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Women and Artistamps

1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic (by 5 people)   Your rating: 1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic

Ranked #5896 in Arts , #132885 overall

Rated G. (Control what you see)

 

Women Artists making Artistamps 

["Separation Anxiety © Meesh Rheault Miller]

Miniature art bound by a border of lines and holes. Multiplied in rows and columns. What is the lure to collect and organize these linear objects? So masculine in their mathematical nature. Yet so cute in their petite smallness. Artistamps.

When I started creating Artistamps, over 12 years ago, I looked around at my fellow artists to see mainly fellows. 98% of those participating in the creation, collection and trading of Artistamps were men, typically mid 40's to 50's. As a young 20 something with fiery red hair, I found myself somewhat popular but alone. The few women I met on the scene seemed older and distant. Regardless, I created and shared, unintimidated by the testosterone.

But since advent of the internet and its ever increasing popularity and access, more people have come to know and enter the world of Artistamps and mail art. In 1999, an online Artistamp mailing list was created and people from all over the world were chatting and trading through an online venue. Because of this, I suddenly came into contact with more and more women creating Artistamps. I wondered, am I just now encountering them, or are they just now encountering Artistamps. After interviewing many Artistamp creators of the female persuasion I discovered some common threads.

The internet has indeed spread the news of Artistamps! Most of the women had played around with some stamps or mail art, but really came into creating and trading Artistamps once they found the groups online. Heidi Rand had collected stamps and knew about Cinderella's (a philatelic name for "faux" stamps of any kind) but it wasn't until she did some online research on creating her own stamps that she ran across the hundreds of people worldwide doing the same. Others, like Meesh Rheault Miller and Carol Chapel, came to know of Artistamps through The World of Donald Evans. (A now rare and out of print book, Donald Evans painstakingly hand painted his miniature stamps in the 1950's and 60's) Most happened upon Artistamps mostly by accident, but fell quickly into the fever of creation.

Another interesting commonality between the women I interviewed was age. All of them were in their late 40's and 50's. Most of them had freelance types of jobs that were creative in nature. They all found the Artistamp an artistic challenge and passion. To a one, they seem well traveled, educated, successful and more than a little interesting.

So why to we make these little works of art that get sent through the mail? "It's a fun way to express my creativity with a combination of digital art, traditional art and rubber stamping techniques. Plus, I know that I've put a smile on someone's face, for at least a moment, amongst all the bills and junk mail." shares Postmistress Gianna. Most stamp artists really enjoy the exchange with other artists. They create stamps for special group swaps or personal commemorations. Others make stamps to make statements of various kinds; social, political, artistic, poetic, spiritual, or to add mystery to their letters. For Susan Williamson creating Artistamps is really a form of visual journaling. Still others do it to take a break from their more demanding art forms or work. Finally, many use it as a form of communication and interacting with people across the world. A few have found that making stamps for others can be a nice little side business.

The methods of creation are as varied as the women who use them. Computers are more and more popular. They allow a combination of photography and digital work. Many, myself included, take other artwork and scan into the computer for use in a smaller scale. Others draw, rubber stamp, collage, paint and use photography as a basis for the stamps.

There are few rules for an Artistamp. The main two are that it have a 'value' of some kind and a perforation of sorts. Many include a country of origin and a border. But beyond that there are few guidelines. Artistamps can also become the beginning of a complete imaginary country. These lands often only exist in the mind of the artist but also include bits and pieces of reality.

Perforating is always the finishing touch. Most that get the Artistamp bug, desire a real stamp perforator. These are antique pieces of machinery that punch a row of perfectly circular holes. Other methods include Fiskar's brand 'stamp edge' scissors, sewing machine, tracing wheels, and kiss cutting.

For me Artistamps are yet another medium to share my creative view. For years I have created and traded stamps. I wanted to create a world that was unique and exotic, someplace I could 'escape' to. Therefore, the Eyeland of Exoticia was born. I continue to issue a few stamps every year. These are mailed across the world to other artistampers. It is still a medium that I greatly enjoy.

In June of 2004 I began teaching classes on Artistamps and the methods of creation at rubberstamp and craft venues. I look forward to exposing even more women to this art form in hopes that they too can find new ways to express their thoughts, and dreams.

Interviews... 

Coming SOON!

Are you a woman artistamp maker that would like to featured here? email me and let me know.

First Interview coming via PODCAST of
Lisa Vollrath

Women Making Artistamps 

Just the Women

Men have ruled the Philatelic world for ages... now it is time to take it back!
Artistamps
Artistamps you ask? Work by Dragonfly Dream
Carla Cryptic
Carla has been creating stickers with either
text, images, or both under the title Cryptic Post for decades but it's only in the last 8 years or so that she truly became aware of and involved in artistamps and faux postage as an art movement or genre.
Lavendar Post
Atistamps by an openly queer woman of strength, her politics show in her art.
kiyotei
Mailart resource for ATC's, postcards, envelopes, and artistamps.
LisaVollrath Faux Postage
Fabulous faux postage stamp

Meesh Rheault Miller 

Documentary Filmmaker, Graphic Artist and woman Artistamp Creator

Interview from 2004

Postal name/country:Piccolo Poste, Apocalypse Center, Isle Of Meesh

When and HOW did you discover artistamps? Have been a mailartist off and on for about seven years, came across the World of Donald Evans and was inspired to try my own hand

WHY do you create stamps? I create stamps to make political statements, to add mystery to the letters I mail, to distill my own artwork into a tiny concentrated space, to make my postman smile, to name only a few reasons

What topics do you usually create stamps about? I have created stamps to protest, to applaud, to celebrate, to explore just about any topic-sometimes I am inspired by a photograph, or a quote or a political situation the possibilities as you know are endless.

How often do you create stamps? Sometimes I'll sit down and create a dozen issues in a week at other times I don't make a one for months.

What methods do you use? (computer, rubberstamps, etc) I have taken photographs of my own or more recently my son's work and played with them in Photoshop, or I may scan a piece of my own artwork- pastels, body prints, drawing, etc, sometimes I'll find a photograph and "work" it until it is unrecognizable, when I adapt the image I then assemble it all with In Design (used to be PageMaker) and print.

What type of perforating, if any, do you use? I have traditionally used a Fiskars scissors- I recently bought a Rosback but have yet to send out a stamp perfed by this sweet machine- still working out the kinks and overwhelmed with work etc to get there but soon!

Glowing Heads~ Meesh's Website

Interviews 

Of Women Artistamp Creators BY other writers around the world

I wasn't the first to interview women artists making faux postage and sending mail art into the world... I am sure I won't be the last.
Interview with Anna Banana
"The beauty of stamp art is that it doesn't take up a lot of room." - Anna Banana

Ruud Janssen with Anna Banana TAM Mail-Interview Project. This interview was conducted in 1995.
Interview with Svjetlana Mimica
"Letter and art work remain the only existing valuable thing in mail art." - Svjetlana Mimica

Ruud Janssen with Svjetlana Mimica TAM Mail-Interview Project This interview was conducted in 1994.
Interview with Anna Boschi
An Interview with Italian artist Anna Boschi. TAM Mail-Interview Project. This interview was conducted in 1995.
Interview Jenny de Groot
" It is obvious that men are over-participated in all aspects of society." - Jenny de Groot

Ruud Janssen with Jenny de Groot TAM Mail-Interview Project. This interview was conducted in 1995.
Interview with Patricia Collins
"I have found great generosity in exchanging work." - Patricia Collins

Ruud Janssen with Patricia Collins TAM Mail-Interview Project. This interview was conducted in 1995.
Interview with Ashley Parker Owens
" I am electricity itself, hurling through the universe." - Ashley Parker Owens

Ruud Janssen with Ashley Parker Owens TAM Mail-Interview Project. This interview was conducted in 1995.
Interview with Julie Paquette
"Mail art is truly what you do with it." - Julie Paquette

Ruud Janssen with Julie Paquette TAM Mail-Interview Project. This interview was conducted in 1995.
Interview with Jenny Soup
"Computers are a marvel, they're fabulous." - Jenny Soup

Ruud Janssen with Jenny Soup TAM Mail-Interview Project. This interview was conducted in 1995.

Galleries of ART 

Artistamps that is...

This set of links does include men, mail art shows and other documentation of artistamps on the web.
CYBERSTAMPS: ARTISTAMPS IN CYBERSPACE
ARTISTAMP GALLERY Presents Mail Art's First Online Mail Art Show
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shebaduhkitty

About shebaduhkitty

I have a not so secret passion for paper. I haunt the office supply stores to see the orderly stacks of every kind of basic business paper. But this is never enough, gift wrap, tissue, books, maps, ticket stubs and packaging. It always finds its way into my home.

It started with magazines, the glossy images begged me to rip them apart. Once I started ripping I couldn't stop. I began to see myself as painting with the paper. The texture and dimensions are as important as the colors. More often than not, I will tear the paper with my finger rather than use any one of the hundreds of pairs of scissors that clutter my desk.

Somewhere along the way, fabric intervened. The paper is still a passion, but now the fabric has begun to pile up as well. I don't usually think of myself as a pack rat but when I look at my stashes, I wonder. I imagine it came from my mother, who had a saying, "She who dies with the most fabric win." I'm not sure what the prize is, but I am in the running.

Be it paper or fabric, on glass or in books, my work is always about my journey through life. Early pieces show a struggle with sexuality, relationships and matters of the body and heart. When asked to describe the inner workings of these pieces I would say, "My collage and mixed media work is a perspective of the female form, by a female. By reducing existing images to an elemental point, the resultant collages are sensual and colorful constructs that suggest redefinition of the cultural views of women. My work continues to be an exploration of my own femininity and my place in the world."

Later my work reflected my spiritual questions and searching. As I become more settled into my adulthood, my work turns to understanding the more subtle aspects of personality and choices in life.

I know that my work will change and grow on this journey of mine, but I believe a style of strong lines and bold colors will weave its way though all of the pieces.

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