How to get the most out of your art commission
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Commissioning Art from your favorite artist
When you commissson a piece of art it is an investment like no other because you control what the end product will be. It is uniquely your own vision translated onto paper through the skills of an artist's hand.
I am Melissa A Benson of Ranting Centaur Studios and I do lots of commissions. I am an "Alternate Reality" illustrator and fine artist with a colorful, realistic style. I work mostly with a mixed media of watercolor dyes, and color pencils. My black and white work is high contrast done with multi-weight graphite pencil and charcoal. I also work in oil on masonite on pieces 16 x 20 inches and larger.
My specialty is anthropomorphic creatures and people in natural and historic settings. The majority of my commissions are for clients who want portraits of their role playing characters done to show off on gaming night. I have also done conceptual masonry commissions.In this lens I will guide you through the process of commissioning an artist to create that special image you've always wanted to have but could never find.
New Table of Contents
- My latest commission
- The first things your Artist needs to know.
- Black and White or Color?
- Background or no background?
- What size?
- Framed or unframed?
- The budget.
- The time factor
- Now your ready.
- Learn more about my artwork and where you can purchase it.
- Commissions by Melissa A Benson
- Visit my other lenses!
- Still have a question?
- Blog Posts from Google
- See who's got a commission.
- Commission Art Guestbook
My latest commission
St Michael Protect Us in Battle
This commission piece will be done as a tattoo. One of our men in the Armed Forces contacted me and asked for a tattoo design featuring St Michael decked out in Greek Armor. He also wanted a banner above the figure and below with the writing "St Michael" "Protect Us in Battle".If you are interested in having me do a commission for you, check my commissions page for details.
The first things your Artist needs to know.
A heads up list to hit the ground running.
Black and White or Color?
Each has it's own feel.
Decide if you want your commission to be in black and white or in color. Choose black and white for making a dramatic statement which can be very detailed at a small size. This isn't to say that it won't help the artist to know what color things are. Blue eyes are a different value than green.Color lends a depth and reality to an image. It also conveys a broader range of emotion better than black and white. In general, we relate to, and "feel" color images more. If you want something very subtle or very over the top, then choose color.
Background or no background?
A background isn't always needed.
Not every image needs to have a background. This is especially true of portrait work whether it is black and white or color.Another option is to add a graphic image in the background that relates to the subject. It could be a flag behind a political figure for example or a pair of crossed swords behind a knight. It could also be a pattern that is either simple or complex.
But all that being said, there is something complete and wonderful about a painting with the subject in an appropriate environment.
What size?
This is probably the single factor influences price the most.
Time.
The larger a piece is, the longer it takes to do. Likewise, the more detail and the more "stuff" you want included in your piece, the more time it takes to do.
Not all pieces look good small, and not all pieces look better large. The subject, and the effect you are after, will often suggest the best size. A portrait destined for an opera house ought to be large while a miniature portrait's small size is far more intimate.
Framed or unframed?
All commissions that you have done should be framed. This can be done by the artist or the artist's framer. These two people have the biggest stake in making you happy. The frame should be an extension and a complement to the painting.The only time this is not true is when you yourself are the framer or if a finished piece is being shipped. This is especially true for overseas shipping where the extra weight can make the cost prohibitive.
Receiving a piece framed alleviates the delay of hanging which isn't good for the art and devalues your investment. Wasn't showing it off to everyone the idea in the first place?
The budget.
Know what you want to spend.
Another approach is to tell the artist everything you want to see in the commission and ask for a quote with your "want list" and see what comes up. The artist will usually give you a quote with a variety of sizes to choose from. You can pick one or you can ask the artist for suggestions on how to get the price in a range where you feel comfortable.
For example, you can get the cost of a piece down by changing from a full figure image, to a waist up image at the same size. Or you could keep your full figure and simplify or eliminate the background. Or you could keep everything and just go to a smaller size.
Don't be afraid to ask if you can make installments on expensive commissions. It is a common practice. But be prepared to pay at least one third of the total up front, one third half way through and the final third when it is complete unless the two of you agree to another plan.
My installment plan is a regular monthly payment for as long as it takes you to complete the transaction. The art is shipped once payment is complete.
The time factor
How it effects the price.
Now write your name on a piece of paper the size of a postage stamp. This takes a little more planning, more effort and more attention to make it look good.
For a more relevant example, let's say that you want a special ring on the finger of your subject's portrait commission. If the piece is an 18 x 24 inch piece, this will not likely be a problem. If you want it done on an 8 x 10 inch piece, it's another story.
The solution? Let's say that the 8 x 10 quote is in the budget, but you really want that ring seen clearly. You can have the figure done at a closer view (from the waist up as opposed to a full figure from head to toe), or you could have the ring done as a graphic in the background. As we saw earlier, with creative inventiveness, there is almost always a way to get the job done within the budget.
The thing to remember is to know what the most important elements of the piece are and set your priorities so that you can relate to the artist what must be in the picture, what can be modified and what can be dropped if necessary.
Now your ready.
Fire off that email and get your commission going!
Learn more about my artwork and where you can purchase it.
Fine Art America A gallery on Fine Art America.com
Giclee Prints by Melissa A Benson My giclee print catalog
Nightmareartist on Zazzle.com My largest retail shop
Fat Boy Fossils on Zazzle.com My retail shop for trilobites and ammonites
Two Cents Plain A retail shop for Jewish/Judaica gifts I run with my best friend.

Phacops Rana Crassituberculata by fatboyfossils
See other Trilobite Mugs
Commissions by Melissa A Benson
How I set it up.
There is also a pricing chart where you can get a ball park idea of the cost and my mission statement is there as well.
Visit my other lenses!
Still have a question?
Ask it here.
If there is something that I haven't covered that you have a burning desire to know, add it here.
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Reply
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Shelly
Dec 31, 2008 @ 12:21 pm | delete
- Hi, I'm traveling with Tipi today, looking at your work--very nice. Tipi is my sister, she lives in Fargo and I'm here in Superior Wisconsin.
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Reply
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Tipi
Dec 31, 2008 @ 12:20 pm | delete
- You have very nice lenses. Thank you for adding links on You Found ZazIt. I did look at your shops and am impressed by your designs. Thank you very much!
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See who's got a commission.
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by Nightmareartist
If you played Magic:The Gathering you know my work because I did the artwork for the original Shivan Dragon and Nightmare.
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