David Hockney Prints Pop Art Paintings, Posters

Visit Hockney David for a larger selection of his art works

Skaters in Venice Art Print

Two Dancers Art Print

Parade from Andre Emmerich Art Print

Jacques de Bascher de Beaumarchais Art Print

Self Portrait with Blue Guitar Art Print

White Porcelain Art Print

Still Life Taj Hotel No. 85 Art Print

Day Pool with Three Blues No. 91 Art Print

Vogue Art Print

Les Mamelles de Tiresias Art Print

The Thirteenth V.N. Painting Art Print

Gregory Loading His Camera No. 142 Art Print

Hockney was born in Bradford and attended Wellington Primary School. Later he attended the Bradford College of Art along with the Royal College of Art in London. It was at the Royal College that he encountered R. B. Kitaj. When still a pupil with the Royal College of Art, Hockney had been featured with the exhibit called Young Contemporaries, an exhibition Peter Blake had as well presented in, which heralded the start of British Pop Art. Hockney became affiliated with the pop art movement although his earlier art as well reveal expressionist ingredients, not unlike particular paintings of Francis Bacon's. Occasionally such works are in relation to his homosexuality. From 1963 Hockney had been represented by the prestigious art dealer John Kasmin. During 1963 Hockney traveled New York where he encountered Andy Warhol. Afterward, a he made a trip to California, a place he resided for several years. California inspired Hockney to create a set of art works of swimming pools around Los Angeles applying the relatively new Acrylic medium, delivered in a extremely realistic manner with vivid colors 1967 one such painting titled painting Peter Getting Out Of Nick's Pool, was awarded the John Moores art award with the Walker Art Gallery of Liverpool. Hockney also created prints, portraits of acquaintances along with stage designs for the Royal Court Theater, Glyndebourne, as well as the New York Metropolitan Opera.

An Image of Celia Art Print

Bodega and Zanzibar Art Print

Buzzing of The Blue Guitar No. 81 Art Print

Pulcinella with Applause No. 107Art Print

David Hockney has as well created works in photography, or more accurately, photocollage. Applying different amounts of little Polaroid shots or photo lab prints of an individual subject Hockney sets a jumble of them to arrive at a complex image. Since such photos are shot from assorted positions and at somewhat different times, the consequence is art that has an kinship with Cubism, an kinship that had been among Hockney's primary goals - discussing the manner in which human visual sense functions.

Such photomontage pieces came along generally from 1970 and 1986. Hockney called them "joiners". He started this method of art by shooting Polaroid snaps of an individual topic and staging them into a grid layout. The subject would in reality be in motion as being shot so that the work might demonstrate the motions of the topic viewed by the photographer's position. In later pieces Hockney altered his method and relocated the camera about the subject as an alternative.

Hockney's innovation of the "joiners" came about by chance. He discovered in the later sixties that photographers have been utilizing cameras with wide-angle lenses to shoot photos. Hockney didn't care for these photographs since it forever came out slightly twisted. He had been working on a painting of a room and adjoining patio in Los Angeles. Hockney made Polaroid pictures of the living room and then glued the two together, not thinking for these to be a piece in itself. When seeing the concluding piece, he saw it produced a narration, as if the spectator had been proceeding through the room. He started to use photos increasingly following this discovery and even ceased painting for awhile to solely follow this new method of photography.

Hockney's work titled A Bigger Grand Canyon, which is composed of a set of sixty paintings joined to create one tremendous picture, was purchased by the National Gallery of Australia for the great sum $4.6 million.