How to mix vocals successfully
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Mixing Vocals In A Home Studio Environment
This page tells how to mix vocals successfully. This page is for DIY musicians and independent artists. It tells you how to mix good quality vocals. How do you get recorded vocals to sound good? Perhaps the hardest aspect of DIY recording is to get your vocals to sound good and stand out without being strident. This is especially vital when vocal mixing for folk music which needs clarity and sensitivity. Here I will show you how to mix a good vocal without getting too techy. It IS possible to get a good vocal mix without spending a fortune on gear. In particular I will show how I mixed the vocals of a song, St Francis' Prayer on the iTunes link below.
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This is an account of how to record and mix vocals which is aimed at ordinary musicians, not industry experts. It gives some useful tips to other DIY music producers in a non-techy way!I hope you will enjoy it and find it useful or interesting!
Photographs and images used here are my own, please do not copy.
Contents at a Glance
Recording Your Vocals
What you need to record vocals.
Recording a good vocal presupposes several facts:
You must have a backing track to sing to or you will be out of time!
You need headphones as sound from the backing track will spill into the vocal if you use speakers.
A good microphone, on a stand, in a quiet room is a must.
A "pop screen" is useful!
Either a digital recording studio or an interface for your computer is necessary.
The route I choose is as follows, a good condenser microphone with a professional quality pop screen into a digital portastudio. If you want to save on equipment costs, you can make a pop screen by stretching nylon tights over a coat hanger. I have done it, but it does lose some clarity whereas the pop screen does not.

Pop Screens For Sale
Essential for clean vocal recording
The Recording Hardware I Use
Recording with a digital studio
I record directly into a 24 track portastudio. Any orchestral backing I want is produced with Sibelius software and its onboard synth. I use the sib track purely as a guide track to sing along to (a la karaoke!) importing it from the computer onto the studio.
Vocals and live instruments are then recorded and exported to a mixer programme on my computer. I could mix directly with the studio, but I find exporting to NCH Mix Pad works well for me. This is a very cheap but reliable programme which is easy for someone who is not a "tech head" to use.
I also use Wave Pad (part of the package) to edit any individual parts, amplify, add effects or EQ before loading to Mix Pad.
This set up works well for me. It is a lot cheaper than Pro-Tools or Cubase as my focus is on the music not the industry specifications. I know of professionals who also use Sony Acid and Audacity freeware programmes. It need not be expensive to mix sounds!

Tascam 2488 Digital Portastudio
A quality tool for home recording and demo CDs
2488 Portastudio
Amazon Price: (as of 06/01/2012)![]()
I have used the Tascam 2488 extensively and can recommend it to readers. The only drawback I found was the manual which does not specify the codecs supported by the import and export WAV functions in an obvious way. I had to discover that by trial and error. After that point it became easier to use with the computer! Amazon does not give a list price for this item, but the quoted $749 is much less than I paid for mine.
Raw Track Without Cleaning Or Compression
The Starting Point For Editing Your Vocals
As you can see, this wave form is very spiky. You can also perhaps see little spikes and oddities between phrases? This will not sound balanced or clean in a mix....
Mixers and Portastudios On Sale
Basic Equipment for Recording
Edit Your Vocal Now
How to clean a track before mixing - easy method....
To get a good vocal it is necessary to edit it first! However well you sing there will be problems with background noise, breath and mouth sounds and varying levels. If you have a good condenser microphone it will pick all these things up and now is the stage to get rid of them. Here is how you do it.
Take your vocal track into your computer editing programme (Mix Pad for me) listen carefully for unwanted sounds, heavy breathing or rumble between verses, overly loud consonants, gasps for air.... All lovely stuff!
Listen carefully to your vocal at volume. Where a problem occurs, "cut a notch" into the track using the increase and decrease decibel line. Listen again carefully. If you have lost part of a word, move the line until it is back again. Take time over this process - it is boring and longwinded and listening to unaccompanied vocals can suck, but it is vital!
Buy Condenser Microphones
Condenser Mics On Sale
Compressed Track....
How compression changes your vocals....
When you are satisfied with the clean quality of your track, compress it. This gets rid of unintentional peaks and troughs from your performance or proximity to the microphone changing. Some producers compress a vocal multiple times. I do it once. This preserves the natural sound of my voice.
Too much compression makes singing sound woolly and out of tune I find. Too little makes the track distort and bounce a lot. I compress in a low ratio and use as little as I can get away with, you decide how much you like.... It is personal.
Save your track as Vocal1compressed. Keep this track for back up!
After compression, you may wish to tune the track. Do not use a global tuner unless you want the robot effect! If you have Melodyne, use it to find any notes that are audibly off key and tune them individually.
Save your track as Vocal1comptune.
If you are going to add reverb prior to mixing, add it to your track as required and Save as Vocal1comtunereverb.
You are now ready to add your vocals to the mix.
Keep the non reverb track!
Buy Vocal Tuning Software Here
The Music Industry's Secret Weapon
Where To Pan Vocals In The Mix
Centering your vocal!
Panning instruments is to give separation to the various tracks and some depth to your song. The established place for lead vocals is the centre along with the drum track. This puts you right in front of the rest of the band.
Now you know why it is so necessary to clean up the track! What I do with a single vocal track is place it in several positions. I do this because I have a pure, some would say folky voice. I do not have much "edge" so I want to enduce a gentle chorus effect. A pure sound can cut through without being strident in this way.
With St Francis Prayer I followed this pattern:
Centre vocal with reverb, minus12dB
Centre vocal dry, minus 10dB
Left of centre vocal reverb, minus 16dB
Right of centre vocal reverb, minus 16dB
The minus values were necessary to avoid being out of balance with the instruments or the track distorting. I tend to put minus values on everything - not just vocals - until the volume indicator only redlines very slightly. I do not believe music has to be loud to be good - if it sounds good quiet it can be amplified but bad music will only sound awful when louder!
I guess this is all I have to say for now and you must be the decider as to whether it worked in this particular song, so for my last paragraph or two you can check out St Francis Prayer....
Happy Easter and good luck with your recording!
St Francis Prayer
The Final Mix
Here you can listen to an excerpt from the song. It is not perfect, a real choir and a professional engineer would obviously sound better, but with the exception of a tiny reverb oddity in the piano introduction I was happy with this mix!
New Igo GREEN Tip of the Day
From The Ashes of a Broken Dream
Lisa's Latest Song
- From the Ashes, Amazon UK
- This song was recorded and mixed by Geoff Middleton in 2006 so I only needed to release it :)
A Brief History of Recording and Mixing
Development of Home Recording
This is not intended to be more than just an overview for the interested passer by. I am deliberately not including dates or equipment because it is an overview only. Those interested in the history of the music industry will find a wealth of books and websites giving accurate timelines and details. this is but a drop in the ocean!
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The first recordings were made by interested individuals. They were made live to a wax cylinder. There were no dubs or retakes, just go for it! Many interesting examples exist including hundreds of folk songs sung by old people and collected by Vaughan Williams, Percy Grainger, Cecil Sharp and others. You can even hear Tennyson reciting his own poetry, The Charge of the Light Brigade, on Youtube - and this was a wax cylinder recording. Pretty amazing really that someone should think how to do it!

Charge of the Light Brigade by Dividenda -
The technique was changed fairly early on to discs. A master copy could be produced in metal from which the early 78rpm records were "pressed". Again, this was one take only, not possible to dub or to edit. Only the best and most well known musicians made phonograph recordings....

Edison and Phonograph by Dividenda -
Recordings and microphones became more sophisticated over the next 40 years or so. The introduction of vinyl made "records" less fragile. 33rpm and 45rpm records were introduced. Radio stars became recording artists and the recording industry began to come into its own. Artists would make several recordings and the best would be released. An example I have (rereleased on tape) is of Charlie Parker doing several takes of some session saxophone work on "Romance without Finance".

Bird Lives - Kansas City by ChrisM70 -
In the early 1960s, stereo was introduced and became the industry standard. This gave the sound more definition. Music was recorded with a left track and a right track onto tape, mixed by a producer, then pressed onto vinyl.

Four Turntables by ElectricPopSpot -
Bands like the Beatles, Pink Floyd and others became adventurous with bouncing two tracks onto one. Several passes could be made before quality was lost. This allowed for some retakes too as tape recorders had an erase head in front of the record head. Sometimes the erase head could be disabled to experiment with sound layering or tape could be reversed. Phil Spector developed his "Wall of Sound" and some terrific recordings!

All you need is love! by pmoore -
Eight track tape allowing for continuous play recordings, but was a limited success in home sound systems. However, eight track tape became standard for recording bands and would allow for multiple takes from each instrument or singer until the band and engineer were satisfied. A mixing desk was required, then the engineer would "master" the eight tracks down into one stereo recording which could then be sent for pressing.

Tapes by JAM_Design -
Mixing desks and recording facilities became more and more expensive and elaborate. "Analogue" recordings became more and more sophisticated - and expensive!

For the DJ by edaldridge -
The larger studios introduced digital technology and recording techniques, music went from 8 track, to 16, to 24 - to virtually unlimited. The big studios were king, the independent producers still used the older technology and competed with more "gritty" and realistic analogue recodings.

Rock n Roll Dreams Poster by DanceswithCats -
The birth of the portastudio enabled bands to produce their own demos to send in to A and R men. Many were never even listened to.... Initially these were analogue, and 4 track. Tracks could be "bounced". Young bands became more "tech" minded. Eight and sixteen track machines emerged. These were initially quite expensive.

Fly Away Dreamer Poster Print by pandapad_ap -
The birth of the digital portastudio and Steinberg software becoming increasing available on better and better home computers enabled serious DIY music production.

digital music bliss by dooni_notebooksIwantmyartatzazzle10 Posters -
Increasingly sophisticated computers, software and music hardware have continued to level the playing field for DIY recording artists. This brings us back to the interested individuals in the early days! If you can afford the gear and use it properly the only difficult part is marketing....

Woman with headphones in a virtual world by Maciej_Frolow
Buy History of Recorded Music Books
A Century of Recording Technology
New Featured Lenses
Thank you for reading about vocal mixing
What is your opinion about a good vocal mix?
Please let me know if you have found this lens interesting or useful.
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darciefrench
May 18, 2012 @ 4:43 pm | delete
- Great stuff for the DIY musician! My daughter would love any and all of it. She's an aspiring youtube professional at age 8.
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Jeandre
Apr 22, 2012 @ 11:58 am | delete
- Wow man, this is awesome. I recently did one for music production as a whole, my hopes is to create an interactive tutorial on all things music production. Through the collective wisdom will we be able to perfect our craft.
http://www.squidoo.com/ultimate-guide-to-become-a-music-producer
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gary grasser
Mar 30, 2012 @ 1:28 am | delete
- Dude you rock,,absolutly rock
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Marshall1969
Feb 1, 2012 @ 12:09 am | delete
- Great lense on this. I have done some home vocal recording and everything you said is true. I also learned somethings that I didn't know about. Check out my first lense here: http://www.squidoo.com/online-video-drum-lessons and like/let me know what you think.
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Edutopia
Jan 30, 2012 @ 9:10 pm | delete
- Great lens, really helpful for the budding home studio jockey.
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MiddleSister
Oct 2, 2011 @ 8:09 pm | delete
- This is fascinating! Thank you for the history as well as the practical directions. I really want to record some songs with my daughter.
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joel mwangi
Sep 25, 2011 @ 6:07 am | delete
- great stuff you have, they can in handy to my recording techniques
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ZevRonso
Sep 23, 2011 @ 6:57 am | delete
- Awesome lense. way to break it down.
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DonMigoy
Sep 6, 2011 @ 9:00 pm | delete
- Very useful lens! thanks for the info :)
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djforza Jun 16, 2011 @ 9:47 pm | delete
- Wow, awesome lens!!
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Tweets about mixing....
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