Itzpapalotl, Chichimec Dragon Goddess

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Obsidian Knife Butterfly

We are introduced to death in the guise of the dragon Itzpapalotl. She is the ancient Chichimec representation of Mother Earth in her mortuary phase symbolizing the world's cyclical changes - the rhythms of the seasons and agriculture. Also known as "Obsidian Knife Butterfly," a goddess of creation and transformation, Itzpapalotl is shown wearing butterfly wings to indicate her shamanic and transformational powers.

For more information on the original painting Itzpapalotl, Chichimec Dragon Goddess by Susanne Iles please visit:http://www.bonesinger.com/itz.html

The original article entitled The Dragon and Creation: Reclaiming the Sacred in Our Lives by Susanne Iles may be found at http://www.bonesinger.com/essaycreate.html

 

Itzpapalotl, Chichimec Dragon Goddess

"Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow
Die not, poor Death; nor yet canst thou kill me.
From Rest and Sleep, which but thy picture be,
Much pleasure; then from thee much more must flow..."

Mother Earth's Mortuary Phase

We are introduced to death in the guise of the dragon Itzpapalotl. She is the ancient Chichimec representation of Mother Earth in her mortuary phase symbolizing the world's cyclical changes - the rhythms of the seasons and agriculture. Also known as "Obsidian Knife Butterfly," a goddess of creation and transformation, Itzpapalotl is shown wearing butterfly wings to indicate her shamanic and transformational powers. Her appearance as a dragon with butterfly wings symbolizes the human fear of death, yet provides hope for a gentle sleep, transformation and rebirth. The emerging butterfly represents the human soul and its journey heavenward. Her hands and feet are depicted alternately as jaguar or eagle claws, as she grips the corners of the sky with her hands. Her fierce countenance expresses the darker aspects of nature found in drought, floods, storms, disease or death. Another face of Itzpapalotl is one of great beauty showing her gift of kindness through release of suffering, transformation of the soul and the fostering of new growth in spring.

Itzpapalotl teaches us although natural law in all its beauty and destruction must prevail, it is not final. We are taught death can be overcome and our spirit transformed into a life everlasting.

Itzpapalotl, Original Painting by Susanne Iles

Itzpapalotl, Original painting by Susanne Iles

Original artwork available at http://www.susanneiles.com

The Symbolism of Itzpapalotl

The artist explains the symbolism behind her painting as it relates to the representation of Itzpapalotl in the Borgia Codex.

"This lady was a pleasure to paint because of her sedate demeanor. Ah! But therein lies her mystery. The illustrative quality of this piece is enhanced by the representation of Itzpapalotl's codex symbol which is an ancient cartoon in of itself. Though she may look peaceful as she stands in her regenerative phase, don't be fooled by her calmness. Her wingtips are razor sharp and she wears the mortuary mask of death on part of her face. The jaguar spirit within claws at the sky to bring life-giving rains as well as floods. Her nose piercing is a small obsidian knife, used when the time is necessary, to relieve a dying man of his suffering; a soul flutters at her fingertips in the guise of a translucent white moth. Her deep beauty is marked with pain. Her headband is a braided strip of her own bloodied skin, cut from her forehead. She is everything beautiful and terrible about creation. Creatrix and Destroyer. She is the fighting passion of life itself."
Painting Symbolism: "Itzpapalotl, Chichimec Dragon Goddess"
The artist explains the symbolism behind her painting as it relates to the representation of Itzpapalotl in the Borgia Codex.

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