Getting the Most Out of Ballet
The following tips are here to assist any aspiring dancer improve their own art. Just because your teacher does not offer a correction does not mean that you do not need it. If you want to succeed fully as a dancer then you will need to learn to improve without correction.
Basic Body Positions

Turnout

Achieving perfect turnout is a huge concern of many dancers. The key with turnout is that it should come naturally over time and should never be forced. Forcing turnout can result in injury... or several of them!
To imrpove your turnout you should be constantly thinking about turning out your feet and bending your knees over your toes. The best place to start is with tendu. When doing a tendu devant or eface (front) you should think about pushing your heal forward. As the leg rises off the ground for movements like degage and develope you should keep your leg in this same position. Same is true of movements to the side. The heel should always be pushing forward. In tendu retire or derriere you should think of pressing the heel down. Once the leg is raised in arabesque this will result in a flared toe. That is to say that the toe will be higher than the heel. This frame of mind should start at the barre and continue all the way through reverance.
Turnout comes from three places: hips, knees, and ankles/feet. Oftentimes, a dancer will struggle with their turnout in their hips and knees. To avoid injury you should never turnout your feet further then your hips or knees can handle. To check this, ensure that the knees are always centered over the toes in plie.
Exercise to Improve Turn Out
- Sit on the ground with legs extended in front of you, back straight, hands on your lap.
- Flex slightly and allow your feet to fall in their natural turned out position.
- Let gravity stretch your ankles and knees, keep your back straight, stomach sucked in.
- Adjust your hips by turning them out and pushing your feet closer to the ground. Feel the hip turn out.
- Now bring legs up, soles of your feet together, in a butterfly position.
- Holding your feet together, slowly push your knees (without the help of your hands or arms) towards the ground. Feel the knees stretch and become more turned out.
Flexibility

While many young dancers would like better flexibility, the reality is, it is not often all that important. That being said, a certain amount of flexibility is expected of a serious ballet dancer:
1. 90 degree or higher arabesque
2. 90 degree or higher attitude devant
3. 100 degree or higher develope ecarte
4. Do the splits
5. 180 degree leaps
If you can do these five things (and have generally sound technique) then you will be seen as an asset to any professional company. If you cannot do these things, it is time to work on that flexibility.
Typically once you can do the splits you can accomplish the other tasks on the above list. For this reason you should work towards the splits daily. Push yourself a little but do not push so hard that you injure yourself. The flexibility will come, do not force it.
If you can do the splits but still struggle with extensions it is time to improve your developes. Remember, with developes you should start with a high posse. From this posse you cannot let the knee drop, simply extend the leg from this posse. Develope ecarte is the easiest to explain:
- Begin the develope from fifth position and rising to a posse.
- Now, bring the knee as high to the side as you can.
- From here simply extend the end of your leg keeping your hips square.
While, in front and rear developes you cannot lift your knee as high it is still the same concept. If you keep this in mind, the idea that only the knee needs to rise and not the entire leg, then you should find developes easier in time.
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Improve Your Arches
Nice feet, if a ballerina wants nothing else she wants nice feet. Unfortunately, not all of us were born with these perfectly arched feet. There is still hope for the rest of us though.Great feet starts with utilizing what you were born with. While you may not have a strong foot it is still important to point those feet as strongly as you can EVERY time those feet leave the ground. Jumping, barre work, transitional movements, all of them requires the use of a nicely pointed toe.
Even if a dancer has a great pair of high arches it does not mean that the dancer knows how to use them. Keeping your feet pointed in all you do will give you a head start.
You will find that, over time, this alone will improve your arches. If you would like additional improvement, simply practice pointing outside of class. Sit on the ground with your feet in front of you while you watch T.V. and simply point your toes as hard as you can.
Ballet Shoes
Eat Like an Athlete Not a Model
Why Healthy Eating Habits are Important
While a beautiful dancer often has the appearance of a model, she is certainly more active than a fashion model. This is why a dancer needs to eat like the athlete she is and not the model she aspires to be like.Dancing requires a lot of energy. Without a healthy diet it is impossible to maintain the rigors of a serious dancer. Even as a student it is possible to dance upwards of 20 hours a week. This is as much as a part time job. This is more than many tri-athletes work out. Denying yourself food simply does not make sense.
To build strong and lean muscle it is important to eat plenty of protein like cheese, nuts, lean meats and beans. Eating carbohydrates before class will give you plenty of energy to get through vigorous exercises; pasta, cereals, and even a chocolate bar can help you here. It is also important to eat plenty of fat. Eating fat does not make you fat! Fat is needed to support a healthy mind so do not shy away. You need to remain sharp for school, ballet class, and your friends.
If you find yourself obsessively checking your weight, counting every calorie, running or walking constantly, measuring your waist, thighs, etc., skipping meals or binging and purging meals in an effort to stay thin, please talk with someone you can trust; a teacher, parent, sibling or friend. These are unhealthy habits and need to be put to rest before a more serious issue develops. Eating disorders are nothing to dabble in. Once you deprive your brain of food you can no longer think clearly enough to know what is best for you. Get help before it is too late.
Healthy Eating
Improving Your Technique
Easy Things to Remember for Every Class
- Body Position--stomach tight, back straight, shoulders down, butt tucked.
- Port de Bras--breathy and flowing.
- Knees--do not think to straighten your knees, what you really want to do is pull up your knees using the muscles in your thighs.
- Feet--always pointed and turned out.
- Hips--keep hips square to the front, do not lift either hip unless directed to do so.
- Watch Ballet--if you see what good technique looks like and you can easily emulate this technique.
Netflix Movies
The Netflix module has been phased out. You should edit your lens and try adding an Amazon module instead!Going En Pointe
The first thing you need to know is what your teacher's or school's policy for going en pointe is. Many schools will not allow a student to go en pointe until she is of a certain age (between 10 - 12). Some schools will place every girl in a certain class level en pointe. Some schools will assess each student individually and place them en pointe when they demonstrate the strength and technique needed.
Once you are placed en pointe you should work now, more than ever, on ensuring you are using proper technique. Also, do not get discouraged. At first you will only be able to tolerate your pointe shoes for a few minutes at a time; they will hurt your feet and take a month or longer to break in. However, before you know it they will become an extension of your body. After a few good layers of calluses build up you will find that you can cut out padding and wrapping all together. Breaking in your shoes also becomes easier.
Best Audition Tips
- Wear an interesting leotard color. Remember that ultra light colors might make you look wider but a nice red, dark green or purple will help you stand out in a sea of black leotards.
- Make sure your hair, leotard, tights, and shoes are performance worthy.
- Do not suck up to the auditioner.
- Listen intently to combinations and attempt to perform them flawlessly.
- If a correction is given this means that you are in the running. Make the correction as given and you're in. Ignore the correction and you're out.
- Always arrive early and get a low audition number.
- If you make a mistake do not stop dancing. Recovering gracefully is a good skill to learn young.
- Do not over think. Dance like you love to dance and you will stand out in a great way.
- Always thank the auditioner after the audition.
Becoming a Ballerina
Tips to Go Pro!
If you really love ballet then there is nothing short of a debilitating injury that should prevent you from doing this.The reality is this: few dancers will ever be a Gelsey Kirkland or Mikhail Baryshnikov but many, many dancers will have happy and long careers. While you may aspire to dance for companies like ABT, San Francisco Ballet, or PNB, most dancers who enter these companies will be stuck in the corps their whole career. Sometimes, if you have the talent, it is better to be a big fish in a little pond. Joining a smaller company and performing as a soloist or principal dancer will likely be much more fulfilling for you in your career.
Also, if you feel like your body type is wrong for ballet, you are wrong! Yes, some companies are VERY picky about the body type they will use. Luckily, however, there are hundreds of other companies who are more interested in your technique and stage presence. These companies understand that a nice balletic body is not enough to make a good dancer.
The number one thing that will ensure you a place in a ballet company is great technique and artistic ability. If you can learn to perform well with great technique you will be embraced by companies.
If you prefer a career as a teacher or choreographer then it is important to start young. Let your teacher know your aspirations and see if you can assist in class work and performances. Learning the trade young will give you a great head start. Also, as college nears, search for schools that offer great dance programs. These programs often cover the techniques you will need as a teacher or choreographer and will give you great connections.
For the aspiring choreographer: approach a local company and request to shadow a choreographer or choreograph your own piece, enter local events with a group of friends you have choreographed a dance for, build your resume young and film all your performances to show companies later.
For aspiring teachers: try to shadow local company teachers for tips, attend college business courses if you plan to open your own school, ask for the chance to teach younger students at your school.
Once again, if you love the art of ballet you should not let anything get in your way of achiiving your dreams.
What do you think?
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amejing
Jul 15, 2011 @ 6:52 am | delete
- woww it's really help mee! thankyou thankyou:)
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aspiring ballerina
Jul 7, 2011 @ 9:05 am | delete
- Thanks so much for this! I thought that I would have to starve myself. I thought that I would have to make my feet flatter. I thought many things, but now I know what will make me a better dancer! Thanks!
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precious
May 6, 2011 @ 10:14 am | delete
- i like this. so helpful :) hope you would continue to inspire dancers. :)
i have a question though. well i can't balance my poses. like arabesque or ala second or attitude. i just started using my pointe shoes and i can't stand correctly i often sickle my feet or not point them. help me? :)
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Malene
Aug 6, 2010 @ 11:47 am | delete
- This is wonderful! I love this article. Enough I knew most of the stuff that was reported in this article I love the fact that it gave me inspiration. :)
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loopy. lou
Aug 2, 2010 @ 7:17 am | delete
- i think its good advice because i have been dancing for years and only really to start ballet more and my teacher has said im going on point so i wanted to learn more about it and also i wanted to know how to improve my technique etc and now i can work on it
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Evelyn_Saenz Dec 18, 2008 @ 9:31 am | delete
- What a wonderful lens on learning ballet. As a mother to an aspiring ballet dancer, I believe that you touched on all of the most important aspects of ballet that a non-ballet dancing mother needs to know as they help their child through years of ballet lessons.
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by hlruther
I enjoy writing, crafting, dancing, teaching ballet, running my businesses, taking photos, listening to music, playing with my kids. I'm pretty easy g... more »
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