Joe Zawinul
Joe Zawinul was an Austrian jazz keyboardist and composer.
In 1970, Zawinul co-founded Weather Report with saxophonist and Davis alumnus Wayne Shorter. Their first two years emphasized a relatively open, group improvisation format not dissimilar to what Miles Davis was doing in a more rock oriented format. However, Josef started making changes with their third album, Sweetnighter, citing he was "tired of waiting for something to happen". Funk elements such as electric bass, wah-wah pedal, etc. started to be introduced in the band's sound. Music critics generally agree that their 4th album, Mysterious Traveller, was their true breakthrough album, capturing the classic Weather Report "sound" for the first time. The musical forms were now through-composed similar to classical music, and the combination of jazz harmonies with 70's groove elements launched the band into its most successful period.
In 1970, Zawinul co-founded Weather Report with saxophonist and Davis alumnus Wayne Shorter. Their first two years emphasized a relatively open, group improvisation format not dissimilar to what Miles Davis was doing in a more rock oriented format. However, Josef started making changes with their third album, Sweetnighter, citing he was "tired of waiting for something to happen". Funk elements such as electric bass, wah-wah pedal, etc. started to be introduced in the band's sound. Music critics generally agree that their 4th album, Mysterious Traveller, was their true breakthrough album, capturing the classic Weather Report "sound" for the first time. The musical forms were now through-composed similar to classical music, and the combination of jazz harmonies with 70's groove elements launched the band into its most successful period.
In a Silent Way: A Portrait of Joe Zawinul
The Jazz Musician
Joseph Zawinul is arguably one of the more interesting cultural figures of the 20th century, perhaps the only non-American to have a profound effect on the music that we call jazz.
Author Brian Glasser argues that this book is a "portrait" rather than a biography, aiming for emotional truth over factual specificity. Whatever the intent, the book views Zawinul very much through the prism of his music with the emphasis on the subject's musical career and very little on his life beyond music making. It is not an authorized biography in the sense of after giving Glasser several interviews, Zawinul apparently withdrew his cooperation, forcing Glasser to cobble together much of the book from previously published interviews and accounts. The result is a certain unevenness to the story - aspects of Zawinul's childhood are covered in a fair amount of detail, but in contrast it is only mentioned in passing that at a certain point Zawinul was married and had a family; later, we again learn in passing that his wife is named Maxine, that she is African-American, similarly the names of their children crop up sort of randomly etc.
In some respects this is not a major drawback - the emphasis is rightly on Zawinul's music, and many (most?) readers will already be acquainted with the basic facts of his life. Yet, it would appear to be an extraordinary life, and it is a pity that it is not the subject of a more polished biography. -- m_noland "m_noland" (Washington, DC United States)
Author Brian Glasser argues that this book is a "portrait" rather than a biography, aiming for emotional truth over factual specificity. Whatever the intent, the book views Zawinul very much through the prism of his music with the emphasis on the subject's musical career and very little on his life beyond music making. It is not an authorized biography in the sense of after giving Glasser several interviews, Zawinul apparently withdrew his cooperation, forcing Glasser to cobble together much of the book from previously published interviews and accounts. The result is a certain unevenness to the story - aspects of Zawinul's childhood are covered in a fair amount of detail, but in contrast it is only mentioned in passing that at a certain point Zawinul was married and had a family; later, we again learn in passing that his wife is named Maxine, that she is African-American, similarly the names of their children crop up sort of randomly etc.
In some respects this is not a major drawback - the emphasis is rightly on Zawinul's music, and many (most?) readers will already be acquainted with the basic facts of his life. Yet, it would appear to be an extraordinary life, and it is a pity that it is not the subject of a more polished biography. -- m_noland "m_noland" (Washington, DC United States)
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by natjonson
Hi, I'm Nat. I love to sing and music, I love to laugh and have fun. In short: I enjoy life!
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