The Ambilevous Photographer: Maven of Mirrored Photography
So what the heck is "Ambilevous"? Well, the dictionary will say something like 'left-handed on both sides,' or, 'ability to perform manual skill tasks with both hands,' and yet in another place, the dictionary says "ambilevous" means 'clumsy'.
Well, I'm "left-handed"! I'm not so 'clumsy', so I think the guy who gave that definition was just having a 'clumsy' day. Maybe he was left-handed and a klutz! Nevertheless, this "Lens" has nothing to do with being 'clumsy'!
Since 2003, I've been working on a group of images that I call "Mirrored Images". Most of these images have been constructed as Mirrored Asymmetrical scenes.
Because I'm a left-handed person, I believed it was about time to show the world that what's on the left hand side of an image is just as good as what's on the right hand side - that both sides are equal.
The first key to any "Mirrored Image" is to start with a compelling original image!

Ambilevous Photography
Mirrored Imagery by Nawfal Nur
These images are produced by first making a good still life image.
After that, it is a matter of taking that image into a photo editing software, like Paint Shop Pro, and then rotating/flipping it and joining the new, two halves together; however, the two halves MUST be seamless.
These images, in general, are asymmetrical. Sometimes, there are several mirrors in one images. Sometimes, the two halves vary in color, and maybe even a little less often, there is slight content variations in the halves. But in general, I stuck to my rules for this project. That being, to make images of subjects that are mirrored, like your two hands when put together side-by-side, with pinky fingers touching. It's like that!
This is my "Ambilevous World" - I guess I can do what I want here, and I'm happy to be able to show you what images have been created for this "Ambilevous Photography Project."
One of the main rules in photography is to break the rules when you deem they need breaking - perhaps that is what I'm doing here with this project.
Trick Photography How-To's
Photoshop and Digital Photo "Help" Sources!
Here are amazing resources that cover still photography special effects and lighting that will help you plan, organize, and execute difficult photography subjects with pizzazz!
Adobe Photoshop Lightroom Book for Digital Photographers,The (Voices That Matter) by Scott Kelby
Paperback: 416 pages. Publisher: New Riders Press; more...0 points
Photoshop CS / CS2 Wow! Book, The, 1/e (WOW!) by Linnea Dayton
Paperback: 800 pages. Publisher: Peachpit Press; more...0 points
The Complete Guide to Light & Lighting in Digital Photography (A Lark Photography Book) by Michael Freeman
[Michael Freeman, the author of more than 20 books more...0 points
FineGrain's Bookmarks
You'll find some of mine and my favorite bookmarks here. Have a look...The "Behind the Lens" Photo-Blogs are mine, so please check it out! Thanks!
Photography is a Mirror of Yourself!
PART 1:
The "Ambilevous Photography" Collection is just that: It is mostly a reflection of me. These subjects, as you see them, do not exist in nature. You won't see them outside in your yard, or at work, or in your home. These images were created from within.
I'm sure when you go out and photograph, even if it is a sunset, your kids, ducks, or whatever...you too, take the image from within. It has become a habit for me to formulate, compose and print a photograph in my mind before I ever take my camera out of my camera bag.
Sure, digital-film shooting is cheap; but I, personally, don't take photographs if I can't visualize the outcome before I take them. If the scene does not scream to me, "Take My Photograph!" Then, I usually don't.
Most "self-respecting photographers" don't yell: "Ducks!" and then 'SNAP' - Taking the picture without thought! (You can substitute "Ducks" with trees, birds, wife, etc.). Then again, if your wife yells at you to take her photograph, maybe it is best to take it! Don't need a ruckus because of a photograph.
If you simply don't care about how your photographs turn out; or worse yet, if you don't care about what you photograph, then be my guest, snap away. That would then be like the Mr. Bean shotgun approach to photography!
The Bean video can be seen here: http://www.youtube.com/watch?v=jUAk6AmfVeI (cut & paste the URL if you want to see it)
For the rest of the story, go on to PART 2!
Photography is a Mirror of Yourself!
PART 2
Just before he tries to set up the decorated-guard shot, he is taking snapshots of just about everything, SNAP, SNAP, SNAP; he's even taking photos of trash that's sitting in the garbage can.
When the guard stamps his feet with a "CLAP," Bean takes notice. He finally sees an interesting photograph in the making.
At that point, he slows down to consider the angle, the light, the position of the camera, the composition, and what he can do to make the image more interesting. He takes the time to MAKE THE SHOT HIS OWN!
He decorates the palace guard with flowers, garland vines, and he even gives the poor guard a mustache trim!
When Bean is finished with all of his considerations and calculations, not to mention his destruction of public property, he then secures the camera, turns the egg timer on, and joins the guard for a nice portrait.
A second before the shutter releases, the changing of the guard alarm goes off, the angry guard moves quickly out of the camera's frame and Bean misses the shot!
POOR BEAN!
There are some things you can learn about photography from this funny episode, and from Mr. Bean:
~ 1 ~ Take some time and find subjects to photograph that you really want to photograph. If Bean had not wasted time on shots he didn't really want, he would have gotten this shot of the guard.
~ 2 ~ It's good to make the shot your own; however, please don't over do the additions to your photographs. Much of the time, there is a great shot to be had with what exists in the frame. Bean spent way too much time adding "extras" to his shot when he should have been concentrating more how to work with what already existed in the scene. A little extra is good; but if in doubt, just remember K.I.S.S. KEEP-IT-SIMPLE-STUPID!
~ 3 ~ Never miss a shot because you set the self-timer on 10-seconds, when 5-seconds will be sufficient. I think Bean set his timer for 50-seconds, which was about 45-seconds too long.
Good Luck and Happy Shooting!
Amazing Photography Books!
See what you can learn!
Fine Art Flower Photography: Creative Techniques And The Art Of Observation
Tony Sweet, one of best nature photographers around, specializing in Maryland and East Coast nature, fine art and stock photography, and location workshops.
Lighting and the Dramatic Portrait: The Art of Celebrity and Editorial Photography
Michael Grecco is an amazing portrait photographer - if you want to know about dramatic lighting, Grecco is the one who can explain it to you!
Richard Avedon Portraits
A wonderful collection of Avedon's "natural" portraits, revealing the essence of his subjects against plain white backgrounds. The book itself is a work of art - not the typical book style, but in an accordian format.
Karsh: A Sixty-Year Retrospective
Karsh said "My chief joy is to photograph the great in heart, in mind, and in spirit, whether they be famous or humble." Karsh was the master of studio portraiture.
The Art of Digital Wedding Photography: Professional Techniques with Style (Amphoto)
Bambi Cantrell, voted as one of the Top 10 Wedding Photographers...anywhere! (American Photo Mar/April 2007)
New The Onion, Daily
Fantastic Photography Resources!
Here are some books that are sure to help you improve your photography. Give it a look! Here are some highly recommended books by some fantastic Still Life Photographers. You need to do a couple of things if you want to improve your Still Life Photography: 1) Learn about studio or strobe lighting; and 2) Learn to look at other photographer's work and see how they do it, and decide how you would set up your subjects and lighting - like they did, or differently.
The Lighting Cookbook: Foolproof Recipes for Perfect Glamour, Portrait, Still Life and Corporate Photographs (Photography for All Levels: Advanced) by Jenni Bidner
The perfect lighting manual! Includes an inventory more...0 points
Still Life : Irving Penn Photographs, 1938-2000 by Irving Penn
This is how Irving Penn worked: "Clarity, com more...0 points
Secrets of Studio Still Life Photography by Gary Perweiler
This book is like having a Studio Still Life mento more...0 points
The Photographer's Studio Manual by Michael Freeman
You can't go wrong with a book by Michael Freeman. more...0 points
Lighting For Still Life by Steve Bavister
Just do a Yahoo or Google search on Steve Bavister more...0 points
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- asapilot asapilot Jul 14, 2007 @ 1:21 am
- Nice lens. Those are some very interesting images. In the early days of the Mac, I used to use MacPaint to do a lot of mirror-image drawing and such, but I've never tried any photography.
a href="http://www.youfoundithere.info">Photography Info
by FineGrain
I'm a freelance photographer, originally from Nebraska (USA); but since 1994, I've lived in Malaysia.
I photograph Editorial photo essays, Still...
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