Who is Beyonce Knowles

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Beyonce Knowles

Beyonce Knowles is an American R&B singer, songwriter, record producer, actress, dancer, and fashion designer.

Beyoncé Knowles at a Glance 

Beyoncé Giselle Knowles (born September 4, 1981), often referred to mononymously as Beyoncé (), is an American R&B singer, songwriter, record producer, actress and model. Born and raised in Houston, Texas, she enrolled in various performing arts schools and was first exposed to singing and dancing competitions as a child. Knowles rose to fame in the late 1990s as the lead singer of the R&B girl group Destiny's Child. According to Sony, Knowles record sales, when combined with the group, have surpassed 100 million.Beyonce: The Billboard Cover Story. (2009-10-01) Billboard Retrieved 2009-10-01...

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Beyoncé Knowles Videos 

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Best Tribute Ever To Beyoncé ...

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Beyonce Knowles (I Am Tour) - ...

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Justin Timberlake and Beyonce ...

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Jennifer Lopez & Beyonce Knowl...

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Beyonce Knowles - Listen - Li...

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Beyonce Knowles: Superstar

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Dangerously in Love - Beyonce Knowles 

The perfect timing of Beyonce Knowles' career moves continues with the release of her debut solo album. Dangerously in Love's best music is wildly up-to-date, craftily designed for both maximum street acceptance and positioning as some of the most cutting-edge stuff on current radio. The brash first single, "Crazy in Love," melds Jay-Z with an unstoppable Chi-Lites horn sample, shape-shifting into something brand new. Collaborations with Outkast's Big Boi and Sean Paul also prick up the ears, while changes of pace like "Be with You" and "Speechless" achieve their aim with credibility. The disc becomes far too ballad heavy in its second half, but the key stuff is the noise she brings. -- Rickey Wright

Dangerously in Love

1. Crazy In Love'
2. Naughty Girl'
3. Baby Boy'
4. Hip Hop Star'
5. Be With You'
6. Me, Myself And I'
7. Yes'
8. Signs'
9. Speechless'
10. That's How You Like It'
11. The Closer I Get To You'
12. Dangerously In Love 2'
13. Beyonce Interlude'
14. Gift From Virgo'
15. Daddy

Beyonce shines through as a woman without her group around her, and surprise ... it's a retro-fitted hip hop affair with a lot of sensual laid back grooves. The first single "CRAZY IN LOVE" is the most uptempo sampling a 70s groove from "Are you my Woman". That is followed by "NAUGHTY GIRL" which Beyonce uses a hook from "Love to Love You Baby" by Donna Summer. We all knew she has a reverence for the 70s, but most surprising are the Middle Eastern influences found in both NAUGHTY GIRL and BABY BOY. Belly dancers rejoice! The second half of the album slows down, but never to a ballad speed. Low funky beats keep the entire album afloat, and rap stars like Jay Z, Missy Elliot, Sean Paul, and Sleepy Brown color almost every other song. It's ghetto fabulous from the cover photo (diamonds and jeans) to the spoken "BEYONCE INTERLUDE" where she coos into the mic about love. Will she tromp Kelly Roland's solo album numbers in sales? Maybe. But each member of Destiny's Child has proven they can stand on their own. And have their own identity musically. Beyonce has emerged as the sexy 70s cool hip hop girlfriend. Suddenly you realize Foxy Cleopatra would love this CD! -- Brett D. Cullum (Houston, TX United States)

Release Date: 06/24/2003

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B%u2019Day - - Beyonce Knowles 

History may prove Beyoncé's B'Day to be a rare double-whammy of an achievement. Not only is it destined to hold up as one of the thumpingest, most polished-sounding discs of 2006, it's also bound to loose a new phrase into the popular lexicon: a "freekum dress" (n.), as described on a same-named track halfway through this excellent CD, is a "right-fittin'" garment owned by every woman; "when they act wrong, that's when you put it on." Linguistic hijinks aside, here is Beyoncé as the public rarely sees her: fully liberated and artistically fearless. "Ring the Alarm," a big-banging, fire-alarm-clanging wake-up call to a cheating man, finds her seething; "Kitty Kat," a feline-like size-up of a stale relationship helped along by the still innovative Neptunes, shows her spurned; the womanly, fire-in-the-belly come-on "Suga Mama" gets her way, way worked up; and the crackling, vocally volcanic "Resentment" steeps her in Aretha-caliber soul. For all the disc's solo trailblazing, though, where it really soars is on one of two duets with Jay-Z: While "Up Grade U" chugs along entertainingly enough about the good life ("I'm talkin' spa bags and fly pads and rooms at the Bloomberg"), opener "Deja Vu" blasts out a bomp-bomp beat nobody with a head to nod could resist. Cake, candles, and Cristal or no, B'Days rarely get this good. -- Tammy La Gorce

B'day

1. Deju Vu
2. Get Me Bodied
3. Suga Mama
4. Upgrade
5. Ring The Alarm
6. Kitty Kat
7. Freakum Dress
8. Green Light
9. Irreplaceable
10. Resentment

Anyone considering buying Beyonce's sophomore effort "B'Day" should do so.

Sure, we have not forgotten the second half of 2003, when she was so overexposed it was impossible to escape her songs. It can also be conceded that "Deja Vu" doesn't have half the addictiveness of "Crazy in Love." Maybe the title of the new album even disturbs you (bidet anyone?). But "B'Day" as a whole is what matters most, and what it achieves is the ability to entertain listeners while nourishing their spirits.

Spending a few minutes with the album reveals a passionate woman in total control of her craft. In addition to the retro-funk of "Deja Vu," "Green Light" and "Suga Mama" percolate with confidence, soul and unequivocal sex appeal. "Upgrade U," another collaboration with Jay-Z, follows suit. These selections find the songstress exuding dominance over men in one way or another, but beneath the surface is simply the kind of love and affection only a woman can give.

She soon takes another direction, however. The urgent "Ring the Alarm," now sizzling on the pop and R&B stations, reveals a woman completely consumed by her insecurities. With "Kitty Kat," however, she finds a way to take rejection in stride, realizing that being alone is better than being devalued, creating the album's defining moment: "You know I hate sleeping alone/But you said that you would soon be home/But baby that was a long time ago/I'm not feelin' it, I'm not feelin' it."

She also knows how to get what she wants without sacrificing self-respect in "Get Me Bodied" and "Freakum Dress." In the latter, she saucily quips: "Ladies look here, when you been with your man for a long time, every now and then you gotta go back in that closet and pull out that freakum dress."

Another key moment is "Listen," a song recorded for her forthcoming motion picture "Dreamgirls." The stark arrangement builds into a stadium-ready anthem, with her voice propelling above the clouds. She also throws caution to the wind with the left-field duo of "Irreplaceable" and "Resentment." In the latter, she admits her difficulty letting go of a painful grudge, while in the former she reminds her man that he is not irreplaceable when he takes her for granted.

All things considered, "B'Day" is a vast improvement on 2003's "Dangerously In Love," which had awesome hits but lackluster album tracks. It may not be an album that will be considered a classic 10 years from now, but it certainly suggests that Beyonce has the potential to reach such heights. Most important, it entertains from beginning to end without a trace of filler, revealing a woman of genuine talent and the ambition to set it ablaze. -- Rudy Palma "The Writing Fiend" (NJ)

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Austin Powers In Goldmember - Beyonce Knowles 

Despite symptoms of sequelitis, Austin Powers in Goldmember is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers--returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember--thrives by favoring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra. A bit tired, perhaps, but Powers hasn't lost his mojo.


Not surprisingly, deleted scenes and outtakes are the hands-down highlights of Goldmember's abundant Infinifilm features. Mike Myers's throwaway gags are funnier than Pauly Shore's entire career, revealing how a relaxed set encourages a flood of inspired improvisation. The Infinifilm feature is a handy, alternative method of seeing (and hearing) all of the bonus materials in logical sequence, mostly comprising behind-the-scenes featurettes devoted to costumes, special effects, all-star cameos, make-up, and various "social and historical" aspects of the Austin Powers franchise. The Myers/Jay Roach commentary track is worth a listening for Myers's casual jocularity (and his decent willingness to give credit to others), but their Hollywood compliments, while obviously sincere, eventually grow tiresome. More enjoyable are the pop-up subtitles in the DVD's "Fact Track" feature, adding lighthearted factoids to enhance an already very funny movie. Taken together, these features emphasize the productive camaraderie of the Austin Powers team and the devoted seriousness that the filmmakers bring to their pursuit of the next big laugh. -- Jeff Shannon

Austin Powers In Goldmember (Infinifilm Full Screen Edition)

My twenty years old daughter and her boyfriend invited me to the movies with them to see the latest Austin Powers film. I went, somewhat reluctantly, as it is not the film I would have chosen, even though I had previously seen the two other Austin Powers films and enjoyed them. Well, am I ever glad that I did! It was, without a doubt, the funniest Austin Powers film to date.

From the great opening scene to the surprise ending, replete with cameos by Tom Cruise, Gwyneth Paltrow, Kevin Spacey, Danny Devito, the Ozzie Osbourne Family, Steven Spielberg, Britney Spears, Burt Bacharach, Quincy Jones, Nathan Lane, Katie Couric, and John Travolta, the film is a laugh riot. Austin Powers (Mike Myers) still has his mojo amd, together with his gorgeous female sidekick de jour, Foxxy Cleopatra (Beyonce Knowles), sets out to rescue his father, Nigel (Michael Caine), from the evil clutches of the notorious Dutchman, Goldmember (Mike Meyers). To do so, they must go back in time to 1975, the era of disco fever.

Fan of Dr. Evil (Mike Myers), Fat Bastard (Mike Myers), Number Two (Robert Wagner), Scot Evil (Seth Green), Frau Farbissina (Mindy Sterling), Basil (Michael York), and Mini-Me (Verne Troyer) will be happy to know that they are all back in this film. Mini-Me very nearly steals the show, and he does this without ever uttering a single word. Fred Savage joins the party as Number Three/The Mole and becomes a running sight gag throughout the film for reasons that will be obvious to the viewer.

The only problem in the film is with the character of Goldmember. He is the weak link, as he is simply gross and not particularly funny. What was Mike Myers thinking? Notwithstanding the fact that the title character is pretty much of a zero, however, the film is still hilarious, overall. The plot, what little there is, primarily exists to set up a lot of sight gags, send ups, and a number of very funny scenes. If, however, scatological humor offends your sensibilities, this is definitely not the film for you. If you are not easily offended by the crude and the lewd, then this film will make you laugh up a storm. -- Lawyeraau (Balmoral Castle)

Amazon Price: $5.99 (as of 11/29/2009) Buy Now

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