Hollywood Dystopia

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Ranked #2,569 in Movies & TV, #73,720 overall

Looking To The Future

A dystopia is a fictional society that is the opposite of utopia. It is  characterized by opressive social control by an authoritarian or totalitarian government or corporation. Hollywood has examined dozens of dystopias from Metropolis to Children of Men. The view of the future is often bleak but always facinating.

Some Characteristics of a Dystopian Film 


  • It takes place in the future. Sometimes only a few years but often centuries from now.

  • Something happened to destroy life as we know it today. It could be a world war, a pandemic, or a cataclysmic environmental disaster.

  • Human life is devalued or controlled completely. Deprivation, oppression and terror are used to control whatever humans remain. The birthrate is often controlled or suppressed.

  • There is an evil force pulling the strings. It could be a totalitarian government, a multinational corporation, an alien race or robots.

Shades of Dystopia 

Five different kinds of dystopia films

Governmental or Societal: the societies created claims to be utopian but are really dystopian because some segment of society is excluded from the utopian dream. Exclusion can be for many different reasons including genetics. Examples of governmental/societal dystopian films include 1984 and Aeon Flux.

Cyberpunk/techno: uses elements from the hard boiled detective novel and fim noir. The evil force is at least partially technological. The alienated outsider's battle against a repressive system is a common theme. Examples of cyberpunk dystopia films include: Blade Runner and Strange Days.

Post-apocalyptic: after a great disaster either man-made or natural. The world is dirty and run down. Very little still works. Humans scrounge for survival. Examples of post-apocalyptic dystopia films include: Mad Max and A Boy and His Dog

Corporate based: control of the world has been taken over by a corporation. This corporation controls everything from food production to medical services and policing. Examples of corporate dystopia films include: Minority Report and RoboCop.

Alien controlled: the world has been taken over by aliens. Usually humans don't realize it until someone stumbles on the truth. Examples of alien control dystopia films include: Dark City and They Live

Some dystopia films have elements from more than one category. Tank Girl and The Matrix Trilogy are good examples.

Dystopian Cinema 

The Ultimate Matrix Collection [HD DVD]

The Ultimate Matrix Collection [HD DVD]

Warner Brothers The Ultimate Matrix Collection (HD more...1 point

1984

1984

John Hurt and Suzanna Hamilton are lovers who must more...0 points

1984

1984

George Orwell's landmark novel is the basis of thi more...0 points

Aeon Flux (Special Collector's Edition)

Aeon Flux (Special Collector's Edition)

A dystopia is a fictional society that is the oppo more...0 points

Blade Runner (Five-Disc Ultimate Collector's Edition)

Blade Runner (Five-Disc Ultimate Collector's Edition)

In a signature role as 21st-century detective Rick more...0 points

Strange Days

Strange Days

James Cameron wrote the script for this not-so-fut more...0 points

Mad Max (Special Edition)

Mad Max (Special Edition)

Max is a "Bronze" (cop) in an unspecifie more...0 points

A Boy & His Dog

A Boy & His Dog

A post-apocalyptic tale based on a novella by Harl more...0 points

Minority Report (Widescreen Two-Disc Special Edition)

Minority Report (Widescreen Two-Disc Special Edition)

Spielberg's gritty vision was freely adapted from more...0 points

Robocop (20th Anniversary Collector's Edition)

Robocop (20th Anniversary Collector's Edition)

In the Detroit of the near future, a policeman (Pe more...0 points

Dark City (New Line Platinum Series)

Dark City (New Line Platinum Series)

A futuristic thriller about a man waking up to fin more...0 points

They Live

They Live

An economic crisis brings unemployed Nada (Roddy P more...0 points

Tank Girl

Tank Girl

The year's 2033 and since a humongous meteor hit e more...0 points

Escape from New York

Escape from New York

Kurt Russell (Stargate) stars in a high-velocity s more...0 points

The Road Warrior / Mad Max Beyond Thunderdome (Double Feature)

The Road Warrior / Mad Max Beyond Thunderdome (Double Feature)

All roads lead to excitement for Mel Gibson's Mad more...0 points

Metropolis 

Metropolis is a silent German expressionism science fiction film directed by Fritz Lang and written by Lang and Thea von Harbou. Lang and von Harbou, who were married, wrote the screenplay in , and published a novelization in 1926, before the film was released. Produced in Germany during a stable period of the Weimar Republic, Metropolis is set in a futuristic urban dystopia and examines a common science fiction theme of the day: the social crisis between workers and owners in capitalism. The film stars Alfred Abel as the leader of the city, Gustav Fröhlich as his son, who tries to mediate between the elite caste and the workers, Brigitte Helm as both the pure-at-heart worker Maria and the debased robot version of her, and Rudolf Klein-Rogge as the mad scientist who creates the robot.

Metropolis was produced in the Babelsberg Studios by Universum Film A.G. (UFA) and released in 1927. The most expensive film of its time, it cost approximately 7 million Reichsmark to make. The film was cut substantially after its German premiere, and there have been several efforts to restore it, as well as rediscoveries of previously lost footage. The American copyright lapsed in , which eventually led to a proliferation of versions being released on video.

The reconstruction of Metropolis, completed in 2001 and shown at the Berlin Film Festival, was inscribed on UNESCO's Memory of the World Register in that same year.

Logan's Run 

In the world of 2116, a person's maximum age is strictly legislated: twenty-one years, to the day. When people reach this Lastday they report to a Sleepshop in which they are willingly executed. A person's age is revealed by their palm flower - a crystal embedded in the palm of their right hand that changes color every seven years, then turns black on Lastday.

Runners are those who refuse to report to a Sleepshop and attempt to avoid their fate by escaping to Sanctuary. Logan 3 is a Deep Sleep Operative (or Sandman) whose job is to terminate Runners using a special weapon called the Gun, an unusual revolver which can fire a number of different projectiles, including a compact net. On his own Lastday he becomes a Runner himself in an attempt to infiltrate an apparent underground railroad for runners seeking Sanctuary - a place where they can live freely in defiance of society's dictates. For most of the book, therefore, Logan is an antihero; however, his character develops a growing sympathy towards Runners and in the end he himself is truly a Runner.

Jessica 6, a contact Logan made after he chased her Runner brother Doyle 10 into Cathedral where he was killed by the vicious preteen "Cubs," helps him, despite her initial distrust of him. Francis, another Sandman and a friend of Logan, catches up with Logan and Jessica after they have managed to make it to the final staging area before Sanctuary. He reveals that he is actually the legendary Ballard, who has been helping arrange their escape. The 42-year-old Ballard is working from within the system; he believes that the computer that controls the city, buried beneath Crazy Horse Mountain, is beginning to malfunction, and that the society will die with it.

Sanctuary turns out to be an abandoned space colony near Mars. Logan and Jessica escape to the colony on a rocket that departs from a former space program launch site in Florida. Ballard remains to help others escape.

Source

Strange Days 

Strange Days is the title of a 1995 science fiction film directed by Kathryn Bigelow and produced and co-written by James Cameron and Jay Cocks, starring Ralph Fiennes, Angela Bassett, Juliette Lewis, Tom Sizemore, and Vincent D'Onofrio. The film contains a dystopian view of the future, moral ambivalence of many of its characters and the technological and social issues raised make it an example of the cyberpunk genre in film.

Plot Summary
In December 1999, Los Angeles has become a dystopic urban nightmare beneath a heightened police tensions and civil unrest, stemming largely from the brutal murder of Jeriko One (Glenn Plummer), a hip-hop artist strongly critical of the LAPD and police brutality. Against the remaining days of the millennium, former police detective turned street hustler Lenny Nero (Ralph Fiennes) deals in 'SQUID' recordings, experiences taken directly from the cerebral cortex which when played back through a MiniDisc-like device allow a user to experience all recorded sensory inputs (sight, hearing, smell, and touch) as if experiencing it themselves. Despite his charm and suaveness, Lenny yearns for his ex-girlfriend Faith (Juliette Lewis), constantly reliving their happier times through his SQUID recordings or relying on his friend and bodyguard Lornette "Mace" Mason (Bassett) for emotional support.

While dealing erotic SQUID recordings, Lenny receives snuff "black jack" tape portraying the excruciating rape and murder of Iris (Brigitte Bako), a street prostitute he is acquainted with who recently tried to contact him before her death. Deeply troubled by both the tape and warnings Iris had made about Faith's safety (the two having been friends), and convinced that the killer will strike again, Lenny follows the leads to music industry mogul Philo Gant (Michael Wincott), Faith's new boyfriend.

As he receives more snuff tapes, Lenny and Mace eventually discover that the case is tied to both a cover-up of the murder of Jeriko One, and dark rumours of a top-secret "death squad" operating within the LAPD. As they are hunted by Philo's goons and two sinister police officers, Lenny and Mace find themselves in a race to uncover the full truth before the murderer catches up with them, and before civil war descends on Los Angeles. Meanwhile, Lenny and Mace's relationship begins to deepen and intensify as he finds out the truth about Faith, while trying to protect her.

Ralph Fiennes

Ralph Fiennes & Angela Bassett

Do You Have a Favorite Dystopian Film? 

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  • Reply
    Monteath Monteath Jul 21, 2008 @ 3:35 pm
    I absolutely love dystopian movies and books! They are my favorite genre of art of all time, especially post apocalyptic worlds. Any time the world itself is like another character in the story I just found that inherently interesting. I wrote a lens on the 12 best dystopian novels I had read and was going to go to movies next, but you seem to have that covered :) Great lens, and thanks for sharing!
  • Reply
    GypsyPirate GypsyPirate Oct 3, 2007 @ 7:17 pm
    Hhmmm, I was going to say "Independence Day", but I guess since earthilings won, it never made it to "dystopia". So, I'll go with "Matrix" (but I can't seem to get my vote to stick...) Great job with this lens!
  • Reply
    Reggie_Marigold Reggie_Marigold Oct 3, 2007 @ 6:26 pm
    Metropolis is my favorite. The original version B
  • Reply
    Mark-Nehs Mark-Nehs Oct 3, 2007 @ 3:17 pm
    Dystopia -- you learn something new every day. I have always enjoyed kind of "odd" movies and now I have a name for them. 5 stars.

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