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A Dancer Deserves to be Painted

1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic (by 17 people)   Your rating: 1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic

Ranked #758 in Arts , #16000 overall

Rated G. (Control what you see)

Ballet Photo or Ballet Painting?

 



This lens kept changing and evolving as I was writing it. I started out telling you about how I really like to paint ballet dancers . . . . Ho . . . Hum . . . that just wasn't enough. So it evolved into how a camera 'sees', how we as human beings 'see', what goes into the mix of an artist 'seeing' and then painting a painting.



If you enjoy this lens, please mark it as a favorite, sign my guestbook and email it to anyone you think might like it ! Thank you so much for taking the time to check this out.

 

A Camera or a Canvas 

"My Dance Teacher's Tutu" by Tricia Walsh

A camera is an instrument designed to create a picture of the world. And so is an artist.

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With a lovely dancer before your eyes, would you choose to preserve the beauty of the moment with a photograph or a painting?

There are many differences in the way a camera sees and in the way a human being sees.
In some ways the camera is more accurate and certainly more predictable.

What an artist puts on the canvas depends upon much more than just seeing with the eyes.

But first let's compare the two.

How Does a Camera See? 

Light passes through the lens or eye of the camera. (By the way, it is a camera lens I am speaking of here - not a Squidoo lens.) The size of the aperture controls the amount of light allowed in. Rays of light are bent in such a way that an image is produced on film or a microchip inside the camera. Depth of field refers to the area of a picture that will be in focus. The photographer controls the area or depth of field that will come into focus by adjusting the F Stop setting. Therefore if the camera is focused at a particular distance, whatever falls within that distance should appear clear and crisp in the photograph.

How Do Our Eyes See? 

The amount of light reaching the lens in the human eye is controlled by the iris - our built-in aperture. The size of the iris opening continually changes to control the amount of light allowed in. Rays of light passing through the lens are bent so that an image is produced on the retina at the back of the eye. The image on the retina is transformed into tiny electrical signals which are routed through the optic nerve to the brain.

We See in 3 D 

Because we have two eyes with about an eye's width between them, we can see depth. The view from each of our eyes is slightly different. What we see with both eyes open is a composite picture put together in our brains which gives a 3D depth to the picture we see. What you see with both eyes open has more depth than what you see with just one eye.
If you have any question or hesitation about this, please just try it out!

Most of What Enters Our Eyes We Do Not See 

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One major way in which our sight differs from that of a camera is that we filter out what is irrelevant. When we walk down the street our eyes take in vast amounts of visual data - much more than we are aware of. Most of this information, does not reach our awareness.




Here is a fun picture to illustrate this point. In the Nutcracker Ballet, Marie having just received her precious gift, has eyes only for her beloved Nutcracker!

As We Look - Our Eyes Dance 

Our eyes are fluid instruments which are constantly moving.
The eye takes in visual data about an object of interest, not with a fixed and rigid stare, but by dancing around it, behaving almost like water. These tiny rapid movements are so automatic they are hardly noticeable. In fact to me the movement of our eyes is a continual moving dance in itself.

Why Not Just Take a Photo? 

In a whirlwind of dance, a camera is just the tool to freeze the moment. It can capture detail that the eye just isn't able to keep up with. With a camera, every detail such as what you see in a mirror's reflection will be recorded with equal importance.
When we look with our eyes at a specific point, it is only the core of what we are looking at that is in focus. Surrounding objects gradually lose their clarity the further they are away from the focal point. An artist as creator, has free play as to where the center of interest is in a painting. It is my opinion that an artist can create something more in alignment with the way our eyes see than a photograph can.

The Music, the Energy, the Passion, can Radiate from a Painting 

"Eye to Eye I" by Tricia Walsh, inspired by Washington State Ballet

The sound . . . the rhythm . . . the feeling . . . the touch . . . . can all be part of an artist's very individual response to a subject.

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As an artist watching a wild and wonderful dance, I hear the music and feel the rhythm in my body. And I feel the energy and passion radiating from the dancers.

Ballet Fantasy Truer Than Life? 

"A Ballerina Fairy Poised on A Raven" by Tricia Walsh

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WAIT A MINUTE . . . . Commissioning a painting of a dancer might be a risky business. With a photograph you are reasonably sure of what you will get.

With a painting, the possibilities are endless. . . .

Sometimes a fantastical setting can best express the invisible spirit of a dance - more so than the physical stage setting in which the dance took place.

Visit the Ballet Painter Boutique or order your own painting! 

HOW DO I ORDER MY OWN BALLET PAINTING?
What size do ballet paintings come in? How much do they cost? How long do they take? And where might I put a ballet painting?
Here are a few ideas . . .
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VISIT THE BALLET PAINTER BOUTIQUE
See paintings that are for sale in the Ballet Painter Boutique right now!
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ORDER A PAINTING OF YOUR OWN POINTE SHOES
Celebrate your pointe shoes and all the dancing you've done in them. Read more . . .
~

Excellent Books about Ballet on Amazon 

Classical Ballet Technique

Amazon Price: $39.15 (as of 12/02/2008) Buy Now

Teaching Beginning Ballet Technique

Amazon Price: $18.45 (as of 12/02/2008) Buy Now

The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet

Amazon Price: $19.77 (as of 12/02/2008) Buy Now

Inside Ballet Technique: Separating Anatomical Fact from Fiction in the Ballet Class

Amazon Price: $12.89 (as of 12/02/2008) Buy Now

Basic Principles of Classical Ballet: Russian Ballet Technique

Amazon Price: (as of 12/02/2008) Buy Now

Welcome to My Guestbook 

Please leave your mark and tell me what you think !

Lensmaster

Ellie wrote

Enjoyed your lens. I love your work! Being both a photographer and painter, I have to agree with your comments. That is why I so often find myself tweaking my photos in an attempt to add to them the emotion that I felt when viewing the subject with the movement or "dance" of my eyes!

Reply Posted October 05, 2008

Lensmaster

Sheila Griffin wrote

Loved the intro. to your work and especially 'a Ballerina Fairy Poised on a Raven.'

Reply Posted September 15, 2008

lisadh wrote...

Nice lens. I enjoyed the art!

ReplyPosted August 22, 2008

poddys wrote...

Very nice lens, love the pictures. 5*****

ReplyPosted August 06, 2008

Lensmaster

Pat wrote

Hi Trish, Nicely written lens: informative, thought provoking, and light hearted. Thanks for sharing your passion! Love, Pat

Reply Posted July 28, 2008

 
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AnnRadley

About AnnRadley

I love painting all forms of life. I began drawing and painting twenty five years ago. I used to work in New York in the financial sector on Wall Street. Long days behind a desk and in front of a computer! I still remember the day my artist friend encouraged me to go to an art class with her in the evenings. It was a life drawing class at 'Joe's Place' in Soho. On my first night at Joe's, I was still in my grey pin stripped suit, and exhausted after 8 hours of LEFT brain activity. I stood at an easel with paper and charcoal, in awe at the beauty of the model before me, and suddenly plugged in to a whole new source of energy. The beauty of the human form was and still is infinitely mysterious.

Later I moved to London and began to focus on portraiture. Eleven years ago, I was blessed with a daughter. This young lady has become a focused ballet dancer. This allows me to spend many happy hours at her ballet studio, drawing and painting what I observe there.

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