Essential Classic Rock Artists & Albums

Layla and Other Assorted Love Songs

Layla stands as one of a handful of pillars of classic more...2 points

Layla stands as one of a handful of pillars of classic rock. The short-lived ensemble that was the Dominos provided an outlet for Eric Clapton to vent his then unrequited (and secret) passion for the wife of his best friend, George Harrison. Romantic anguish inspired Clapton to write and collect an embroiling and interconnected song cycle. Meanwhile, latecomer Duane Allman prodded Clapton to tear it up on guitar, so as not to be overwhelmed by his even more talented foil. Of course, Clapton even...2 points

The Beatles (The White Album)

Better known as the "White Album," this more...1 point

Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys kn...1 point

Dark Side Of The Moon

No Description AvailableNo Track Information Available more...1 point

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: PINK FLOYDTitle: DARK SIDE OF THE MOONStreet Release Date: 07/07/1987b>DomesticGenre: ROCK/POP1 point

Wish You Were Here

Wish You Were Here is a song cycle dedicated to Pink more...1 point

Wish You Were Here is a song cycle dedicated to Pink Floyd's original frontman, Syd Barrett, who'd flamed out years before: two grimly funny songs about the evils of the music business ("By the way, which one's Pink?"), and two long, touching ones about the band's vanished friend. The real star of the show, though, is the production: sparkling, convoluted, designed to sound deeply oh-wow under the influence--and pretty great sober too--with David Gilmour getting lots of space for his most lyrica...1 point

Classic Albums: The Doors

The Doors eponymous first album is universally reg more...1 point

The Doors eponymous first album is universally regarded as their finest achievement and as one of the greatest debut albums in the history of rock music making it a worthy addition to the acclaimed Classic Albums series. The three surviving members of The Doors: Ray Manzarek, Robby Krieger and John Densmore are all featured in new interviews along with original engineer Bruce Botnick, musicians Henry Rollins and Perry Farrell and executives Billy James (Columbia Records) and Jac Holzman (Elektra...1 point

Blind Faith

The short-lived classic-rock supergroup Blind Fait more...0 points

The short-lived classic-rock supergroup Blind Faith's sole album has aged remarkably well. In 1969, Blind Faith fused the psychedelic blues of Eric Clapton and the soulful vocals and keyboards of Steve Winwood with the polyrhythmic, Afrocentric leanings of drummer Ginger Baker. "Can't Find My Way Home" is one of the hippie era's most lyrically poignant, sonically subtle tunes. The record has a lot of surprises; "Presence of the Lord" is rousing and melancholy at the same time, while the way the....0 points

Disraeli Gears

Fresh Cream, the album that introduced this seminal more...0 points

Fresh Cream, the album that introduced this seminal super-blues trio to America, was perhaps a bit too blues-based to do the advance hype ("Clapton is God!") justice. Two of its three best-known tracks, after all, were blues covers. It was Disraeli Gears that turned Cream into a "supergroup." Here they pursue the psychedelic ideals of the era with total abandon (the LP cover art still stands as one of the 1960s' most striking designs), merging these ideals with their take on the blues and adorni...0 points

Abbey Road

The Beatles' last days as a band were as productive more...0 points

The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portento...0 points

Sgt. Pepper's Lonely Hearts Club Band

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Revolver [UK]

Japanese exclusive reissue of 1966 album. This Tos more...0 points

Japanese exclusive reissue of 1966 album. This Toshiba/EMI pressing features an OBI strip (different from the last Japanese pressings issued in 1990) & an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. This album has been direct metal mastered from a digitally remastered original tape to give the best possible sound quality. 2004.0 points

Let It Be

Sloppy in conception, and even sometimes in the playing, more...0 points

Sloppy in conception, and even sometimes in the playing, Let It Be often gets a bad rap. Unfairly, as it's often as charming, well written, and (oh yeah) rocking as the Beatles' "better" albums; it's also more outright fun than Abbey Road, the masterpiece it followed into the stores. With Lennon and McCartney working together on the perfect "I've Got a Feeling," "Two of Us," and "Dig a Pony," it's hard to believe these guys were about to implode. --Rickey Wright0 points

Led Zeppelin IV (aka ZOSO)

Also known as the "rune" album or Zoso b more...0 points

Also known as the "rune" album or Zoso because of the medieval symbols adorning the inner sleeve, Led Zeppelin's fourth album, released in 1971, turned them from mere superstars into giant behemoths of the rock world. On tracks like "Black Dog," "Misty Mountain Hop," and "Rock and Roll," the combination of Robert Plant's banshee wails and Jimmy Page's frenetic guitar playing forever altered the stylistic bent of hard rock music. And the foreboding "When the Levee Breaks" demonstrated that Zeppel...0 points

Led Zeppelin 1

As it turned out, Led Zeppelin's infamous 1969 deb more...0 points

As it turned out, Led Zeppelin's infamous 1969 debut album was indicative of the decade to come--one that, fittingly, this band helped define with its decadently exaggerated, bowdlerized blues-rock. In shrieker Robert Plant, ex-Yardbird Jimmy Page found a vocalist who could match his guitar pyrotechnics, and the band pounded out its music with swaggering ferocity and Richter-scale-worthy volume. Pumping up blues classics such as Otis Rush's "I Can't Quit You Baby" and Howlin' Wolf's "How Many Mo...0 points

Led Zeppelin II

Riff rock had been what Jimmy Page's former band, more...0 points

Riff rock had been what Jimmy Page's former band, the Yardbirds, were all about, and on Led Zeppelin's second album, released, like its predecessor, in 1969, the inventive guitarist demonstrated that he'd indeed learned his lessons well. Witness "Whole Lotta Love," a woozy epic based on one simple, head-banging-friendly guitar riff. Or the mock-dramatic "Heartbreaker," propelled by far more intricate but similarly effective note squashing. Between Page's sonic wizardry, John Bonham beating his d...0 points

Led Zeppelin III

After plundering the Yardbirds' legacy and Willie Dixon more...0 points

After plundering the Yardbirds' legacy and Willie Dixon (among others) for their blues-riff-heavy first two albums, Jimmy Page and company surprised many listeners with the strong acoustic/folk sensibility displayed on III. Page aficionados shouldn't have been caught off guard; the guitarist had toyed with similar sensibilities and modalities during his brief tenure with the Yardbirds (most notably "White Summer" from the Little Games album). Ever the creative thieves, Zep kick off the album by....0 points

Who's Next

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Sticky Fingers

"Sister Morphine," the heart of guitaris more...0 points

"Sister Morphine," the heart of guitarist Mick Taylor's first full studio album with the Stones, doesn't get the airplay of "Brown Sugar" or "Wild Horses." But it's one of the most vivid, horrifying songs about drug abuse ever recorded--as Mick Jagger sings "from my hospital bed," the ringing guitars of Taylor and Keith Richards build to full catharsis behind him. On that and lighter songs like the countryish "Dead Flowers" and the rocker "Bitch," Charlie Watts establishes himself as rock's prot...0 points

Electric Ladyland

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