John Constable Landscape Prints Paintings Fine Art

See Constable John for a larger selection of art work.

Salisbury Cathedral Art Print

Malvern Hall Art Print

Mill at Dedham Art Print

Hampstead Heath Art Print

Helvellyn Giclee Print

Cloud Study Giclee Print

Cottage Among Trees with Sandbank Giclee Print

Salisbury Cathedral Bishops Grounds Giclee Print

Landscape Trees Distant Mansion Giclee Print

A Bridge Over Stour Giclee Print

Stoke Poges Church Giclee Print

Humpstead Heath Fitzwilliam Cambridge

Millstream Art Print

A Hayfield Near East Bergholt Sunset

Saddleback Part Skiddaw Lonscale Fell

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John Constable was born on June 11.1776 in East Bergholt, a town located on the River Stour in Suffolk. His parents names were Golding and Ann Constable. His father had been a flourishing corn merchant and owned Mill in East Bergholt as well as, subsequently, a second. Golding Constable likewise possessed his own humble ship named The Telegraph, that he berthed at Mistley on the Stour estuary and utilized to ship corn to the city of London. Even though Constable had been his parents' 2d son, his older brother had been mentally hindered and therefore John had been predicted to follow his father in the family company. Following a short term with a boarding school in Lavenham, Constable had attended a day school located in in Dedham. He worked with the corn company following having left the school, however his younger brother Abram at length assumed the task of operating the mills.

The Hay-Wain (With Willy Lotts Cottage by Flatford Mill

Study of Sky Trees Giclee Print

Old Sarum Giclee Print

Salisbury Cathedral Meadows Giclee Print

Throughout his younger days, Constable ventured out on recreational sketching jaunts in the encompassing Suffolk country which would turn into the theme of a great volume of his painting. These views were beautiful and the young artist grew partial to them instantly. He had been acquainted with George Beaumont, an art collector, let him see him his treasured Hagar and the Angel painting done by Claude Lorrain, and motivated Constable. Afterward, as traveling to see family in Middlesex, he had made the aquaintence to the professional artist John Thomas Smith. Smith counseled the aspiring young John to continue painting however likewise recommended he to stay in his father's business as opposed to seeking art professionally as a full time career.

During 1799, Constable swayed his father to allow him follow his interest in art, and Golding as well allowed his son a small allowance. Enrolling in the Royal Academy Schools as a probationer, he went to life lessons and anatomy dissections in addition to learning and replicating Old Master paintings. Some art which especially inspired him over this time have been paintings of Thomas Gainsborough, Peter Paul Rubens along with Jacob van Ruisdael. Constable likewise read a variety of poetry and sermons, and afterward demonstrated his skill as notably eloquent artist. With 1803, he had been displaying paintings with the Royal Academy.

During 1802 he declined the job of drawing master with Great Marlow Military College, an act which Benjamin West , who at the time was master of the Royal Academy, advised would signify the finish of his career.

His style early on bears several of the elements connected with his matured art, which includes a glow of light, color along with feeling, and exposes the integrative influence of the Old Masters Constable had contemplated, with note given to of Claude Lorrain. His common topics, views of average day-to-day existence, had been unstylish in an era which sought more romantic imaginations of uncivilized landscapes and ruins. Constable did, all the same, make irregular visits further abroad. During 1803 he passed nearly a month visiting an East Indianian ship as it traveled southeastern seaside ports, and during 1806 he set about a two month circuit of the Lake District. However he explained to his friend and biographer Charles Leslie that the loneliness of the mountains burdened his spirits.

So as to to supplement his income, Constable began accepting commissions for portraiture, which he discovered to be boring, even though he accomplished several exquisite portraits. He likewise painted infrequent religious works, but was not as accomplished at this theme

Constable acquired a habit of passing the winter in London while painting in East Bergholt during the summertime. And in 1811 he first visited John Fisher and his family in Salisbury, a city whose cathedral and surrounding landscape were to inspire some of his greatest paintings.

After 1809, Constable's childhood friendship with Maria Bicknell matured into a deep, reciprocated love. However their betrothal in 1816 had been opposed by Maria's grandfather, Dr. Rhudde, minister of East Bergholt, who felt the Constable family his societal inferiors and threatened to disinherit Maria should she marry John.

Charles Bicknell, Maria's father, had been unwilling to watch Maria toss away her inheritance, and Maria herself remarked that a penniless marriage would take away any opportunities John had of building a profession of painting.

Golding and Ann Constable, although in favor of the couple being together, did not of endorse the marriage until Constable would be financially dependable; however both of his parents died close to the same time, and Constable came into a fifth portion of the family company.

John and Maria's wedding during October 1816 had been succeeded with a honeymoon tour of the south coast, where the sea at Weymouth and Brighton provoked Constable to formulate new processes of vibrant color and vibrant brush work. Simultaneously, a broader emotional reach started to show in his painting. Even though Constable had scratched a salary out of painting, it wasn't until 1819 when he sold his first significant art work, The White Horse. That resulted in a set of six footers, as he referred to his large sized paintings.

Constable had been elected as an Associate with the Royal Academy at this time, and during 1821 he exhibited The Hay Wain a view from Flatford Mill in the Academy's exhibit. Theodore Gericault viewed the painting on a trip to London and was quickly praising Constable in the city of Paris upon his return, where an art dealer, John Arrowsmith, purchased four art works, which included The Hay Wain. The work was then presented in the Paris Salon of 1824, where it was awarded a gold medal.

Throughout his life Constable would sell merely 20 paintings in England, although in France he sold over twenty in only a couple of years. In spite of this, Constable turned down each invitations to travel overseas to advance his art.

During 1825, maybe as a result of his concern over his wife's poor health, the unsuitable arrangement living in Brighton, coupled with the stress of several unfinished commissions, Constable argued with Arrowsmith and forfeited his French venue.

Following her seventh child being born in in January 1828, Maria became sick and passed away of tuberculosis in November when she was 41 years old. Constable grieved deeply and keenly felt the loss of his wife.

From then on, Constable always wore black and had been, reported to Leslie, a victim to sad and nervous thoughts. He managed for his 7 children by himself for the remainder of his lifetime.

When he was 52, Constable had been elected to the Royal Academy during February 1829, and in 1831 was named Visitor at the Royal Academy, a place he appears to have been well liked by the pupils.

During 1835, his final lecture to the pupils of the Royal Academy, where he praised Raphael and named the Royal Academy to be. the "cradle of British art", he had been "cheered most heartily". Constable passed away March 31, evidently of indigestion, and was buried with his wife Maria in the cemetery of St John-at-Hampstead.