Digital Projection Projectors for Home Theater and Commercial AV

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Digital Projection - the Home Theater and Commercial Projector Pioneer

Digital Projection International (DPI) manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP® projectors for home theaters and commercial AV. These projectors are the reference standard for demanding applications such as houses of worship, elite home theater, large-venue entertainment, visualization, homeland security, 3D projection environments, education, medical and scientific research, command and control, live-event staging and digital cinema.

Hands On Review: DPI TITAN 1080p Quad 3D

From Commercial Integrator:

"The 16,000-Lumen Titan Quad lineup from Digital Projection International (DPI) is a problem solver... DPI calls the line "incredibly compact and efficient for its lumen performance" and says it includes "a host of vital professional features to suit almost any commercial installation or staging application."

3D: Tips to Reignite Consumer Interest

Digital Projection offers for tips installers can follow to once again wow clients with 3D video.

From CE Pro:

Digital Projection offers for tips installers can follow to once again wow clients with 3D video.

"Atlanta-based Digital Projection (DP) are helping professional installers make the most out of a less-than-ideal situation by providing guidelines to help them present 3D video.

DP says that if installers address these four critical points, they can improve the quality of 3D to make the technology perform to the expectations of consumers."

DPI Appoints Consultant Resource Manager

From AV Network:

"Expanding the resources we offer industry consultants has been a priority at Digital Projection for some time," said Mike Levi, president of Digital Projection. "In his role as Education and Training Manager, Ken has brought a depth of product and application knowledge to a wide segment of our customers, partners and consultant community. Given our commitment to further enhancing our consultant services and resources, it was only natural to look to Ken to lead that initiative. He is an exceptional communicator, a detailed educator, and holds a tremendous understanding of DPI's product line."

New Church Equipment: E-Vision WUXGA-8000 Projector

From Church Production:

"Digital Projection International (DPI) announces the newest addition to its E-Vision series, the E-VIsion WUXGA-8000. This model introduces advanced display features such as integrated image warp and blend and lens memory."

LIVE Free Webcast: Guide to Perfecting the Perfect Image

Event Date: May 30, 2012
Start Time: 2:00 pm EDT

Join Commercial Integrator and Digital Projection's Ken Eagle for an in-depth look at the elements that create the foundation of a picture-perfect video projection installation.

Register for the Webcast here.

Insane Sounds!

From Electronic House: 


"A 150- inch diagonal screen from Stewart Filmscreen and an M-Vision Cine-260 projector from Digital Projection International (DPI) combine to create stunning visuals."

Home Theater Boasts a Nightclub Atmostphere

This home theater, reviewed in Electronic House, includes "superwide CinemaScope images from Digital Projection's 3-chip Titan DLP projector."

Home Theater With Five Screens In One

From Electronic House:

"Digital Projection International's (DPI) custom-ordered Titan three-chip DLP projector produces superwide CinemaScope (2.35:1) images without the use of a separate anamorphic lens that moves in front of the projector, which is usually required for viewing Cinema- Scope images. The Titan's lens zooms and focuses to switch between formats."

Rustic Looks for High-Tech Theater

From Electronic House:

"The owner wanted to be somewhat cost-conscious with the theater, without sacrificing too much in the area of performance, comfort and look," explains Lofgren. Digital Projection's mid-line M-Vision 260 singlechip DLP projector ($8,495) is housed in a cabinet in the back and paired with a Panamorph anamorphic lens ($1,295) for super-wide CinemaScope movie viewing..."

Exhibitors, Sponsors Join CEA Line Shows

From Dealerscope:

LG Electronics, Manhattan Products, Stewart Filmscreen , Digital Projection, NYNE and Securifi are the latest to join the exhibitors and sponsors for the upcoming CEA Line Shows in New York, which are part of the annual CE Week.

LG has agreed to sponsor a panel as well as the lanyards for the event. In addition, Securifi has agreed to sponsor the press room at the event, while Stewart Filmscreen and Digital Projection have agreed to colocate in one of the audio/video demo rooms. NYNE and Manhattan Products will exhibit at the show.

Joy On Canal Street

From Live Design:

"For the video system, they wanted to have high-quality I-Mag for live events, so we installed left and right 13.41' diagonal Draper screens, with three Digital Projection Titan Quad 1080P 3D projectors hanging on the balcony rail," says Vigueira, indicating that he loves the support provided by Digital Projection. "We have used them in a lot of large theatre installations. They are small, quite bright projectors that run with four lamps instead of one, so you can lose one, and the show can still go on."

Vote for DP in rAVE's Reader's Choice Awards!

Please take 2 minutes to vote for Digital Projection in two areas of rAVe's Reader's Choice Awards:


6. Favorite Projector Manufacturer


Answer: Digital Projection International


13. Favorite Rental Product


Answer: DPI's TITAN Quad WUXGA 3D


Vote here.

Thank you for voting!

Sometimes the Perfect Job is the Only Way

This system includes a Digital Projection E series 6000 lumen projector.

View the photos and article at Healthcare Tech Decisions.

Southland Christian Church Straddles Multiple Locations with Multiple Formats

This display setup includes a Digital Projection high-lumen projector.

View the photos and article at Worship Tech Decisions.

Vote for DP for Best New Product awards!

Please help us push our displays into contention for Best New Product awards in both Systems Contractor News and Rental & Staging publications by voting via the links below. Voting takes less than one minute, and each vote makes a difference. Thanks in advance:

1) Rental & Staging (E-Vision & TITAN Quad): http://www.rentalandstaging.com/article/73338.aspx

2) SCN (TITAN Quad): http://www.systemscontractor.com/article/73618.aspx

How to Make 3D a Great Viewing Experience

The "3D at Home" experience has been greatly hyped for the past few years, and sadly, many consumers have experienced generally disappointing results. We have heard countless end-users comment that 3D "just wasn't for them" and that the experience "was terrible." After asking more questions, it became obvious that the reason many people have a negative impression of 3D video, is that their initial experience was poorly designed. In most cases, the biggest culprit was the size of the image.

Currently, the most popular 3D display for home use is a 46" flat panel. Simply put -- this is not the kind of display anyone should be relying on to cast judgment on a major new technology. Especially considering that this is a technology that, at its core, is intended to immerse viewers in a 3D environment. Immersion is simply not possible with a 46" screen.

So what are the key elements in making 3D a great entertainment experience?

  • Size of image
  • Brightness of image
  • Venue dynamics
  • Comfort of 3D glasses

Before we start detailing the key elements, we'd like to remind our readers that the principle behind 3D viewing is to trick the human mind into looking at a flat 2D image, then convincing the mind that it's a 3D image by sending different left and right eye images. This is not a natural process and the brain will resist this "trick" unless it's done properly. When the brain is not convinced, the experience is uncomfortable at best.

Now, on to the details:

Image Size:

The first and most important factor in creating a good 3D image is that the image size must be large. More specifically, it needs to nearly encompass the viewer's field of view. To achieve this, the viewing distance must either be unreasonably close, or the picture has to be BIG! Without a doubt, projectors are the best way to achieve this objective. When the viewer is immersed in the 3D image, everything coming through the glasses and into the eyes is from the display. Thus, the brain focuses primarily on the video content being sent to each eye and integrates it much more efficiently. This way, there are no real-world, physical 3D distractions within the viewers field of view.

Image Brightness:
The second critical element is that the image has to be bright. The human eye and brain will strain even in instances where a 2D image is not bright enough. Low brightness imagery destroys dynamic range, color depth, color saturation and our ability to perceive detail. Additionally, the human iris will open completely to allow as much light in as possible to compensate and become much more sensitive to fatigue. While low image brightness is an unacceptable problem with 2D content, it becomes a complete show stopper when viewing 3D material. Since typical 3D frame rates and 3D glasses may consume as much as 70% of the available illumination, the display must be at least 2.5-3X+ brighter than a display intended to only present 2D material.

Venue Dynamics:
Another element that affects the way the brain integrates 3D images has to do with the lighting level of the viewing environment, as well as the intensity of the wall or façade behind the 3D image. Dark backgrounds and dark venues are best, as they completely eliminate real-world 3D distractions from the viewer's perspective. If the viewer's eyes are seeing activity or real world objects while they are trying to watch 3D video, their eyes and brain are attempting to see both artificially manipulated 3D content as well as natural 3D objects all at once. This is the equivalent of sending "mixed signals" to the brain, resulting in a failure of the eye-mind trick that makes 3D video possible. In the above situation, mental fatigue and less than optimal integration of the 3D image are the best case scenarios. Therefore, make sure to minimize or eliminate activity within the viewers vision, and make the backdrop and room as dark as possible to increase the 3D effect.

3D Glasses:
Finally, the issue of 3D glasses comes into play. This is often an area of concern. The glasses act as "shutters," sending different images to the left and right eye so that the brain can integrate the two as a single 3D image. If the glasses are not properly synchronized, or do not switch quickly enough, the viewer will see "ghosts" around the content. It's also important that the glasses do not create reflections that are seen by the eye when wearing them as this will cause added fatigue and distraction.

Additionally, the glasses must be large enough that your eye will not be able to see "outside" of the lenses. If you are able to see outside of the lens, then the switching aspects of the glasses will be much more evident and your ability to focus and integrate the 3D image will be greatly reduced. Small, chic glasses may look better in the mirror, but they will detract from the overall 3D experience. It is worth noting, the glasses that are often included with flat panel 3D displays are not suited to produce a good 3D experience. Their switching speed is often slow, producing significant ghosting, and the glass area is often too small - leaving much of the viewer's field of view uncovered. Furthermore, less expensive 3D glasses allow less light to transmit to the viewer's eye, sacrificing dynamic range and maximum brightness. Any 3D display will look better if the highest quality compatible glasses are employed.

The next time you have a client or potential client show interest in 3D, make sure to follow these simple steps, both in the demonstration and in the system design:

  • Maximize the size of the image and seat them in a location that allows that image to nearly fill their field of view.
  • Assure the projector you are employing is bright enough to deliver suitable lumens through the 3D hardware. Remember, the technology that makes 3D video consumes up to 70% of the light being reflected from the screen.
  • Venue dynamics - Dark backdrops behind the screen and dark or even theatrically dark rooms help assure no real world distractions, plus produce optimum 3D entertainment environments.
  • Quality and comfort of 3D glasses - Show your customers the benefit of purchasing the highest quality 3D glasses that are compatible with their system. Fast switching time, large lenses and high light transmission are key factors.


Select great content while following the four golden rules above, and you will execute spectacular 3D demonstrations. Even more importantly, you will design successful 3D systems for your customers, revealing big, bright and immersive 3D entertainment.

Inaugural InfoComm Live Event for Rental & Staging Industry a Huge Success

Digital Projection was proud to sponsor and display our precision displays at the inaugural "InfoComm Live" event this past month in Washington DC.

InfoComm Live was a gathering of thought leaders from the rental and staging industry. Those invited were brought together to discuss the current state of the rental/staging industry, as well as what is in store for the future. Thought-provoking presentations and round table discussions took place throughout the event, including stand-out presentations pertaining to the value proposition in the rental industry and identifying generational issues in the workplace. There were also plenty of opportunities to network, share stories and discuss best practices.

As a key sponsor and projector supplier of the event, DP displayed the tried-and-true TITAN 1080p-700 as well as our new 16,000 lumen TITAN Quad 1080p-3D. The event was a huge success and the 2013 edition is already in the planning stages.

To view the full agenda, plus see all the photos taken at the event, please visit http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/19634.htm.

DP Hosts InfoComm Roundtable in March

On Thursday, March 22, 2012 Digital Projection hosted the Atlanta Southeast Regional InfoComm Roundtable in our newly updated and expanded 30,000 square foot US headquarters. Other participating manufacturers included Kramer Electronics, Biamp, and Williams Sound, who, along with DP, each offered 60 minute focused training sessions to attendees.

To kick off the afternoon, InfoComm brought in guest Speaker Peggy O'Keefe, professor from New York University, Baruch College. Peggy delivered a customer service focused presentation called "Herding Cats - Coping with out of Control Clients." Peggy's presentation focused on identifying a customer's personality type and working within that type to most effectively communicate. To round out the day Marc Bialek from InfoComm moderated the Roundtable discussion which offered attendees the opportunity to address current issues within the A/V industry. The conversations centered on themes that InfoComm could help bring to light for its industry members.

In typical InfoComm fashion, the Roundtable was a great networking event. Everyone at DP was grateful for the opportunity to reveal our new facility to InfoComm and the many attendees that joined us for training, networking and idea exchange. Thank you to InfoComm, participating partner manufacturers and everyone who attended.

Ultimate Home Cinema Demonstration Wows Final EHX Expo

A veritable who's-who of precision home entertainment manufacturers recently partnered in displaying a Hollywood-grade home cinema at the final EHX Expo in Orlando, Florida. Hundreds of residential integrators experienced dazzling video, audio and immersive seating in an incomparable cinema demonstration throughout the three-day event. Additionally, the "Ultimate Home Cinema" demonstration allowed manufacturers such as Digital Projection International (DPI) to unveil their newly available dVision Scope 1080p projector.

Nothing complements a captivating 120" image, courtesy of the native 2.35:1 dVision Scope 1080p projector and a Screen Innovations Black Diamond screen, better than rich, sensual audio. Leon Speakers supplied a full audio solution, working in conjunction with ADA's Cinema Reference Mach IV room optimization technology. Kaleidescape's renowned movie server organized and displayed the cinematic demo clips. Seating partners CinemaTech and D-Box supplied luxurious theater seating combined with the thrill of fully activated seating.

The premier native 2:35.1 projector solution for home cinemas, the Scope automatically shifts from 2:35 to 1.78 aspect ratios, depending on the content being shown. As this capability occurs within the projector, the Scope also introduces a 2:35.1 capable projection solution that does not necessitate an external anamorphic lens. This simplifies installation, as well as lowers overall system cost by avoiding the additional expensive of an anamorphic lens.

Building on the success of recent "Ultimate Home Cinema" demonstrations at the 2011 CEA Line Shows in New York City and 2012 CES Expo in Las Vegas, the demo members gladly acknowledge the value in such a partnership. George Walter, vp of home cinema for DPI, commented, "It's an honor to partner with such well-established, respected companies. We share a dedication to producing exceptional entertainment solutions, as well as a commitment to the custom philosophy. "

Home cinema enthusiasts can next experience the "Ultimate Home Cinema" demonstration at the 2012 CEA Line Shows event in New York City, held in June.

Read more about the dVision Scope 1080p by cutting and pasting this link into your browser bar:
http://www.digitalprojection.com/HomeEntertainment/dVisionScope1080p/tabid/165/Default.aspx

Coming Summer 2012 (Date TBA) - Warp & Blend Factory Training and Open House Event at DP's US Headquarters

2012 has already allowed DP to entertain and educate numerous commercial AV and home cinema integrators, as well as consultants and industry personnel, and we're only getting started! We're pleased to announce a first-ever two-day training event focused specifically on the integral components needed to carry out successful Warp & Blend applications. Representatives from DP, Scalable Display Technologies, Stewart Filmscreen, NVidia and Delta Displays will deliver live training and demonstrations throughout the two-day event.

Warp & Blend training attendees will:

- Design, Install and Program simple to complex warp and blend applications.
- Gain thorough awareness of current and new DP products and capabilities, as well as the complementary components that are needed to complete a Warp & Blend application.
- Learn strategies to help identify and qualify Warp & Blend application prospects and generate sales through those opportunities.
- Leave with a thorough understanding of front and rear projection Warp & Blend technologies.


On the afternoon of the second day we will hold a free of charge Open House to showcase the Warp & Blend products covered in the first 1.5 days of training. The Open House will be open to all dealers, consultants and industry personnel.

Download the Warp & Blend training schedule of events and in-depth summary by copying and pasting this link into your browser bar (pdf). http://www.digitalprojection.com/news/misc/Warp_Blend_Factory_Training_Event.pdf

TWO Sapphire Roadshows Coming in April

Attention Northeast audio-visual and home theater dealers, consultants, educational partners, architects, and end-users. Sapphire Marketing, DP's commercial and home cinema Rep in the Northeastern U.S., is bringing the best in AV technology to your doorsteps with TWO roadshows in April.

In addition to the impressive line-up of exhibitors, Sapphire will be hosting valuable training seminars which will qualify for CTS, or CEU renewal credits. Additionally, attendees are invited to join customers and exhibitors alike at "must attend" evening cocktail parties at both locations.

This year's exhibitors will be: Anacore, ad-notam, Amina Technologies, Arthur Holm, Brightline, Clarus Glassboards, Braehler, Crestron, Cybertouch, Delta Displays, Digital Projection, DT Research, Future Automation, InFocus, Lencore Acoustics, Leon Speakers , Nuage Nine, Panamorph, Pro Audio Technology, Prysm, Revolabs, rp Visual, Torus Power, Tripp-lite, Vaddio, Vista Systems, and Polycom (by Westcon).

Whether you are an architect, consultant, AV integrator or customer, the Sapphire Marketing Roadshows will prove to be an exciting, informative and educational event. Please contact Lainie Mataras at lainie@sapphiremarketing.com with any questions.

Boston Roadshow - April 24th - Details and registration here: http://events.r20.constantcontact.com/register/event?llr=4w7gelcab&oeidk=a07e5niuy3m6aa11d13

New York Roadshow - April 26th & April 27th - Details and registration here: http://events.r20.constantcontact.com/register/event?llr=4w7gelcab&oeidk=a07e5niebj17fcbb8b0

TITAN Quad Illuminates 6th Annual Boca Raton Concours d'Elegance

Don Dixon of Definitive Electronics and Jeffrey Smith of First Impressions Theme Theatres displayed the finest in home cinema components at the 6th Annual Concours d'Elegance event in Boca Raton, Florida. One of the country's most influential automotive and upscale living events, the Boca Raton Concours d' Elegance extends across three-days with an exciting line-up of activities. All proceeds from this event benefit the Boys & Girls Clubs of Broward County, Florida.

Attendees to Friday night's Dupont Registry Live Hanger Party at Boca Aviation witnessed an exemplary demonstration of home entertainment. DP's 16,000 lumen TITAN Quad 3D projector worked in conjunction with a 17' Stewart screen and 7' tall Wisdom audio speakers to immerse attendees in a fabricated home theater environment.

Read more about the Titan Quad 3D by pasting this link into your browser bar:
http://www.digitalprojection.com/BrowseProjectors/SeriesList/ProjectorList/ProjectorDetail/tabid/87/
ProjectorId/217/MarketTypeId/11/Default.aspx

The three-day affair attracts over 3,000 collector car enthusiasts from all over the world. Many thanks to both Definitive and First Impressions for displaying unmatched home entertainment imagery!

Save the Date: April 17 - 18 - DP/Stewart/Panamorph Two-Piece Projection Training Event at Stewart Headquarters

Looking for advanced training on projector calibration, 3D and/or Warp & Blend? DP, Stewart and Panamorph commercial AV and home cinema dealers are invited to a fully immersive two-day training event at Stewart's Torrance, CA headquarters. This is a free training opportunity, where integrators will receive guided training on two-piece projection from all three company representatives.

Topics that will be covered include:
1. Color-calibrating and optimizing a projector for maximum impact in specific venues.
2. 3D applications, best practices and a review of the essential pieces in successful 3D installations.
3. Warp & Blend for commercial applications, including both projector and external processor demonstrations.

Download the Two-Piece Projection training schedule of events and in-depth summary by copying and pasting this link (pdf) into your browser bar: http://www.digitalprojection.com/news/misc/Stewart_DPI_Panamorph_Event_April2012.pdf

Looking For a Multi-Purpose Church Projector That Won't Break the Budget?

DP is pleased to introduce the E-Vision WUXGA 8000, the ultimate value-priced single-chip DLP display for a variety of professional and worship venues. The E-Vision WUXGA 8000 will begin shipping in late May, so start including it in your display plans today!

Key Features: Incredibly priced bright and flexible display, WUXGA (1920 x 1200) native resolution, Dual lamps, Warp & Blend, user swappable color wheels, extensive lens options, motorized lens shift, lens memory.

To view the full list of E-Vision WUXGA 8000 capabilities, copy and paste this link into your browser bar:
http://www.digitalprojection.com/BrowseProjectors/SeriesList/ProjectorList/ProjectorDetail/tabid/
87/ProjectorId/232/MarketTypeId/10/Default.aspx

The E-Vision WUXGA 8000 brings a bold expansion of DP's E-Vision high-value, high-brightness series. With advanced features such as Warp & Blend and lens memory, the new 8,000 lumen E-Vision WUXGA 8000 delivers incredible performance at a very affordable price.

A variety of fixed and zoom lens options gives the E-Vision WUXGA 8000 a flexible throw ratio range of .76:1 - 8.26:1. Swappable color wheel options allow the integrator or the end user to easily install the color wheel that provides the best balance of lumens and color depth to complement their application objectives and venue lighting conditions. The new E-Vision WUXGA 8000 is an unmatched solution for Houses of Worship, corporate boardrooms, conference venues and any other application needing bright, accurate imagery at a remarkably accessible price point.

4-D Comes of Age: Capitol Theatre

From Sound & Communications: 


...rear projection emanates from five Digital Projection Titans mounted in an alcove above the theater's dressing rooms and green room. Because the theater is also used for live performances, the rear projectors would have to be placed out of audience view.

A Closer Look at an Ornate Southern California Home Theater Interior

From Residential Systems: 


The theater's hardware includes a DPI M-Vision projector, Arcam surround processor, Triad speakers, including three in-wall subs, a Stewart Micro-Perf 120-inch screen with no masking, and AMX for control.

Digital Projection Titan 800-3D Series

From Commercial Integrator: 


Atlanta-based Digital Projection International (DPI) over a short amount of time has earned a reputation for designing and building some of the video projection category's most advanced products. The company's latest introduction builds upon its successful Titan Series by offering electronics professionals a high-brightness model that can be ordered in a choice of configurations. 

Harman Upgrades Eargle Theater Facility

From Residential Systems: 


Rounding out the system is a Lumagen Radiance XE-3D video processor, Digital Projection International (DPI) Titan 3D 3-chip DLP projector and a Screen Research 180-inch X-Mask screen. Integrated AV control is provided by a Savant automation system. The room design, seating and acoustical treatment are by Acoustic Innovation.

Digital Projection International TITAN 800-3D Series

From Commercial Integrator:

The newly announced TITAN 800-3D is available in a choice of the company's 1080p, UWXGA and SX+ packages, and DPI says the projector is capable of producing 12,000 Lumens of brightness. Internally, the TITAN 800-3D projectors incorporate three-chip Texas Instruments TI DLP chipsets, and electronics that allow installation professionals to adjust for geometrics, as well as pincushion, barrel, corner, vertical and horizontal keystone and image rotation. The line's 3D capabilities include 120Hz high-bandwidth inputs that eliminate the need for line doubling, and built-in Dual Flash Processing that supports the distribution of 60Hz 3D video through internal frame doubling.

How this Multisite Church Created an Immersive Experience

From WorshipTechDecisions

Services are recorded using four Panasonic broadcast-level cameras and video decks to project the pastor life-size, via a $100,000 Digital Projection TITAN WUXGA Quad 1080p projector.

$250K Home Theater Setup Wows at EHX

From CE Pro:


Using clips from the Kaleidescape server, the DPI dVision Scope front projector automatically switched from 16x9 format to 2.35:1 format within 5 seconds. The projector automatically senses the letterbox format and fills the screen. 

Buffalo Bills' Mario Williams Struts his Home Theater Stuff

From Electronic House:

The custom electronics (CE) pros at Audio Advice in Raleigh, N.C., had the luxury of incorporating the equipment into a partially finished space in the basement of Williams' 11,000-square-foot Raleigh home. 


The DPI Titan was the ideal choice of projector for this 24-foot-long room, says Audio Advice's Randy Cribb, due to its ability to "throw" images long distances.

Radio City Rockettes in Blended Reality

From Sound & Communications:

New projection technology, including 11 Digital Projection International (DPI) LIGHTNING 45-WUXGA, three-chip DLP projectors, each delivering 30,000 lumens, was used for front-of-house projection onto the theater's ceiling and proscenium arch.

Deploying Projection Arrays: How to utilize the "segmentation" feature found in TITAN Quad and HIGHlite Cine 660 displays

TITAN Quad, TITAN 800 and HIGHLITE 660 series projectors incorporate a Segmentation capability, which is very useful for applications that employ multiple projectors to create one very bright contiguous image. The Segmentation feature serves as a basic, built-in video wall processor, and is enabled within the projectors' setup menu. The installer simply defines the number of columns and rows of the projection array they are building, then identifies the position that each projector will serve within the array.

When using the Segmentation feature, each projector needs to receive the same source content. When enabled, the Segmentation feature automatically adjusts each projector to display only its portion of the content. This makes it possible to provide a single source to all of the projectors. Note that each projector displays its portion of the content by utilizing the advanced scaling within DP's electronics.

Please keep the following limitations in mind when considering the use of Segmentation.

  • The image resulting from the use of Segmentation will always be displayed in the same aspect ratio as the source that is provided to the projector, regardless of the aspect ratio of the multichannel projection wall. Thus, to use the wall properly, one must arrange the channels of the projection wall to maintain the same aspect ratio as the source or vice-versa. The basic rule of thumb is to employ DP models with an aspect ratio that matches the source, then employ those projectors in 2 x 2 or 3 x 3 arrays.


  • If one were to examine the example of 4 WUXGA projectors in a 2x2 projection wall arrangement, and the provided signal was 1920x1200, the wall would display an image that was scaled up to nearly twice the vertical and horizontal resolution of the original WUXGA source. From a scaling artifact perspective, this will produce a similar appearance as observed when scaling standard definition video through a high definition display. This example is provided to illustrate the visual result of employing so much scaling. There will be significant artifacts.


  • Given it is based on scaling, the built-in segmentation function is not able to produce an image that with the native resolution or quality that a dedicated video wall processor can produce. Segmentation it is a great and easy to use solution for applications with long viewing distances, such as digital signage, or IMAG. However, we do not recommend employing the internal Segmentation feature if the application will include short viewing distances, or source resolution needs to be maximized.


  • Note that the segmentation and scaling is accomplished within the projectors' electronics. Thus, the scaled image it is not available on the dual link input of the projectors.

For additional application information and ideas, feel free to contact DP's Applications Support Team at either 770-420-1350 or application.support@digitalprojection.com.

Porsche 911 Series Launch - Audio Automation & Theater Inc., Atlanta, GA

See the rest of these images here:
http://www.digitalprojection.com/news/newsletters/archive/dpconn/dpconn2_3_12.htm#potm

Porsche fans are some of the most exuberant auto enthusiasts in the world. With this is mind, how do you launch a new Porsche model in a way that lives up to the expectations of the enthusiast community? An Atlanta-based Porsche dealership and Audio Automation & Theater, Inc. (AAT), an Atlanta-based luxury AV integrator, unveiled the solution. Using Digital Projection's incredibly powerful TITAN Quad projector, 16,000 lumens of Porsche as Art imagery transformed the dealership's front façade into a stunning visual display.

For over 11 years, AAT has specialized in state of the art home entertainment. However, through their multi-faceted team and fervent love of the Porsche brand, AAT has taken on the audio and video duties for numerous Porsche product launches over the years. Recently, the launch of the newest Porsche 911 (known within Porsche as the 991) allowed AAT the opportunity to project a 572" x 270" spectacle onto the front of dealership as a welcoming beacon to the launch attendees. The 633" diagonal image included custom content created by the Porsche creative team, including test track footage of the new 991 in action, stock imagery and more.

Serving as both the first and last impression made on the attendees, Kevin Collins, owner of AAT, knew that the imagery had to blow viewers away. This was a difficult proposition, however, as the projected image would have to contend with a large amount of direct and ambient exterior lighting. Furthermore, the projector would need to be rugged enough to withstand an outdoor installation with little protection from the elements. Collins had worked previously with the TITAN line, and settled deploying a single TITAN Quad for the event, due to its brightness, image quality and rugged design.

According the Collins, "The content looked amazing. Fall and Winter launches are our favorites, as it gets dark so much earlier. As the sun began to set, attendees became more and more engaged by the content. At sun down, the imagery became a beacon to passersby and attendees alike, serving as the perfect complement to the gorgeous new 911 on display."

Numerous inquiries from the Porsche corporate team in attendance hinted that there will be many similar events to come, which couldn't make Collins and his team any happier. "This sort of event is a perfect example as to why my firm only uses DP projectors," noted Collins. He continued, "They offer a diverse product line, and I know that regardless of the display that I choose, I will always get the best image quality possible."

Watch for news on upcoming Porsche product launch events in Atlanta throughout 2012. Many thanks to Kevin Collins and his team for preferring DP's precision displays!

Immersive Dome Experience at Prolight + Sound 2012

From Animation World Network: 


Linköping, Sweden -- Set to wow Prolight + Sound 2012 visitors and exhibitors alike, viewers will be captivated by a stunning video projection experience. This system vividly illustrates how the latest technology can be used to engage, inform, educate and interact when utilised in today's leading visitor attractions, events and cultural institutions around the globe.


The stand will comprise a 10 meter diameter, fully immersive 360° wrap-around dome screen that will be the brilliant canvas for Dataton's WATCHOUT™ multi-display presentation system.  Eight high-brightness HighLiteTM series projectors using exceptional quality lenses from Digital Projection International will be expertly integrated by domeprojection.com's fabulous auto-alignment system.

Chuck Collins Appointed to InfoComm Committee

As avid supporters, as well as sponsors, of InfoComm's many educational and outreach opportunities throughout the year, our team is always looking for more ways to contribute to this dynamic association. With this in mind, Chuck Collins, vp of sales for DP, has accepted a position on the Membership Committee board.

Chuck will contribute both time and strategic insight in order to help InfoComm create compelling solutions for the professional AV industry.

Chuck is excited about the prospect of helping serve the AV industry, commenting, "For 15 years, DP has enjoyed steady success and growth. InfoComm has been an integral part of our success, and we're proud to give back to such an important trade organization."

DP Hosting ISF Commercial Course and Certification in May -- Registration Info Below

Course is May 16 - 17 - register by emailing Alan Brawn at alan@brawnconsulting.com

Looking for ISF Commercial continuing education credits? DP is pleased to announce that we'll be hosting a certified ISF Commercial course on May 16 - 17. Led by Brawn Consulting, this ISF-C course teaches the science of light and color and how the human eye reacts to the images it sees. This exciting and comprehensive course is ideal for those who strive for perfection in producing visual images.

Additionally, an online examination is provided at the end of the course for those wanting to become ISF Commercial Certified and attain membership in the elite community of display experts recognized around the world as working to the highest standards.

Topics covered during the two-day course include:
- Light, Color, and the Human Eye
- Understanding Display Inputs
- Projection System Design Considerations
- and much more

We hope you can join us at our newly-expanded US Headquarters in North Atlanta for this compelling education opportunity.

Digital Projection Limited Puts on Huge Display at ISE 2012

See the rest of the photos here:
http://www.digitalprojection.com/tabid/110/mid/476/newsid476/296/Default.aspx

By now you've likely heard the impressive attendance and exhibitor numbers from the 2012 ISE expo in Amsterdam. Digital Projection Limited, headquartered in Manchester, UK, managed and designed a huge exhibit at this year's expo, displaying key projectors from both the Commercial AV and Home Cinema product lines.

DP's new TITAN Quad was featured in the booth, enlisting its advanced Warp & Blend technology while projecting on a blended, angled screen. Due to the remarkable controls within the TITAN's Warp & Blend technology, the corner image remained in perfect focus across all points of the image.

Also displaying remarkable Warp & Blend capabilities were DP's new HIGHlite Cine 660 projectors, shown below in conjunction with a convex screen.

DPL also displayed a new, open booth design that efficiently allowed for dedicated Commercial AV and Home Cinema demonstrations.

Congratulations to DPL for yet another successful ISE exhibit!

DSI and Paradise Theater Host "Home Theater Design Essentials" Seminars

DSI Entertainment Systems, a custom audio video installation / systems integration firm and DP dealer, and Paradise Theaters, a private theater design firm, recently hosted interior design, architecture and construction industry members in DSI's Los Angeles showroom. Two seminars within the "Home Theater Design Essentials" theme introduced attending professionals to deep details behind the design and specification of luxury home theaters. The classes enlisted DP's powerful TITAN Reference projector for imagery throughout the events.

Update: InfoComm Roundtables Schedule for 2012

Last month we announced the exciting news surrounding DP becoming the exclusive display products sponsor for InfoComm's ambitious series of national Roundtable meetings through 2012. To ensure that our dealers and industry associates are aware of these regional opportunities, we've included the entire US/Canadian roundtable schedule below for your easy access:

** March 22, 2012 - Atlanta, GA Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19346.htm
April 12, 2012 - Boston, MA Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19347.htm
May 23, 2012 - Pittsburgh, PA Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19352.htm
July 12, 2012 - New York City, NY Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19353.htm
August 16, 2012 - Ottawa, ON Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19354.htm
September 27, 2012 - Minneapolis, MN Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19355.htm
November 15, 2012 - Houston, TX Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19356.htm
December 13, 2012 - Miami, FL Roundtable - http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/7372_19357.htm

** NOTE: The March 22 roundtable will take place at DP's US Headquarters in North Atlanta. We'll have the opportunity to provide roundtable attendees with a tour of our recently expanded facility, after-hours events and more, so please join us.

About the InfoComm Regional Roundtables Free to InfoComm members, the Regional Roundtables are designed to bring AV professionals together to learn more about the industry, while facilitating peer networking and obtaining feedback on ways InfoComm can better serve the industry. Also of note: attendees can earn lucrative RU CTS: 1, CTS-D: 1, CTS-I: 1, Max: 1 by attending.

Free Download from CE Pro: "How to Demo High-Performance Video (and 24 Great Movie Clips to Use)" White Paper

Download the white paper here: http://www.cepro.com/whitepapers/details/how_to_demo_high-performance_video_and_24_great_movie_clips_to_use/


CE Pro magazine and Digital Projection's George Walter recently teamed up to produce a white paper that specifically addresses how to demo high-performance projection for maximum effect. This concept emerged from numerous integrator discussions involving the pitfalls of suggesting flat panels over projector solutions to clients looking for the best in home entertainment.

The whitepaper begins with a defining question: Why sell flat panels that have no margin when you can sell projectors that offer strong markup and increase customer satisfaction? One hypothesis is that many integrators have abandoned trying to upsell in the video category because of the "flat panel effect."

As you can imagine, DP feels very strongly about the many compelling reasons to suggest projection over the constraints of flat panels. The key to selling the value and impact of projection to enthusiasts, however, lies in the demo.

This is a must-read for integrators and industry partners looking for ways to reinvigorate their high-margin projector sales, as well as those interested in learning best practices for demonstrating projection to clients.

California's ESCAPE Youth Theater Uses TITAN Imagery to Kick Off 10th Season with Alice in Wonderland

"There wasn't anything I couldn't do with the stage lighting that compromised our imagery. The combination of the projected backgrounds and the actors in the foreground was striking."
-Barry Kemper, Lighting Designer, Alice in Wonderland

ESCAPE Youth Theater, in Santa Clarita California, the land of CalArts, Magic Mountain and College of the Canyons, is celebrating its 10th season and 4th year producing major musicals at the Santa Clarita Performing Arts Center. This winter an original production of Alice in Wonderland was staged for a combined audience of over 4,500 in the theater's available 725 seats. Available because the theater actually has just over 800 seats but ESCAPE's large ensemble and the crew onstage limits the audience capacity.

Past productions of Peter Pan, Sound of Music and others have been designed using traditional painted drops and scenic wagons. For this production of Alice, however, the production's Director, Kyle Burson, wanted to create a wide range of playful, fantastic imagery and project it directly on the upstage cyc.

ESCAPE and its 200+ families, whose children participated in the production, are truly a wealth of resources. Among that group are artists and craftsmen who frequently contribute to the productions at the highest level. Storyboards were created and with the requirements of the projection determined, Digital Projection was contacted to help the theater realize their vision.

With the stage alternately filled to the brim with an ensemble of 160 dancing and singing performers decked out in fantastically colorful costumes, or simply Alice captivatingly alone, the imagery projected by two TITAN 1080p-700 projectors perfectly set the mood for each scene. Production Director Kyle Burson remarked, "I feel like the projection was limited only by my imagination. It did whatever I asked it to do. The images were so crisp I felt I could climb into the picture and be lost in Wonderland." Some two dozen stills were created, manipulated and in some cases animated, to provide a much richer sweep to the production than a traditional approach to design would have permitted.

The available brightness and contrast afforded by the TITAN projectors enabled, even enhanced, the theatrical design created for the production. The lower portion of the projected image - falling across the stage floor - was planned as a sort of break-up projected pattern for each scene. All of the scenes were outdoors and this textured dual use for each image added a beautiful layer to each setting.

Barry Kemper, Lighting Designer for the production, commented "ESCAPE was fortunate to have both the outstanding artistry and technical superiority of DP's TITANs to create a truly beautiful theatrical experience to begin our 10th year!"

Staff:
Kyle Burson - Director and Production Design
Barry Kemper - Lighting Design
Dorrie Deakins and Cissi Larrson-Dally - Costume Design
Nancy Hickey - Production Photographer

See the rest of these amazing images here:
http://www.digitalprojection.com/tabid/110/mid/476/newsid476/294/Default.aspx

Product Focus -- dVision Scope 1080p Native 2:35 Projection WITHOUT an Anamorphic Lens

Great news for integrators looking for an advanced solution to showing multiple aspect ratios without the worry of external accessories! The industry's only home cinema projector that seamlessly displays both 1.78 and 2.35 content, without an external lens, and without artificially stretching the image, is now available at a price more akin to an entry-level 3-chip display.


DP's Home Cinema dealers should download the recently updated pricing (at http://www.digitalprojection.com/news/newsletters/archive/hc/hc2_3_12.htm#2) for more information on the dVision's new market position.

About the dVision Scope 1080p

THE Home Cinema Solution for Anamorphic Lens-free, Full Resolution Imagery. Without the Black Bars.

The 2560 x 1600 native resolution means high-definition content experienced through the dVision Scope 1080p attains a truly awe-inspiring level of entertainment quality and performance. The superior pixel density results in imagery with more resolution detail and higher small area contrast than what was previously thought possible. Having far more pixels than a traditional 1920 x 1080 display also ensures that no optical stretching is needed to achieve a 2:35:1 aspect ratio, guaranteeing that no image distortion is introduced. The additional pixels also provide the benefit of actually increasing displayed resolution when the wider, scope content is presented.

Visit the dVision Scope landing page (http://www.digitalprojection.com/HomeEntertainment/dVisionScope1080p/tabid/165/Default.aspx) to learn more.

Exciting New Display Products Launched at ISE 2012

TITAN 800-3D series

Key Features: 3-chip DLP colorimetry, Warp & Blend, Intelligent Lens Memory, 12,000 lumens, extensive 3D capability.


At ISE 2012, Digital Projection International revealed two important, all-new product platforms - the TITAN 800 series and the E-Vision WUXGA 8000. Below you'll find a summary of the powerful capabilities these new platforms offer.




As efficient as they are capable, the introduction of the 12,000 lumen TITAN 800-3D series marks another milestone in DP high brightness 3-chip DLP engineering, delivered in a chassis size that is more akin to far lower-lumen displays. Designed with a huge selection of professional features, the new TITAN 800 series provide more than enough capability to handle almost any commercial installation or staging application imaginable. The new TITAN 800 projectors are available in SX+, 1080p or WUXGA native resolution, and include powerful DP innovations, including:


  • Extraordinary lumen, contrast and color saturation - further enhanced through DP's ColorMax for precise color calibration


  • Flexible and easy to use Warp and Blend, including image rotation, PIP, PAP and POP


  • Intelligent lens memory, enabling the projector to accurately recall multiple presents of lens zoom, focus and shift position


  • Image Segmentation, for creating multi-projector displays with no video wall process


  • The most extensive active and passive 3D connectivity available today


  • Dual-Flash Processing for presentation of sources at displayed frame rates up to 144 Hz


  • FastFrame motion blur reduction


  • CoolTek Engineering, assuring the highest lumens per watt, long lamp life, low power consumption and the lowest cost of ownership.


The TITAN 800-3D series extends DPI's powerful TITAN product line, the most capable and efficient 3-chip DLP displays available.


The new TITAN 800 line delivers many of the technological advances synonymous with the new TITAN Quad product line, at a more accessible price point. A remarkable range of lens shift allows for extensive installation flexibility, further augmented by a suite of fixed and zoom lenses with throw ratios ranging from .73 to 11.2:1. The TITAN Quad 800 3D series will commence shipping in April.




E-Vision WUXGA 8000

Key Features: Incredibly priced bright and flexible display, WUXGA native resolution, Dual lamps, Warp & Blend, user swappable color wheels, extensive lens options, motorized lens shift, lens memory.


The E-Vision WUXGA 8000 brings a bold expansion of DP's E-Vision high-value, high-brightness series. With advanced features such as Warp & Blend and lens memory, the new 8K lumen E-Vision 8000 delivers incredible performance at a very affordable price.


A variety of fixed and zoom lens options gives the E-Vision WUXGA-8000 a flexible throw ratio range of .76:1 - 8.26:1. Swappable color wheel options allow the integrator or the end user to easily install the color wheel that provides the best balance of lumens and color depth to complement their application objectives and venue lighting conditions. The new E-Vision WUXGA 8000 is an unmatched solution for corporate boardrooms, conference venues, Houses of Worship, digital signage, and any other application needing bright, accurate imagery at a remarkably accessible price point.

Azione Names Digital Projection, Dana Innovations Executives Vendor Members

From Custom Retailer:

Azione Unlimited said this week that George Walter of Digital Projection Inc. and Jason Sloan of Dana Innovations/Sonance have been named the new buying group's final two founding vendor members.

"We are very proud to add these two outstanding businessmen to our advisory board," Azione president Richard Glikes said as part of the announcement. "We have continued to surround ourselves with the brightest minds in the business. Their experience and knowledge within our industry will certainly compliment the Founders already in place and provide our members unparalleled guidance to success and profitability."

The Largest Exhibitors at ISE 2012 Are...

From Rave Europe:

"As ISE grows bigger, many exhibitors consider increasing their stands. While re-signing for 2013 ISE, Digital Projection increased its stand size almost 3X."

Regional Training Class: Dallas & Houston - March 6th & 8th

Event Dates: March 6th, Dallas / March 8th, Houston

We would like to invite you and your staff to attend a regional training event the first week of March. We will be covering Home Cinema Design and Enterprise-Grade IP Networks.

Factory personnel will be on hand from Epson America, Panamorph Lenses, Digital Projection, Stewart Filmscreen and Access Networks. Each vendor will be presenting their featured product(s) along with installation and sales training.

See complete agenda here.

Carolina Theatre screening with new projectors

From The Herald-Sun:

"When moviegoers watch the Oscar-nominated short film programs that begin screening today at the Carolina Theatre, they will be seeing a sharper, clearer image as a result of new, high-definition digital projectors that theater officials say will improve the quality of film at the theater, and open possibilities for other kinds of programming...

The new projectors, Digital Projection Titan 1080p-700, were purchased from CIAv of High Point... The projectors were installed in the Carolina Theatre's two cinemas and Fletcher Hall on Wednesday."

Vancouver Canucks Score with Pre-Game Light Show

From Commercial Integrator:

"When Francesco Aquilini bought the Vancouver Canucks in 2004, he knew he wanted to give Rogers Arena fans an experience they'd never had before at an NHL game.

This year's Rogers Arena experience might have achieved just that, thanks to a pre-game and intermission light show anchored by a Digital Projection International (DPI) high-brightness system."

Projections on Ice

From Systems Contractor News:


Ice hockey's Vancouver Canucks installed a new Digital Projection International (DPI) high-brightness system at the team's Rogers Arena in time for the start of the new season. Designed to reinforce the team's brand identity, intensify fan loyalty, and, just as importantly, encourage early attendance and help increase revenues, the DPI system is integral to a pre-, post-, and in-game entertainment package that resets the bar at a new high for creativity in the NHL.

Outdoor Theater Uses Titan Projector and ADA Audio for Pool Parties

Poolside movies never looked so good

From Electronic House: 


Backyard theaters aren't difficult to pull off. Portable projectors and wireless speakers are affordable and can be easily positioned on patios and decks. And while these products have introduced many to the splendor of outdoor movie viewing, their piecemeal nature can't come close to creating the crisp, vivid experience of an indoor theater.

ISE 2012 Glows with Product Intros

From Systems Contractor News: 


Digital Projection presented the global launch of the E-Vision 8000 top-of-the-range single-chip projector. It also brought the new HIGHLITE 660 WUXGA to demonstrate its aim to create a range of products based on a single chassis that you can "mix and match for any application," commented Nick Cottis, DPI's international sales and marketing director.  


View the rest of the story here.

Super Bowl: The Ultimate Home Theater System

Bob Archer of CEPro details his ultimate home theater system to watch Super Bowl XLVI between the New England Patriots and New York Giants, featuring the Digital Projection dVision Scope 1080p Projector.

DPL to Unveil Powerful New Displays at ISE

Digital Projection's ISE 2012 Teaser

With headquarters in Manchester, UK, Digital Projection Limited (DPL) will display both new and well-established precision projectors at the upcoming Integrated Systems Europe (ISE) expo in Amsterdam. Taking place from 1/31 - 2/3, 2012, this year's ISE is expected to be the largest professional AV and systems integration trade show ever held in Europe.

Located in Booth #4S82, DPL will entertain and enlighten ISE attendees from both the Commercial AV and Home Cinema channels with a completely redesigned booth layout. Throughout the booth, both single projector and blended projector applications will demonstrate the power and precision of DP's product line.

New products to be unveiled at the show include:

Digital Projection's E-Vision 8000 projector

E-Vision 8000 -
New WUXGA resolution higher-brightness E-Vision series projectors serving as a bold complement to the WXGA solutions launched at InfoComm 2011. With advanced features such as Warp & Blend and lens memory, the new 8,000 lumen E-Vision 8000 displays deliver incredible performance for such affordable projectors.

Digital Projection's TITAN 800 projector

TITAN 800 - Warp & Blend. Intelligent Lens Memory. 12,000 lumens. 3D capability. The new TITAN 800 line delivers many of the technological advances synonymous with the new TITAN Quad product line, at a more accessible price point. A remarkable range of lens shift allows for extensive installation flexibility, further augmented by a suite of fixed and zoom lenses with throw ratios ranging from .73 to 11.2:1.

If you're attending ISE 2012, stop in and see the world's most capable precision displays in action!

2012 Ushers in DP's 15th Anniversary Celebrations

As 2012 swiftly commences, we would like to thank each of you for your support and partnership throughout 2011. Through these partnerships, as well as the steady strengthening of the economy, 2011 saw DP post the biggest year in our company history by leaps and bounds!

Entering 2012, the year which commemorates DP's 15th year of precision display success, we could not be more committed to the success of our customers. Integrator, Consultant and End User activity continues to grow in nearly all markets, our dealer channels to these markets are more meaningful than they have ever been, and our precision display lineup is more diverse, capable and application-relevant than ever before.

With such a positive outlook for 2012, our customers are already realizing the benefits of the significant investments we made in 2011. From the major expansion of our US headquarters to over 30,000 square feet, to the strategic positions and talented associates we added in every department, we have the team, as well as the infrastructure, to deliver the best projection solutions along with the best customer services in the projection industry. And this is only the beginning.

Without a doubt, we owe sincere thanks to the multitude of customers and industry partners who have been true friends and important contributors to our growth. We plan to return the favors by bringing you the most dynamic and innovative product range in our history, along with the most comprehensive package of customer-oriented resources DP has ever offered. Here's to making 2012 a great year for all of us!

From everyone at Digital Projection, thanks for helping us grow, and welcome to 2012!

For a light-hearted video kicking off our 15th Anniversary festivities, please click here.

6 Best Demos of CES 2012

Participants DPI, Stewart Filmscreen, Kaleidescape, Totem, D-Box, Cinematech and ADA earned raves for their CES 2012 Demo.


From CE Pro: "The list of participants in this room reads like a custom installation All-Star team. The group delivered a demo that literally drove visitors to question why the demonstration ended so soon."

My Favorite CES Exhibit: Ultimate Home Theater

Lisa Montgomery, of Electronic House magazine, says this DPI-collaborated demo "knocked my socks off"!

CES 2012 Interview with Home Theater Magazine

Darryl Wilkinson, of Home Theater magazine, interviews DP's own Paul Gomes at CES 2012! Click here to view the video.

Radio City Christmas Spectacular Gets 3D Makeover

From Commercial Integrator:


"Visual Acuity advised on the development of a number of technological innovations, which included large-scale projection from Digital Projection..."

John Sciacca at CES '12

John Sciacca comments on the Ultimate Home Theater demo at CES 2012, including Kaleidescape, Digital Projection Titan 1080p 3D, D-BOX, Totem Acoustic, ADA, Stewart Filmscreen, and Crestron.
John Sciacca at CES '12
by kaleidescape | video info

2 ratings | 337 views
curated content from YouTube

Slideshow: Best Moments of CES 2012

Electronic House

Click here to see how several top home theater companies, including Digital Projection, Stewart, Totem, Kaleidescape, D-box and ADA, got together to offer a killer home theater experience.

"Ultimate Home Theater" from DPI, Kaleidescape, D-Box, Stewart, Totem, ADA

Scott Wilkinson reviews the "Ultimate Home Theater" equipped with DP Titan projector.

DP and Partners Bring Home Cinema Excellence to CE Pro 100

Digital Projection, D-BOX, Leon Speakers, Stewart Filmscreen and ADA recently entertained almost 140 top-level integrators at the 2011 CE Pro 100 Summit in Miami, Florida. The CE Pro 100 Integrators Summit, which connects owners and senior executives from the top custom electronics companies in the country with leading vendor sponsors.

DP and partners featured an all-encompassing home theater experience, with stunning imagery produced by the award-winning TITAN Reference 1080p 3D projector. Representatives from each manufacturer partner led attendees through a guided presentation, lending insight and context to key technologies and the impact they have in a theater experience.

To view a short recap video of DP's demo room, click here.

Highlights of the event included two roundtable discussions: Operations Best Practices Roundtable and the Sales, Marketing & Business Models Best Practices Roundtable. The 2011 CE Pro 100 Best Practices Awards were bestowed during the event, as well as numerous presentations on automation, the app ecosystem and more.

Thank you to all of the attendees that spent time in our demo suite. A special thank-you to the manufacturers that partnered with us, as the collective experience received rave reviews.

A Simple Guide to Answering ANY Application Question: Simply Contact DP Application Support!

Over the past year, DP has assembled a powerfully astute team of application experts to help our customers tackle every projection task imaginable. We are proud to introduce DP's application support team - an expert resource, exclusively available to support our customers applications questions:

Digital Projection's Incomparable Applications Support TeamPictured above, left to right: Mark Stephens (Senior Applications Support Technician), Brian Pahlas (Senior Applications Support Technician) & Ken Eagle (Training Manager)

Between their 3 careers, Mark, Brian and Ken bring decades of experience to the task of helping our customers achieve display perfection with DP projectors. The resources they represent are extensive and varied. Here are some examples:

  • Provide assistance in defining projector location and lens selection

  • Confirm lens shift capabilities, based on the geometry of the application

  • Mock up designs that may be on the edge of optical performance in order to confirm system performance will meet customer expectations

  • Provide details on control strings for system automation

  • Assist in the remote troubleshooting of signal distribution / HDMI / HDCP and control issues

  • Provide guidance on installation geometry and system alignment - even complex multi-projector arrays

  • Recommend projector performance in terms of lumens and contrast in order to achieve screen brightness levels that meet application requirements

  • Guide customers through the use of DP's exclusive ColorMax calibration technology and procedure

  • Provide customized DP projector training for dealers, consultants, Reps, etc


The next time you have an interesting application that might benefit from the perspectives of the best minds in the projection industry, just call DP at 855-DPI-PRO1, and ask to speak with Application Support.

DP's "Displays at Your Doorstep" Roadshow Recap Video and Photos

Displays at Your Doorstep Roadshow Recap


Digital Projection, Delta and Mersive's six-day "Displays at your Doorstep" Roadshow culminated in November with a final stop in Los Angeles. The "Displays" Roadshow wound through key cities across the U.S., including Orlando, Atlanta, New York City, Washington D.C., Dallas and Los Angeles. Hundreds of attendees joined the three companies to experience leading display technologies, as well as watch live demonstrations of compelling imaging solutions for a variety of commercial applications.

*** CLICK HERE TO WATCH A SHORT VIDEO HIGHLIGHT REEL OF THE "DISPLAYS" ROADSHOW ***

Many thanks to the Commercial AV Integrators, Consultants, Press and Interested Industry Partners that joined us along the way at one of our display technology events.

Displays at Your Doorstep Roadshow Recap

Displays at Your Doorstep Roadshow Recap

Displays at Your Doorstep Roadshow Recap

Displays at Your Doorstep Roadshow Recap

HAPPY HOLIDAYS FROM DIGITAL PROJECTION!

View our holiday message by clicking the photo below! Plus, scroll down for a DP Holiday Game and Screen Saver.

Click this photo to view DP's holiday video message!

2011 has been a year of unprecedented growth for Digital Projection International worldwide, and our team would like to thank each of you for the role you played in another exceptionally successful year. With this year's success in the Commercial AV, Visualization and Residential channels, we've never been more capable of delivering cutting-edge video solutions to our integrators and industry partners.

With this in mind, we are eternally grateful to our dealers, customers and industry associates for helping DPI take another huge stride forward.

Thanks for being a great partner in 2011. With our 15th Year Anniversary fast approaching, 2012 is sure to bring a new year of exciting opportunities. In the meantime, we wish each of you a fantastic holiday season, and look forward to seeing you in the new year!

Below you'll find a few holiday treats from all of us at DP. Enjoy, and HAPPY HOLIDAYS!

** Click here or the image below to play the DP holiday memory game in your browser (note: takes 1 minute to load) **


DP's Happy Holiday Game (Adobe Flash Required)

** Click here to download DP's Happy Holidays Screen Saver **


Video PC Screen Saver Download

Early 2012 Training Classes Announced

3D Projection Technology Training plus Hands-on Lab

2011 saw a great deal of expansion in terms of DP's headquarters, product line and support capabilities. Yet another facet of this expansion that we're pleased to announce centers on offering our dealers a varied training schedule throughout 2012, with numerous opportunities for DP's home cinema integrators to learn in a hands-on environment.

Given the interest from our dealers in both selling and installing our 3D displays, the January and February classes will focus on 3D projection technology. These will be two-day courses, plus a hands-on lab where attendees get to walk through the set up process under the guidance of DP training and technical personnel.

Here's a class summary:

This training presentation is designed to introduce you to the world of 3D video projection. In this course we will discuss 3D in our industry today as well as trends in technology and media. We will also look at where 3D is headed and how you and your company can be ready to participate. Additionally, this course will focus on how to setup and operate single chip and three chip DLP 3D projectors and accessories. This course will also include a hands-on lab where each participant will walk through several 3D application setups.

Topics Include:

  • Setting up 3-Chip and Single Chip projectors for 3D operation

  • Managing 3D formats between multiple sources

  • Use of 3rd party switcher/scalers for managing 3D

  • Communication Management such as EDID and HDCP

  • Additional related topics will be discussed as well



Class dates: January 24 - 25 and February 28 - 29, 2012.

To register send email to training@digitalprojection.com or contact Ken Eagle for questions at 770-420-1350.

Webinar: Get Immersed with Digital Projection & Panamorph

Join Panamorph and Digital Projection for a training webinar on Nov. 7th. In this webinar, we will show you how to combine a Panamorph lens with DP's lineup of projectors to deliver the ultimate cinematic experience.

Topics that we will cover include:
- DP's single-chip M-Vision display line, including our M-Vision Cine 3D projector
- History of Anamorphic lens technology
- Incorporating 2.35:1 in all of your projection bids
- Combining 3D and Anamorphic for the ultimate immersive experience
- and much more...

Register for a session now by clicking a date below:

Wed, Dec 21, 2011 9:00 AM - 10:00 AM MST

Wed, Dec 21, 2011 1:00 PM - 2:00 PM MST

An "immersive theater experience" awaits CES attendees...

CES at the Venetian, Las Vegas

DPI, Kaleidescape, D-Box, and other top custom brands will remind dealers how to showcase and sell high-performance A/V at the Unforgettable Home Cinema Experience during CES 2012.

At CES 2012, DPI is kicking off its "Art of the Demo" initiative in a room at the Venetian dubbed the Home Cinema Experience. With support from CEDIA, the "Experience" features DP's award-winning TITAN Reference 1080p 3D projector, movie servers from Kaleidescape and motion-actuated chairs from D-Box, as well as A/V gear from other notable brands in the custom channel.

Find out more about the show at CE Pro.

VIDEO: Ford Audio-Video's WFX Recap with Eric Lardner of DP

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VIDEO: Digital Projection at WFX 2011

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LiveDesign: Visual Acuity Uses DPI Projection For Radio City Christmas Spectacular

"Visual Acuity advised on the development of a number of technological innovations, which included large-scale projection from Digital Projection and media serving, edge blending and warping from 7thSense Design."

Read the article here!

InfoComm 100 Focuses on AV / IT Convergence

100 business leaders across various disciplines of the AV industry, including integrators, distributors, manufacturers, consultants and independent programmers came together to exchange ideas during the recent InfoComm 100 event in Portland, Oregon. Thematically centered on the growing convergence of AV and IT, the event also covered a diversity of business topics including relationship management, identifying soft and hard business trends and overall AV industry concerns.

DP was proud to be a key sponsor for this year's InfoComm 100, with Chuck Collins, VP of sales, Michael Bridwell, director of marketing, and Dave Kile, field engineer, attending on the company's behalf. Collins remarked, "The high-caliber discussions that take place among AV industry leaders, and perspectives shared, are vital to mapping our future strategies. It was an honor to support this important industry event, and we're already looking forward to next year's meeting."

In addition to DP's sponsorship of the event, two 12,000 lumen TITAN Dual WUXGA projectors illuminated the huge 30' screen on which all event content was displayed.

To view photos from this year's InfoComm 100 event, please view the Photos of the Month below.




Webinar: Get Immersed with Digital Projection & Panamorph

Join Panamorph and Digital Projection for a training webinar on Nov. 7th. In this webinar, we will show you how to combine a Panamorph lens with DPI"s lineup of projectors to deliver the ultimate cinematic experience.

Topics that we will cover include:

  • Digital Projections M-Vision line and their new Cine3D projector

  • History of Anamorphic lens technology

  • Incorporating 2.35:1 in all of your projection bids

  • Combining 3-D and Anamorphic for the Ultimate Immersion

  • and much more...


Register for a session now by clicking a date below:

Mon, Nov 7, 2011 9:00 AM - 10:15 AM MST

Mon, Nov 7, 2011 1:00 PM - 2:15 PM MST

Once registered you will receive an email confirming your registration with information you need to join the Webinar.

"Displays at Your Doorstep" Roadshow is Heading to a City Near You

RSVP for the "Displays at Your Doorstep" Roadshow!

Attention Commercial AV Integrators, Consultants, Press and Interested Industry Partners -- you're invited to join Digital Projection, Delta Group and Mersive for a dynamic exhibit of leading display technologies.

Dates and Locations:

- Atlanta, GA - November 2 - 3, 2011
Digital Projection Headquarters - 55 Chastain Rd., Suite 115, Kennesaw, GA 30144
Days & Hours: Wednesday - 9:00-7:30, Thursday - 9:00-4:00

- Dallas, TX - November 9 - 10, 2011
WFX Expo (Dallas Convention Center) - 650 S. Griffin St., Dallas, Texas 75202
Days & Hours: Wednesday - 11:00-6:00, Thursday - 11:00-5:00

- Los Angeles, CA - November 15 - 16, 2011
Glendale Hilton - 100 West Glenoaks Boulevard, Glendale, CA 91202
Days & Hours: Tuesday - 9:00-7:30, Wednesday - 9:00-4:00

Why You Should Attend:
The 6-city "Displays at Your Doorstep" Roadshow will demonstrate a wide variety of display technologies, well suited for an array of commercial integration applications, in key regions across the US. Attendees will experience the highest performance and latest trends in display technologies, including but not limited to DLP-based high-lumen projectors, LED videowalls and video cube arrays.

Representatives from each manufacturer will be available at each event to conduct demonstrations and supply detailed product insight. The penultimate goal of the "Displays at Your Doorstep" Roadshow is to educate the Commercial AV industry on the wide array of display products available. With this in mind, attendees can expect a casual and open exhibit environment.

Pre-register For a Chance to Win an AMEX Gift Card
Pre-registered show attendees will have the chance to win a $100 AMEX gift card. The pre-registrant drawings will happen the day before each city event begins. Pre-registrants must attend the event for which they've registered in order to win and receive the gift card. The winner at each location will be informed upon checking in at the event. If the pre-registrant who won does not attend the event, the prize will be forfeited.

MORE CHANCES TO WIN!
At each event, there will be a random drawing for 1 pico projector, given to an attendee at some point throughout the event. ADDITIONALLY, 2 $100 AMEX gift certificates will be given away during random drawings throughout the roadshows.

For more details or questions regarding the "Displays at Your Doorstep" Roadshow, please contact Sean Milstead at sean.milstead@delta-corp.com.

PLEASE NOTE: Registration is required for the Roadshow - please use the following form to secure a spot at your desired location.

Register here:

http://www.digitalprojection.com/CompanyInformation/DisplaysatYourDoorstepRSVP/tabid/108/Default.aspx

New Product Update from Digital Projection

2011 has been an incredible year of growth for DP, from the huge headquarters expansion to the many new faces joining our team. From a products perspective, 2011 has seen an unequaled expanse of new models, as well as new capabilities within existing product lines.

With this in mind, we thought we'd put together a quick overview of the newest products and services launched this year, as well as key details within each one:

3 Year Warranty on ALL Products- At InfoComm '11, DP announced an unprecedented update to its product line, which will benefit every DPI customer worldwide. Due to the proven reliability and long-term performance of our precision displays, DP has enhanced its product warranty to provide a full 3 years of parts and labor coverage for projectors and accessories employed in standard use applications.

TITAN Quad displays - (sx+, 1080p, WUXGA) - Also at InfoComm '11, DP announced the complete reinterpretation of the advanced 3-chip display with the new, 16,000 lumen TITAN Quad product line. Incredibly compact for its lumen performance, the TITAN Quad platform incorporates DP's active 3D connectivity, advanced image Warp and Blend capabilities, a wide variety of native resolutions, and a host of professional features to suit almost any commercial or staging application imaginable.

HIGHlite Cine 330 displays - (1080p) - InfoComm also saw the launch of the new, high brightness, high value HIGHlite Cine 330 projector. This compact, 3-chip DLP, single lamp 4,500 lumen platform incorporates native 1920 x 1080 (1080p) resolution, bright, sharp optics and plentiful lens shift to suit a wide range of display applications.

HIGHlite Cine 660 displays- (1080p, WUXGA) - As the big brother to HIGHlite 330 displays, the HIGHlite Cine 660 models bring more lumens, as well as more capability, to the HIGHlite product line. This compact dual-lamp, 8,000 lumen platform incorporates image Warp and Blend capabilities, native 1920 x 1080 (1080p) or 1920 x 1200 (WUXGA) resolution, bright, sharp optics and a host of professional features to suit a wide range of commercial applications at an amazing entry level 3-chip price.

dVision 35-1080p 3D - Introduced at CEDIA '11, DP announced the dVision 3D, the newest 3D platform to join the array of 3D displays in our product line. Chosen as a "Best New Product" Finalist at CEDIA, the dual-lamp dVision 3D projectors benefit from extensive flexibility in both source connectivity and installation capabilities. The models brightness, contrast and color saturation produces truly stunning 3D imagery.

dVision Scope 1080p - Also introduced at CEDIA '11, the dVision Scope introduced home entertainment enthusiasts worldwide to anamorphic lens-free 2:35.1 and 16:9 shifting capability. Widely lauded as one of the most compelling product launches at the show, the Scope represents the simplest, most elegant and highest resolution solution for constant-height screen applications.

dVision 1080p on TODAY Show Segment

Esquire Magazine's 9th Annual "Ultimate Bachelor Pad" features a multi-level view of the New York skyline, advanced whole-house control system and a Digital Projection dVision 1080p precision projector.

http://today.msnbc.msn.com/id/26184891/vp/44889482#44889482

Titan 1080p-3D WUXGA One of "8 Manliest Products at CEDIA Expo"

DPI's Titan 1080p-3D WUXGA projector has been selected as one of the "8 Manliest Products at CEDIA Expo" by CE Pro Magazine.

"Who would buy? General Norman Schwarzkopf to track down enemy targets (and watch Patton on Blu-ray.)"

http://www.cepro.com/slideshow/image/9258/

Sound and Video Contractor: Tech Showcase

Digital Projection projectors now feature a three-year warranty
Along with the new warranty, Digital Projection has introduced some new projectors that are a great fit for corporations looking for high-quality images.

DPI Shows New High-End 3D Projector Line

Digital Projection International (DPI) has debuted a new 3-chip 3D DLP line called the TITAN Quad.
Incorporating DPI's active 3D technology, the TITAN Quad series has a brightness range of 8,000 to 16,000 lumens, and contrast up to 5000:1 using Texas Instruments' Darkchip 1080p DLP technology. DPI says that its FastFrame motion blur reduction all but eliminates motion artifacts associated with rapidly moving content, such as what may be seen when viewing sporting events or participating in video games. DPI's Dual-Flash Processing claims the smoothest in screen imagery, by frame doubling 60 Hz 3D sources to be displayed at 120 Hz on screen, or by frame tripling 24/48 Hz 3D sources, such as frame-packed 3D Blu-ray discs, to be displayed at 144 Hz.

Recent DP Product Mentions

Here are some recent articles that discuss DP products and how they are used to construct creative displays.
KEF's and Digital Projection's Dazzling Displays
A review of our CEDIA Expo 2011 exhibit.
Interactive Exhibits Used To Make Museums Exciting
"Many people may associate a trip to a museum with the words "look, but don't touch." That has changed in a big way as interactive exhibits-mainly wall displays or tables-take the place of rows of cases filled with artifacts. However, despite the popularity of interactive technologies, there is still a debate about whether they belong in museums."

Up Close with the Digital Projection dVision Scope 1080p Projector

Electronic House article
September 13, 2011 | by Grant Clauser

Remember that Digital Projection model we told you about two weeks ago? Yes, it's the one that can display ultra-widescreen images in 1080p natively-without an additional lens or other contraption.

We went to see it in person at the DPI booth, and Mike Bridwell shared a little more about the product and why it's so different from other projectors on the market. As he explains in the video below, wait for the finger snap to see how quickly the system responds automatically when fed a 2.35:1 signal.

Editor's Picks: Top Products of CEDIA Expo 2011

Digital Projection dVision Scope Projector
Several years ago when Runco first promoted the concept of CinemaScope video to custom installers, it was hailed as a stroke of genius. Now installers can simplify their system installations and save their clients money with DP's dVision Scope projector. The dVision scope eliminates the need for external lenses and it incorporates technologies that retain full resolution through a chipset that offers a 2560x1600 resolution.

Digital Projection Breaks 3D Projector Brightness Threshold with TITAN Quad at CEDIA Expo 2011

New TITAN Quad 1080p-3D (16,000 lumens) and TITAN Reference Quad 1080p-3D (8,000 lumens) set standard for radiant, large-screen 3D in the home

ATLANTA, GA - CEDIA 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces the complete reinterpretation of the advanced 3D display with the introduction of the new TITAN Quad 3D product line. Incredibly compact for such powerful projectors, the 8,000 lumen TITAN Reference Quad 1080p-3D and 16,000 lumen TITAN Quad 1080p-3D are both active and passive 3D capable with HDMI 1.4 compliant 3D connectivity. Furthermore, the new TITAN Quad projectors include DP's exclusive ColorMax color management system for consistent color performance and precise color gamut control. The new TITAN Quad displays now represent the flagship of DPI's TITAN product line, which incorporates over 30 distinct 3D capable models.

DPI's Reference Displays are widely regarded as the ultimate displays for creating exclusive home entertainment experiences, and the new TITAN Reference Quad serves as powerful evidence that this reputation is well deserved. TITAN Quad projectors make 3-chip DLP® performance available in a compact chassis that produces dazzlingly bright, high contrast and color saturated imagery. As brightness is an essential characteristic when considering a 3D projector purchase, the TITAN Quad displays ensure awe-inspiring home entertainment on the largest screens, through their unprecedented 8,000 and 16,000 lumens. Incomparable brightness stands as only one key benefit however, as the TITAN Quads also boast incredible color performance due to DPI's exclusive Xenon Color Mode. This color-space replicating capability assures the skin tones of your favorite actors and the team colors of your favorite sports heroes are rendered true and accurate.

With over four years of experience designing, manufacturing, distributing and supporting powerful 3D projectors, DPI has developed exclusive 3D advances that extend the remarkable flexibility found within each TITAN Quad display. FastFrame motion blur reduction all but eliminates motion artifacts associated with rapidly moving content, such as what may be seen when viewing sporting events or participating in video games. DPI's Dual-Flash Processing assures the smoothest in screen imagery, by frame doubling 60 Hz 3D sources to be displayed at 120 Hz on screen, or by frame tripling 24/48 Hz 3D sources, such as frame-packed 3D Blu-ray discs, to be displayed at 144 Hz. These powerful new capabilities perfectly complement other legacy characteristics that have made DPI's precision displays the reference standard for exclusive home cinemas for more than a decade.

DPI will be demonstrating the new TITAN Quad displays, in addition to numerous other new 2D and 3D precision projectors, throughout a newly-designed 60' x 60' booth (#4340) at CEDIA Expo 2011 from September 7 - 10 in Indianapolis, Indiana.

Digital Projection and Delta Electronics Announce Fall 2011 Road Show Dates

Six city tour will focus on the full spectrum of projection and direct view display technologies

ATLANTA, GA - September 2, 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, Delta Group, one of the world's largest manufacturers of display solutions, and Mersive, a developer of visual computing software, announce the dates for their upcoming 6 city "Displays at Your Doorstep" road show. The events will demonstrate a wide variety of display technologies, well suited for an array of commercial integration applications, in key regions across the US. Attendees will experience the highest performance and latest trends in display technologies, including but not limited to DLPTM-based high-lumen projectors, LED videowalls and video cube arrays.

Delta Electronics will introduce key solutions with its portfolio of professional Audio-Visual products. Leveraging Delta's rich history of product innovation, the Delta Displays business unit provides serious integrators with leading-edge products for an array of rigorous applications. From innovative video processing products, to versatile LCD, LED, edge matched and rear-projection display solutions, Delta has an unrivaled, complete product lineup of direct view displays. With its global manufacturing and engineering team, Delta fully leverages global design, manufacturing and distribution to bring unparalleled value.

DPI will focus on presenting medium to large venue projection systems from its single and 3-chip DLP lineup. Recognized world-wide for their powerful yet efficient line of 2D and 3D projectors, DPI will demonstrate two recently launched 3-chip displays. The 16,000 lumen, warp and blend-enabled TITAN Quad 3D, recently acknowledged at InfoComm 2011 by Commercial Integrator magazine with a "Best New Projector" award, will be presented, as will the 8,000 lumen warp and blend-enabled HIGHlite Cine 660. Attendees will also see DPI's high-brightness, high-value 6,000 lumen E-Vision WXGA 600, alongside other outstanding projection solutions.

Mersive will demonstrate their patented Sol software, which corrects geometric misalignment and intensity balancing while also providing exceptional image quality by minimizing resampling artifacts. In addition to auto calibration, Sol provides an intuitive display management interface for increased control over the display system. Mersive's patented Sol visual computing software brings unprecedented simplicity and affordability to large-scale, beyond-HD displays by automatically calibrating multiple projectors into one seamless image without the expense of specialized hardware and services.
The following cities and dates have been confirmed:
- New York City - October 11 - 12, 2011
- Orlando, FL - October 18 - 19, 2011
- Washington, DC - October 25 - 26, 2011
- Atlanta, GA - November 2 - 3, 2011
- Dallas, TX - November 9 - 10, 2011
- Los Angeles, CA - November 15 - 16, 2011

A full schedule with venue locations, as well as a comprehensive product list, will be available by mid-September. Any preliminary questions regarding the "Displays at Your Doorstep" road show should be sent to Sean Milstead at sean.milstead@delta-corp.com.

Digital Projection Unveils Native 2:35, Full 1080p Home Theater Projector

Digital Projection Unveils Native 2:35, Full 1080p Home Theater Projector

Newest display enables constant height screen applications with no anamorphic optics

ATLANTA, GA - CEDIA 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces the dVision Scope 1080p, a native 2:35:1 precision DLP® projector delivering over 2.75 million pixels of imagery when scope HD content is displayed. The 2560 x 1080 dVision Scope delivers a true 1080p solution for 2:35 aspect content without optical stretching, and without the need for an anamorphic lens solution. Through a capable combination of superior horizontal resolution and intuitive input analyzing firmware, the dVision Scope 1080p delivers the CE channel's only anamorphic lens-free, full resolution, constant height projector available today.

DPI's single-chip dVision Scope 1080p delivers 2.75 million pixels of detail due to its 2560 x 1080 resolution. The higher native resolution means high-definition content experienced through the dVision Scope 1080p attains a truly awe-inspiring level of entertainment quality and performance. The superior pixel density results in imagery with more resolution detail and higher small area contrast than what was previously thought possible in the CE industry. Having far more pixels than a traditional 1920 x 1080 display also ensures that no optical stretching is needed to achieve a 2:35:1 aspect ratio, guaranteeing that no image distortion is introduced. The additional pixels also provide the benefit of actually increasing displayed resolution when the wider, scope content is presented.

In addition to the unprecedented pixel density, the dVision Scope 1080p presents a superior solution for moving between 1.78:1 and 2.35:1 aspect ratio content (or any content wider than 1.78). Traditionally, an anamorphic lens has been required in order to move between different aspect ratios while displaying constant image height. While this approach produces solid results, anamorphic lens solutions add significant cost, as well as mechanical and optical complexity to a home theater system. Equally as important, anamorphic optics consume about 10% of the projector's brightness while also reducing the contrast ratio. Bypassing the need for an anamorphic lens when employed in a constant height application, the dVision Scope 1080p presents a compelling and cost effective alternative to purchasing and installing a peripheral anamorphic lens system.

No anamorphic optics are required when the dVision Scope 1080p projector is employed in a constant height application. When 1.78 content is being viewed, that content is simply displayed by the projector at native 1080p resolution. When wider aspect ratio content is presented, the wider content continues to be displayed at 1080 pixels of vertical resolution, so the vertical height of the image is maintained. Horizontally, the image is re-sized to as much as 2560 pixels, depending on the aspect ratio of the source being displayed. The projector's aspect ratio is thus adjusted so that the wider content is presented with increased horizontal resolution (beyond the 1920 horizontal pixels associated with 1080p content). Specifically, when scope content is presented, the projector automatically detects the presence of the "letterbox" black bars within the signal, and immediately re-sizes the image to fill the height of the DMD (1080p) while also presenting the proper aspect ratio by increasing the horizontal pixels employed.

The new dVision Scope 1080p projector inherits the field-proven reliability and exceptional optical qualities of DPI's long-respected dVision series. Suitable for home entertainment venues with medium to large screens, the Scope 1080p is quiet, elegantly designed and offers a diversity of system capabilities. Installation flexibility is assured through an extensive array of ultra-accurate optics, which provide throw ratios as short as .8:1 and as long as 4.5:1.

Projector lumens and black level can be further optimized to suit venue conditions through the straightforward adjustment of the motorized lens iris. Additionally, the Scope 1080p's quick-change motorized lens mount provides a broad range of horizontal and vertical lens shift, allowing the projectors to be placed in a wide variety of locations in relation to the screen. Intuitive user controls and comprehensive source compatibility assure all dVision displays are simple to integrate, control and operate.

DPI will be demonstrating the dVision Scope 1080p, as well as numerous other key single and 3-chip 2D and 3D projectors, throughout a newly-designed 60' x 60' booth (#4340) at CEDIA Expo from September 8 - 10, 2011, in Indianapolis, Indiana.

Click here for high-resolution dVision Scope 1080p photos: http://www.digitalprojection.com/news/zips/DP_dVision_Scope_0811.zip

DP and Partners Deliver Ultimate 3D Home Theater Experience in NYC

Complementing the CE Week Demo suites and Axpona Audio Expo in June, the Affinia Manhattan Hotel concurrently hosted the best in home entertainment via DP's Ultimate 3D Home Theater Experience.

Digital Projection Delivers Ultimate 3D Home Theater Experience in NYC

Numerous audio and video demos were held throughout the hotel as Digital Projection, Stewart, D-Box, Totem, ADA and Lutron joined forces for two days to bring large-screen immersive 3D to an enthusiastic audience of audio and video aficionados.

DP's TITAN Reference 1080p 3D supplied the world's most powerful 3D imagery to hundreds of audience members who patiently waited in line to experience the spectacle. Audience feedback from attendees and press alike was overwhelmingly positive, with many remarking that the Ultimate 3D Home Theater Experience was the highlight of the Affinia demo suites.

Digital Projection Delivers Ultimate 3D Home Theater Experience in NYC

Special thanks to all of our industry partners that shared the efforts to educate demo attendees. Many thanks as well to Sapphire Marketing, DP's Home Cinema and Commercial Rep in the northeast for their efforts and support. And, of course, thank you to the attendees and press that joined us!

DP Brings Home TWO Major Awards from InfoComm 2011

It takes years to develop, engineer, test and launch a precision display that directly serves customer application demands. Although we strive to create innovative projection solutions that will keep our dealers ahead of the curve, it's always nice to receive recognition from the AV community at large. With this in mind, we're pleased to announce that two members of the TITAN series brought home two awards at the recent InfoComm 2011 expo.

With a record number of entries for the R&S New Product Awards this year, the TITAN WUXGA Dual 3D won "Best Video Projection Product 10K Lumen Range."

Digital Projection's TITAN WUXGA 3D projector wins Best New Product at InfoComm

The second award-winning Digital Projection display involves the most discussed projector launched at InfoComm 2011. DP's brand-new 16,000 lumen TITAN WUXGA Quad 3D received a Commercial Integrator BEST Award for "Best New Projector."

Digital Projection's TITAN QUAD 3D projector wins Best New Product at InfoComm

Our sincere thanks to everyone that voted for DP's entries in the competitions mentioned above. This award-winning recognition strengthens our resolve to continue delivering "Precision Displays for Every Venue," as well as every application where "only the best" is the right choice.

Digital Projection Inc. at InfoComm2011

Digital Projection International unveiled numerous powerful single and 3-chip DLP projectors at this year's InfoComm 2011 in Orlando, Florida. In addition to two DP's TITAN projectors winning major show awards, DP revealed new 8,000 and 16,000 lumen 3-chip DLP projectors in the TITAN Quad and HIGHlite 660 product lines. With new 3D projector launches such as the M-Vision Cine 3D also being announced at the show, and the news of DP's new 3 year warranty, InfoComm 2011 stands as the most successful commercial AV showcase to date.
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Digital Projection International Unveils Three Year Warranty on Entire Product Line at InfoComm 2011

Digital Projection International Unveils Three Year Warranty on Entire Product Line at InfoComm 2011

ATLANTA, GA - InfoComm 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces an unprecedented update to its product line, which will benefit every DPI customer worldwide. Due to the proven reliability and long-term performance of their precision displays, DPI is enhancing its product warranty to provide a full 3 years of parts and labor coverage for projectors and accessories employed in standard use applications*. This major announcement is effective as of June 15th, 2011, and applies to every DPI projector and accessory delivered after that date, to customers served by Digital Projection International.

According to Mike Levi, President of Digital Projection, Inc: "Providing a 3 year warranty across our entire product line serves as formidable evidence of DPI's confidence in the quality and reliability of our offerings. Furthermore, it provides assurance to our customers that their investment in DPI displays is guaranteed to benefit from a minimal long-term cost of ownership."

The precision displays in DPI's product line, from the entry level, single-chip M-Vision series, to the powerful 3-chip LIGHTNING and TITAN displays, represent the most efficient projection product line available today. In terms of lumens per watt, lamp life and cost of operation, given their performance, the DPI product line is unprecedented. The introduction of the 3 year warranty assures DPI customers enjoy stellar display performance with confidence that there will be no unexpected surprises that will impact their budget.

* The term "Standard Use Application" is defined as any application that employs the projector up to a maximum of 8 hours per day, or up to a maximum of 40 hours per week.

Digital Projection Changes Paradigm with 3-Chip Projector Innovation at InfoComm 2011

ATLANTA, GA - InfoComm 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces the complete reinterpretation of the advanced 3-chip display with the new TITAN Quad product line. Incredibly compact for its lumen performance, the TITAN Quad platform incorporates DP's active 3D connectivity, advanced image Warp and Blend capabilities, a wide variety of native resolutions, and a host of professional features to suit almost any commercial or staging application imaginable. As efficient as they are capable, the introduction of the TITAN Quad range marks the world's first projectors of this brightness in a chassis with such a small form factor. Furthermore, the new TITAN Quad projectors include DP's exclusive ColorMax, FastFrame and Dual Flash technologies, and now represent the flagship of DPI's TITAN product line, which now incorporates over 30, 3D capable precision displays.

The new TITAN Quad projectors make 3-chip DLP® performance available in an incredibly compact chassis that produces dazzlingly bright, saturated images with powerful video processing. Utilizing DPI's new, advanced electronics, all TITAN Quad models provide the user with the ability to make extensive geometric warp correction via the adjustment of an interpolated grid array of up to 16 x 16 nodes. Furthermore, up to eight maps can be generated, downloaded and stored within the projector's electronics. On board adjustments for Pincushion, Barrel, Cornerstone, Vertical and Horizontal Keystone, and even Image Rotation, are also standard in the new TITAN Quad displays.

Superbly capable edge blending and multi-projector tiling is provided by way of high bit depth processing that ensures a seamless, contiguous image can be created from multiple projectors. Black Level Uplift in all non-blend areas guarantees uniformity across the screen, even when dark image content is displayed. Additionally, end users can choose to utilize the TITAN Quad's onboard tiling function by assigning each projector a position within an image matrix. The video processing then automatically extracts the appropriate segment of the input image and enables blending for the appropriate edges.

Overall image quality is top priority, and single stage scaling within the TITAN Quad models assures the accuracy of scaled imagery through a simple and straightforward process. Resizing and Warp functions are carried out in a single stage process, maximizing the clarity and accuracy of the resulting image. Furthermore, when operating Blend in conjunction with Warp, the TITAN Quad's processing automatically superimposes the warped-blend map onto the geometrically corrected image.

With over four years of experience manufacturing, distributing and supporting powerful 3D projectors, DPI has developed exclusive 3D advances that further extend the remarkable flexibility found within each TITAN Quad display. FastFrame motion blur reduction reduces motion artifacts associated with rapidly moving content, such as what may be seen when viewing sporting events, participating in video games or in fast jet simulation. DPI's Dual-Flash Processing allows 60 Hz 3D sources to be frame doubled and displayed at 120 Hz on screen, or 24 Hz 3D sources to be frame tripled and displayed at 144 Hz. Additionally, Dual-Pipe Connectivity allows the delivery of two sources in parallel, typically one for left eye and one for right. Digital Projection's Dual DVI input also enables the direct display of sequential sources of frame rates up to 144fps. All TITAN's including the new TITAN Quad displays, are the most capable and flexible 3D projectors available in the world. Of course, they convey all their pristine imaging capabilities to 2D content as well.

The powerful new capabilities perfectly complement other legacy characteristics that have made DPI's precision displays the go-to standard for every commercial venue for almost 15 years. With a light output of 16,000 lumens, the new TITAN Quad projectors employ four 400 watt high intensity discharge lamps to produce incredibly bright imagery, making them suitable for a wide variety of demanding medium and large venue applications. DPI's ColorMax%u2122 technology presents the most flexible color management system available today, and serves as a powerful color calibration tool, whether the installation calls for a single projector or an array of projectors in tiled / blended applications. A remarkable range of lens shift allows for extensive installation flexibility, further augmented by an array of fixed and zoom lenses with throw ratios ranging from .67 to 11.2:1.

Digital Projection Partners with Scalable Display Technologies in Multi-Megapixel Segment of Display Market

ATLANTA, GA - InfoComm 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, and Scalable Display Technologies, a leading provider of software for multi-megapixel display systems, announce the availability of automatic warp and blend software for multi-projector displays.

Scalable Display and DPI collaborated over several years to jointly develop compatibility of Scalable's camera-based calibration software with DPI's warp and blend hardware solutions. DPI now offers two hardware solutions, including both the FUSION line of Warp and Blend processors as well as the newly introduced internal Warp and Blend capabilities within the new TITAN Quad and HIGHlite 660 projectors. This integration brings the full power of Scalable Display Manager software to the DPI line up.

DPI's FUSION processor solutions were created to specifically provide the most advanced multi-channel warp and blend for critical real-time applications. Combined with DP's FusionNet software, large projector arrays can be expertly aligned on complex-geometry projection surfaces from a single site via the FusionNet software over standard TCP/IP or RS232 control. Additionally, FusionNet allows for management of color performance and color matching through zone-based color correction. Benefits also include advanced pixel blending via 3-channel pixel level gain and lift correction, as well as individual RGB gain. FusionNet users can also take advantage of DPI's Advance Blend Zone features as well as enhanced Black Level Matching. Most notably, FusionNet now offers real-time Warping Calibration, an invaluable tool allowing technicians to view image adjustments in real time as warp and blend modifications are made.

"We are pleased to see Digital Projection International bring these new hardware capabilities to market," said Andrew Jamison, CEO of Scalable Display Technologies. "DPI has demonstrated leadership in the emerging market for multi-megapixel displays by offering a comprehensive range of warp and blend hardware platforms on which Scalable Display Manager can add automation."

"We are thrilled to announce compatibility with Scalable's automation software," said Mike Levi, President of Digital Projection Inc. "Many of DPI's integrators routinely apply our projectors in complex, multi channel arrays, often with irregular screen geometries. Now that we offer powerful warp and blend through both onboard and off board solutions, our customer base will benefit from having Scalable's high quality add-on software to bring automation to their warp and blend set-up and maintenance tasks."

Availability
Scalable Display Manager with FUSION processor compatibility is available immediately. The software add-on for the new TITAN Quad and HIGHlite 660 models will be available in Q3, 2011.

Digital Projection Launches Advanced Warp and Blend Projector Series at InfoComm 2011

Digital Projection Launches Advanced Warp and Blend Projector Series at InfoComm 2011

Click here for high-resolution HIGHlite Cine 660 photos: http://www.digitalprojection.com/news/zips/DPI_HIGHlite_Cine660_photos.zip

ATLANTA, GA - InfoComm 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces the launch of the new, high-performance HIGHlite Cine 660 displays. This compact dual-lamp, 8,000 lumen platform incorporates image Warp and Blend capabilities, native 1920 x 1080 (1080p) or 1920 x 1200 (WUXGA) resolution, bright, sharp optics and a host of professional features to suit a wide range of commercial applications. Every HIGHlite Cine 660 projector delivers brilliant image fidelity through DPI's expert implementation of Texas Instruments' 3-chip DLP® technology. Conservatively priced for such application-enabling solutions, the HIGHlite Cine 660 series continues DPI's legacy of delivering powerful and efficient displays for every venue.

The HIGHlite Cine 1080p-660 and HIGHlite Cine WUXGA-660 make 3-chip DLP® performance available in a compact, cost effective chassis that produces dazzlingly bright, saturated images and powerful video processing. Utilizing DPI's new, advanced electronics, both HIGHlite Cine 660 models enlist advanced geometry correction, delivering accurate warp map generation via the adjustment of an interpolated grid array of up to 16 x 16 nodes. Furthermore, up to eight maps can be generated, downloaded and stored within the projector's electronics. On board implementation of Pincushion & Barrel, Cornerstone, Vertical and Horizontal Keystone, and Image Rotation are also standard in the new HIGHlite 660 displays.

High quality edge blending and multi-projector tiling are equally robust by way of high bit depth processing that ensures a seamless, contiguous image can be created from multiple projectors. Black Level Uplift in all non-blend areas guarantees uniformity across the screen, even when dark images are displayed. Additionally, end users can choose to utilize the HIGHlite 660's onboard tiling function by assigning each projector a position within an image matrix. The video processing then automatically extracts the appropriate segment of the input image and enables blending for the appropriate edges.

Though overall image quality is top priority, single stage scaling within the HIGHlite Cine 660 models assures the accuracy of scaled imagery through a simple and straightforward process. Resizing and Warp functions are carried out in a single stage process, maximizing the clarity of the resulting image. Furthermore, when operating Blend in conjunction with Warp, the processing will automatically superimpose the warped-blend map onto the geometrically corrected image.

The numerous new capabilities perfectly complement other legacy characteristics that have made DPI's precision displays the go-to standard for every commercial venue for almost 15 years. With a light output of 8,000 lumens, the new HIGHlite Cine 660 projectors employ dual 330 watt high intensity discharge lamps for incredibly bright imagery, making them suitable for a wide variety of demanding applications. DPI's ColorMax%u2122 technology presents the most flexible color management system available today, and serves as a powerful color calibration tool, whether the installation calls for a single projector or an array of projectors in tiled or blended applications. A remarkable range of lens shift allows for broad installation flexibility, augmented by a wide fixed and zoom lens array with throw ratios ranging from .77 to 6.76:1.

DPI will be demonstrating the new HIGHlite Cine 660 displays, as well as numerous other new single-chip and 3-chip precision projectors, throughout a newly-designed 60' x 50' booth (#3343) at InfoComm 2011 from June 15 - 17 in Orlando, Florida.
Digital Projection's HIGHlite Cine 660 projector

Digital Projection Launches New High Brightness, High Value 3-Chip Display at InfoComm 2011

ATLANTA, GA - InfoComm 2011 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces the launch of the high brightness, high value HIGHlite Cine 330 projector. This compact single lamp 4,500 lumen platform incorporates native 1920 x 1080 (1080p) resolution, bright, sharp optics and plentiful lens shift to suit a wide range of display applications. Additionally compelling, the HIGHlite Cine 330 delivers brilliant image fidelity through DPI's expert implementation of Texas Instruments' 3-chip DLP® technology. Conservatively priced for such an advanced and capable 3-chip DLP display, the HIGHlite Cine 330 continues DPI's legacy of delivering powerful and efficient displays for every venue.

The HIGHlite Cine 330 makes 3-chip DLP® performance available in a compact, cost effective chassis that produces dazzlingly bright, saturated images through powerful video processing. The compact and ultra quiet HIGHlite Cine 330 boasts 1080p resolution, integrated electronics and a straightforward user interface, rendering the product a perfect solution for installations where simplicity and imaging quality are paramount. When considered in conjunction with the existing 3,500 lumen HIGHlite Cine 260 and the brand new 8,000 lumen HIGHlite Cine 660, the HIGHlite series of precision displays is quickly becoming a commanding array of 3-chip solutions for both commercial and residential venues.

The new capabilities perfectly complement other legacy characteristics that have made DPI's precision displays the go-to standard demanding venues for almost 15 years. With a light output of 4,500 lumens, the new HIGHlite Cine 330 projectors offer a powerful yet cost-effective imaging solution for a wide variety of commercial applications. Features include DPI's ColorMax%u2122 calibration technology, the most flexible color management system available today. ColorMax%u2122 serves as a powerful color calibration tool, whether the installation calls for a single projector or an array of projectors in tiled or blended configuration. Augmenting the advanced operability is the HIGHlite Cine 330's remarkable range of lens shift, allowing for broad installation flexibility, aided by a selection of wide fixed and zoom lenses with throw ratios ranging from .77 to 6.76:1.

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Digital Projection's InfoComm 2010 - Booth Review
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TWO M-Vision Cine 230 Projector Reviews: "Top Pick" in Home Theater Magazine and Revision3


Word is out about DP's new $7,000 M-Vision Cine 230, and the reviews are resoundingly positive! 


Electronics industry veteran Scott Wilkinson of both Home Theater Magazine and UltimateAV.com recently reviewed the Cine 230, giving the projector a coveted TOP PICK rating.  Wilkinson's overall impressions of the projector's performance include: gorgeous color, exquisite detail, excellent shadow detail, exceptional video processing, and stellar optics.


Read the review here: http://www.hometheater.com/content/digital-projection-m-vision-cine-230-dlp-projector


View the M-Vision Cine 230 Details Page by clicking here.


And don't forget -- you can WIN AN M-VISION CINE 230 by registering here.


 



Robert Heron and Patrick Norton of Revision3 fame recently put Digital Projection's M-Vision Cine 230 through its paces, and were quite impressed with the results. Robert and Patrick, reviewing under the HDNation programming on Revision3, specifically singled out the 230's exceptional color performance, as well as its solid performance right out of the box.


According to Robert Heron, "The M-Vision Cine 230 is one of the best single-chip projector's i've ever witnessed."


Click here to watch the full review via www.revision3.com.


View the M-Vision Cine 230 Details Page by clicking here.


And don't forget -- you can WIN AN M-VISION CINE 230 by registering here.


Digital Projection Brings Ultimate 3D Experience to Hollywood%u2019s Pacific Design Center in March

Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high performance projection systems, will present the pinnacle of large-screen 3D entertainment for the home during the Pacific Design Center's WESTWEEK 2011 show, March 23 - 24. WESTWEEK is Pacific Design Center's largest annual design industry event, hosting over 70 showroom demonstrations as well as numerous new product introductions. DPI's award-winning TITAN Reference 1080p-3D will feature in the Audio Video Interiors showroom alongside Crestron control and automation systems and Steinway Lyngdorf's uncompromising audio equipment.

WESTWEEK is Pacific Design Center's largest annual design industry event, combining keynote lectures, showroom programs, and book signings. This internationally-recognized design trade event welcomes thousands of design professionals each spring. DPI's demonstrations will take place Wednesday, March 23 and Thursday, March 24 in Audio Video Interiors' state-of-the-art 8-seat screening room, located in the G280 space on the second floor of the Green Building.

This event is open to the public, though reservations for private demonstrations are highly recommended. Interested parties can email office@avinterior.com for private demo reservations.

More details regarding WESTWEEK 2011 can be found by visiting http://www.pacificdesigncenter.com/.

Digital Projection, Limited and Mechdyne Partner on High-Res 3D Dome at ISE 2011

Mechdyne Corporation is partnering with Digital Projection International at Integrated Systems Europe (ISE), February 1-3, in Amsterdam.

The four meter wide, concave dome being demonstrated at DPI's booth utilizes four TITAN 3D projectors at 1920 X 1200 resolution. The professional series 3D projectors utilize DPI's near zero latency warp, blend and network control processor, FUSION, to perform the geometry required to turn the overlap from each projector into one seamless image. In addition to providing the computer graphics cluster to drive the display, Mechdyne is also providing the vGeo%u2122 software product to drive the projectors at their native resolution. The combined technologies produce a stunningly realistic, immersive, and interactive experience. %uFEFF

At the show, Mechdyne and DPI will show atmospheric data from NASA and a walk though of a dessert town provided by WorldViz, but the one-of-a-kind dome solution could also be used for flight simulations, manufacturing design, architectural walk-throughs, and a wide variety of other data displays.

"We are pleased to be supporting DPI at Integrated Systems Europe," commented Mike Hancock, Vice President of Sales for Mechdyne. "We design, integrate and install technology solutions worldwide, and it's great to have an opportunity to demonstrate our capabilities at this important event."

ISE 2011 is set to be largest audio visual systems show ever held in Europe. The show, which is expected to attract at least 30,000 attendees and 700 exhibitors, is being held at the Amsterdam RAI.

The Hazards of Stacking Projectors for Passive 3D Applications

The dual projector 3D design creates numerous hazards in terms of installation flexibility and overall experience.

At first thought, the idea of utilizing two projectors to generate a 3D image seems like a very logical approach. After all, standard 60Hz projectors can be employed, on screen brightness is doubled and the application automatically benefits from redundancy for 2D applications. The dual projector 3D design, however, is very complex and creates numerous hazards in terms of installation flexibility and overall experience.

REASON #1 - CONVERGENCE

First, consider the fact that both images must be perfectly converged on screen. Experienced installers will remember the days of converging CRT projectors and how difficult that could be. Expect the same, without the benefit of electronic convergence controls in each projector (as was the case with CRT projectors of days past). Unless the installation includes accurate and costly warp engines, the ONLY way to converge two digital projectors is to do so mechanically with the use of lens shift. While a good alignment is possible, the corners are likely to be the most difficult to align between the two projectors.

Making matters more unpredictable - even the very best projectors on the market still suffer from some image shift as their light engines warm up.

REASON #2 - THE ANTI-SWEET SPOT

Second, with two projectors to install, neither can really take the position that optimizes performance and lens shift. Accept that lens shift, which allows the installer to mount the projector above the screen, will also need to be employed to converge the two projectors. The practical way of mounting the two projectors is for one unit to be mounted slightly above screen center shifted upward, and the second unit to be mounted close to screen top and shifted downward. With both projectors mounted below the screen top, extreme caution must be used to avoid the light path hitting the back of the chairs, not to mention the head of an audience member.

REASON #3 - COMPLEXITY

Third, a two projector 3D solution requires that the 3D signal be pre-processed and split, with left eye content going to one projector and right eye content going to the other projector. This requires not only additional hardware but also more complex cabling and switching. As of today, there are no retail processors available which can break down a HDMI 1.4a 3D signal to discrete left and right eye with HDCP handshakes.

REASON #4 - HIGHER COSTS, MORE WORRIES

Finally - two projectors means more lamps to consider. Beyond lamp costs, the integrator will also have to monitor lamp life and performance in both projectors to ensure that content for one "eye" does not become brighter than the other.

So, what's the solution to manageable, enjoyable 3D? A much simpler approach is utilizing a dedicated 3D projector which operates at 120Hz with compatible HDMI 1.4 inputs or dedicated L/R inputs. DP's award-winning TITAN 3D and LIGHTNING 3D models are all capable of true single projector 3D performance. These units make installation and cabling much simpler, and the resultant experience is nothing short of stunning.

Digital Projection Launches Integrated Suite of Calculators for AV Industry

Digital Projection Inc. (DPI), an Emmy® Award-winning manufacturer of high performance projection systems, has just introduced an integrated suite of image and lens calculators to the audio/video industry. Entitled the Calculator Toolbox, users can quickly calculate essential data such as the image size and throw distance of a projector given a few basic parameters. In addition to the suite's core functionality are numerous other tools and guides intended to demystify the projector selection process, as well as identify the true long-term cost of ownership of any projection system within any application. The Calculator Toolbox delivers a dedicated portal whereby the audio/video industry can confidently research and specify the key aspects of a projector installation in order to configure the perfect display solution.

Digital Projection Inc. began developing the functionality and architecture of the Calculator Toolbox, as well the supporting databases, in late 2008. What began as a modest browser-based lens calculator has steadily grown, at the behest of DPI's dealers and industry partners, to encompass all aspects of the projector selection process. Mike Levi, President of Digital Projection Inc., commented, "We wanted to create a true first for our dealer network. Innovation takes time, and I feel that we have now created an immensely helpful industry toolkit." Levi continued, "The industry at-large will benefit from the suite of tools, though DPI dealers will specifically appreciate some higher-value functionality, such as the ability to discover appropriate lenses, screen brightness and contrast targets for their specific installation."

The entire calculator suite integrates seamlessly with DPI's projector database, creating a one-stop destination for dealers that need guidance as well as accurate results. As a case in point, when a DPI dealer proceeds through one of the calculators, the process commences with the option to print or email a cumulative report detailing all aspects of their process. Suitable for sending directly to an end user, or to Digital Projection with a purchase order, the professionally formatted report presents a simple yet graphically dynamic end result.

For end-users interested in finding the most appropriate projector for their space, the Calculator Toolbox offers accessible suggestions and guides throughout the different calculators. Users simply use the guides and suggestions to estimate the amount of ambient light on the screen, screen size in one's venue, or projector brightness needed for a certain size screen. Additionally, the calculators allow users to edit certain data points without having to start a new session, which allows users to experiment with different options in real time.

In conjunction with the Toolbox release, DPI's Find the Perfect Projector (FPP) portal also received a complete overhaul. The FPP portal allows users to identify the projector(s) that best suit their application based on simple parameters. As the FPP portal intuitively coordinates with the Calculator Toolbox, users can then take the recommended projector and immediately harness the full suite of calculator tools without reentering data.

The Calculator Toolbox portal will also contain previously released projector tools such as DPI's Screen Brightness and Cost of Ownership calculators. The Screen Brightness calculator has been an integral tool to the DPI dealer network, as it quickly and easily calculates both the image contrast ratio and screen brightness of any projector given a few key data points. Also included in the Toolbox portal will be DPI's Cost of Ownership calculator, which allows for an immensely detailed analysis of overall power consumption, lumen production per wattage consumption, lifetime cost of a projector and more. Qualifying the cumulative cost of a projector through its lifespan is essential when comparing the overall efficiency of one projector versus another.

The Calculator Toolbox operates within all mainstream web browsers, making it easily accessible to anyone with internet access. DPI dealers and interested parties can find a direct link to the Toolbox at the dedicated navigation button mentioned above, as well as at the top of each projector landing page at www.digitalprojection.com.

DETAILING MAINSTREAM 3D FORMATS AND STANDARDS

At the time of writing this article, we still await the final release of the HDMI 1.4 specification. However, the 3D portion of the spec has been finalized and available for a few weeks. This important document details a total of four standards by which 3D content can be formatted and delivered for viewing on 3D capable consumer displays. We are certain that these standards will also find their way into commercial applications. Any manufacturer producing displays intended for the viewing of mainstream 3D content will need to support each of these four 3D formats.

Each of the four defined 3D standards is different, and those differences are worth understanding, as they define the framework by which our future 3D sources and displays will happily connect with one another. Members of DP's engineering team have analyzed and condensed the 3D portion of the HDMI 1.4 specification to the following descriptions and diagrams:

Frame Packed 3D
This is the standard for 3D Blu-ray players now entering the market. This format retains 1920 x 1080 pixels for each of the left and right eyes, but vertically packs two normal 1080p frames within the same time period as each of the 24 frames normally presented by a Blu-ray player. The result is a frame packed with 1920 x 2160 pixels, split by a few black lines defining the left and right images.

When presented with a source of this format, DP's TITAN and LIGHTNING 3D projectors will automatically detect the point of separation between left and right eye content and break that content into distinct left and right eye frames. This process generates a 48p signal within the projector, which is comprised of 24 frames for each of the left and right eyes. Finally, TITAN and LIGHTNING 3D projectors will then Triple-Flash-ProcessTM each of the native left and right eye frames to present a total of 144 displayed frames per second, comprised of 72 interleaved frames for each of the left and right eyes.

Worth noting:
* Out of four 3D standards detailed in the spec, Frame Packed 3D provides the highest native resolution from the source - true 1080p for each eye.
* Although the native frame rate of the source is only 24p (per eye), Triple-Flash Processing this signal is the same approach used in commercial cinemas, and produces a very good 3D experience.
* The left eye / right eye sequence will be auto detected by the TITAN or LIGHTNING 3D projector, meaning customers will never need to "swap eyes" to see correct 3D.
* It is also possible for 1280 x 720 native 3D formats to be delivered in a similar "Frame Packed" format, but at 60 frames per second per eye. This may be an interesting approach for 3D delivery mechanisms that have lower system bandwidth than Blu-ray.

Top / Bottom 3D
This standard utilizes a 720p HD format, employing the top 360 lines for the left eye content and the bottom 360 lines for the right eye content. The content for each eye is half the vertical resolution of a 720p signal (360 lines tall), but the full 720p horizontal resolution (1280 pixels) is captured at a full 60 fps.

When presented with a source of this format, DP's TITAN and LIGHTNING 1080p 3D projectors will detect the point of separation between left and right eye content and break that content into distinct left and right eye frames, while vertically scaling each left and right eye frame to a full 1080 vertical lines. Finally, each of the left and right eye frames will be Dual-Flash-Processed to present a total of 120 displayed frames per second, comprised of 60 interleaved frames for each of the left and right eyes.

Worth noting:
* Out of the four 3D standards detailed, Top / Bottom 3D using a 720p window provides the lowest native resolution from the source, although the native frame rate is 60 fps.
* The left eye / right eye sequence will be auto detected by the TITAN or LIGHTNING 3D projector, meaning customers will never need to "swap eyes" to see correct 3D.
* A variant on the Top/Bottom standard could employ a 1080/24p format to dedicate 540 vertical lines and 1920 pixels of width to each of the left and right views. This variant delivers the full top-bottom data set at 24 fps.
* As of today, we are not aware of any consumer 3D sources using this standard.

Side-by-Side Progressive
This standard applies a 1080p HD format, with the left and right eye perspectives packed into each 1920 x 1080 frame, side by side. In this case, each eye perspective is 960 pixels wide, which is half the horizontal resolution of a 1080p frame, but benefits from the full 1080 lines of vertical resolution. This format is well suited for 3D graphics and PC gaming as it matches the capability of the DVI output generally included on computer graphics cards. In addition, the native 60p frame rate is good for the presentation of fast motion gaming content. The only sacrifice is native horizontal resolution.

When presented with a source of this format, DP's TITAN and LIGHTNING 3D projectors will detect the point of separation between left and right eye content and break that content into distinct left and right eye frames, while horizontally scaling each of these frames to occupy a full 1920 pixels. Finally, each of the left eye and right eye frames will be Dual Flash Processed to achieve a total of 120 displayed frames per second, comprised of 60 interleaved frames for each of the left and right eyes.

Worth noting:
* Out of the four 3D standards detailed, using a 1080p window provides maximum vertical resolution from the source, and native 60 fps, which is good for fast motion content.
* Since the native horizontal resolution of each eye perspective is only 960 pixels wide (half of 1080p), the scaling quality of the display is a vital consideration.
* The left eye / right eye sequence will be auto detected by the TITAN or LIGHTNING 3D projector, meaning customers will never need to "swap eyes" to see correct 3D.
* A variant on the Side-By-Side Progressive standard could employ a 1080/24p format to dedicate 1080 vertical lines and 920 pixels of width to each of the left and right views. This variant delivers the full top-bottom data set at 24 fps. A DP TITAN or LIGHTNING 3D projector would display this variant at 144 fps via Triple Flash Processing.

Side-by-Side Interlaced
This standard applies a 1080i HD format, with the left eye and right eye perspectives packed into each of the odd line and even line fields, side by side. This appears to be the format cable and satellite television providers will use to deliver 3D content in the near term, as it strikes a good balance between available bandwidth and maximum native resolution.

In this case, each field within the 1080i signal is split into side-by-side left eye and right eye segments. Since each field only provides half of the 1080 vertical lines, this results in the native resolution of each eye being 960 pixels wide by 540 pixels high, per field. When the pairs of odd and even fields are considered in unison, the effective resolution of each of the left and right eye perspectives becomes 960 pixels wide by 1080 pixels tall.

When presented with a source of this format, DP's TITAN and LIGHTNING 3D projectors will de-interlace the signal and will detect the point of separation between left and right eye content, then break that content into distinct left and right eye frames. Each left and right eye frame will be horizontally scaled to bring each eye perspective up to a full 1920 x 1080 pixels per frame, with 30 frames per eye, 60 frames total. Dual Flash Processing will increase the displayed frame rate to 120 displayed frames, per second, comprised of 60 interleaved frames for each of the left and right eyes. In countries where satellite and cable providers deliver 50 Hz interlaced signals, the displayed frame rate will be 100 frames per second, comprised of 50 interleaved frames for each of the left and right eyes.

Worth noting:
* The 1080i window used in the Side-by-Side Interlaced format requires the display to incorporate a high quality de-interlacing circuit. Once de-interlacing is complete, maximum vertical resolution is presented from the source.
* Since the native horizontal resolution of each eye perspective is only 960 pixels wide (half of 1080p), the scaling quality of the display is also a vital consideration.
* The left eye / right eye sequence will be auto detected by the TITAN or LIGHTNING 3D projector, meaning customers will never need to "swap eyes" to see correct 3D.

DP Announces HUGE Expansion of M-Vision Cine Product Line

When DP launched the first of our M-Vision series displays last year, we already had a proven, successful single-chip DLP product line in place. The new high-value, high-performance M-Visions were initially introduced to address a key pricepoint gap in our product line offering.

Suffice to say, the M-Visions have been an unprecedented success. So popular, in fact, that we've been hard at work evolving the platform in order to fully address a diverse array of applications.

The M-Vision series has rapidly expanded to now include high-contrast and high-brightness single-lamp models, high-brightness dual-lamp models, LED and even 3D models. From home cinema to gaming to corporate and Houses of Worship, there is now a product in the M-Vision lineup to suit nearly any task. And all for price points previously unavailable in the DP precision display line.

LED Projector Advantages Versus Lamp Based Projectors

Earlier this year, Digital Projection International introduced the revolutionary M-Vision Cine LED. By now, most of us are aware of the M-Vision LED's many performance and cost of ownership benefits.

Those attributes include:
- Small form factor
- Extraordinarily wide color gamut - wider than the commonly defined NTSC
- 60,000 hour illumination engine life
- Very low maintenance - Lifetime Illumination%u2122 projector
- Low power consumption (350 watts@110V)
- Very low operating temperature
- Extremely quiet operation (30 dBA)

One facet of the projector that has challenged audiences accustomed to purely lamp-driven projectors is the relatively low light output as compared to other projection illumination technologies.

With a proper light meter, on average, we measure around 600 lumens from the new M-Vision Cine LED. When comparing LED specifications with lamp-lit projectors, customers that have yet to see the LED projector in action might be tempted to overlook the LED-driven projector on spec alone.

This would be a critical mistake, as due to the way humans perceive light projected from a Light Emitting Diode, those 600 lumens seem much brighter. Over the course of dozens of M-Vision Cine LED demonstrations, when asked to estimate how bright the projected image is, the average of the perceived brightness fell between 1500 and 2000 lumens.

This disparity between LED illumination and traditional UHP lamp illumination can be explained as a result of the Helmholtz-Kohlrausch effect (H-K effect). The IEC defines the H-K effect as, "A change in brightness of perceived color produced by increasing the purity of a color stimulus while keeping its luminance constant within the range of photopic vision." In other words, for any two-color stimuli with the same luminance, the perceived brightness induced by the color stimuli of higher purity will be higher than that of lower purity.

The fact is that the color saturation of separate red, green and blue LED light combined, is such that the output appears much brighter than it really is. In addition, because the LED can be literally turned off and on during its duty cycle, the 10,000:1 contrast ratio also contributes to the perceived brightness and sharpness of the image. Finally, because the illumination system begins at 600 lumens and is estimated to last 60,000 hours or over 8 years of continuous use, the projector's luminance decay curve will be essentially a horizontal line! In other words it will stay at the same brightness level throughout the life of the projector.

Taking the above into consideration, it's still important to utilize the proper projector for the proper environment. The M-Vision Cine LED is most at home in an area with controlled ambient light. It is suitable for residential theaters and commercial applications alike, including rear screen applications such as command and control or visualization/simulation environments. We have also seen successful LED installations in museums and other digital signage applications.

Digital Projection offers several models of LED illuminated projectors including the 1920 X 1080 M-Vision Cine LED as well as the higher-lumen dVision LED 1080p, WUXGA and WQXGA.

CEDIA Selects Two Projectors from Digital Projection as Best New Product Finalists

Digital Projection has two home theater projectors in consideration for the 2010 CEDIA Expo Manufacturers' Excellence Awards. Thirty products from across the custom electronics channel have been selected as potential "Best New Product" winners. Winners will be announced at the Electronic Lifestyles Awards Banquet, sponsored by Custom Retailer, on September 25th during CEDIA Expo 2010.

Lifetime Illumination%u2122 displays have now reached the consumer channel with Digital Projection's 60,000+ hour lifespan LED projector. The 10,000:1 contrast, 1080p resolution M-Vision Cine LED produces the dynamic range, rich color saturation and vivid contrast of a 3-chip DLP® display, but from a smaller, more efficient and more cost effective chassis. Additionally, the single-chip M-Vision Cine LED does not rely on a color wheel, which renders the projector completely free of the color wheel artifacts that some home theater enthusiasts find distracting. The M-Vision Cine LED presents a powerful yet remarkably affordable solution for home theaters and media rooms where image quality and long-life usage are equally important.

DPI's single-chip dVision 35-WQXGA XC boasts the highest resolution of any DLP® -based product available today. WQXGA is the nomenclature that represents 2560 x 1600 pixels - nearly twice the resolution of a 1080p projector. Twice the resolution means the imagery produced by the dVision WQXGA is by far the most awe-inspiring imagery available to home entertainment enthusiasts. The dVision 35-WQXGA XC produces an amazing 4,096,000 pixels from a single projector. Over 4,000,000 pixels results in imagery with more resolution, detail and small area contrast than the industry previously thought possible.

In addition to the unprecedented pixel density, the dVision 35-WQXGA XC presents a superior solution for moving between 1.78:1 and 2.35:1 aspect ratio content (or any content wider than 1.78). Traditionally, an anamorphic lens has been required in order to move between different aspect ratios. Anamorphic lens solutions add significant cost, as well as mechanical and optical complexity to a home theater system.

Furthermore, anamorphic optics consume about 10% of the projector's brightness while also reducing the contrast ratio. Bypassing the need for an anamorphic solution when employed in a constant height application, the dVision 35-WQXGA XC presents a compelling alternative to purchasing and installing a peripheral anamorphic lens.

CEDIA's 2010 Expo, the premier tradeshow for new technologies, training, and networking in the residential electronic systems industry, will take place September 22-26, 2010. Atlanta, Georgia's World Congress Center will once again host the Expo. Digital Projection will once again highlight their extensive product line of precision projectors in a massive AV display in Booth 4436. More information about attending or exhibiting at the 2010 CEDIA Expo can be found here: http://www.cedia.net/expo/index2010.php.

3D Product Line Receives Major Enhancements

With over 21 distinct 3D models in total, DPI offers both active and passive, full resolution 3D solutions with sufficient lumens, native resolution and contrast to suit any application. No other company has a comparable product line of precise 3D displays.

DPI's 3D products have recently found their way into a diversity of applications, including medical imaging, product design, immersive visualization, theme park entertainment and elite home cinema. Inspired by this multi-market success, DPI's engineers have focused specifically on expanding the performance and capabilities of the 3D product line. After months of preparation, Digital Projection International is proud to announce the following new and enhanced capabilities for both TITAN and LIGHTNING 3D displays:

* MultiBlend - DPI's four side image blend technology. MultiBlend supports the tiling of multiple projectors to create screens of nearly any resolution and aspect ratio. DPI's MultiBlend technology provides an unprecedented 16 bit-per-color gray-scale resolution, ensuring blends are smooth, seamless and invisible. The user interface for adjusting MultiBlend is straightforward, and can be accessed via the on-screen display, or via desktop application.

* Silent Operation - All single and dual-lamp TITAN 3D models have received major enhancements in thermal management. This results in projectors that perform at a fraction of the noise level of the prior models, while actually enhancing the thermal performance of the chassis. As an example, single-lamp TITAN 3D models, which produce up to 5000 lumens, now operate at less than 35 dBA.

* Dual-Pipe Connectivity - 3D sources and formats come in a variety of standards. One, which DPI refers to as "Dual-Pipe," sends the left eye and right eye content down two parallel cables. With this new connectivity, Dual-Pipe sources can now be input directly to the 3D projector.

* Ultra-High Bandwidth capability - The electronics in DP's TITAN and LIGHTNING 3D displays accept sources running at up to 144 Hz with up to 12 bits grayscale resolution per color, and directly display these sources without compromising resolution, grayscale or color.

* On Screen Display for all 3D frame rates - The OSD for the TITAN 3D and LIGHTNING 3D is now visible as an overlay on all 2D and 3D sources - even those running at 120 Hz. This makes optimizing setup for any source easier than ever.

* Dual-Flash Processing for ALL Inputs - DPI's Dual-Flash Processing technology allows 60 Hz 3D sources to be frame doubled and displayed at 120 Hz on screen. The doubled frames are also interleaved to assure smooth presentation with maximum 3D separation and no flicker. The Dual-Flash capability is now available for every input on TITAN and LIGHTNNG 3D projectors.

* Triple-Flash Processing for ALL Inputs - In applications where 1080-24p 3D content is to be displayed (24 frames for the left eye, 24 frames for the right eye), Triple-Flash is applied. In short, each of the 24 frames of the left and right content are tripled, such that 72 frames per eye, or 144 frames in total, are presented to the screen every second. Triple flash processing assures the smoothest, flicker free presentation of 24P 3D content. The majority of digital projection in commercial cinemas relies on this same triple-flash standard.

* FastFrame for ALL Inputs - Exclusive to DPI, this technology reduces motion artifacts associated with rapidly moving content, such as what may be seen when viewing sporting events, participating in video games or in fast jet simulation. With FastFrame properly set, moving edge sharpness is dramatically enhanced and motion blur reduced, if not eliminated. FastFrame is now available for every input on TITAN and LIGHTNING 3D displays.

* Plug and Play connectivity with the mainstream 3D standards defined in the HDMI 1.4 addendum - As of July 2010, all of DP's TITAN and LIGHTNING 3D systems will offer plug and play connectivity with the 4 primary consumer 3D standards, including "Frame Packed" (3D Blu-ray). Further demonstrating the intelligence of DP's 3D projectors, left eye / right eye sequence will be automatically detected and properly displayed, eliminating the need for frame swapping.

Digital Projection's InfoComm 2010 - Booth Review

Digital Projection International displayed precision single-chip, 3-chip and 3D projectors throughout a massive 70' x 50' booth at InfoComm 2010 in Las Vegas. Highlights included a 40' seamlessly blended image on a DNP screen, immersive 3D dome with seamless blend, a full 1080p 3D theater courtesy of the TITAN 3D and much more.
Digital Projection's InfoComm 2010 - Booth Review
by digitalprojection1 | video info

3 ratings | 2,385 views
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DP Shows Precision 3D with Ultra-Contrast Displays at "3D for REAL" Showcase

Digital Projection, Stewart Filmscreen, S1Digital and Crestron recently entertained and educated numerous AV integrators, industry partners and interested parties at the "3D for REAL" AV showcase in Torrance, California. Focusing on now-available 3D precision products, as well as the media server options that can accomodate both 2D and 3D content, the showcase delivered education seminars on everything dealers need to consider regarding 3D home entertainment.

Joaquin Rivera of Stewart Filmscreen commenting on 3D screen considerations

Courtesy of Digital Projection's TITAN Reference 1080p 3D precision projector, Eric Leicht of AV Partners, DP's West Coast Rep, summarized the key points to consider in commercial and residential 3D applications. Joaquin Rivera of Stewart Filmscreen then covered the dynamics of choosing an appropriate screen for 3D home entertainment.

George Walter, vp of Home Cinema for Digital Projection, then covered both the essentials and deep details of 3D technology methods, pros and cons of existing delivery methods, and the current state of the 3D market. With such an overwhelming desire for accurate 3D information and technology details, audience members from both days actively participated in Walter's dynamic seminar. Digital Projection has the distinct position of offering the only single-projector, full resolution 3D projectors for home entertainment, and Walter has been integral as one of DP's key 3D technology specialists.

Attendees of the educational seminars witnessed an industry first as well. DP unveiled that both Panasonic and Samsung 3D Blu-ray players are now completely compatible with both DP's TITAN and LIGHTNING 3-chip 3D precision projectors. This is yet another massive 3D milestone, as DP has once again delivered exclusive 3D capabilities to our dealers, end-users and industry partners. Congratulations and extensive thanks to the entire DP engineering and product development team for pioneering the software that made this possible!

Paul Heitlinger, founder of S1Digital, wrapped up the seminars with a demonstration on how the S1Digital media server streams, stores and manages digital home entertainment content.

Digital Projection's highly-rated M-Vision Cine LED projector in action

Demonstrations of all 3D-related products mentioned above took place after the education sessions. DP's widely recognized M-Vision Cine LED projector, boasting 3-chip color quality in a 60,000+ hour lifespan single-chip display, entertained attendees with Blu-ray footage.

Unveiled at CEDIA 2009, DP's now-shipping 3-chip HIGHlite Cine 260 display worked in conjunction with Crestron's ADMS media server solution in the demonstration area's loft. The HIGHlite delivers an absolutely stunning 12,000:1 contrast, over 2,000 lumens and gorgeous DLP image quality -- all for less than $30,000 MSRP.

A huge thanks to AV Partners, Stewart Filmscreen, S1Digital, Crestron, XPand (who supplied an amazing amount of glasses for the event -- many many thanks!) all of the attendees and everyone else that made the "3D for REAL" showcase happen.

See key displays from DP's over 21 distinct 3D projector line at both InfoComm and CEDIA this summer.

DP Adds to Growing LED-Illuminated Projector Line-up with 3 New Displays

DPI's new dVision 30-1080p LED, dVision 30-WUXGA LED and dVision 35-WQXGA LED displays present three compelling solutions for critical 24/7 projection applications, as well as any application needing long-life projection systems with unmatched color saturation, lumen maintenance and color stability. As DPI's LED-based displays do not contain traditional lamps, all three dVision series projectors deliver unprecedented long-term cost of ownership benefits including lower overall maintenance and over 100,000 hours of LED illumination life. Combined with the M-Vision Cine LED displays, which DPI launched and commenced shipping in Q4, 2009, Digital Projection offers the most extensive and capable DLP-based LED product line available today.

A combination of consistently stable, long-term light output and supremely low-maintenance illumination systems defines DPI's new dVision LED displays. All three projectors utilize Texas Instruments' DarkChip DLP technology, ensuring unmatched black levels and dynamic range. Equally important, the RGB-based LED illumination system eliminates the need for a color wheel to produce primary colors. Instead, red, green and blue LED's produce primary color illumination, rendering a color gamut and color saturation similar to that of a 3-chip DLP projector. In addition, since there is no spinning color wheel in the system, color wheel artifacts are eliminated and fast-moving content appears remarkably sharp and free of motion smear. These benefits are especially important for applications requiring the display of fast moving content, such as sports events, fast jet simulation and gaming.

The new dVision LED projectors inherit the field-proven reliability and exceptional optical qualities of DPI's robust dVision chassis. Suitable for both commercial and residential venues, dVision projectors are quiet, elegantly designed and offer a diversity of system capabilities that support nearly any application. Installation flexibility is assured through an extensive array of ultra-accurate optics, which provide throw ratios as short as .75:1 and as long as 6.5:1. Furthermore, the dVision's quick-change motorized lens mount provides an extensive range of horizontal and vertical lens shift, allowing the projectors to be placed in a wide variety of locations in relation to the screen. Intuitive user controls and comprehensive source compatibility assure all dVision displays are simple to integrate, control and operate.

Chuck Collins, VP of Commercial AV for DPI, remarked, "The time-tested durability and performance of the dVision chassis, combined with the longevity and precise colorimetry of an LED illumination source, means we can now provide a proven solution with the lowest maintenance and long-term cost of ownership for demanding 24-7 and high-use multi-channel applications."

Digital Projection's LED Projector Receives Top Ratings in Three Key Consumer Publications

Digital Projection's M-Vision Cine LEDThe 60,000+ hour lifespan M-Vision Cine LED recently received top designations in Home Theater Magazine, Sound & Vision Magazine and UltimateAVmag.com

Digital Projection Inc.'s M-Vision Cine LED recently received top ratings in separate lab reviews. Home Theater Magazine, a nationally renowned consumer electronics publication, recognized the Cine LED projector with a "Top Pick" designation in their April 2010 issue. Additionally, Sound & Vision Magazine gave the Cine LED their coveted "Certified and Recommended" approval in the upcoming April/May 2010 issue. UltimateAVmag.com, a widely recognized web portal specializing in high-performance audio and video electronics, also gave the Cine LED high marks in a recent comprehensive review.

Digital Projection Inc., the only Emmy® Award-winning manufacturer of high performance projection systems, unveiled their M-Vision Cine LED projector at the recent CEDIA Expo in Atlanta, Georgia. With an estimated lifespan of more than 60,000 hours, the Cine LED delivers a Lifetime Illumination%u2122 projector solution to both home cinema and commercial AV channels. Available in both zoom and fixed lens configurations, the M-Vision Cine LED delivers a precision projector solution capable of running a remarkable eight hours a day for over 20 years. When compared to commonly used UHP lamp-based projectors, the M-Vision Cine LED marks a new standard in environmental responsibility with no lamp replacement, low wattage consumption and prodigious lifespan.

In addition to the projector's unprecedented lifespan, the Cine LED utilizes Texas Instruments' DLP® technology for its proven reliability, long-term color stability and consistent performance. The Cine LED's expanded color gamut range and over 10,000:1 contrast performance ensure, as Scott Wilkinson, editor of UltimateAVmag.com noted, "superb color and image detail." For more information on the M-Vision Cine LED projector, including full technical specifications, please click here to visit the M-Vision portal.

Home Theater Magazine (HTM) conducted rigorous lab tests using the M-Vision's 1.56-1.86 lens configuration. Using a 100" Stewart Filmscreen StudioTek 100 screen, the Cine LED was set up at a throw distance of 142 inches. Testing occurred in HTM's professional lab using the Spears & Munsil High Definition Benchmark Blu-ray Edition test disc, as well as the HQV Benchmark Blu-ray test disc. According to the Home Theater reviewers, both discs produced "virtually no sign of rolloff at the highest resolution," with excellent 2:2 and 3:2 deinterlacing. In summary, after both viewing test discs and Blu-ray movies, the M-Vision Cine LED's image detail was deemed "impeccable," while its colors were "rich but natural." HTM's April issue is now available through newsstands across the country, and can also be purchased from their website, http://hometheatermag.com/.

Sound & Vision Magazine (SVM) also conducted their review with a 1.56-1.86 lens configuration, but on a slightly smaller 80" Stewart Filmscreen StudioTek 100 screen. Brent Butterworth, contributing technical editor for SVM, chose to begin the review by analyzing where LED technology fits into the current projector timeline. Butterworth's analysis is a valuable resource for those seeking perspective on how LED-based projection will change the AV industry. In regards to performance, Butterworth remarked that he was "witnessing a minor miracle: a new video-display technology that looked really good from its inception." Butterworth continued that, when compared to the typical UHP projector performance, "in certain ways the LED-driven picture actually looked better than what I'm used to seeing." Closing review remarks note, "This first-generation projector performs beautifully, and it should keep on performing beautifully day in and day out for many years to come." SVM's April/May issue will be available within the next few weeks, but the full review can be read now at by clicking here.

The first to review the M-Vision Cine LED was Scott Wilkinson of both UltimateAVmag.com and Home Theater Magazine. Wilkinson conducted his review, which was later expanded into the HTM review mentioned above, using the M-Vision's 1.56-1.86 lens configuration and 100" Stewart Filmscreen StudioTek 100 screen. In his "Real World Performance" section, Wilkinson analyzed the LED's performance against key demo clips that focus on specific projector performance points. Wilkinson advised, "The opening below-deck shots seen shortly after the beginning of Master & Commander offer a great test of shadow detail, and as expected, the Cine LED's performance in this regard was exemplary." When viewing a select scene in Contact, Wilkinson described the colors as "beautifully natural, including skin tones." Wilkinson's closing summary concluded, "After spending some time with this projector, I'm convinced that LED illumination is a viable alternative to conventional lamps, offering many advantages and few drawbacks." The full UltimateAVmag.com review can be read by clicking here.

George Walter, Digital Projection's Vice President of Home Cinema, commented, "We are thrilled that the new M-Vision Cine LED has been received so positively, and we greatly appreciate the time that each reviewer spent analyzing its vast capabilities." Walter continued, "With exceptional contrast and color dynamics at an incredibly affordable price point, the Cine LED introduces a new era of precision performance and efficiency to home entertainment enthusiasts worldwide."

3D Entertainment is Extraordinary... and Expanding!

First there was a string of 3D concert presentations and an ambitious commitment from Hollywood Studios to put over 30 3D films in production through 2012.

Next there was A Christmas Carol. That recent 3D remake of the classic story left us with a warm feeling of hope, and very impressed with how quickly Hollywood was learning to employ state-of-the-art 3D technology to improve our film entertainment experience.

Now we have been given the gift of Avatar - the breathtaking and truly amazing creation of James Cameron. This all new, extra-terrestrial monster of a story has epic written all over it, and left us blown away by how powerful 3D entertainment can be when the creator's vision, script, setting, characters, production tools and cinematography are all aligned to achieve maximum viewer immersion through artful, multi-dimensional story telling. If you have not treated yourself to Avatar yet, you have a revolutionary cinema experience to look forward to.

It is not that surprising that James Cameron was the first Hollywood veteran to create a film that truly delivers on the complete promise of 3D entertainment. Those who have followed the technological progress of 3D for commercial cinemas over the past few years may know that for more than a decade, James Cameron has been a relentless and uncompromising Hollywood advocate for 3D. Cameron has been outspoken in his view that 3D was destined to be the next compelling advancement for cinema, and insisted that the necessary 3D infrastructure be in place before he released Avatar.

Wired magazine published two great articles on James Cameron, Avatar, and the technology behind Avatar in December, which you can find here:
http://www.wired.com/magazine/2009/11/ff_avatar_cameron/
http://www.wired.com/magazine/2009/11/ff_avatar_5steps/

With his inspiring vision, astounding skill at pulling new technologies together to create an impossibly realistic virtual world and virtual characters, and considering the record-smashing box office receipts the film has achieved so far, it is fair to say that Mr. Cameron has successfully proven his point - when approached as a medium in its own right, 3D entertainment can transform the cinema experience into something far more encompassing than it has ever been. Not surprisingly, the rapidly increasing flow of 3D content to cinemas and their related box office receipts have garnered the attention of a diversity of top tier content and hardware providers. As Hollywood knows better than anyone, "Content is King." Their latest creations are so formidable, they have inspired these top tier companies to create the technology and pipelines that will bring revolutionary 3D content to our homes.

On the hardware side, Sony, LG, Panasonic, Samsung, and Direct TV have all announced they will be shipping 3D capable flat panel displays, 3D capable Blu-ray players, and 3D-capable satellite receivers during the 2nd half of 2010. Sony has even indicated that the Blu-ray players in recent PlayStation consoles will be upgradable to 3D capability via a firmware update. NVidia has been shipping graphics cards capable of rendering immersive 3D gaming for quite some time, and both their products and the 3D games keep getting better and more affordable. If you are a 3D gamer or have a computer buddy with a 3D gaming setup, be sure to check out the Avatar 3D game. It does the movie justice while adding more evidence of the multi-dimensional impact that stems from the variety of 3D platforms, destined to become part of our lives.

For certain, by the end of 2010, consumers will have numerous hardware options that will playback, stream or serve 3D content. There will be dozens of 3D flat-panel displays suited for smaller viewing environments, and Digital Projection will continue to extend the reach of our extraordinary 3D projection displays for home, commercial and public venues seeking to create the most immersive 3D screening environments available today.

On the 3D content side, during the eve of January's CES show, major 3D content commitments were made by ESPN, the Discovery Channel, Europe's BSkyB and DirecTV. The commitments of these powerful media giants assures the tech savvy, early adopters of 3D technology will have a broad selection of 3D content to enjoy. Hollywood movies, major concert events, major sporting events and pristine documentaries represent the tip of the immense 3D content catalog that will soon be ours for the viewing.

This tremendous wave of momentum is great news for Digital Projection's dealers and customers, as DPI's extensive line of 3D displays continue to be recognized as THE award winning large-screen solutions that provide the most immersive and precise 3D experiences. Certainly, anyone making the investment in any of our 3D products can now have complete confidence that there will be plenty of top tier 3D content to enjoy.

For those who want to commence enjoying a diversity of 3D content today, while simultaneously simplifying their management of 3D technology in the future, DP also offers our exclusive Total 3D Experience System. These expertly engineered, turnkey solutions can be ordered with any of our award winning TITAN or LIGHTNING 3D displays, and include the highest performance 3D glasses and emitter from Real-D, along with a Level 1 or Level 2 Dimension server. The Dimension server is the heart of the Total 3D Experience System, providing an easy to use, touch screen compatible media hub that serves a wide variety of 3D entertainment.

For all the details on the Total 3D Experience system, click here. For more information on any of DP's award winning 3D displays, or for more details on the Dimension Server or our Total 3D Experience System, simply contact your DP regional sales manager by clicking here.

Use these links to view recent headlines regarding major 3D content announcements:

* USA Today, 1/5/10 - ESPN to launch 3D network in June '10
* Los Angeles Times, 1/5/10 - Discovery to Launch 3D Channel in U.S.
* Yahoo Tech, 12/29/09 - DirecTV poised to launch 3D channel
* Guardian, 6/30/09 - BSkyB to Launch Europe's First 3D TV Channel

Use these links to view recent 3D articles, including press on DPI's powerful line of 3D projectors:

* CE Pro magazine - 3D Ready for Your Clients' Living Rooms
* E-Gear magazine - 15 Best New AV Products (TITAN 3D)
* Home Theater Review - 3-D Making Major In-Roads In Home Theater Market
* Residential Systems magazine - HTSA Hits New York with Soho 3D Showcase
* CEDIA 2009 - TITAN 3D Wins Best New Product award at CEDIA Expo
* CE Pro's Top Products of 2009 - TITAN 3D

Calibrating for 3D

There have been numerous articles promoting the importance of properly calibrating your displays for optimal viewing of video and/or graphics images. However, few include considerations for calibrating the new 3D displays that are currently attracting so much attention. With that in mind, the following article will hopefully clarify the calibration process in general, while then highlighting where 3D displays require special attention.

Here are the main points to consider:

* SET Contrast and Brightness - use a PLUGE pattern. Set the brightness level so that you can just see the box or ring which is "blacker than black." Also set the contrast so the 100% white box can be defined from the white surround field. We live in a digital world where all colors are based on lookup tables in 8 or 10 bit. Contrast and Brightness settings determine where the color ramps start and stop. If you don't have these basic settings correct, your other calibration efforts will end in disappointment.

* Set Gamma for movies, and use 2.2-2.4 to your own personal standard. Technically there is a specific number to choose here, but we find customers vary in what level of shadow dynamics they enjoy. After all, if you like your low lights a little brighter (or darker) you should adjust your gamma, not your brightness.

* Make sure the color space matches the source material. Viewers typically concentrate heavily on the white point setting, however, if your display's green point doesn't reach SMPTE 709 standards, the whites might be perfect but the grass will never look the way it should on your Blu-ray movies. The color coordinates for NTSC, SMPTE 601, and 709 are all available with simple web searches. For graphics, we recommend a "native" setting which will give you the broadest color gamut of the display. With still images you can appreciate better color dynamics.

If you have followed the previous 4 steps, your 2D images should be at least 98% correct with respect to brightness, contrast and color calibration.

So what's different with 3D images? First there's the obvious; we are watching the 3D movie effectively through sunglasses! Whether active or polarized passive (or anaglyph) the glasses not only cut a substantial amount of light, but they may create a measurable color shift. Active 3D glasses rely on liquid-crystal shutter elements. These elements will vary in transmission efficiency and color transparency based on the quality of the materials employed.

For active 3D viewing, the display should operate at a minimum of 120Hz, alternating between right and left eye, to eliminate any perception of flicker,. This means that for 1/120th of a second, the left eye will be dark and the right eye will be "on," and for 1/120th of a second, the left eye will be "on" and the right eye will be dark. This shuttering creates the high-quality 3D effect, as during every 1/60th of a second, both the left eye and right eye will be presented with distinctly different images, separated by a very brief "dark time."

This alternating presentation of left eye and right eye content is another big factor that impacts the brightness of 3D imagery. Specifically, 50% of the time, your right or left eye will be viewing a dark field, thus reducing the effective light output by about 50%. In addition, active 3D glasses are only 80-90% efficient in their transmission of light.

Single projector passive 3D systems also use a high speed liquid crystal shutter, which sits directly in front of the projection lens. Much like the shutter glasses, the liquid crystal shutter switches 120 times per second, polarizing the intended left and right eye information differently. Since left and right eye information is sent sequentially at 120Hz, each eye is still treated to 50% dark time with this method. In addition, the viewer must wear passive polarized 3D glasses, and much like polarized sunglasses, these also reduce the amount of light passing to your eye and depending on the quality, can create a shift in the color.

So now that we understand how and where the problems of light loss and color shift are created, we need to compensate for these losses in our projector calibration. To begin, let's acknowledge that while there is an increasing library of 3D content coming online, the 3D projection system will still be relied on to display a lot of 2D material. Thus, it must be capable of retaining dual calibration presets for color temperature, lumen output and basic calibration settings, as well as provide enough lumens to overcome the substantial loss of perceived brightness when viewing 3D content

The two key elements a projector must have in order to achieve these goals are:

* Dual lamp design (or single lamp design for smaller screens) with lamp dimming.

* Dual user saved color balance settings (via ColorMax technology).

Meeting these requirements highlights one of the outstanding benefits of DP's TITAN Reference 1080p 3D projectors - they provide the projectionist with dedicated presets for optimizing a variety of sources, including distinct 2D and 3D content. TITAN Reference projectors also provide considerable lumen overhead, which as described above, is required when 3D content is displayed.

In a properly designed system, a dual lamp projector should allow the "pre 3D" image to be more than 3X the light output required for the application. As an example, let's say we design a theater with a dual lamp projector so that when a single lamp is employed at 80% power, 25 ft. lamberts are produced on screen. That is nearly perfect for viewing standard 2D content. When viewing 3D content, both lamps can be employed at 100%, thus producing 60 ft. lamberts on screen. As described above, since we lose 80% of the light through the various 3D system elements, the 3D viewer's eyes will only see approximately 20% of that light output. Thus, 60 ft. lamberts from the projector translates to a comfortable 12 ft. lamberts actually delivered to the viewers' eyes. This brightness level is suited for the dynamic viewing of 3D content in a theatrically dark environment.

Here's an interesting note regarding commercial theaters and 3D: in commercial movie theaters, the projection systems are generally equipped to produce roughly 16 ft. lamberts for 2D content. As a result, they only provide approximately 4.5 ft. lamberts on screen in the 3D mode. That is very dim and it is not impressive by anyone's standards. DP's dual lamp TITAN 3D displays make it possible to design home theater systems that perform at lumen levels optimized for both 2D and 3D viewing.

Now let's try to compensate for the color shift that may be introduced by the 3D glasses and/or LCD shutter. We still need to have our projector contrast and brightness properly set with a PLUGE pattern. Set these values "by eye" with the projector in the 3D mode wearing your 3D glasses, then store these values in a different user setting. Now, display a full white field to the projector, with the projector in the 3D mode. A "spot meter" will be needed to accurately determine color performance. A spot meter is designed to read the performance of the projected light being reflected by the screen, rather than incident meter which just reads the light coming out of the projector. The spot meter, shooting through the 3D glasses (glasses must be in the "on" mode) will capture the color shift produced by the LC glasses, the screen (silver screen is used for passive glasses) and the environment.

With these measurements, the next step is to adjust the color point as close as possible to x = .312 and y= .329 without dramatically effecting light output. It is surprising, but the SMPTE spec for commercial 3D theaters is a very dim 4.5 fL and most would agree that is insufficient brightness for enjoying cinema entertainment. In fact, if the brightness gets any dimmer, the human eye reverts to a mode where the rods become more dominant than the cones. The rods effectively provide a kind of low light "night vision," but they are not very sensitive to color. The cones in our eye are very sensitive to color, but are not very effective in low light conditions.

In a best case scenario, your system should still be producing 12 FtL when viewing 3D content. In a worst case scenario, if your display system does not have adequate brightness and you are on the threshold of achieving 4.5 ft lamberts for 3D material, you may need to compromise the color performance in order to achieve that minimum of 4.5 ft. lamberts. This typically means adding green to your image or settling for a higher Y value. Of course, sacrificing color performance is a very significant compromise, so using this tactic to find more brightness is a last resort that should not be taken lightly. A far better solution is to consider reducing your screen size, or upgrading to a brighter projector.

The real excitement around 3D is based on active 3D or polarized passive 3D. These two methods are able to maintain good dynamic color in a way that the old anaglyph (red and green glasses) systems could not. In light of this new technological frontier, special calibration steps should be taken so that the 3D images are captured by your eye in the same way the movie director intended. Follow the proper procedures and you'll have eye-popping 3D images that will truly add to your movie watching experience.

New VIP 3000 Delivers Warp, Blend and More

DPI proudly announces the first shipments of the VIP 3000. The big brother to the VIP 2000, the VIP 3000 is more than just a switcher, and so much more than just a video processor. The VIP 3000 is a virtual multimedia artist's toolbox featuring the following abilities:

* A variety of Digital, analog and audio inputs for broad source connectivity
* Image Pan and Zoom
* 4 sided, 8 zone image blending for multi-projector array applicatons
* 10 bit black-level correction for matching black level in non-blend areas
* Highly capable multipoint Warp - adjusted in real time via an easy to use PC application
* Picture in Picture (even across blend area)
* Temporal / Film noise filter and advanced MPEG noise reduction
* Broadcast quality De-interlacing
* State of the Art HQV HD Video processing

As a switcher, the VIP 3000 accepts virtually all types of analog and digital video inputs, including HDMI 1.3, DVI, HDSDI, SDI, Component, S-video and composite. For multi-projector applications, one VIP 3000 is employed with each projector. The high quality resizing, combined with pan and zoom functions, eliminates the need to pre-process or rely on multi-head sources for video or HD content. Multiple VIP 3000's can be Gen-locked.

For data and graphic-intensive applications, such as command and control or process control, a multi-output graphics card would be used to drive multiple projectors and VIP 3000s to form a large, multi-megapixel display comprised of a matrix of projectors. In this example, each VIP 3000 would assure that the color and black level performance of all projectors matched seamlessly. The VIP 3000's advanced Warp features allow this type of resolution-intensive imaging to be applied across curved and other non-traditional screen surfaces.

As another example of a multi-projector application supported by the VIP 3000, two projectors could be employed to create a dramatic, ultra-wide video display. In this application, the native1/29/2011 output of the video source would be distributed to both VIP 3000s. The VIP 3000's Pan and Zoom function would be used to grab the portion of the video content to be displayed on each projector, while the Blend capability allows the two images to be seamlessly stitched into one giant high resolution image.

A Christmas Carol... Making 3D Magic

This review presents our take, both content-wise and per the technical delivery, on the 3D animated remake of this holiday classic.

Given the extensive 3D projection lineup offered by DP, it is not surprising that we have some serious 3D enthusiasts... and critics here. That being the case, and with the holiday season upon us, a number of our 3D golden eyes jumped at the opportunity to see A Christmas Carol, Disney's latest 3D release. This review presents our take on the 3D animated remake of this holiday classic.

Sitting in a packed, 300-seat theater with every movie-goer wearing 3D glasses should have been a slightly surreal experience, but it was not in the least. Everyone seemed very comfortable wearing the passive 3D glasses. When 3D content commenced, it was obvious that all eyes were seeing surprisingly good 3D. About half the film trailers that preceded the feature were in 3D, and if those trailers are any indication, many of the near-term 3D releases are going to be exceptional. One in particular, Avatar, looks to be spectacular.

Having screened a fair amount of 3D content over the years, we feel compelled to state, many of the Hollywood Studios are learning very quickly how to create GREAT 3D films. Using our screening of A Christmas Carol as an example, it was not simply the fact that the 3D effects were impressive (which they were), or that A Christmas Carol is such a good story, or even that Jim Carrey is quite an entertaining actor. Indeed, the reason the film worked so well is that, rather than 3D technology simply being tossed on top of the story as an interesting effect wherever it could fit, the creators of A Christmas Carol 3D artfully employed the 3rd dimension to improve both the story and the impact of the cinematography. It was an engaging, immersive and occasionally breathtaking film. In fact, it was so well done and comfortable to view, we often forgot we were watching 3D.

At numerous points during the film, we found ourselves shutting one eye to remind our brains what 2D film looked like. When doing so, we were always surprised to see a remarkable difference between the 2D and 3D experience - in nearly every type of scene. That just proves how comfortably our eyes and brains settled into the 3D trick. In every case, our eyes and minds told us the 3D version presented a vastly superior visual and entertainment experience.

So the film was wonderful, the story a classic, and the 3rd dimension employed tastefully and with excellent results. We all resoundingly recommend seeing A Christmas Carol 3D.

However, setting the very high technical and entertainment qualities of the movie aside, the venues DP's viewers attended were not perfect for maximizing the 3D experience. None of us watched A Christmas Carol 3D in an IMAX theater, but in the more traditional commercial cinemas we attended, we found that achieving the optimum 3D viewing experience was restrained by two primary factors.

The first relates to theater geometry. Any 3D viewing experience is enhanced when the majority of the viewer's field of vision is encompassed by the screen. The goal is to immerse our senses in the media. While a small percentage of commercial cinema auditoriums boast very wide screens, capable of presenting a majority of the seats to a visually immersed experience, those venues, and IMAX screens, are the exception. The vast majority of seats / screens in commercial cinemas do not provide that level of visual immersion, as the screens are too small, or most of the seats are simply too far away from the screen. There is no easy solution to this problem, as upgrading thousands of commercial cinemas to create optimum 3D geometry is probably impossible from a financial and logistics perspective - at least in the reasonable future. That being the case, we present some important 3D viewing advice: If you find yourself in one of those auditoriums, plan on sitting as close to the screen as is physically and visually comfortable.

The next restraint relates to projector brightness. Screens in commercial cinemas are often served by projectors that produce just enough lumens to place 12-14 foot-candles on the screen. Depending on the age of the lamp, the brightness can be lower. This luminance level, plus or minus any screen gain, is what our eyes see. In a theatrically dark theater, 12-14 foot-candles is adequate for a very good viewing experience of 2D content, as all of the light reflecting off of the screen reaches our eyes. Unfortunately, when viewing 3D content, 60-70% of the projector's brightness never reaches our eyes, regardless of the 3D technology employed. The majority of the projector's brightness is lost to the rapidly switching electronic shutters and/ or polarizing filters that are the heart of 3D systems and 3D glasses. The result: in an exceptional theater that normally presents 2D films at 14 foot lamberts, our eyes will only see 3D films at 5-6 foot lamberts. That is insufficient brightness to convey the dynamic impact of bright and colorful scenes. Furthermore, it presents an even bigger problem for darker scenes, which can look muddy, making the dark area detail difficult to see. As a case in point, A Christmas Carol 3D employed a lot of very dark scenes, and many of us were disappointed that we were not able to enjoy the subtleties of those scenes. In short, the image looked dim, because it was.

There is an easy solution - bring more lumens to the cinema! For sure, all the blockbuster 3D films, concerts and sporting events that are coming our way justify an upgrade in projector brightness. However, that is tough to do in a commercial cinema for two primary reasons. First, there is a limit to lamp and projector brightness, and for commercial cinema auditoriums with larger screens, doubling the projector's brightness is just not a realistic possibility.

The second reason is simpler. Brighter projectors are more expensive to purchase, consume far more power (kilowatts more power), and higher power lamps are more expensive and typically have to be replaced more often. In the high-use, multiple-projector business that commercial cinemas represent, where tens of thousands of projectors are each running thousands of hours a year, a significant upgrade to projector brightness presents an equally significant increase in both capital expenditure, and even more importantly, operational costs.

While all is not perfect for the optimum 3D viewing experience in the commercial cinema world, creating immersive theater geometry and delivering more screen brightness for corporate, public, private and home screening venues is very possible. Given the design guidance DP's application experts can provide, and all the efficient 3D displays we offer, designing and equipping these optimized 3D venues does not demand a significant upgrade in cost. The reason is simple - corporate, public and home screening venues employ smaller screens, typically from 10' - 30' wide. DP offers such an extensive range of 3D capable TITAN, LIGHTNING and Reference Displays that, regardless of the screen size your application requires, we can select the perfect solution to deliver powerful and dynamic 2D and 3D entertainment.

Given the quality of the 3D movies, concerts and sporting events that will soon become ubiquitous in our lives, we know the most powerful 3D experiences will be presented in theaters that have been optimized for 3D media. Without a doubt, expertly designed home cinemas and corporate, public and private screening venues, when equipped with DP 3D displays, will deliver the most immersive 3D entertainment available.

Want to learn more about 3D? We suggest the following articles:
3D Blu-ray on the Horizon: http://www.highdefdigest.com/news/show/Blu-con/Michael_S._Palmer/Industry_Trends/3D/3D_Blu-ray_Coming_Next_Year/3752

Excellent Wired article on James Cameron's Avatar: http://www.wired.com/magazine/2009/11/ff_avatar_cameron/

Active, Passive and Active/Passive 3D - a Primer: http://www.digitalprojection.com/NewsMedia/ArticlesRegardingProjectionandVideoDisplays/tabid/110/mid/476/newsid476/161/Default.aspx

Active, Passive & Active/Passive 3D

Selecting the Proper 3D Technology for your Application

As 3D visualization becomes more mainstream, it is important to understand the basic differences between Passive and Active Stereo Visualization.

Passive Stereo is one of the two methods commonly used to create high quality 3-dimensional projected imagery, and the system architecture is actually pretty straightforward. The imagery from two projectors is overlaid onto a single screen, with one projector dedicated to content intended to be viewed by the left eye and the other dedicated to content for the right eye. Opposing polarizing filters are then placed in front of the lens of each projector. Next, the projectors display the distinct left and right eye images onto a specially coated screen that maintains the left eye / right eye polarization of the reflected light. The viewer wears "passive" polarized glasses that match the polarizers installed on the projectors. Thus, the viewer's left eye only sees the content rendered by the left eye projector, and the viewer's right eye only sees the content rendered by the right eye projector. Those distinct left and right eye images are interpreted by the human brain as 3D.

Passive stereo projection may be a benefit for applications in which a large audience will be viewing the 3D content. Passive polarizing glasses are typically much less expensive than the active LCD shutter glasses used in Active 3D visualization. In addition, there can be an economic benefit to distributing the actual 3D signal for Passive Stereo visualization. Since each projector is being tasked with displaying a traditional 60 Hz signal, bandwidth requirements are not extraordinary and standard cables and signal distribution can be employed. However, as mentioned above, Passive 3D demands a special screen to maintain polarization. Furthermore, viewing angles can be limited with passive stereo visualization. If the highest quality 3D imagery is required, most experts agree that Active 3D projection provides a superior 3D experience.

Active stereo systems rely solely on one high frame rate-capable projector, and that projector can be employed on just about any front or rear projection screen surface, including matte white surfaces. Electronic LCD shutter glasses are used to create a 3-D experience for the viewer. Active stereo systems work by presenting the left and right eye images interleaved in rapid succession. As an example, in a 120 Hz active 3D system, the 60 odd frames (from 1-119) would be intended for the left eye, and the 60 even frames (from 2 - 120) would be intended for the right eye. The glasses are actually LCD shutters that allow the user to see only one image at a time, through either their left eye or their right eye. The individual lenses in the glasses actually alternate between being opaque and transparent, operating in sync with the images being displayed from the projector via either an infrared emitter, or through an imperceptible sync "flash" that the projector displays during the blanking between frames. In either case, when a left eye image is being presented by the active 3D projector, the left lens of the glasses is transparent while the right eye is opaque, and when a right eye image is being presented by the active 3D projector, the glasses' right lens is transparent while the left is opaque.

While the single, high bandwidth, Active 3D capable projector is generally a bit more expensive than a single standard projector, the total cost of the system and the long-term cost of ownership is much less expensive than Passive 3D systems that require two units. The reasons are straightforward - in an Active 3D installation, the user only needs to purchase and maintain a single projector, and no maintenance is required to assure the critical alignment is maintained between the two projectors employed in a passive system. Over time, the simplicity of the single projector Active 3D solution delivers very significant savings in terms of lamp cost and routine maintenance.

Additionally, there is a third popular approach to creating high quality 3D that is a combination of both the Active and Passive technologies. Referred to by many as Active/Passive 3D, this design is typically applied when the highest quality 3D is desired for larger audiences, where the cost of Active 3D glasses would be prohibitive. In short, a single, wide bandwidth Active 3D projector is employed along with a rapidly switching LCD polarizing shutter that is installed in front of the lens.
Similar to a full Active 3D system, an Active/Passive system operates at 120 Hz, alternating left and right eye content frame by frame. At the same time, the LCD polarizing shutter switches polarization, frame by frame, in sync with the projectors' display of each frame.

Since the active polarizing shutter is installed on the projector, the viewer wears passive polarized glasses. This Active/Passive system design delivers all of the simplicity and cost of ownership benefits of a single projector in a full Active 3D system, while also delivering the reduced cost benefits of passive polarized glasses. Since it is based on polarization, the Active/Passive design does require specialized screen that preserves the polarization of the projected light, just as is required by a full Passive 3D system.

Digital Projection offers a comprehensive line of 21 Active Stereo 3D capable projectors. Our 3D product line includes SXGA+, WUXGA and 1080p displays, with light output performance from 2000 - 30000 lumens!. All of DP's 3D projectors can be applied in either full Active or Active/Passive 3D applications. In addition, all of our precision displays are compatible for use in Passive 3D system designs. Talk to your DP regional manager today to get more information on our extraordinary lineup of industry-leading 3D displays.

Digital Projection's Blog

Top 5 blog posts from http://www.digitalprojection.squarespace.com

A projector industry leader, Digital Projection International (DPI) manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as houses of worship, large-venue entertainment, visualization, homeland security, education, medical and scientific research, command and control, live-event staging, digital cinema and elite home cinema. Digital Projection remains the only precision display manufacturer to be recognized with an Emmy award for manufacturing excellence.

With projector resolutions ranging from 1080p, WUXGA, sx+ and 720p, Digital Projection has over 70 precision projectors in its varying line-up. Recognized with numerous awards in the commercial AV channel and Home Cinema channel alike, DPI's projectors have won both infoComm and CEDIA association awards for their efficient performance and imaging precision.
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Unique, Powerful and Field-tested - Digital Projection%u2019s 3D Displays

Digital Projection now builds 21 different Active 3D capable projectors. Beyond offering the largest line-up of 3D displays of any manufacturer, what else makes DP%u2019s 3D displays unique?

1) Digital Projection International offers the most efficient lamp technology in the industry. For instance, Digital Projection's TITAN Dual 3D displays produce up to 10,000 lumens while consuming only 750 watts of power. Competitive projectors require as much as 2.2 kilowatts of power to produce less light output! DP's 3D displays perform at the lowest possible operational noise levels. While our 10,000 lumen TITAN 3D models are specified at just 42dBA, competitive 3D models are specified at an operating noise level of up to 60 dBA for similar or less brightness. Using a more efficient lamp technology also results in these important benefits:
o Longer lamp life.
o Lower lamp cost and lower total cost of ownership.
o Smaller, lighter chassis design.
o Reduced heat generation.

2) FastFrame%u2122 Technology - FastFrame%u2122 is DP's revolutionary combination of hardware and firmware that provides user adjustments to vastly reduce the artifacts and image blur typically associated with rapidly moving display content. FastFrame%u2122 stems from technology we created for our simulation displays, and produces a dramatically visible improvement - especially when viewing sporting events or other fast-moving content.

3) Dual-Flash Processing %u2122 (DFP) - This feature supports users wishing to distribute 3D content via more traditional, 60 Hz formats with the option to frame-double their sources within the projector, via DFP. When this option is selected, the input signal, having been processed and if necessary re-sized to map to the native resolution of the projector, will also be frame-doubled to 120 Hz, and the doubled frames interleaved. This produces 3D imagery with the low flicker characteristics of a native 120 Hz source, but without the infrastructure costs associated with distributing and switching ultra-high bandwidth signals.

4) Flexible 3D input configurations - The wide bandwidth nature of DP's 3D displays supports connectivity with 3D sources up to 120 Hz via a single dual-link DVI input, or via twin single-link DVI (dual pipe) inputs. 3D sources operating at 60 Hz are accepted via an additional single-link DVI input. HDMI 1.3 and 1.4 (the likely platform for delivery of Blu-ray 3D movies) will be supported in the future via a straightforward upgrade.

5) Stellar Contrast Levels -- No other manufacturer offers the contrast capability of Digital Projection's 3D displays. We are the only company that offers a full lineup of 3D models with true native contrast of greater than 5,000:1. Maximum contrast is vital for creating highly saturated, realistic colors, and for expanding the impact of any immersive 3D experience.

In summary, Digital Projection International offers more 3D display solutions than any other company. In addition to offering broad connectivity and amazing 3D imagery, each of our systems provides important benefits that no competitor can match.

UltimateAVmag.com Reviews the M-Vision LED

Superb. Exemplary. Impeccable. These are only a few of the descriptions used within UltimateAVmag.com's recent in-depth review of the M-Vision LED.

Take a look as the writers at www.ultimateavmag.com dissect the LED's performance, measurements and display of numerous movie clips. Seeing is believing with the LED, but this review does a good job of summarizing the performance of our new single-chip 60,000 hour LED projector.

UltimateAVmag.com Reviews the M-Vision LED:
I really enjoyed watching the M-Vision Cine LED. Detail is impeccable, at least on HD material, colors are rich but natural, video processing is exceptional, and shadow detail is among the best I've seen in a long time. Its only shortcoming is the depth of blacks in real program material, which doesn't seem to conform to the black-level measurement I obtained, a discrepancy I can't explain.

After spending some time with this projector, I'm convinced that LED illumination is a viable alternative to conventional lamps, offering many advantages and few drawbacks. And this particular model is among the least-expensive of those that have been announced so far. If you have the right room and screen, the M-Vision Cine LED will deliver an engaging image that's sure to please for 60,000 hours to come.

Highs
LED illumination means no lamp replacement
LEDs don't change color or brightness over time
LEDs consume less power and generate less heat than lamps
No color wheel, fewer "rainbow" artifacts
Superb color, detail, shadow detail
Excellent video processing

Lows
Relatively low light output
Real-world blacks could be deeper

Digital Projection%u2019s TITAN 3D Projector Wins Best New Product Award at CEDIA 2009 Manufacturers%u2019 Excellence Ceremony

DPI%u2019s TITAN 1080p Dual 3D, the most efficient Active-3D enabled projector in its class, was the only projector to win an award at this year%u2019s banquet.

ATLANTA, GA - October, 2009 - Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, was recently recognized with a Best New Product award in the CEDIA 2009 Manufacturers' Excellence award ceremony. Each year CEDIA recognizes the best of the best in the residential electronic systems industry. DPI's TITAN 1080p Dual 3D, the most efficient Active-3D enabled projector in its class, was the only projector to win an award at this year's banquet.

Delivering 9,000 lumens and 2000:1 contrast, the TITAN 1080p Dual 3D presents a powerful yet incredibly efficient imaging solution for today's dynamic home cinemas, and tomorrow's 3D enabled home entertainment. The TITAN's CoolTek%u2122 engineering delivers the highest lumen performance with the lowest power consumption, thermal (BTU) and noise level (dBA) output in comparison with similar displays. For more information on CoolTek%u2122 engineering, as well as a comparative analysis of efficiency, please visit www.digitalprojection.com/efficiency.

Digital Projection's TITAN Reference 1080p 3D, a high-contrast variation on the TITAN 3D projector that won the Best New Product award, also received notable mention at the CEDIA show. Shown in conjunction with the first turnkey 3D solution for home entertainment, the Total 3D Experience System, show attendees experienced first-hand what a high-quality, immersive 3D experience for the home should be. Both the TITAN Reference 1080p 3D and the Total 3D Experience System are available for purchase and installation now through DPI's dealer network.

DPI's entire line of 3-chip, Active-3D enabled projectors include the following benefits:
%u2022 Connectivity and display compatibility with all 3D formats, including native 120 Hz 3D video and gaming sources.
%u2022 FastFrame%u2122 technology, a revolutionary combination of hardware and firmware that provides user adjustments to vastly reduce the artifacts and image blur typically associated with rapidly moving display content. This is especially important when viewing sporting events or any other fast-moving entertainment content.
%u2022 Dual Flash Processing%u2122 (DFP) - Enables distribution of 3D content via 60 Hz formats by providing the option to frame-double the signal within the projector. When this option is selected, the input signal, having been processed and re-sized to map to the native resolution of the projector, will also be frame-doubled to 120 Hz, and the doubled frames interleaved. This produces imagery with the low flicker characteristics of a native 120 Hz source, but without the infrastructure costs associated with distributing and switching ultra-high bandwidth signals.
%u2022 Active 3D sideboard containing a "direct to DMD" high bandwidth input, which introduces less than one frame of video latency.

All TITAN 3D projectors also includes DPI's exceptional ColorMax%u2122 calibration technology, as well as Xenon Color Mode, ensuring deeply saturated, color-accurate imagery. Compact, robustly built and ultra-quiet for their performance class, TITAN 3D displays are unparalleled solutions for elite home cinemas, media rooms and 3D gaming.

As Hollywood focuses its production efforts on creating a wide array of new 3D content, Digital Projection International is pioneering the technological advances needed to deliver it to discerning home cinema enthusiasts worldwide.
To download a high-resolution TITAN 1080p Dual 3D photo, please click here (.zip file): www.digitalprojection.com/news/zips/DP_TITAN1080p_Dual3D.zip

Digital Projection's History and Focus

A look into the history and ethos behind the only Emmy Award-winning Projector Manufacturer

About Us:

A digital imaging pioneer and industry leader, Digital Projection International (DPI) manufactures and distributes an extensive and expanding line of ultra high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large-venue, live-event staging, Fortune 5000, homeland security, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema.

Multiple company accolades include two Emmy® Awards for Outstanding Achievement in Engineering Development by the Academy of Television Arts and Sciences. DPI remains the first and only projector manufacturer to win the coveted award.

Company History:
Digital Projection International (DPI) was originally formed in 1987 as a division of the Rank Organization. Specifically, Rank created DPI to identify the projection technology of the future, and to begin groundbreaking research and development of precision, high-performance, large-screen displays, which would be based on this core technology.

In 1989, the team uncovered Texas Instruments' Digital Micromirror Device (DMD) and was impressed with its potential. Namely, it could very accurately reflect individual pixels of light. Digital Projection began designing the subsystems that would comprise the display and also began conducting scientific tests to assure each silicon-based chip could withstand the rigors of an extremely bright light source. To complement their skills, they turned to another Rank-owned company, Cintel Limited, a world leader in the film to video conversion process, to produce the 'state-of-the-art' video electronics that the projection systems would soon employ.

In 1992, the first static DMD images were projected at Texas Instruments, and the first on a 3-chip DMD projection system were demonstrated at Rank-Brimar in Manchester, England. In 1995, Rank-Brimar demonstrated its prototype large-screen projection system. In 1996, DPI Limited was established as a separate company to complete development work, manufacture and market the Company's first products - soon to be known as POWER Displays.

By 1995, this engineering effort led to the company creating a chassis that would become the highest-level implementation of the DMD for projection applications. Prototypes of DPI's projection systems were demonstrated worldwide throughout 1995 and 1996 and were met with worldwide acclaim.

In December 1996, Digital Projection International's management team purchased the company from the Rank Organization and began final preparations for the manufacture, sale and support of their revolutionary POWER displays. DPI's U.S. headquarters officially opened in May 1997.

After commencing production and winning projector sales for some of the worlds most important venues through 1997, DPI was awarded two Emmy® awards for Outstanding Achievement in Engineering Development by the Academy of Television Arts and Sciences in 1998. Displays by Digital Projection International are the first and only projectors to win the coveted award.

In September 1999, the IMAX Corporation purchased DPI as a way to complement IMAX Theatre's Oscar -winning extended format global business and to increase its depth of engineering resources for addressing the large-venue staging and systems integration projection markets. Thus, Digital Projection International became a wholly owned subsidiary of the IMAX Corporation.

In December 2001, DPI's management team, led by Brian Critchley, concluded the management purchase of the company from IMAX Corporation. The management buyout marked a return to independent ownership. By this time, Digital Projection International's extensive line of POWER and LIGHTNING projectors were being utilized in an ever-increasing number of applications.

In February 2002, DPI and NEC Viewtechnology announced a strategic alliance for the development, manufacture, marketing and distribution of advanced digital projection systems. The agreement was intended to bring both companies accelerated growth in entertainment, large-venue imaging and other critical projection markets. Later that year, the companies announced a venture to co-manufacture and develop digital cinema projectors based on 3-chip DLP Cinema technology by Texas Instruments.

The impact of this strategic alliance was quickly apparent. In October 2002, DPI exhibited the world's first fully-integrated DLP Cinema projector, the Digital Projection Cinema-branded iS10, at an industry trade show. Since then, Digital Projection International has been the first to ship both fully-integrated and console-based projectors utilizing Texas Instruments' revolutionary DC2K DLP Cinema platform.

In late 2003, DPI introduced the very first of it's rugged, Professional Series displays, the 2K-resolution LIGHTNING 35HD Pro. This product quickly became the reference standard for major staged events and installations requiring high brightness and native 2K resolution. In 2004 and 2005, DPI's lineup expanded to include the Mercury series, the first compact and value-driven 3-chip DLP displays, as well as with the HIGHlite Pro and TITAN Pro range, projectors which further enhanced the Company's Professional Series lineup.

Today, DPI manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP and DLP Cinema based projection systems. Digital Projection International's projectors continue to be the reference standard for demanding applications such as scientific visualization, prestigious awards shows, command and control, film festivals, post-production, digital cinema, commercial entertainment, home cinema and houses of worship.

DPI will continue to be driven by its pioneering spirit. Digital Projection International's legendary pursuit of innovative technology, unmatched customer service and unwavering promise to anticipate the needs of the industry assure it will remain the leader in projection system development and customer fulfillment.

Mission Statement:
To earn the highest level of customer satisfaction by providing world-class customer services guided by quality, courtesy, timeliness and integrity. To lead the large-screen display industry by profitably delivering projection products that provide unique solutions for the most discerning customers.

For every employee of Digital Projection International, these are more than words. It's the way we've done business since 1989. As a company, we strive to meet the changing demands of the industry by providing the world's most profound display solutions, but the core values we uphold - dedication, hard work and superior customer services - are just as important.

Pro Football Hall of Fame Enlists Projectors by Digital Projection in High-Intensity Stadium Theater

Super Bowl TheaterThe Pro Football Hall Of Fame's GameDay Stadium Theater recently received a major AV overhaul featuring two Digital Projection large-venue projectors. Specified by the Russ Berger Design Group (RBDG) and integrated by Altel Systems Group, the updated venue includes two rooms displaying separate but synchronized programs, a turntable floor to move the audience, and a series of video displays in the queuing area. By moving the theater from film projection to high-definition video projection, program content can now be updated more efficiently and cost-effectively without sacrificing video quality.

Displaying high-intensity footage shot by NFL Films of Mount Laurel, NJ, the GameDay Theater utilizes two distinct Digital Projection projectors. A 20,000 lumen LIGHTNING 40-1080p display, one of the most efficient large-venue projectors in the AV industry, illuminates the main theater from a dedicated projection booth. The LIGHTNING 40-1080p presents powerful NFL footage on a custom 30' by 16' Stewart Filmscreen Cinecurve screen.

Additionally, a 5,000 lumen TITAN 1080p Ultra Contrast projector is installed in a companion theater, which also employs a Stewart screen. The digital content presented by the DP projectors is synchronized with an Alcorn McBride V16 Pro Show Controller, which also acts as a control trigger for the automatic doors, rotation of the theater, and all aspects of lighting and video playback.

The Pro Football Hall Of Fame also enlists Digital Projection's dVision 30-1080p projector in an interactive section of the venue. Displaying archival footage of some of the most recognized coaches and players in the history of the NFL, the dVision feeds an approximately 12' screen.

Chuck Chiles, RBDG Project Manager, commented, "When the Pro Football Hall of Fame asked RBDG to upgrade their GameDay Theater from a 35mm film chain to high resolution video, we called on Digital Projection for the hardware. The results: excellent reliability, great service and stunning images."

The Pro Football Hall Of Fame, located at 2121 George Halas Drive NW, Canton, OH, 44708, is open every day from 9 a.m. to 5 p.m. Visit the Pro Football Hall of Fame online at http://www.profootballhof.com/ for more information.

To download a high-resolution images, please use the following link: http://www.digitalprojection.com/news/zips/DPI_ProHOF_0210.zip

Projector Resolutions Overview

Find projector resolutions confusing? Here's a quick summary

Here are the most commonly used display resolutions and aspect ratios, plus how they're typically used.

1280 x 720 (720p - 16 x 9 or 1.78:1): Great for High Definition Video applications.

1400 x 1050 (SX+ - 4 x 3 or 1.33:1): Predominantly a computer resolution. Also excellent for edge blending as the 4 x 3 aspect ratio maximizes screen height.

1920 X 1080 (1080p - 16 x 9 or 1.78:1): The benchmark for full 1080 high definition displays.

1920 x 1200 (WUXGA - 16 x 10 or 1.6:1): Outstanding for applications where both computer and 1080p sources will be displayed, as well as Video Editing where extra pixels allow for viewing the Operating System's taskbar without blocking Video.

2048 x 1080 (2K resolution - 1.89:1): Although this aspect ratio doesn't match the native aspect ratio of films which are typically 1.85 or 2.35:1, this format is predominantly used for digital cinema.

Digital Projection's Benefits and Applications for Today's LED Projectors

Recent advances in LED illumination have captured the imagination of both manufacturers and consumers. Here's why.

Projection technology has evolved at a fairly quick pace over the past several years. Most notably, the native resolution of projectors has increased, while the products themselves have become smaller, brighter and less expensive. Even with this diversity of progress across many technological fronts, nearly all projectors remain harnessed to traditional lamp technologies:
-- Multi-kilowatt xenon bulbs - primarily employed in high-brightness and large-venue projectors (>10K lumens), as well projectors for commercial cinemas.
-- UHP or metal-halide lamps - primarily employed in lower brightness projectors often found in classrooms, boardrooms and home theaters.

Although limited in raw lumen output when compared with the more traditional lamp technologies, recent advances in LED illumination have captured the imagination of projector manufacturers, integrators, consultant and end users alike. It is easy to understand why, in that LED illumination offers many advantages for applications satisfied by lower brightness projectors.

LED illumination is typically provided by an LED module that contains separate Red, Green and Blue Light Emitting Diodes, powered by a specialized switching power supply. There is no color wheel involved in LED illuminated projection systems. Rather, the LED's pulse in sequence to generate color primaries. The pulsing is digitally controlled, and the duty cycle optimized, on a frame by frame basis, as well as within the frame. This creates the possibility for dramatically improved gamut and saturation. Indeed, although single-chip LED illuminated projectors cannot compete with their 3-chip counterparts in terms of sheer lumens, they are very comparable when it comes to color performance.

LED illumination advantages, plus potential advantages include:
-- Deep, Saturated Colors - up to 140% of the NTSC Color Gamut.
-- Excellent Contrast via Dynamic Black - the LED's can be instantly pulsed "off."
-- Enhanced Reliability - aside from fans, there are no color wheels or otherwise moving parts.
-- Environmentally Friendly - no harmful substances like Mercury or Xenon.
-- Low Cost of Ownership - typical LED life expectancy is up to 60,000 hours.
-- Efficient - energy consumption is currently up to 30% lower than lamps of similar brightness.

Currently the only "disadvantage" to LED illuminated DLP technology is the light output. State of the art brightness is currently rated at about 800 lumens. Because of the incredible color saturation and contrast, those 800 lumens will actually appear roughly 25% brighter to our eyes.

There are still plenty of applications that will benefit from the current brightness levels of LED illuminated projectors. These include:
-- Home Cinema and Home Theater
-- Command and Control / process control (rear screen)
-- Video Wall for museums, retail and public displays
-- Simulation
-- Digital Signage

As stated earlier, it is difficult to find a sector of the AV industry that isn't excited about the potential of LED. Digital Projection is dedicated to engineering the industry's most advanced LED displays. To read more about DP's new LED innovation, the M-Vision 1080p-LED, visit www.digitalprojection.com.

Digital Projection's New 60,000+ Hour LED Projectors Now Available

Limited Supply Available for Delivery in Time for the Holiday Season

Atlanta, GA, October 04, 2009 -- Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announced a limited supply of their brand-new M-Vision Cine LED projectors is now available for order. The new Cine LED delivers 3-chip color saturation with the imaging fidelity of Texas Instruments' DLP® technology. The single-chip M-Vision Cine LED adds the first Lifetime Illumination%u2122 display to DPI's already extensive single-chip product line. MSRP is between $15,995 and $16,995, depending on the lens selected.

About the M-Vision Cine LED
The M-Vision Cine LED produces up to 600 lumens and 10,000:1 contrast. A quiet, compact chassis, the M-Vision Cine LED presents a powerful large-screen imaging solution in an affordable but precise chassis. Ideal M-Vision LED venues include theatrical viewing spaces with controlled ambient light with screens up to 8' wide. When installed in such venues, the M-Vision Cine LED produces the dynamic range, rich color saturation and vivid contrast of a 3-chip DPL display, but from a smaller and more cost effective chassis. As the Cine LED does not incorporate a traditional lamp, media environments utilizing the new display will benefit from their Lifetime Illumination%u2122 60,000+ hour lifespan. Additionally, the single-chip M-Vision Cine LED does not rely on a color wheel, which renders the projector completely free of the color wheel artifacts that some home theater enthusiasts find distracting.

Introduced to widespread acclaim at the recent CEDIA Expo in Atlanta, Georgia, the M-Vision Cine LED projector addresses a common request among home integrators for DPI's industry-leading precision imagery in a small, sleek cabinet. Ideal for small to medium viewing spaces with controlled ambient light, the M-Vision LED brings precision to the LED projector space. When considered in conjunction with the new M-Vision Cine 260 and HIGHlite Cine 260, DPI's Cine series evolution has added a new, streamlined presence to a majority of the company's Home Cinema products - products that are already widely recognized for excellence in imaging capability.

Installation is incredibly flexible due to the M-Vision Cine LED's compact and lightweight chassis design, and extraordinary lens shift range of 30% horizontal and 120% vertical. Multiple lens options provide further flexibility, with a throw ratio ranging from 1.25 to 3.0:1. There is also a fixed lens which offers a .73:1 throw ratio. Connectivity includes two HDMI inputs, as well as RGB via D-15, component, composite and S-Video inputs.

Digital Projection International offers an extraordinary array of over 40 single-chip projectors, as well as over 30 powerful 3-chip DLP® displays.

To download a high-resolution version of the M-Vision Cine LED, please use the following link:
http://www.digitalprojection.com/news/zips/DPI_MVision_CineLED.zip

Digital Projection CEDIA 2009 Booth Tour with David Kile

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Digital Projection CEDIA 2009 Booth Tour with Michael Bridwell, Jeff Brum

Videos featuring Digital Projection products, interviews or booth tours

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Digital Projection's infoComm Booth Tour with George Walter

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Digital Projection CEDIA 2009 Booth with EDG

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Digital Projection's 18' Screen demo at CEDIA 2009

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Digital Projection's HIGHlite Cine demo at CEDIA 2009

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Digital Projection's M-Vision Cine demo at CEDIA 2009

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Digital Projection's TITAN Reference 3D demo at CEDIA 2009

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Digital Projection's M-Vision Cine LED demo at CEDIA 2009

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Digital Projection's infoComm 2009 Booth Tour

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Digital Projection's Projector Enclosure at CEDIA 2009

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Calculating and Conveying the True Cost of Ownership of Projection Displays

Powerful, efficient, responsible projectors through Digital Projection's CoolTek engineering

Calculating and Conveying the True Cost of Ownership of Projection Displays

Download the True Cost of Ownership Calculator: http://www.digitalprojection.com/news/zips/DPI_CostofOwnership_Calculator.zip.

As the world's economies work their way toward recovery, the challenges of the past year have left us with valuable lessons. Now more than ever, it is vital that the True Cost of Ownership of any capital expenditure, be clearly defined and understood. Savvy end-users and purchasing agents are becoming increasingly aware that purchase decisions need to be based not just on the initial purchase price of the product, but also on the long-term cost of ownership, as the combination of the two actually defines the actual cost of owning and operating any product. This article will describe how you can calculate true cost of ownership information, in order to recognize all of the costs associated with projector ownership, as well as the compelling value offered by Digital Projection's efficient displays.

Efficient design has been a cornerstone of DP's development philosophy for more than a decade. As a result, Digital Projection's projectors possess technologies that promote efficiency and extend useful life, while limiting cost of ownership, energy consumption, heat generation and operating noise without sacrificing performance.

The formula for calculating full cost of ownership is straightforward, but first, let's define some terms:

- PPP = Projector Purchase Price - that being, the initial price the customer paid for each projection system.
- OHrY = Operational Hours per Year - that being, the number of hours the customer expects to operate each projector on an annual basis.
- AYS = Anticipated Years of Service - that being, the number of years the customer expects to operate each projection system.
- LLHr = Lamp Life in Hours - being the number of hours the manufacturer specifies each lamp to operate before reaching 50% of its original brightness.
- LRC = Lamp Replacement Cost - that being, the customer's cost for each replacement lamp.
- LPU = Lamps Per Unit - being the number of lamps installed in each projector. This is typically one, two or four lamps, depending on the manufacturer and the model.
- AMI = Additional Maintenance Items - that being, the annual cost of any additional maintenance items that need to be replaced from time to time, such as filters, fans or color wheels.
- PQ = Projector Quantity - being the total number of projectors in the customer's application.
- PwrC = Power Consumption - being the projector power consumption in Kilowatts.
- ACPwr = Average Cost of Power - being the average cost of a Kilowatt Hour.

Now that our terms are defined, here is our formula to calculate the true cost of ownership for any number of projectors:
True Cost of Ownership =
((PPP + (((((OHrY x AYS) / LLHr) - 1) x (LRC x LPU)) + (AMI x AYS))) + (OHrY x AYS x PwrC x ACPwr)) x PQ
You can download the calculator as an Excel spreadsheet by visiting http://www.digitalprojection.com/news/zips/DPI_CostofOwnership_Calculator.zip.
Included in the .zip file are Excel versions of the calculator for both Office 2003 and Office 2007.
You can also copy and paste this formula, formatted for Excel, into a spreadsheet:
+((PPP+(((((OHrY*AYS)/LLHr)-1)*(LRC*LPU))+(AMI*AYS)))+(OHrY*AYS*PwrC*CPwr))*PQ

You may note that within the formula, one set of lamps is deducted from the total lamps consumed by each projector during its operational life. This accounts for the fact that the purchase price of each new projector already includes one set of lamps, which are already installed in the unit. Those are the first lamps used.

Here is an example of how to put the formula to work in a real world application:

We will assume a high-use application - 24 hour-per-day, 7 days-per-week, that employs (4) TITAN 1080p-700 displays, which are dual lamp projectors. Being 3-chip displays, beyond lamps and filters, no additional maintenance items are required.

First, let's organize our data:
PPP = Projector Purchase cost = $67,000 (list price of a TITAN 1080p 500 and a typical lens)
OHrY = Operational Hours per Year = 8760 (24 hours per day x 365 days per year)
AYS = Anticipated Years of Service = 7
LLHr = Lamp Life in Hours = 2000
LRC = Lamp Replacement Cost =$995
LPU = Lamps Per Unit = 2
AMI = Additional Maintenance items = $0
PQ = Projector Quantity = 4
PwrC = Power Consumption= .950 Kw -= per the published specifications for the TITAN 1080p 700.
ACPwr = Average Cost of a Kilowatt Hour of Power = $.10175. This figure is per http://www.eia.doe.gov/cneaf/electricity/epm/table5_6_b.html, which identifies that in 2007, the average cost of residential and commercial electricity in the US was $0.10175 per KwHr.

Now, let's plug the data into our formula:
Total Cost of Ownership =
((PPP + (((((OHrY x AYS) / LLHr) - 1) x (LRC x LPU)) + (AMI x AYS))) + (OHrY x AYS x PwrC x ACPwr)) x PQ
(($67,000 +(((((8760 x 7) / 2000) - 1) x ($995 x 2)) + ($0 x 7))) + (8760 x 7 x .950 x $.10175)) x 4
(($67,000 + ((((61320 / 2000) - 1) x $1,990) + $0)) + $5,927) x 4
(($67,000 + (((30.66 - 1) x $1,990) + $0)) + $5,927) x 4
(($67,000 + (29.66 x $1,990)) + $5,927) x 4
($67,000 + $59,023+ $5,927) x 4
$131,950 x 4

Total Cost of ownership = $527,800 for all four units, for 7 years of 24 / 7 operation.

Total Cost of Ownership = $131,950 per unit, for 7 years of 24 / 7 operation.

The resulting true cost of ownership values include all costs - Initial purchase price, lamp replacements, scheduled maintenance, miscellaneous consumables and cost of power.

It is important to mention, power consumption, lamp life and cost of replacement lamps have a huge impact on the true cost of ownership calculation. In our example, we can see that each of the efficient TITAN 700's, which require only 950 watts to operate at full brightness, consume a total of $5927 of power during the seven year, 24 / 7 operational life.

For comparison sake, an unwary customer of our average competitor's projector that consumes 2638 watts would spend over $ 16,459, per projector, on electricity for same usage over the same time period! Across the 4 projectors in our example, that would increase the total cost of operation (and power) by more than $42,000! Beyond costing far more to operate, projectors that consume more power also place a greater power burden on facility HVAC, and they leave a much larger carbon footprint in their wake.

The same analysis can be made for lamp life and cost of replacement lamps. As a simple modification to our example, if a projector was selected with the same lamp cost as the TITAN, but with a lamp life of only 1500 hours, the total cost of operation (and lamps) would increase by nearly $20,000 per unit - $80,000 across all 4 units! In short, selecting projectors that utilize lamps with shorter operational life, or higher lamp replacement costs (or both), can have an astoundingly costly impact on the true cost of ownership.

We all know that times have changed. Corporate and home cinema customers alike are under tremendous pressure to make responsible purchase decisions that achieve their objectives in the most efficient way possible. Our job is to provide our clients with the information they need to make the right decision.

The next time you have the opportunity to specify or purchase a projector for a specific application or theater, take the time to calculate the overall cost of ownership between, for instance, your or your customer's old projector and the proposed DP projector, or the proposed DP projector and any competitive model the customer may be considering as a reasonable alternative. More than likely your analysis will demonstrate that the Digital Projection precision display delivers a more efficient solution over the long term - one that saves you or your customer money, helps preserve our natural resources and delivers the best projection experience available today.

Digital Projection Reader Feedback

  • hayleylou Oct 6, 2009 @ 7:52 am | delete
    Lots of info here, well done, 5 stars
  • digitalprojection Oct 4, 2009 @ 8:31 am | delete
    Thanks, everybody!
  • Oct 2, 2009 @ 7:07 pm | delete
    Wow! it's a complete guide to everything that you need to know about digital projection. Wonderful lens :) 5*
  • momto4 Oct 2, 2009 @ 12:00 pm | delete
    Nice first lens! Keep up the good work!

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