Who is Heather Locklear

One of Hilary Duff's most attractive qualities is that she's not a borderline anorexic like too many Hollywood starlets; she has a warm, full-bodied presence that makes her dangerously glossy prettiness accessible. Similarly, Heather Locklear--who's been an iconic plastic blonde on television for decades--is cultivating a bruised humanity as she matures. These two combine forces in The Perfect Man, a curious teen comedy/adult romance hybrid about a single mother named Jean (Heather Locklear, Melrose Place) whose tactic for getting over a broken heart is to move to a different part of the country, uprooting her two daughters Holly and Zoe (Duff, Cheaper by the Dozen, and newcomer Aria Wallace) in the process. Holly, to keep her mother from falling into another desperate and doomed relationship, uses advice from a schoolfriend's uncle (Chris Noth, Sex and the City) to send Jean flowers and love letters from a secret admirer. Of course, sustaining this fantasy requires some wacky antics, but The Perfect Man balances goofiness with an emotional mother/daughter tug-of-war and has some entertaining supporting actors (including Caroline Rhea, Sabrina, the Teenage Witch, and Carson Kressley, Queer Eye for the Straight Guy). The plot, however, has holes so big that it collapses even as it unfolds. -- Bret Fetzer

At the peak of Looney Tunes: Back in Action, Bugs Bunny and Daffy Duck lead Elmer Fudd on a wild pursuit through famous paintings hanging in the Louvre, their animated selves absorbing the painting styles of Salvador Dali, Georges Seurat, Toulouse Lautrec, and others. That sequence manages to recapture the anarchic spirit of Warner Bros.' classic cartoons; unfortunately, not much else in this labored movie does. Technically, the merging of live actors and cartoon characters is impressive, as Brendan Fraser and Jenna Elfman team up with Bugs and Daffy to save the world by keeping a magical diamond out of the hands of the evil Acme Corporation, headed by a nerdy, prancing Steve Martin. Just about every Warner Bros. character makes an appearance, as do Timothy Dalton, Heather Locklear, and the ever-dependable comic delight of Joan Cusack (In and Out, School of Rock). -- Bret Fetzer

Brittany Murphy (don't Say a Word) and Dakota Fanning (I Am Sam) shine brighter than all the lights of Manhattan in this delightful New York fairy tale. Co-starring Marley Shelton (Never Been Kissed), Donald Faison ("Scrubs") and Heather Locklear ("Spin City"), Uptown Girls will make you laugh, cry and laugh again! Molly (Murphy) is a partying rock 'n' roll princess whose money just ran out. Ray (Fanning) is a fussy nine-year-old girl whose last nanny just ran out. Only Ray's way-too-busy mom (Locklear) could think that hiring Molly would be the perfect setup for both girls. But as this unlikely pair faces everything from control issues (Ray's, of course) to temper tantrums (Molly's, of course), they discover that sometimes your best friend can come from the place you least expect!

Brittany Murphy uses her ditzy/sexy combination to maximum effect in Uptown Girls. Molly Gunn (Murphy) is an heiress living off the estate of her dead rock star father--until an unscrupulous accountant embezzles everything and Molly has to get a job. After a failed attempt at retail work, Molly finds herself as the nanny for a prematurely humorless and rigid little girl named Ray (Dakota Fanning, I Am Sam), whose music mogul mother Roma (Heather Locklear) hardly ever sees her. Meanwhile, Molly woos an English musician who's trying to get a record contract from Roma. Unsurprisingly, Ray teaches Molly to take some responsibility for herself, while Molly gives Ray the opportunity to become the child she is--but despite the formulaic quality of the story, the two actresses play off each other well, and something unexpectedly touching emerges. Also featuring Marley Shelton (Sugar & Spice). -- Bret Fetzer

A drug-lord targets an undercover FBI agent (Heather Locklear) and the hit man she falls in love with while tracking.

Undercover FBI agent Katherine (Heather Locklear) and her team of street smart agents infiltrate a drug ring and come across a retired policeman turned professional assassin, with whom Katherine falls in love. Unknown to Katherine, this assassin targets pedophiles who targets kids, but agrees to be hired by her to take out a drug dealer named Cypher.

This formulaic 1997 comedy becomes needlessly complicated at points but feeds off the high energy of Chris Tucker (The Fifth Element, Rush Hour). Tucker plays a two-bit con man, Franklin Hatchett, framed for the prison breakout of a ruthless criminal. Hunted by both the police and the bad guys, Hatchett finds his only hope in a smarmy, self-serving television reporter played by the perfectly cast Charlie Sheen (Platoon), who agrees to protect the nervous, hapless patsy only to further his own career. The plot is at times just plain dumb, and the requisite car chases and explosions happen a bit too frequently. But Tucker's manic energy and off-the-wall humor, as he is thrown into situations of mistaken identity and mortal danger, make the movie a frenetic and entertaining romp. -- Robert Lane

Goldie Hawn, Bette Midler, and Diane Keaton prove that revenge is a dish best served cold. Former college buddies, they reunite at the funeral of a dear friend who took a swan dive onto Fifth Avenue. All three discover they share the same unhappy history of husbands who dove into middle-age by dumping them for trophy wives. Forming a warring triumvirate, they decide to get even, and along the way remind themselves of long-forgotten capabilities. The action gets a little too "wacky" at times, but the gals are great. Portraying an aging actress, Hawn is sometimes a little too flamboyant, but there is much fun to be had in her flashiness, especially when she pokes fun at Tinseltown and her persona. Instead of her usual brashness, Midler stretches herself and shows us a woman who is not just unhappy, but also deeply sorrowful. Not that she isn't quick with a wisecrack, but her expressive face alone tells the story of her marriage. As the repressed and guilt-ridden spouse of a self- involved ad executive, Keaton finds her anger, and her voice, when her psychiatrist (Marcia Gay Harden) oversteps ethical boundaries. Watching Keaton grow from an ineffectual homemaker into a powerful businessperson reminds us that it has been far too long since she has done a comedy. Director Hugh Wilson smartly chose supporting players who each brought something unique to the film. However, he does not maintain the first hour's effervescent humor throughout the film, as the ending is weakened by a softening of the wives' resolve. -- Rochelle O'Gorman

Somewhere in the world, there are probably people who don't understand why Mike Myers's character, Wayne Campbell, is funny--which is too bad. Granted, the laughs are often cheap and silly, but there's no one who can embody a comic character and riff within that character the way Myers does. Wayne and his pal Garth (Dana Carvey) were fixtures on Saturday Night Live before the unexpected success of Wayne's World, which is about what happened when they tried to take their local cable-access show citywide. This time, they want to stage Waynestock, a mammoth rock festival in their little Chicago suburb, even as Wayne copes with girlfriend Tia Carrere's interest in record-company exec Christopher Walken. For extra fun, Garth gets involved with the babelicious Kim Basinger. Yes, the humor is scattershot and the plot is lame--but you'll find yourself laughing nonetheless. -- Marshall Fine

The premise of this pleasantly messy sequel is that Wayne (Mike Myers) and Garth (Dana Carvey) have grown up. As Wayne puts it, "I'm a little older, I'm a little wiser, I'm starting to get hair in really weird places." The film is pretty hairy itself, although it lacks the sheer pointlessness of the original. In his dreams-funny the first time, less so as the movie goes on-Wayne meets Jim Morrison, who tells him to stage a rock concert in Aurora, Illinois. As if that weren't tricky enough, he has problems with his girlfriend (Tia Carrere, the Margaret Dumont of our time). Meanwhile, Garth is being introduced to the terrors of sex by Honey Hornée (Kim Basinger, in one of her more thoughtful roles). There are cameos from Charlton Heston and Drew Barrymore, snappy parodies of "The Graduate'' and "Mission: Impossible,'' and a sublime Village People routine that comes out of nowhere. The director is Stephen Surjik, although it's hard to spot exactly what he does. - Anthony Lane