James Bond - Skyfall Soundtrack

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The full, unedited press conference from Thursday 3rd Novemeber 2011, marking the start of production on the 23rd James Bond film, Skyfall. Daniel Craig, Javier Bardem, Dame Judi Dench, Naomi Harris, Berenice Marlohe, Director Sam Mendes and Producers Michael G. Wilson and Barbara Broccoli all appear. Watch more great video interviews right now at absoluteradio.co.uk!

Song: Live and Let Die. Performed by: Paul McCartney and Wings (Band) Song written & composed by: Paul McCartney and Linda McCartney. Music by: George Martin. Album: Live and Let Die (Soundtrack) 1973. Song Record Labels: Apple & EMI Records. Film: Live and Let Die. Starring: Roger Moore as James Bond 007, Yaphet Kotto, Jane Seymour and David Hedison. Directed by: Guy Hamilton. Novel & Story written by: Ian Fleming. Screenplay written by: Tom Mankiewicz. Distributed by: © United Artists. Theatrical Release Date: June 27 1973 (USA) July 12 1973 (UK) Niceties by: http://www.youtube.com/IAmOnlyLove Synopsis! Live and Let Die (1973) is the eighth spy film in the James Bond series, and the first to star Roger Moore as the fictional MI6 agent James Bond. The film was produced by Albert R. Broccoli and Harry Saltzman. Although the producers wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, he declined, sparking a search for a new actor to play James Bond. Roger Moore was selected for the lead role. The film is adapted from the novel of the same name by Ian Fleming. In the film, a Harlem drug lord known as Mr. Big plans to distribute two tons of heroin free so as to put rival drug barons out of business. Mr. Big, however, turns out to be the disguised alter ego of Kananga, a corrupt Caribbean Dictator, who rules San Monique, the fictional island where the heroin poppys are secretly farmed. Bond is investigating the death of three British agents, leading him to Kananga, where he is soon trapped in a world of gangsters and voodoo as he fights to put a stop to the drug baron's scheme. Live and Let Die was released during the height of the blaxploitation era, and many blaxploitation archetypes and cliché are depicted such as afro hairstyles, derogatory racial epithets ("honky"), black gangsters, and "pimpmobiles."[1] It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, depicted primarily in blaxploitation films. Moreover, it is set in African American cultural centres such as Harlem, New Orleans, and the Caribbean Islands. It was also the first James Bond film featuring an African American Bond girl to be romantically involved with 007, Rosie Carver, who was played by Gloria Hendry. Despite mixed reviews due to the racial overtones, the film was a box office success. About Song! "Live and Let Die" is the main theme song of the 1973 James Bond film Live and Let Die and was performed by Paul McCartney and Wings on the movie soundtrack and on the soundtrack album. The song was one of Wings' most successful singles, and the most successful Bond theme to that point. Commissioned specifically for the movie and credited to Paul McCartney and his wife Linda, it reunited McCartney with Beatles producer George Martin, who both produced the song and arranged the orchestral break. .....Lyrics..... When You Were Young And Your Heart Was An Open Book You Used To Say Life And Let Life (You Know You Did, You Know You Did You Know You Did) But In This Ever Changing World In Which We Live In Makes You Give In And Cry Say Live And Let Die Live And Let Die Live And Let Die Live And Let Die What Does It Matter To Ya When You Got A Job To Do You Gotta Do It Well You Gotta Give The Other Fella Hell You Used To Say Life And Let Life (You Know You Did, You Know You Did You Know You Did) But In This Ever Changing World In Which We Live In Makes You Give In And Cry.....End

The tradition of having various vocalists sing the title song of the James Bond films began with the 2nd in the series in 1963, "From Russia With Love", and Matt Monro took these honors quite beautifully. Lionel Bart of "Oliver" fame wrote the title lyrics while John Barry composed the music.

Song: The Living Daylights. Performed by: a-ha. Song written by: Paul Waaktaar-Savoy and John Barry. Music composed & conducted by: John Barry. Album: The Living Daylights (Soundtrack) 1987. Song Record Label: Warner Bros. Records Inc. Film: The Living Daylights. Starring: Timothy Dalton as James Bond 007, Maryam d'Abo, Jeroen Krabbé and Joe Don Baker. Directed by: John Glen. Novel & Story written by: Ian Fleming. Screenplay written by: Richard Maibaum and Michael G. Wilson. Music by: John Barry. Distributed by: © Metro-Goldwyn-Mayer Inc. Theatrical Release Date: 29 June 1987 (UK) London 'Premiere' Niceties by: http://www.youtube.com/IAmOnlyLove Synopsis! "The Living Daylights" (1987) is the fifteenth spy film in the James Bond series, and the first to star Timothy Dalton as the fictional MI6 agent James Bond. The film's title is taken from Ian Fleming's short story "The Living Daylights." The beginning of the film (following the title sequence) resembles the short story, in which Bond has to act as a counter sniper to protect a defecting Soviet. The film begins with Bond investigating the deaths of a number of MI6 agents. The Soviet defector, Georgi Koskov, informs him that General Pushkin, head of the KGB, is systematically killing Western operatives. When Koskov is seemingly snatched back by the Soviets, Bond follows him across Europe, Morocco and Afghanistan. The film was produced by Albert R. Broccoli, his stepson Michael G. Wilson, and his daughter Barbara Broccoli. The Living Daylights was well received by most critics, and was also a financial success, grossing $191.2 million worldwide. It was also the last film to be based on a story by Ian Fleming until 2006's Casino Royale, 19 years later. About Song! "The Living Daylights" is the song performed by a-ha for the James Bond film of the same name. It was co-written by guitarist Paul Waaktaar-Savoy and Bond composer John Barry. .....Lyrics..... Hey driver, where we going? I swear, my nerves are showing Set your hopes up way too high Living's in the way we die Comes the morning and the headlights fade away Hundred thousand people, I'm the one they frame I've been waiting long for one of us to say "Save the darkness, let it never fade away" Ooohh, the living daylights Ooohh, the living daylights (the living daylights) Alright, hold on tight now, It's down, down to the wire Set your hopes up way too high Living's in the way we die Comes the morning and the headlights fade away Hundred thousand changes, everything's the same I've been waiting long for one of us to say "Save the darkness, let it never fade away" Ooohh, the living daylights Ooohh, the living daylights (the living daylights) Ooohh, the living daylights (the living daylights) Comes the morning and the headlights fade away Hundred thousand people, I'm the one they frame Ooohh, the living daylights Ooohh, the living daylights (the living daylights) (the living daylights) set your hopes up way too high (the living daylights) living's in the way we die (the living daylights) set your hopes up way too high (the living daylights) living's in the way we die (the living daylights) set your hopes up way too high.....End