Jeet Kune Do Facts and History

Jun Fan Jeet Kune Do is not about setting up restrictions or "Ways" of doing things. It has no interest in trying to mold or shape you. It accepts you as you are. Much like when a bubbling spring flows out from the mountains, it is simply there for a thirsty traveler should he wish to partake of it.

When a bird sings, it does not sing for the advancement of music, but if somebody stops to listen and is delighted, that is fine. And Jun Fan Jeet Kune Do seeks likewise to be a source of inspiration and delight solely for those who posses an interest in Bruce Lee and the martial viewpoint that he created.

Jun Fan Jeet Kune Do should be considered the base that Bruce Lee established and not the ultimate goal of the individual who studies it. Individuals may, and if fact are expected to, modify, add and delete until they have transcended the need for any "way" or "system" at all - including Jun Fan Jeet Kune Do. We should welcome change, but the person changing should claim responsibility for his own innovations. Nor should Jun Fan Jeet Kune Do be called obsolete after a martial artist evokes these changes into a personal interpretation. In holding true to Bruce Lee's philosophy of personal liberation, it works on the principle of a physician rather than a patent. A physician is always trying to get rid of his patients and send them away healthy enough to stand on their own two feet. Bruce Lee's ultimate objective as a teacher was to get rid of his students so that they wouldn't need him or any other teacher.

Bruce Lee's Jeet Kune Do is alive and well today. His art is forever engraved in the martial arts world. A great number of people work hard to keep the spirit of Bruce lee and Jeet Kune Do alive. The following people have made a contribution to Jeet Kune Do.
Bruce Lee
Brandon Lee
Linda Lee
Shannon Lee
Jerry Poteet
Mohammed Ali
James DeMille
Gene Lebell
Carter Hargrave
Larry Hartsell
Dan Inosanto
Taky Kimura
James Yimm Lee
Ted Wong

Art is the expression of the self. The more complicated and restrictive a method is, the lesser the opportunity for the expression of one's original sense of freedom! The techniques, though they play an important role in the early stage, should not be too restrictive, complex, or mechanical. If we cling to them we will become bound by their limitations. Remember, you are expressing the technique and not doing the technique. When someone attacks you it is not technique number one (or is it technique number two, stance two, section four?) that you are doing, but the moment you become aware of his attacks you simply move in like sound and echo without any deliberation. It is as though when I call you, you answer me or when I throw something to you, you catch it, that all.