Introduction
Throughout the Middle Ages, women had a life that was totally dominated by the male members of the family. They were expected to be very submissive and instantly obey not only their fathers and husbands, but other male members as well. Any kind of "disobedience" was seen as a crime against the church and domestic violence was accepted as a way of beating an unruly girl into submission. Not only were they expected to be obedient, they were also expected to marry very young and to have large families. The exception of this life was one of a nun; who was given to a church at an early age to devote her life totally to God. One such prolific nun, writer and composer of the Middle Ages was Hildegard von Bingen who, despite the heavy patriarchal times, became very respected and well known by many.
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Hildegard's Early Years
started to see visions of luminous objects at a very early age and she continued to have these visions throughout her life. However, she kept these visions to herself with the exception of telling her
instructors Volmar and Jutta when she was sent to Disibodenberg at the age of 8. Disibodenberg was a monastery in Germany where she received religious
education from Jutta,the sister of Count Meinhard of Sponheim who was also an anchoress. An anchor or anchoress was a monk or a nun who spent their
lives in complete solitude devoting their lives to God through prayer,contemplation, or hand working activities. However Jutta was so popular as an instructor that a small nunnery sprang up around her due to so many followers. Another instructor of Hildegard's was Volmar. Volmar was a St. Disibod monk who acted as prior and father confessor for the nuns
at Disibodenberg.
Hildegards Visions and Writings
"And it came to pass ... when I was 42 years and 7 months old, that the heavens were opened and a blinding light of exceptional brilliance flowed through my entire brain. And so it kindled my whole heart and breast like a flame, not burning but warming... and suddenly I understood of the meaning of expositions of the book"
However, feeling of inadequacy overwhelmed her as well:
"But although I heard and saw these things,because of doubt and low opinion of myself and because of diverse sayings of men, I refused for a long time a call to write, not out of stubbornness but out of
humility, until weighed down by a scourge of god, I fell onto a bed of sickness."
Preachings and Writings
a morality play set to music. Being one of the largest repertoires of the medieval composers, 80 of Hidegard's works have survived. Among her best known works is the Ordo Virtutum ("Order of the Virtues" or "Play of the Virtues"), a type of early oratorio for women's voices, with one male part, that of the Devil.
Unlike so many women of her time, Hildegard von Bingen was often asked by abbots and abbesses for prayers and opinions on various matters as well as traveling widely during her four preaching tours, the only woman to have done so during the Middle Ages. She also communicated with various Popes which included Anastasius IV and Eugene III as well as
various emperors and statesmen. Hildegard travelled and preached throughout southern Germany, Switzerland and even Paris. Deeply moved by her
sermons, people asked her to provide written copies of them for their own readings. Her use of metaphor, as well as non verbal means in communication and visual imagery helped reach out to those that were hard of hearing or totally deaf.
The Later Years
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Vision: The Music of Hildegard von Bingen
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Hildegard von Bingen: Heavenly Revelations
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The Origin of Fire: Music and Visions of Hildegard von Bingen
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Hildegard von Bingen: Symphoniae (Spiritual Songs) - Sequentia
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