Boss is always right
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Jokes in organizations
Jokes can be employed by workers as a way to identify with their jobs. For example, 9-1-1 operators often crack jokes about incongruous, threatening, or tragic situations they deal with on a daily basis.[3] This use of humor and cracking jokes helps employees differentiate themselves from the people they serve while also assisting them in identifying with their jobs.[4] In addition to employees, managers use joking, or jocularity, in strategic ways. Some managers attempt to suppress joking and humor use because they feel it relates to lower production, while others have attempted to manufacture joking through pranks, pajama or dress down days, and specific committees that are designed to increase fun in the workplace.[5]
Rules
The rules of humour are analogous to those of poetry. These common rules are mainly timing, precision, synthesis, and rhythm. French philosopher Henri Bergson has said in an essay: "In every wit there is something of a poet."[6] In this essay Bergson views the essence of humour as the encrustation of the mechanical upon the living. He used as an instance a book by an English humorist, in which an elderly woman who desired a reputation as a philanthropist provided "homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing, etc." This idea seems funny because a genuine impulse of charity as a living, vital impulse has become encrusted by a mechanical conception of how it should manifest itself.
The BOSS is always right

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Precision
To reach precision, the comedian must choose the words in order to provide a vivid, in-focus image, and to avoid being generic as to confuse the audience, and provide no laughter. To properly arrange the words in the sentence is also crucial to get precision. An example by Woody Allen (from Side Effects, "A Giant Step for Mankind" story [2]):
" Grasping the mouse firmly by the tail, I snapped it like a small whip, and the morsel of cheese came loose. " Synthesis
That a joke is best when it expresses the maximum level of humour with a minimal number of words, is today considered one of the key technical elements of a joke.[citation needed] An example from Woody Allen:
" I took a speed reading course and read War and Peace in twenty minutes. It involves Russia. "
Though, the familiarity of the pattern of "brevity" has led to numerous examples of jokes where the very length is itself the pattern breaking "punchline".[citation needed] Numerous examples from Monty Python exist, for instance, the song "I Like Traffic Lights", and more recently, Family Guy contains numerous such examples, most notably, in the episode Wasted Talent, Peter Griffin bangs his shin, a classic slapstick routine, and tenderly nurses it whilst inhaling and exhaling to quiet the pain. This goes on for considerably longer than expected.[vague] Certain versions of the popular vaudevillian joke The Aristocrats can go on for several minutes, and it is considered an anti-joke, as the humour is more in the set-up than the punchline.[vague]

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ManuelSeixas Oct 29, 2009 @ 8:38 am | delete
- The BOSS is the BOSS...so, be kind, politely, and enjoy the journey.
Thank you Navin.
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Rhythm Main articles: Timing (linguistics) and Comic timing
The joke's content (meaning) is not what provokes the laugh, it just makes the salience of the joke and provokes a smile. What makes us laugh is the joke mechanism. Milton Berle demonstrated this with a classic theatre experiment in the 1950s: if during a series of jokes you insert phrases that are not jokes, but with the same rhythm, the audience laughs anyway. A classic is the ternary rhythm, with three beats: Introduction, premise, antithesis (with the antithesis being the punch line).
In regards to the Milton Berle experiment, they can be taken to demonstrate the concept of "breaking context" or "breaking the pattern". It is not necessarily the rhythm that caused the audience to laugh, but the disparity between the expectation of a "joke" and being instead given a non-sequitur "normal phrase." This normal phrase is, itself, unexpected, and a type of punchline.
Comic
In the comic field plays the 'economy of ideative expenditure'; in other words excessive energy is wasted or action-essential energy is saved. The profound meaning of a comic gag or a comic joke is "I'm a child"; the comic deals with the clumsy body of the child.
Laurel and Hardy are a classic example. An individual laughs because he recognizes the child that is in himself. In clowns stumbling is a childish tempo. In the comic, the visual gags may be translated into a joke. For example in Side Effects (By Destiny Denied story) by Woody Allen:
" "My father used to wear loafers," she confessed. "Both on the same foot". "
The typical comic technique is the disproportion.
Wit
In the wit field plays the "economy of censorship expenditure"[7](Freud calls it "the economy of psychic expenditure".); usually censorship prevents some 'dangerous ideas' from reaching the conscious mind, or helps us avoid saying everything that comes to mind; adversely, the wit circumvents the censorship and brings up those ideas. Different wit techniques allow one to express them in a funny way. The profound meaning behind a wit joke is "I have dangerous ideas". An example from Woody Allen:
" I contemplated suicide again - this time by inhaling next to an insurance salesman. "
Or, when a bagpipe player was asked "How do you play that thing?" his answer was:
" Well. "
Wit is a branch of rhetoric, and there are about 200 techniques (technically they are called tropes, a particular kind of figure of speech) that can be used to make jokes.[8]
Irony can be seen as belonging to this field.
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Humour
In the comedy field, humour induces an "economized expenditure of emotion" (Freud calls it "economy of affect" or "economy of sympathy". Freud produced this final part of his interpretation many years later, in a paper later supplemented to the book.).[7][9] In other words, the joke erases an emotion that should be felt about an event, making us insensitive to it.e.g: "yo momma" jokes. The profound meaning of the void feeling of a humour joke is "I'm a cynic". An example from Woody Allen:
" Three times I've been mistaken for Robert Redford. Each time by a blind person. "
This field of jokes is still a grey area, being mostly unexplored. Extensive use of this kind of humour can be found in the work of British satirist Chris Morris, like the sketches of the Jam television program.
Black humour and sarcasm belong to this field.
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