of the material known as 'bronze', it is created by the mixing and melting of tin and copper. The reason for the creation of bronze was because the metal of copper is overly soft for many different types of items such as tools, and the metal medium of tin is just highly brittle, and breaks very easily. But when these to metal mediums are combined through the heating and melting process, there would be the very hard metal of bronze.
Not only does bronze make a wonderfully hard metal for tools, coins, shields or Armour, and of course, statues. Bronze not only is uniquely hard forever long lasting statues large and small, but as it ages, with the help of air exposure, there is a greenish brown corrosion that starts to appear over time. This is a welcoming sight for most all bronze statue collectors because of its creative uniqueness of each and every individual piece of bronze artwork.
Bronze was originally used approximately 5,000 years ago, and this was then the beginning of the Bronze Ages within China, Egypt and Greece, and later on during the time period of 1,900 B.C. upon the continent of England. Even from the beginning of the Bronze Age, bronze was recognized for its unique beauty and color, along with it being a metal of strength and performance.
The very first bronze casting has been traced to China around the year of 1,700 B.C., and almost all of these original bronze castings were specifically for the ritual of worshiping the people's ancestors. Most all of these ancestral bronze castings would be engraved with the individual name of the ancestor, and sometimes engravings of the events that were important of the ancestor. These ancestral castings would be kept as extremely special heirlooms of the families that the ancestor belonged to.
During the Bronze Age of ancient Greece, bronze was highly admired for the used of vase production, large and small statues and sculptures, along with battle helmets, money and later on candlesticks, doors for and religious vessels, reliquaries and many other church and cathedral related items.
The making of the material known as 'bronze', it is created by the mixing and melting of tin and copper. The reason for the creation of bronze was because the metal of copper is overly soft for many different types of items such as tools, and the metal medium of tin is just highly brittle, and breaks very easily. But when these to metal mediums are combined through the heating and melting process, there would be the very hard metal of bronze.
Not only does bronze make a wonderfully hard metal for tools, coins, shields or Armour, and of course, statues. Bronze not only is uniquely hard forever long lasting statues large and small, but as it ages, with the help of air exposure, there is a greenish brown corrosion that starts to appear over time. This is a welcoming sight for most all bronze statue collectors because of its creative uniqueness of each and every individual piece of bronze artwork.
Bronze was originally used approximately 5,000 years ago, and this was then the beginning of the Bronze Ages within China, Egypt and Greece, and later on during the time period of 1,900 B.C. upon the continent of England. Even from the beginning of the Bronze Age, bronze was recognized for its unique beauty and color, along with it being a metal of strength and performance.
The very first bronze casting has been traced to China around the year of 1,700 B.C., and almost all of these original bronze castings were specifically for the ritual of worshiping the people's ancestors. Most all of these ancestral bronze castings would be engraved with the individual name of the ancestor, and sometimes engravings of the events that were important of the ancestor. These ancestral castings would be kept as extremely special heirlooms of the families that the ancestor belonged to.
During the Bronze Age of ancient Greece, bronze was highly admired for the used of vase production, large and small statues and sculptures, along with battle helmets, money and later on candlesticks, doors for and religious vessels, reliquaries and many other church and cathedral related items.
