Steppenwolf by Herman Hesse

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Ranked #471 in Books, #46,946 overall

For Madman Only

And perhaps, I mean, it has always been the same and always will be, and what is called history at school, and all we learn by heart there about heroes and geniuses and great deeds and fine emotions, is all nothing but a swindle invented by the schoolmasters for educational reasons to keep children occupied for a given number of years. It has always been so and always will be. Time and the world, money and power belong to the small people and the shallow people. To the rest, to the real men belongs nothing. Nothing but death.
Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours.
I do want more. I am not content with being happy. I was not made for it. It is not my destiny. My destiny is the opposite.

QUOTE...

All suicides have the responsibility of fighting against the temptation of suicide. Every one of them knows very well in some corner of his soul that suicide, though a way out, is rather a mean and shabby one, and that it is nobler and finer to be conquered by life than to fall by one's own hand.

Basic Facts 

Der Steppenwolf is the tenth novel by German-Swiss author Hermann Hesse. Originally published in Germany in 1927, it was first translated into English in 1929. Combining autobiographical and fantastic elements, the novel was named after the lonesome wolf of the steppes. The story in large part reflects a profound crisis in Hesse's spiritual world in the 1920s while memorably portraying the protagonist's split between his humanity, and his wolf-like aggression and homelessness.[1] The novel became an international success, although Hesse would later claim that the book was largely misunderstood.... read the rest of Wikipedia article

 

This is an intelligent, deep and moving novel. It is not always pleasant, but then again life is not always pleasant either. Steppenwolf is perhaps the novel in which Hesse best sums up many of the points made in his other novels, previous or subsequent. It is the round-up of a clear and interesting philosophy of life. No wonder people, especially young people, keep finding inspiration, advice and healing in his works.

Der Steppenwolf (German Edition)

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A profoundly memorable and affecting novel, the gripping and fascinating story of disease in a man's soul, and a `savage indictment of bourgeois society.

Summary 

The point of view changes from first person to third person within the treatise. The treatise begins much like a short story: "There once was a man, Harry, called the Steppenwolf." Steppenwolf is shocked when he reads the first line, for he believes he is reading about himself.

The treatise states Steppenwolf is incapable of being content because he is not fully human. He possesses two natures-the human and the wolf-and they are in a constant struggle for control. His dual nature drives him constantly and prevents him from being satisfied. He desires freedom and individuality, but this is only obtained at the price of isolation and loneliness. As a result, he is suicidal.

The treatise goes on to describe Steppenwolf's main conflict, namely, his inability to separate himself from the bourgeoisie. In fact, the treatise reveals that bourgeois society exists and flourishes due to the presence of the Steppenwolves.

More than one Steppenwolf exists, and each Steppenwolf consists of multiple natures, not just the human and wolf. Society does not acknowledge the existence of multiple selves, so the Steppenwolf is destined to be isolated, rejected, and misunderstood. Although he generally and genuinely feels superior to others, the subsequent detachment from society leads him to believe suicide is the only answer. The treatise refutes this idea: "Nor will suicide really solve your problem, unhappy Steppenwolf."

Quote...

What I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.

Characters 

  • Harry Haller.... The protagonist who also refers to himself as the Steppenwolf. He is suicidal because he cannot completely separate himself from bourgeois society. He discovers the Magic Theater and the "Treatise on the Steppenwolf" and begins a journey of self-discovery.
  • The Nephew.... The narrator in "The Preface." The nephew resides in the house where Steppenwolf is renting a room. Initially, the nephew despises Steppenwolf, but later they become friends. Steppenwolf leaves his personal manuscript behind and directs the nephew to do as he likes with it.
  • The Aunt.... Steppenwolf's landlady. She rents rooms to Steppenwolf and represents the epitome of bourgeois domesticity.
  • The Peddler.... The man carrying a sign for the Magic Theater. He gives Steppenwolf the pamphlet entitled, "Treatise on the Steppenwolf."
  • Hermine..... The woman Steppenwolf encounters at The Black Eagle. She prevents him from committing suicide the night of their first meeting. Later, she teaches him to dance, introduces him to Maria, and ultimately arranges his visit to the Magic Theater. Hermine informs Steppenwolf that they will be lovers in the future.
  • Maria.... Steppenwolf's lover. She dances with Steppenwolf after his first dance lesson with Hermine. Days later, she surprises him by waiting for him in his room. She teaches him about physical pleasure and sexual gratification. The affair lasts for the three weeks leading up to the Fancy Dress Ball.
  • Pablo.... A musician and friend to Hermine. He has access to mind-altering drugs. Although he is initially aloof to Steppenwolf, they become friends, and later it is revealed that he operates the Magic Theater.
  • Erica.... A friend to Steppenwolf. Her picture hangs in his room. They visit periodically but do not get along well.
  • The Professor.... An old acquaintance. He and Steppenwolf used to discuss Oriental mythology. A chance meeting prompts the professor to invite Steppenwolf to dinner.
  • Attorney-General.... Loering Victim to Steppenwolf and Gustav. The Attorney-General is an individual riding in one of the cars that is fired upon by Steppenwolf and Gustav during the Magic Theater sequence "JOLLY HUNTING. GREAT HUNT IN AUTOMOBILES." He debates the concept of duty with Gustav and ultimately convinces Gustav that he was only performing his duty when he sentenced individuals to death. Gustav decides not to kill him.
  • Gustav.... Steppenwolf's old friend. He is a theologian, but he puts his religious convictions aside to help Steppenwolf assassinate as many people in cars as they can during one sequence in the Magic Theater. Steppenwolf encounters Gustav when he enters the door entitled, "JOLLY HUNTING. GREAT HUNT IN AUTOMOBILES."
  • Goethe.... One of the Immortals. Steppenwolf encounters him during a dream sequence. Goethe informs Steppenwolf that he is taking life too seriously.
  • Mozart.... One of the Immortals. Steppenwolf encounters him after seeing the gallery entitled "HOW ONE KILLS FOR LOVE." Steppenwolf considers Mozart to be an infallible authority-not only one of the Immortals, but the purest and most respectable of them all. Mozart informs Steppenwolf that his serious nature and his failed attempt to separate himself from the bourgeoisie have led to his downfall.

Movie Adaptation 

Max Von Sydow (The Exorcist The Seventh Seal Pelle the Conqueror) and Dominique Sanda (The Garden of the Finzi-Continis The Conformist) star in this ambitious adaptation of Nobel Prize-winning Herman Hesse's classic novel about the dual nature (the spiritual vs. the physical) of man and his eternal internal struggle to find peace within himself. This exciting version employs animation special effects camera trickery color synthesizers superimpositions and fast and slow motion to convey the complex inner life of the aging tortured writer (Von Sydow) who encounters the beautiful muse and alter-ego (Sanda) on his journey of self.

Steppenwolf

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Hesse's intention was to paint the picture of Steppenwolf's (or Harry Haller's) state of mind. To portray this personality, Hesse resorted to Jungian psychology, particularly the principals of `ego', `animus/anima' and `self'. Harry Haller is his `ego'. Hermine is his `anima' (animus in women). Pablo and Maria are his `self'. Harry Haller (whose initials H.H. are the same as Hermann Hesse's), however, is unable to integrate the opposite and multiple pieces in his psychological make up. Unity of the personality is attainable by emulating the immortals' (Mozart, Goethe, Nietzsche, Novalis) sense of humour or adaptability whenever confronted with rigid conformity and resistance to change.

About Author 

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Home-Interior-Designer wrote...

I'm a great fan of Hermann Hesse. Well presented and written lens.

ReplyPosted May 31, 2009

stoetzels wrote...

This is on my next reading wishlist....your Awesome!!

ReplyPosted October 08, 2008

spirituality wrote...

Great job. That text you started with was a quote too, right?

ReplyPosted October 06, 2008

Treasures-By-Brenda wrote...

Wow! What a marvelous book review! A Wonderful job!

Brenda

ReplyPosted September 30, 2008

Portable_eBay wrote...

I like the logo of the wolf on the intro. How about adding a polaroid of it.

ReplyPosted September 29, 2008

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