Who is Carlos Scarpa

Carlo Scarpa: Architecture and Design

Carlo Scarpa was a virtuoso of light, a master of more...0 points

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays b...0 points

Carlo Scarpa--Layers by Schultz Anne-Catrin

0 points

Carlo Scarpa. An Architectural Guide (Itineraries) by Sergio Los

This new critical guidebook, written and organised more...0 points

This new critical guidebook, written and organised by Sergio Los, one of the leading scholars of Scarpa's work, certainly stands out as the indispensible travelling companion (whether that travel is physical or done from an armchair) for those setting out to explore the city. The introductory essay, which provides a critical analysis of the essential features of Scarpa's approach to architecture, is followed by a complete catalogue of the buildings and projects that Carlo Scarpa actually built,...0 points

Carlo Scarpa

Book annotation not available for this title.<b more...0 points

Book annotation not available for this title.<br /><b>Title: </b>Carlo Scarpa<br /><b>Author: </b>Beltramini, Guido (EDT)/ Zannier, Italo (EDT)/ Sedy, Vaclav (PHT)/ Battistella, Gianantonio (PHT)<br /><b>Publisher: </b>Random House Inc<br /><b>Publication Date: </b>2007/02/13<br /><b>Number of Pages: </b>318<br /><b>Binding Type: </b>HARDCOVER<br /><b>Library of Congress: </...0 points

Luigi Nono: Variazioni Canoniche, for Chamber Orchestra / A Carlo Scarpa, Architetto, for Orchestra / No Hay Caminos, Hay que Caminar..., for Seven Instrumental Groups

One of the paradoxes of the music of Nono, the Ven more...0 points

One of the paradoxes of the music of Nono, the Venetian avant-garde composer, is that form and expression seem inversely proportional: the more abstract the music's architecture becomes, the more highly suggestive it sounds. Indeed, it is Nono's commitment to humanism--often expressed as a kind of personal vulnerability--as well as his warmth and innate lyricism that sets him apart from European colleagues such as Boulez and Berio. Michael Gielen conducts one of the finest performances of Nono's...0 points