So what is All Drawn Out and is it as big as the hype that has been created about it?

Well, let me explain a little about All Drawn Out...

I have combined all of the strong points over a dozen art instruction methods, strengths from books, workshops, and art theory and have simplified them into a clear step by step format.

As an art director for Disney and a University teacher, I have compiled the many difficulties that artists have in common and have developed techniques and strategies that are fool proof for avoiding common mistakes. This system will not fail you.

I know anyone who follows these steps can learn to draw and make art a meaningful part of their lives. This is why I start at a very basic level. I won't assume you have had any previous art education.

Those of you who do have an art education will also find extreme value in this system because a lot of the education that we receive at universities is lacking in the basics skill development and they tend to be more abstract in their teachings. This will give you the most value for traditional formal training than anywhere else. So even those artists with formal training will gain meaningful instruction and insights.

You can watch videos of exact step by step lessons, critiques of others drawings, and actual figure drawings being done.

There are vital drawing principles that when followed, anyone can learn to draw figures.

How to Draw Anyone and Make it Look Like the Person!

Faces are a hard thing for some artists to draw correctly. Artists have a hard time achieving a likeness to the person or model they are sketching. Some would argue that the face is the hardest to master. With a few basic techniques you will begin to understand that you can master the human face and that it is quite possible.

When drawing faces, there are several mistakes that artists often make. The first is to draw a circle or an oval and then stick a nose in the middle of it. Beginning artists often make this mistake. You will see as you come to observe people that your eyes are actually closer to the middle of your face than your nose.

If you are drawing a model, you can use the measuring and proportion technique that artists term thumb on pencil. This will help you check your proportions.

You will see that proportions on peoples faces differ and are as individual as their personalities. For instance, eyes generally line up with the top of the ears but we have all seen people whose ears seem to be a little higher or lower on the head than others. Realizing these differences can help you achieve the likeness of the person you are drawing.

General proportions for artists drawing heads and faces are found everywhere. They are good to use as a guideline but are just that, a guideline. When you are drawing faces, the smallest details can make or break the likeness of the portrait and can change the whole outlook of the drawing.

The mouth, eyes, and nose are some of the areas to look for those subtle differences and what makes a person an individual. Does the mouth edge tip up or down? Is the nose straight, an uppy? How are the crow feet by the eyes?

Practice, practice, practice. This old adage says a lot. If you are having a problem with a particular part of the face, don't be afraid to practice it over and over again. This may seem mundane but it will really help you achieve a likeness.

Sometimes artists will try and exaggerate particular characteristics of a person's face, such as their eyes. Be careful not to do this or you'll end up with something that looks nothing like the person you are drawing. Unless you are drawing caricatures, stay away from this.

Lastly, a quick note on hair. Make sure that you treat hair as a mass. Never ever draw each individual strand. This is a beginner's mistake that often ruins a drawing quicker than anything. Hair can really change the outcome of the drawing so pay particular care to this feature.