How to draw a comic step by step
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Learn to draw and ink a comic book
We will use a digital way to show you how the image is created from scratch with a Intuos 3 Wacom Tablet, as most of the actual digital artists use today.
The steps will be:
- 1. PREPARATION (scrap from concept)
- 2. SCRATCH (The Pencil)
- 3. INKING (Clean and methodic)
- 4. FINALIZE (Add last touch, correct mistakes)
Subjects:
- Natural Landscapes
- Architecture (coming soon!)
- Characters and space (coming soon!)
(Artwork by Fabio Sanna)
All Artwork are from the Book Sindrome Garudia by Paolo Gherbassi (COMING OUT SOON!)
STEP 1. THE SCRAP
How to prepare a comic scene from scratch.
How to draw a scrap: Natural Landscape
First visual draft
{In this picture you see the Scrap example I drew from the next project book "Sindrome Garudia" Drawings by Fabio Sanna, Story By Paolo Gherbassi}
- After you have your story done and you have an idea about the scene (Script, storyboard) you will define your area of work in the page
- Start drawing the scrap right away, no hesitation needed here
- You can warm up your hand on paper (drawing circles, lines, dots, trying your favorite texture model, getting the rhythm of it
- Find out what will go where in the space you will use
- No details here, you just need to get out of the area work the vibration of the forms
- Look for contrast here, if you use a big brush instead, you can get the idea of the shadow/light process before actually going into the pencil (detailing) process.
Useful Notes:
- The scrap should be immediately shown to the client (if there is one), to prevent a total change of scene afterwards, or to add important forgotten elements. A good idea would be to do it in front of him/her while you can get a direct visual description of the important elements.
- It should take you from 5 to 30 minutes to get the scrap done.
- If you keep trying not to hesitate you will learn how not to hesitate (go with the flow ;))
STEP 2: THE DRAWING
How to draw a comic scene
How to draw a comic scene: The pencil
Design your image with detail
A good idea after an eventual correction of the scrap-idea, let's get down starting a new fresh page. It can be pencil, but in this case I'm using a Wacom tablet (Intous 4 -A4-) and I did thispencile-like using a software 'pencil' tool.
At this point you will probably burn with desire to get down to inking the drawing, but before doing that I suggest you have a clear idea in your mind about what you will do with the brush afterwards.
Now think about a texture (a good way to save time is by not finishing all the textures in this drawing now, but simply getting an idea of it. Sometimes you could try to leave the pencil lines as a structural draft and go free-styling with the brush. It all depends on what you are doing.
Personally, I took my laptop and Wacom tablet and went into a forest near where I live to get inspiration (and it was an awesome day). There I sat for about the whole battery life (1-2 hours) drawing nature, but not copying a landscape in particular, just getting the feeling of it, taking patterns here and there. A splendid afternoon. What you see up here is the result.
Feel free to drop a comment or question or to save this tutorial page into your favorite websites.
(VIDEO) How to draw a natural landscape
Watch the video now
Illustration from the book "Sindrome Garudia" story by Paolo Gherbassi
Artwork by: Fabio Sanna
Art-related LINKS
STEP 3: THE INKING
How to ink a comic image
How to ink a comic scene: Black on white
Become a line, simplicity and zen.
1. SET UP YOUR INKING PROCESS:
So, let's start the inking process by creating a new layer on top of your project. You can do this in Corel Painter or Adobe Photoshop, or any open source bitmap program like Gimp. You can use a Vector base program as well, if it supports your Wacom tablet and your Wacom Pen pressure (like Adobe Illustrator). If you are a traditionalist, you can put your final drawing on a piece of glass (sunny window works best), covered with a new sheet of paper. In this way you can remake the important lines of your study and start over from a new support.
2. CHOOSE YOUR INSTRUMENT
If you are using Corel Painter, I suggest using the Liquid Ink, with Photoshop a normal Brush with full Opacity and no softness on the edge (or with very little). With the Wacom tablet capabilities you will obtain a precise result. If you are a traditionalist, you can use a calligraphic pen (or artistic bamboo pens), or small/medium soft round brushes. Probably the best ink is the Japanese ink, but ask your local art fine store for the best they have. Ferrario's inks are very nice. Try to avoid commercial inks, they tend to blend differently and they do not become shiny, neither opaque.
3. START TO INK
Don't be shy, you can warm up for a little, but then go for it! Empty your mind and focus on the flow of the lines. Start simple, you will complicate later on. Working on traditional support I suggest to start from upper left if you are right handed and upper right if you are left-handed. You can use a piece of paper if you need to lay your hand-wrist while you ink, so your work will stay clean.
Focus on the important shapes and try to think what will become black and what will stay white.
4. EMPTY/FULL - PATTERNS - TEXTURES
After you have your fundamental shapes, you can start adding the details and later on the textures. Put the shadows at the very end.
Try different variations on your texturing process and study closely natural patterns (plants, water, fire, wood, stone, clouds, grass, skin...).
5. LIGHT WORK
When your design is complete you may need to enrich your design adding a little brightness. If you watch professional digital and traditional comic works you may find lots of whitening in the creative process. Some of them may result ugly, but once you print, you won't be able to see the difference between the white color from the blank page.
This process adds another spacial layer on top of your work, making it more volumetric.
When you are done don't forget to sign your artwork!
If you appreciate this page comment or share it on your Facebook page.
(VIDEO) How to ink a natural landscape I
(Video Time-lapse) - 4/5 hours in real time
- FINE ART TOP TOOLS
This video takes you on a trip showing you how to ink an illustrated scene (comic-cartoon).
In this example you can get a preview of one of the illustrations of "Sindrome Garudia" Sci-Fi Book by Paolo Gherbassi.
Illustration: >Fabio Sanna
Music: Mushroom Lab (YoU RoCk!)
(VIDEO) How to ink a natural landscape II
(Video Time-lapse) - 4/5 hours in real time
- FINE ART TOP TOOLS
This video takes you on a trip showing you how to ink an illustrated scene (comic-cartoon).
In this example you can get a preview of one of the illustrations of "Sindrome Garudia" Sci-Fi Book by Paolo Gherbassi.
Illustration: >Fabio Sanna
Music: Mushroom Lab (YoU RoCk!)
(VIDEO) How to Ink an architecture
(Time-Lapse Video)
Illustration: Fabio Sanna
Music: Keller Williams
(VIDEO) How to Ink a woman face and perspective
(Time-Lapse Video)
STEP 4: FINALIZE
Add details and shade/light
Natural Landscape I finalized
Add light and shadow
VIEW THE BIG IMAGE
Now you should have the most fun, finalizing your art piece, adding or subtracting white or black. Usually in this stage the real masterpiece comes alive.
Tips at this stage:
1. Have a break, then finalize.
2. Add light or shade (white/black)
3. Flip the image to see if it is balanced.
4. Let it breath, don't suffocate the image.
5. Give yourself a mental deadline. Learn to be on time.
(Illustration done with Wacom Tablet in 4-6 hours approximately)
Enjoy, and bookmark or leave a comment at the bottom of the page.
-More tutorials will be posted-
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Comment or ask whatever you feel
And bookmark this tutorial if you liked it
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katlovestrouble
Feb 26, 2012 @ 8:40 am | delete
- Awesome information here..thanks!
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vallain Feb 13, 2012 @ 9:58 pm | delete
- Very nice tutorial. I do a little sketching, at least I used to. I need to take it up again.
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hnrysmith
Oct 16, 2011 @ 10:30 pm | delete
- Wow. there's many steps involved but you explained it clearly. Thanks for the efforts.
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Momsbusy247
Jun 24, 2011 @ 11:04 am | delete
- Its a pretty cool idea, drawing cartoons. Thanks for the info.
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bernie74
Jun 15, 2011 @ 5:23 pm | delete
- Great Lens, and very helpful indeed!
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