One of the more impressive things about A Christmas Celebration is its glowing immediacy. The record's rich vocals and colorful instrumentals create a concert-like setting, reprising the season's most loved hymns, carols, and pop standards, along with a Gaelic version of "That Night in Bethlehem." Unexpected numbers such as "Christmas Pipes" and "Carol of the Bells" (here led by the spirited fiddling of Mariread Nesbitt) only enhance an already engaging disc that finely weaves between the piety of classical music and the playfulness of pop. Chloe Agnew, Orla Fallon, Lisa Kelly, and Meav Ni Mhaolchatha combine their Celtic voices against orchestral arrangements and sparser settings--spiked with the traditional Irish fare of uilleann pipes, harp, and ancient choral harmony--to deliver an assortment of reverent but lively arrangements that wouldn't be out of place at a church, concert hall, or good Irish celli. -- Martin Keller

Second only to Riverdance as an international Irish showbiz phenomenon, previous installments of this Platinum-selling extravaganza have become beloved PBS standards. The original buxom quartet of female singers, Lisa, Maev, Orla, and Chloe, have duly been joined by Hayley and are, as usual, backed by a full symphony orchestra and choir, plus enough traditional instruments (the house fiddler, Mairead, is a powerhouse) to keep things legit. The material ranges from folkloric ("Dúlaman" is best known from Clannad's legendary rendering), to a standard from another Celtic nation ("Caledonia," Dougie McLean's love letter to his native Scotland), to classical lite (Handel's poignant "Laschia Ch'io Pianga"), to movie hits ("Somewhere Over The Rainbow" in a delicately lovely, a cappella, close-harmony treatment), to homegrown New Age (Enya's "Newgrange"). Most tracks are produced to turn, presented in the aural equivalent of Technicolor or day-glo, in which colors pop while diverging ever so slightly from nature. In short, although the album offers fresh material, it covers old ground -- but this is exactly what the act's target audience expects and desires. Fans of acoustic folk would likely find the prevailing aesthetic a touch garish, but fans of Sarah Brightman and Il Divo will be diverted and thrilled. The deluxe package offers four bonus tracks, three of them live, plus a silver claddagh charm. --Christina Roden

Fueled by healthy public appetite for traditional melodies and quasi-ethnic roots, the crossover genre continues to flourish with this debut release from Ireland's Celtic Woman ensemble. The brainchild of Sharon Browne, Dave Kavanaugh (founders of Ireland's successful Celtic Collections label) and young Riverdance touring company musical director David Downes, CW's five young women musicians and vocalists offer up an ever pleasant, Eire-savvy fusion of folk, pop and classical influences. Avoiding the intrusive, club-beat/sex kitten window dressing of Bond, the ensemble tackles material that ranges from the expected (spare, lovely covers of "Danny Boy" and "Ave Maria") to more adventurous fare like "Nella Fantasia" (Ennio Morricone's vocal adaptation of his rapturous theme from The Mission) and Enya's "Orinoco Flow." Elsewhere, "The Butterfly" offers up fiddle-fueled take on their Riverdance parallels (which also get a workout on the live bonus tracks), if renditions of Downes' originals like "One World" and "Send Me a Song" and "Someday" from Disney's animated Hunchback of Notre Dame hew slavishly to the middle of the road -- which largely seems the album's easy-listening intention. -- Jerry McCulley