Hall and Oates

Daryl Hall first met John Oates at the Adelphi Ballroom in Philadelphia in 1967 while attending Temple University. Each was heading his own musical group at the time-Hall with the Temptones, and Oates with the Masters. They were there for a band competition when gunfire rang out between two rival gangs, and in trying to escape, they ran to the same service elevator. Because of their similar musical tastes, they quickly became acquainted. It would take them another two years to form a musical duo, and three years after that they had signed to Atlantic Records and released their debut.

Early on in their recording careers, Hall & Oates had trouble clearly defining their sound, alternating among folk, soul, rock, and pop. None of their early albums - Whole Oats, Abandoned Luncheonette, and War Babies - were very successful, despite being produced by such big-name producers as Arif Mardin and Todd Rundgren. They had no hit singles during this time period, though Abandoned Luncheonette contained "She's Gone." This song would be covered by Lou Rawls and Tavares before Atlantic Records re-released it in 1976. "She's Gone", as covered by Tavares, did go to number one on the R&B chart in 1974.

Another Abandoned Luncheonette single that has become a Hall & Oates fan favorite was "Las Vegas Turnaround", written about (and mentioning by first name) Hall's girlfriend, stewardess and future songwriting collaborator Sara Allen....(read more)

You're a rich girl, and you've gone too far
'Cause you know it don't matter anyway
You can rely on the old man's money
You can rely on the old man's money
It's a bitch girl but it's gone too far
'Cause you know it don't matter anyway
Say money but it won't get you too far
Get you too far

And don't you know, don't you know
That it's wrong to take what is given you?
So far gone, on your own
You can get along if you try to be strong
But you'll never be strong 'Cause

You're a rich girl, and you've gone too far
'Cause you know it don't matter anyway
You can rely on the old man's money
You can rely on the old man's money
It's a bitch girl and it's gone too far
'Cause you know it don't matter anyway
Say money but it won't get you too far
Get you too far

High and dry, out of the rain
It's so easy to hurt others when you can't feel pain

And don't you know that a love can't grow?
'Cause there's too much to give, 'cause you'd rather live
For the thrill of it all, oh

You're a rich girl, and you've gone too far
'Cause you know it don't matter anyway
You can rely on the old man's money
You can rely on the old man's money
It's a bitch girl and it's gone too far
'Cause you know it don't matter anyway
Say money but it won't get you too far
Say money but it won't get you too far
Say money but it won't get you too far
Get you too far

You say
You can rely on the old man's money
You can rely on the old man's money
You're a rich girl, and you've gone too far
'Cause you know it don't matter anyway
You can rely on the old man's money
You can rely on the old man's money
It's a bitch girl and it's gone too far
'Cause you know it don't matter anyway
You can rely on the old man's money
You can rely on the old man's money
You're a rich girl yeah

Easy, ready, willing, overtime
Where does it stop
Where do you dare me
To draw the line
You've got the body
Now you want my soul
Don't even think about it
Say, no go
I, I-I, I 'll do anything
That you want me to do
Yeah, I, I-I, I'll do almost anything
That you want me too, ooh
Yeah

But I can't go for that, nooo
(No)
No can do
I can't go for that, nooo
(No)
No can do
I can't go for that, nooo
(No)
No can do
I can't go for that
Can't go for that
Can't go for that
Can't go for that

I can go for being twice as nice
I can go for just repeating
The same old lines
Use the body
Now you want my soul
Ooh, forget about it
Now say, no go

I, I-I, I 'll do anything
That you want me to do
Yeah, I, I-I, I'll do almost anything
That you want me too, ooh
Yeah

But I can't go for that, nooo
No,No can do
I can't go for that, nooo
No, No can do
I can't go for that, nooo
No, No can do
I can't go for that
Can't go for that
Can't go for that
Can't go for that, yeah

---- Instrumental Interlude ----

Yeah, I, I-I, I 'll do anything
That you want me to do
Yeah, I, I-I, I'll do almost anything
That you want me too, ooh
Yeah

But I can't go for that, nooo
No, No can do
I can't go for that, nooo
No, No can do
I can't go for that, nooo
No, No can do
I can't go for that
Can't go for that
Can't go for that
Can't go for that, yeah..

1972 Whole Oats
1974 War Babies
1975 Daryl Hall & John Oates
1976 Bigger Than Both of Us
1977 Beauty on a Back Street
1978 Along the Red Ledge
1979 X-Static
1980 Voices
1981 Private Eyes

1982 H2O
1984 Big Bam Boom
1988 Ooh Yeah!
1990 Change of Season
1997 Marigold Sky
2003 Do It For Love
2004 Our Kind of Soul
2006 Home for Christmas

She'll only come out at night
The lean and hungry type
Nothing is new, I've seen her here before
Watching and waiting
Ooh, she's sittin' with you but her eyes are on the door
So many have paid to see
What you think you're gettin' for free
The woman is wild, a she-cat tamed by the purr of a Jaguar
Money's the matter
If you're in it for love, you ain't gonna get too far
(Oh-oh, here she comes) Watch out boy she'll chew you up
(Oh-oh, here she comes) She's a maneater
(Oh-oh, here she comes) Watch out boy she'll chew you up
(Oh-oh, here she comes) She's a maneater
I wouldn't if I were you
I know what she can do
She's deadly man, she could really rip your world apart
Mind over matter
Ooh, the beauty is there but a beast is in the heart
(Oh-oh, here she comes) Watch out boy she'll chew you up
(Oh-oh, here she comes) She's a maneater
(Oh-oh, here she comes) Watch out boy she'll chew you up
(Oh-oh, here she comes) She's a maneater
------ saxophone ------
Ooh,
(Oh-oh, here she comes) Here she comes, Watch out boy she'll chew you
up
(Whoa-oh, here she comes. Watch out) She's a maneater
(Oh-oh, here she comes. She's a maneater) Ooh, she'll chew you up
(Oh-oh, here she comes) Here she comes, she's a maneater
(Oh-oh, here she comes. Watch out) She'll only come out at night, ooh
(Oh-oh, here she comes) Here she comes, she's a maneater
(Oh-oh, here she comes. She's a maneater) The woman is wild, woo
(Oh-oh, here she comes) Here she comes. Watch out boy, watch out boy
(Oh-oh, here she comes) Oh, watch out, watch out, watch out, watch
out
(Oh-oh, here she comes) Yeah, yeah, she's a maneater
(Oh-oh, here she comes. She's a maneater) She's watching and waiting,
ooh
(Oh-oh, here she comes) Oh, she's a maneater