Who Is Jenny Agutter

1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic (by 3 people)   Your rating: 1 - I can do better 2 - Jury's out 3 - Pretty darn good 4 - Splendiferous 5 - Awesometastic

Jenny Agutter

 

Jenny Agutter is an English actress.

The Buccaneers with Jenny Agutter 

Carla Gugino, Mira Sorvino, Alison Elliott, Rya Kihlstedt, Gwen Humble

As four young American women find their way through the labyrinthine social world of 1870s England, their fortunes rise--and sometimes, with brutal abruptness, fall. Based on Edith Wharton's unfinished novel, The Buccaneers, this lavish BBC production follows Nan and Virginia St. George (Carla Gugino, Spy Kids, and Alison Elliott, The Spitfire Grill), two American sisters who follow their friend Conchita Closson (Mira Sorvino, Mighty Aphrodite), a Brazilian bad girl who marries a dissolute British lord, to England in search of aristocratic husbands--partly due to the influence of their canny governess, Laura Testvalley (Cherie Lunghi, Excalibur). The Buccaneers has a good dose of the delicious satirical wit to be found in many BBC dramas, but tempered by the presence of the naive American girls, who find themselves trapped by the very things they thought they wanted. Though mocked by some critics for its heaving bosoms and towering hairdos, the five-part series stealthily paints a sometimes devastating portrait of women's lives. When Idina Hatton (Jenny Agutter, Logan's Run), the older lover of the aimless Lord Seadown (Mark Tandy, Shackleton), learns that Seadown is going to marry the young and lovely Virginia, it's a heartbreaking moment, yet one that isn't overdone. The Buccaneers is full of such gracefulness--Wharton observes the fickle turns of life in society with a judicious eye, empathizing with the pain but never losing sight of the hard realities of money and marriage. In a strong cast, Gugino particularly shines; with her round, rosy cheeks and expressive eyes, she makes a smart yet vulnerable heroine. -- Bret Fetzer

Deemed nouveau riche and shunned by elitist New York society, sisters Nan and Virginia St. George, along with their friends Lizzy Elmsworth and Conchita Closson (Academy Award winner Mira Sorvino), try their luck in London. The girls' New World spontaneity and impertinence constitute nothing less than a social invasion of Old World society and they soon find themselves courted by a coterie of fascinated admirers. But as the old and new worlds come to clash, something has to give.

The Buccaneers

Finally!!! The Buccaneers is a wonderful treat! After many years of waiting and writing letters to PBS and the BBC to have this dvd released, it is finally coming. I am sure many others out there are breathing a sigh of relief as one of the most engaging costume dramas ever made is finally coming to dvd.

My sister and I adore this mini-series which was shown in Masterpiece Theater many years ago. Anyone who enjoys turn-of-the-century films such as The Age of Innocence, House of Mirth, A Room With A View and Howard's End or stories of the Astors and Vanderbilts will find themselves enraptured with this tale of 4 beautiful American women who find themselves being courted by sons of the British nobility.

At the center of the story are Nan (Carla Gugino) and Virginia St. George (Alison Eliott), and their friends Conchita Closson (Mira Sorvino) and Lizzy Elmsworth (Rya Kihlstedt) - four young women living in turn-of-the-century America, when social status and wealth were the most important considerations in a woman's life (these were the days of the Astors and Vanderbilts, after all). Early in the story we find Conchita married to Lord Marable (Ronan Vibert) and begins her new life with the English nobility. Spurned in Newport and New York social circles because they are considered "new money," Nan, Virginia and Lizzy travel to England to visit Conchita and hopefully try their luck there. With the help of two enterprising older women, they soon become the toast of the town and are courted by several handsome and eligible young men. Virginia and Lizzy vie for the attentions of Lord Seadown (Mark Tandy), an enigmatic nobleman who is entangled in a scandalous relationship with an older woman (Jenny Agutter). Nan is pursued by the impoverished but ambitious Guy Thwaite (Greg Wise from "Sense and Sensibility") and the wealthy and reserved Julius (James Frain from "Elizabeth"), the Duke of Trevenick. Lizzy is pursued by the common yet enterprising parliament member, Hector Robinson (Richard Huw). Courtships and marriages inevitably take place and the young ladies soon realize that British aristocratic life isn't always what it seems.

The mini-series offers beautiful scenery and costumes, great acting from members of the cast (including veterans Cherie Lunghi, Jenny Agutter, Michael Kitchen and Rosemary Leach) and a thoroughly engaging story. I loved the fantastic mansions, palaces and castles in Newport and England alike and the wonderful intertwining of the American and British sensibilities in the plot. It has "one foot in America and another foot in England," as Masterpiece Theater narrator Russell Baker aptly explains.

Along with North & South, Pride & Prejudice and Wives & Daughters (all BBC produced, incidentally), The Buccaneers is one of my favorite period dramas and holds a special place in my film library. I have watched my dvd copy so many times that it is about to wear out and I am glad that the dvd is finally coming! I highly recommend this to anyone who enjoys top-notch romance/drama! -- Marcy Gomez (Kansas City, USA)

Release Date: 04/18/2006

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Jenny Agutter at a Glance 

Jennifer Ann "Jenny" Agutter (born 20 December 1952) is a BAFTA- and Emmy award-winning English actress best known in recent years for her role as Tessa Phillips in the British TV drama series Spooks.

An American Werewolf in London - Jenny Agutter 

Jenny Agutter, Sean Baker, Joe Belcher, Michele Brisigotti, Anne-Marie Davies

Remember back in the early 1980s when special-effects makeup artists were tripping over themselves to create the next big effect? The Howling boasted a fantastic werewolf transformation scene courtesy of makeup wizard Rob Bottin. Then along came Bottin's mentor, Rick Baker, with his own spectacular effects in this popular horror comedy directed by John Landis. An American Werewolf in London is more of a makeup showcase than a truly satisfying movie, but the film is effectively moody when David Naughton discovers that a wolf attack has turned him into a bloodthirsty lycanthrope. Jenny Agutter plays his love interest (watch out, he bites!), and who can forget Griffin Dunne as Naughton's best friend, an undead corpse who progressively rots away as the plot unfolds? All things considered, it's easy to see why An American Werewolf in London became a modern horror favorite. -- Jeff Shannon

An American Werewolf in London

ONE OF THE SCARIEST MOVIES EVER MADE!!! This is one of the few movies that have consistently given me nightmares since I was a child. It is at least a decade ahead of its time. Most of the negative criticisms that I have read use the word "uneven" a lot. Even Roger Ebert, whom I admire, claimed that the humor and the horror were an uneasy mix. This was years before he gave the movie Scream a positive review. Now I LIKE the movie Scream, but there is no way that one can claim that it gets the balance right whereas Werewolf gets it wrong. Scream simply benefits from occurring in the cynical nineties - Werewolf suffers from being avant guard. .

The new DVD has a few good extras on it - especially a new interview with Landis. Even after all these years, the film still holds up. Unlike most films, I see more things in it the more I look. What, for instance, is up with the townsfolk of East Proctor and what is their relationship with the original werewolf? My guess - they brought it on themselves somehow. Maybe one of their own ran over a gypsy and was cursed. Instead of killing the bloke, they all decide to hide beneath the pentangle in The Slaughtered Lamb every full moon.

I am recently returned from England and this movie is listed in Fodor's as one of the films that best showcases London. I heartily agree. I visited the infamous tube stop at Tottenham Court Road and it still looks much the same as when the David made his kill there. And as I walked, alone in the countryside, beneath the light of the full moon, I had to ask myself, "Am I crazy?" Fortunately, I made it to the pub. There I waited, beneath the pentangle, for my friends to walk me home. -- JR Pinto (New Jersey)

Release Date: 09/18/2001

Amazon Price: $7.49 (as of 08/28/2008)
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Logan's Run - Jenny Agutter 

Michael York, Richard Jordan, Jenny Agutter, Roscoe Lee Browne, Farrah Fawcett

If you can stifle the urge to laugh at its pastel unisex costumes and futuristic shopping-mall décor, this extravagant science fiction film from 1976 is still visually fascinating and provocatively entertaining. Set in the year 2274, when ecological disaster has driven civilization to the protection of domed cities, the story revolves around a society that holds a ceremonial death ritual for all citizens who reach the age of 30. In a diseaseless city where free sex is encouraged and old age is virtually unknown, Logan (Michael York) is a "sandman," one who enforces this radical method of population control (but he's about to turn 30 and he doesn't want to die). Escaping from the domed city via a network of underground passages, Logan is joined by another "runner" named Jessica (Jenny Agutter), while his former sandman partner (Richard Jordan) is determined to terminate Logan's rebellion. Using a variety of splendid matte paintings and miniatures, Logan's Run earned a special Oscar for visual effects (images of a long-abandoned Washington, D.C., are particularly impressive), and in addition to fine performances by Jordan and Peter Ustinov, the film features '70s poster babe Farrah Fawcett in a cheesy supporting role. Jerry Goldsmith's semi-electronic score is still one of the prolific composer's best, and Logan's Run remains an interesting example of '70s sci-fi that preceded Star Wars by less than a year. -- Jeff Shannon

Logan's Run

Logan's Run started off with a pretty amazing concept--(courtesy of science fiction writers William F. Nolan and George Clayton Johnson)what if our youth obsessed society put everyone over the age of 30 (21 in the novel)to death as a means of population control? This film version of a classic cautionary tale is intermittantly successful. David Zelag Goodman's screenplay condenses and changes around several key characters. Goodman's script essentially refocuses the novel into The Fugitive in the future. In the original novel Francis (played brilliantly by the late Richard Jordan)and the Old Man character (played as befuddled by Peter Ustinov) were one and the same. You'll need to read the novel to see why this was an important altered plot point.

Additionally, Sanctuary did exist in the novel while here it's clear that it's something of an urban myth. While these plot points might not seem essential, altering them radically reshaped the film. Still, it's clear that the film's director, producer and screenwriter (respectively, Michael Anderson the late Saul David and Goodman)wanted to streamline what could have been a confusing plot if not layed out correctly.

The basic plot--In the future our society is enclosed in domes. As a means to control the population, everyone has a life clock crystal on their hand. When you reach 30 you have the option to become "renewed" in a ceremony attended by the citizens. Logan (Michael York) and Francis (Richard Jordan) are Sandmen who hunt, capture/or kill runners (people who choose to not go through renewal and try to escape).

After one incident, Logan is debriefed by the computer that runs the city. The runner wore a symbol representing life. During this debriefing he is send undercover to become a "runner" and find out 1)Who is behind the network that tries to get people out of the city and 2) If sanctuary exists. Logan's life clock is prematurely aged to 30. He contacts a girl who he had met before on the circuit (a system where people can "dial up" others for casual sex)who he had seen wearing the same symbol. Despite her better judgement, she elects to help him escape.

Francis, alarmed that his friend is running, elects to chase him and either bring him back for renewal or kill him.

The film is quite good despite some gaping plot holes. Michael York gives a impassioned performance as Logan 5. Jenny Agutter is enchanting as Jessica. Richard Jordan shines as Logan's former partner Francis who feels betrayed and hunts Logan down. Roscoe Lee Brown is exceptional in his cameo as the demented cyborg Box. Michael Anderson, Jnr. gives a nice cameo performance as the surgeon hired to alter Logan's appearence. Made for $6 million, Logan's Run looked quite good when it was released in 1976. The symbolism of having Francis and Logan fight in the House of Representatives with an American flag was quite evident given the year of release (1976).
In many respects the themes in the film are more timely than ever. The obsession with youth, looking good and plastic surgery have come to define our culture in the 21st Century. The only thing missing from the film are botox injections.

Jerry Goldsmith's brilliant score is a highlight of the film. Like his score for Planet of the Apes, Goldsmith chose to go with a mix of sythesizers and orchestra to portray the city of the future. He eschews cliches in his music and the various themes and cues are at turns suspenseful and witty. The optical effects are pretty good given the time. The matte paintings by Albert Whitlock are outstanding and fairly convincing. The miniatures are a mixed bag. They didn't look completely convincing in 1976 nor do they today. Part of the problem has to do with the fact that waters don't fare well when placed in miniatures. You can't miniaturize the bubbles and water drops. Also, the use of the miniatures in combination with live action is quite grainy due to the film stock and amount of composites. Still, if you can suspend your disbelief, you'll enjoy the film despite its limitations.

Logan's Run attempted to tell an adult cautionary tale in a world of light weight escapist movies. It's a commendable film and the film makers frequently bite off more than they can chew. I'd rather have a film that's too ambitious than not at all.

Still, I appreciate the ambitions if not the execution. It's nice to finally have this fine if flawed movie on DVD. The transfer is quite good although the print has a number of flaws. There's also quite a bit of dirt evident on the print. These probably could have been cleared up with a direct digital transfer. Additionally, the 5.1 soundtrack occasionally sounds "tinny" and when played in the stereo format can be quite difficult to hear.

The extras are limited but nice. The commentary by director Michael Anderson and Michael York is quite good and informative. A pity the terrific actor Richard Jordan isn't around any longer to give us his perspective. I would have liked to see a fresh retrospective documentary on the making of the film. It's not likely to happen, though as no one is going to champion this film at the expensive of other newer projects (particulary since producer Saul David is gone). The featurette included is the original one made to promote the film. It's actually pretty decent given the age and purpose of it. The trailer is included as well. The disc is a dual sided single layer DVD with the widescreen and pan & scan versions on the same disc. -- My Science Fiction Twin "If at first the idea... (My Little Blue Window, USA)

Release Date: 06/01/2004

Avg. Customer Rating: Amazon Rating

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Walkabout - Criterion Collection with Jenny Agutter 

Jenny Agutter, Luc Roeg, David Gulpilil, John Meillon, Robert McDarra,

Very few films achieve a kind of subliminal greatness with cross-cultural impact, but Walkabout is one of those films--a visual tone poem that functions more as an allegory than a conventionally plotted adventure. Considered a cult favorite for years, Nicolas Roeg's 1971 film--about two British children who are rescued in the Australian outback by a young aborigine--was originally released in the U.S. with an R rating, edited from its European length of 100 minutes. In 1997, the film was fully restored to its director's cut, and in its remastered video and DVD release, it's now wisely unrated (as Roeg had always intended) but still suitable for viewers of all ages. For parents this is a rare opportunity to treat well-supervised children (ages 5 and over) to an adventure that won't insult their intelligence, presenting scenes of frontal nudity and the hunting of animals in a context that invites valuable discussion and introspection. Through exquisite cinematography and a story of subtle human complexity, the film continues to resonate on many thematic and artistic levels. Roeg had always intended it to be a cautionary morality tale, in which the limitations and restrictions of civilization become painfully clear when the two children (played by Jenny Agutter and Roeg's young son, Lucien John) cannot survive without the aborigine's assistance. They become primitives themselves, if only temporarily, while the young aborigine proves ultimately and tragically unable to join the "family" of civilization. With its story of two worlds colliding, Walkabout now seems like a film for the ages, hypnotic and open to several compelling levels of interpretation. In addition to presenting the film in its original 1.77:1 aspect ratio, the Criterion Collection DVD of Walkabout includes a variety of bonus features, including a full-length commentary by Nicolas Roeg and Jenny Agutter, original theatrical trailers, and an essay by critic Roger Ebert. -- Jeff Shannon


Nicolas Roeg's mystical masterpiece chronicles the physical, spiritual, and emotional journey of a sister and brother abandoned in the harsh Australian outback. Joining an Aborigine boy on his walkabout-a tribal initiation into manhood-these modern children pass from innocence into experience as they are thrust from the comforts of civilization into the savagery of the natural world.

Walkabout - Criterion Collection

Walkabout is simply one of the best films ever made. The photography and editing are exceptional. The sound editing is better than in any other film I have seen.
However I disagree with SOME of the reviews which seem to indicate that the film is some kind of hymn of praise direted towards the primitive aboriginals and a condemnation of modern society. Roeg seems to be saying there are problems in both. After all, both the girl's father and the aborigine kill themselves, though more criticism is naturally reserved for civilization. There is plenty of animal killing here, but except for the white hunters, it is done for food so I don't see what the problem is. People who buy food from supermarkets really just want to mentaly distance themseselves from the foodchain process.
Still, the story, the scenery, the acting, and the direction make this a movie not to miss. The failed courtship scenes before the second suicide are some of the best sequences on film. -- J. Carroll (Whittier, Ca United States)

A very unusual film for its time, Walkabout combines many themes in what is ostensibly a tale of survival in the Australian outback. I suppose it was a bit too racy for American audiences as Roeg focuses lovingly on a young nubile Jenny Augutter but that would be missing the point of this movie which contrasts the sterile life of a young British girl and boy with an Aborigine man-child.

The film depicts the initial bleakness of the Australian desert which the two children find themselves thrust into after the father mysteriously chooses to commit suicide, but eventually shows the immense diversity of the outback as the young Aborigine leads the lost children back to civilization. Roeg uses a variety of cinematic techniques to paste together his poetic vision, ultimately developing the sexual tension between Agutter and the Aborigine, culminating in a fateful courting ritual which Agutter appears oblivious too. However, the star of the movie is the little boy, Luc Roeg, who forms a very special bond with the Aborigine.

The film may be too much to handle for small children, but it is ideal for teenagers, as it will give them a very different experience from the run-of-the-mill teen movies that proliferate in the video stores. Don't fret over the R rating, as the nudity is fleeting and treated in a very respectful way. In Britain, the rating is 12 for young teenagers. -- James Ferguson (Vilnius, Lithuania)

Amazon Price: $22.99 (as of 08/28/2008)

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The Eagle Has Landed - Jenny Agutter 

Michael Caine, Donald Sutherland, Robert Duvall, Jenny Agutter, Donald Pleasence

This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges's more famous works. The weak ending doesn't help. -- Tom Keogh

The Eagle Has Landed

Non-stop espionage & adventure to please WWII buffs.
At long last, one of my favourite "fictional" World War II films is finally out on DVD and the transfer is excellent all round. And even better, there is now a "Special Edition" Region 2 release available on the Amazon UK website with an additional 17 minutes of footage, interviews with Michael Caine, Donald Sutherland & Donald Pleasance, theatrical trailers, biographies on cast & crew plus interviews from British news programs !

The 1970's was a decade when war movies were filled with mercenaries, commando's and full guns blazing action....and "The Eagle has Landed" is no exception, but a better told tale than many others !

Director John Sturges ( "The Great Escape", "The Magnificent Seven", "Ice Station Zebra" ) in his final directorial role shows once again why he was one sharpest action / suspense film directors of the 1960/70's with this exciting filming of the best selling Jack Higgins novel. What makes this film so enjoyable, and able to withstand repeated viewings is the talented cast at the centre of this twisting tale of spies and espionage. German officer Kurt Steiner (Michael Caine) is the disgraced leader of a group of crack German paratroopers that have been exiled to operate an MTB boat in the English Channel. Opportuntity comes their way in the form of Colonel Radl (Robert Duvall), with an incredible plot to secretly parachute into England and kidnap Winston Churchill from a country retreat. Donald Pleasance turns in a chilling performance as SS leader, Heinrich Himmler...Donald Sutherland in fine form as the IRA ally, Liam Devlin...Larry Hagman is the pompous and foolhardy Colonel Pitts and Treat Willians (in his first movie role) as the wiser and more wary American Ranger, Captain Clark. Attractive Jenny Agutter contributes the love interest as Molly Prior, and icy Jean Marsh puts in a cold blooded display as the Nazi sympathasier, Joanna Grey.

"The Eagle has Landed" has some great twists and turns and never lets the viewer relax as the story holds a keen balance between action, suspense, romance and tragedy. Highly recommended for those who like intrigue and adventure in their WWII movies !!

A highly entertaining and different WWII film that stands out from the rest. -- P. Ferrigno "firehouse444" (Melbourne, Victoria Australia)

Amazon Price: $7.99 (as of 08/28/2008)

Jenny Agutter Videos 

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Jenny Agutter

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Jenny Agutter interview 1976

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Logan's Run (1976 film) Party...

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Silas Marner, The Weaver of Raveloe - Jenny Agutter 

Ben Kingsley, Jenny Agutter, Patrick Ryecart, Freddie Jones, Jonathan Coy

Silas Marner, a member of a strict religious community, is wrongly accused of theft and has no choice but to move to a faraway village. For 15 years he lives alone, hoarding the money he makes from his weaving and gaining a reputation as a recluse, a miser, and perhaps even a witch. Marner's life changes dramatically one Christmas season, when his gold is stolen and a mysterious woman dies in the woods outside his cottage. She leaves behind a child that Marner, to the surprise of the other villagers, takes into his home to raise as his daughter. The arrival of the infant, whom he names Eppie after his mother, transforms Marner. His bitterness evaporates; he no longer cares about his lost money; and he commits himself completely to his adopted child, who grows up into a loving and beautiful daughter. But Marner's happiness may be threatened, because Eppie is really the daughter of the local squire, who was secretly married to the woman whose body Marner discovered. Remarried, but childless, the squire decides he wants to claim Eppie as his own.

Ben Kingsley gives a subtle and moving performance as the simple weaver, and a strong cast gives him ample support in this 1985 BBC adaptation of George Eliot's novel. Silas Marner is not particularly complex--it's certainly a more modest undertaking than Eliot's most famous novel, Middlemarch--but this sentimental Victorian tale, filled with historical detail, potential tragedy, heartless villains, and the redeeming power of childhood, makes for a very satisfying film. -- Simon Leake

Silas Marner was a man who had everything - until he lost it all. Falsely accused of theft and driven out of his town, Silas starts life anew. One day, upon arriving home, he discovers a foundling child asleep on the hearth. Could this young girl be the redemption to love and happiness that Silas has been looking for?

Silas Marner, The Weaver of Raveloe

Classic literature becomes a classic movie. If it weren't for movies based on books today, many of us would never become acquainted with classic literature. Silas Marner is a gem of a movie, obviously based on a classic, and after seeing it, I understand why the book is required reading in many English classes. I myself have never read the book, and therefore appreciate becoming acquainted with it through this movie.

The setting appears to be in the 1600-1700s England. Silas Marner is wrongly accused of murder and is exiled from his community. When he arrives in another village, he becomes the mysterious weaver of fine cloth, who lives alone and rarely speaks to anyone. The squire from whom he rents his cottage meanwhile, is providing for his opium-addicted wife that he has secretly married. He keeps her and their baby daughter hidden from the public in a tiny apartment in the village. Struggling to the squire's mansion one night to reveal her existence to his family, the woman dies in the snow, and Silas Marner finds the toddler in his cottage. Immediately he takes to her, and convinces people he should adopt her. The following part of the movie of his developing relationship with this adorable little acress is precious.

Marner lives frugally, raising the child, but when she is 16, the squire steps in, and Marner and his daughter must make a decision that will test their relationship. There is a subplot concerning the squire's wayward brother whose actions affect all their lives, forcing all the characters to a turning point.

Ben Kingsley's acting is excellent as he goes through the different periods of his life, and the movie does a fine job of portraying the era. The movie, like the book, may not be top-draw, but like the book, it also deserves classic status. -- S. Brand "sandra807" (United States)

Amazon Price: $10.99 (as of 08/28/2008)

Jenny Agutter on Flickr 

Transport 2000 protest with Jenny Agutter by lynnefeatherstone

Transport 2000 prote...

Darkman - Jenny Agutter 

I was extreamly happy when I saw the opening menu for Darkman.

As soon as the clips began to roll behind the menu I knew they'd done the job right here. This film was largely missed in theaters and the home video and DVD versions where grainy, washed-out presentations that greatly diminished the style of director Sam Rami.

This is a must for HD DVD players. The pitcture is fully restored, crisp, clear, vibrant and devoid of all film flaws such as dust and scratches. Where some HD DVD versions are nothing more than the original DVD digital masters transfered to the new format (much the way many early DVD's where really Laser-disk copied to the then new format) this is not!

Darkman is a great, twisted peice that blends the ultra-violent comic-book styles seen in now in films like Sin City with the breakneck actions sequences of films like Spiderman.

See it again for the first time on HD DVD! This is the sound and fury of Home Theater and one of the best restorations I've ever seen!

BTW, if you have a smaller HD set (1280X720p max)that only accepts up to 1080i, then set your HD DVD player only to output 720p, it reduces the pixelation in the dark grays and blacks and reduces motion blure. I use this with my Toshiba Player and 42" sony grand wega through HDMI and the picture is flawless. Remember, if your set is 46" or under, 720p is mostly likely it's native resolution and outputing at that resolution can cause major improvement. -- M. Daneker (Spinnerstown, Pa USA)

Darkman [HD DVD]

Darkman is Swamp Thing on Steroids.
When I say this is Wes Craven's Swamp Thing on steroids I'm comparing films not actual characters. The thug/henchmen Pauly in Darkman was also a thug/henchmen in Swamp Thing named Bruno. Darkman has the feel of a adult superhero film, picture Lon Chaney's phantom from Phantom of the Opera and is also part action, adventure, crime, horror, drama, sci-fi film covered with dark humor with a sprinkle of cartoon as when Peyton Westlake/Darkman played by Liam Neeson does a road runner move on top of a moving truck while hanging from a hook that is suspended from a helicopter.

Liam Neeson does an effective job, who better down the road to train Christian Bale to become the Dark Knight than Darkman himself. The bad guys are great and dark, the leader played by Larry Drake (Dr. Giggles) is notable and has a collection of fingers that he takes from people.

Seems like Raimi has wanted to do a super hero movie long before spider man. He eases Bruce Campbell into being a hero from evil dead 1 and 2, then three years later does Darkman who would be one cool super hero but he's not quite there yet, although I haven't seen the sequels, Raimi does create one cool character. Then a couple years later does Army of Darkness and Bruce Campbell has evolved into a super hero character on his own, or maybe it's because Bruce is Darkman, when you see the ending of Darkman you'll know what I'm saying. Finally he stops beating around the bush and does Spider man. Spider Man 2 is one of the best super hero movies out of all super hero movies in my opinion.

So, Darkman has something for everyone. If you like super hero movies this is for you, if you like action/adventure this is for you, and if you liked Swamp Thing your going to love it.

The hd dvd looked fine as most do, however there really aren't many bright colors that pop in the picture to really show it off, it wouldn't be my reference hd dvd for picture quality, I would recommend Hot Fuzz or 300 to show off your picture quality. The sound was very impressive. There are no special features to mention. -- Mike Liddell (Massachusetts)

Amazon Price: $13.95 (as of 08/28/2008)

Jenny Agutter Filmography - Jenny Agutter Movies 

Jenny Agutter Films

The Railway Children (1970)
Walkabout (1971)
Shelley (BBC, 1972)
Logan's Run (1976)
The Eagle Has Landed (1976)
Equus (1977)
The Riddle of the Sands (1978)
Othello (1981)
An American Werewolf in London (1981)
Love's Labour's Lost (BBC, 1985)
Child's Play 2 (1990)
Darkman (1990) uncredited cameo
Red Dwarf (BBC, 1993)
The Parole Officer (2001)
At Dawning (2002)
Spooks (BBC, 2002)
Number One Longing, Number Two Regret (2004)
Diamond Geezer (ITV 2007)
Irina Palm (2007)