Heleni Smith Tribute to Cavafis
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Heleni Smith Tribute to Cavafis
This is a tribute page to one of Greece's most renowned poets- Constantine Cavafis.
Poet of Turkish-Greek ancestry. Born to Greek parents, Cavafis worked as an obscure civil servant in Alexandria his entire adult life. His small body of work, some 200 poems in an intimate, realistic, lyrical style, is written in a strange combination of classically based and modern Greek. Many deal with history, principally the Hellenistic era. His poems became popular and influential after his death, and he is now widely regarded as one of the greatest of modern Greek poets.
Cavafi's poems have been translated into English, French, Italian, and German, and several other languages. The 1963 Nobel laureate George Seferis was his ardent admirer. E.M. Forster persuaded T.S. Eliot to publish several Cavafi's lyrics in The Criterion in 1924. The English novelist John Fowles has remarked that Cavafis is for him the great poet of the Levant.
Poet of Turkish-Greek ancestry. Born to Greek parents, Cavafis worked as an obscure civil servant in Alexandria his entire adult life. His small body of work, some 200 poems in an intimate, realistic, lyrical style, is written in a strange combination of classically based and modern Greek. Many deal with history, principally the Hellenistic era. His poems became popular and influential after his death, and he is now widely regarded as one of the greatest of modern Greek poets.
Cavafi's poems have been translated into English, French, Italian, and German, and several other languages. The 1963 Nobel laureate George Seferis was his ardent admirer. E.M. Forster persuaded T.S. Eliot to publish several Cavafi's lyrics in The Criterion in 1924. The English novelist John Fowles has remarked that Cavafis is for him the great poet of the Levant.
Since Nine O'Clock
Half past twelve. Time's gone by quicklysince nine o'clock when I lit the lamp
and sat down here. I've been sitting without reading,
without speaking. Completely alone in the house,
who could I talk to?
Since nine o'clock when I lit the lamp
the shade of my young body
has been haunting me, reminding me
of shut scented rooms,
of past passion - what daring passion.
And it's also brought back to me
streets now unrecognizable,
bustling night clubs now closed,
theatres and cafes no longer there.
The shade of my young body
also brought back the things that make us sad:
family grief, separations,
the feelings of my own people,
of the dead so little recognized.
Half past twelve: how the time has gone by.
Half past twelve: how the years have gone by.
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The City
The City
You said: "I'll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart -like something dead- lies buried.
How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighbourhoods, turn grey in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.
You said: "I'll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart -like something dead- lies buried.
How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighbourhoods, turn grey in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.
Ithaka
As you set out for Ithakahope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon - don't be afraid of them:
you'll never find things like that one on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon - you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbours you're seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfumes of every kind -
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you're destined for.
But don't hurry the journey at all.
Better if it lasts for years,
so you're old by the time you reach the island,
wealthy with all you've gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvellous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you'll have understood by then what these Ithakas mean
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by helenismith
Columbia graduate student, New York City resident.
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