Karma Sutra Positions

This Karma Sutra Sex Positions is considered the most popular position of all time. This position starts with the woman on all fours, and taking her weights on her forearm. The man will kneel behind her and penetrate her from the back, controlling the movement with his hips. This Karma Sutra sex position allows a great pleasure and allows the man to stimulate her G-spot too.

The hardest of all Karma Sutra sex positions. The man lies on his side, with his partner lying head to tail in the same way, with her legs wrapped around his hips. In this sex position as he controls the movements, she can rub her breasts against her partner's legs. He will find the position very stimulating and can caress his partner's buttocks and anus with his fingers at the same time and bring some fun to her partner.

The man lies down with his legs stretched. His partner sits astride him and leans back, so he can play with her clitoris and Mound of Venus while she makes the job and controls the movements. This is a simple Karma Sutra position, which brings a great deal of pleasure to both partners. Trough this sex position you'll reach pleasure quickly.

The man sits cross-legged, with his partner sitting on him with her legs wrapped around his waist. He helps her to move her hips with his hands and can also caress her breasts with his mouth and stroke her buttocks. That's the favorite of all Karma Sutra positions for many people, because they have "the entire package" at the hand, they have a lot of options too, let's say breasts, anus, mouth, clitoris, penis, buttocks and the position is very comfortable too.

This sex position begins with the woman lies on her back on the edge of the bed. Her partner lifts her legs and enters her from behind. The men control the movements while she remains still. If the man is tall, cushions may be needed for extra support. That's a tricky Karma Sutra position but if you make it the results of pleasure will be huge.

The man sits with his weight on his hands and his legs stretched out in front of him. The woman leans back too, resting on cushions, with her feet on the shoulders of her partner, controlling the movements with her hips. penetration in this position in deep, causing intense pleasure for both partners. The trick of this Karma Sutra sex positions is try to making a "V" letter and that's it, the sex position it's done, enjoy it.

The man sits with his weight on his hands and his legs stretched out in front of him. The woman leans back too, resting on cushions, with her feet on the shoulders of her partner, controlling the movements with her hips. penetration in this position in deep, causing intense pleasure for both partners. The trick of this Karma Sutra position is try to making a "V" letter and that's it, the sex position it's done, enjoy it.

The woman lies on her back, with her bottom at the edge of the bed. Her partner kneels on cushions at the side of the bed, and enters her, caressing her breasts and clitoris. If the woman grips the man's pelvis with her ankles crossed and he presses himself against her, the pressure will mount, giving both partners pleasure. This is a very stimulating Karma Sutra position, he will be able to feel the contractions of her vagina and she will feel every movement of his penis.

The woman will lie flat on the bed with the man positioning himself in front of her. The man will hold both her legs wide at the ankles and penetrate her from his kneeling position. This Karma Sutra sex position allows deep penetration and is highly stimulating for the man. Place a cushion under the woman's hip to make it more comfortable for her. Spend some effort to find out what the various Karma Sutra love making positions so that you will be able to try them out with your lover and find the ones that suit best.

When lovers, with legs stretched rigid and feet caressing feet, make love according to their hearts' desire, "tantra" scholars call it "Sampada" (Equal Feet)and agree it is a way to ecstasy. Stiff as a pole in the bed's center, she lies making love, cooing and warbling like a woodpigeon, the jewel of her clitoris well-polished: this is Mausala" (The Pestle).

When she lies on her back with her two thighs pressed tightly together and you make love to her, keeping your thighs outside hers, it is "Gramya" (The Rustic).

If, encircling and trapping her thighs with yours, you grip so hard that she cries out in pain, it is "Ratipasha" (Love's Noose), a device most charming to the ladies. Her limbs, entwined in yours like tendrils of fragrant jasmine creeper, draw taut and slowly relax in the gentle rhythm of lingam and yoni: this is "Lataveshta" (The Clinging Creeper). She draws her limbs together, clasping her knees tightly to her breasts, her yoni, like an opening bud, offered up for pleasure: this is known as "Mukula" (The Bud). When she draws up her knees and you clamp yours about her raised thighs, trapping them in a tight knot while riding saddle upon her buttocks and kissing her, it is "Shankha" (The Couch).

Indrani draws up both her knees until they nuzzle the curves of her breasts; her feet find her lover's armpits. Small girls love this posture, but becoming a goddess takes a lot of practice. She cups and lifts her buttocks with her palms, spreads wide her thighs, and digs in her heels besides her hips, while you caress her breasts: this is "Utphallaka" (The Flower in Bloom). Grasping the ankles of the round hipped woman, whose buttocks are like two ripe gourds, raise her beautiful thighs and spread the thigh-joints widely.

Full of desire, saying sweet words, approach her with your body stiff as a pole and drive straight forward to pierce her lotus and join your limbs: experts call it "Madandhvaja" (The Flag of Cupid).

Catch hold of her two feet, raising them till they press upon her breasts and her legs form a rough circle. Clasp her neck and make love to her: this is "Ratisundara" (Aphrodite's Delight).

Lift the lady's feet until her soles lie perfectly parallel, one to each side of her slender throat, cup her breasts and enjoy her: this technique is "Uthkanta" (Throat-high).

Your lovely wife, lying on the bed, grasps her own feet and draws them up until they reach her hair; you catch her breasts and make love: this is "Vyomapada" (Sky-foot).

The round-thighed woman on the bed grasps her ankles and raises high her lotus feet; you strike her to the root, kissing and slapping open-palmed between her breasts: this is "Markata" (The Monkey).

She lies flat on her back, you sit between her parted knees, raise them, hook her feet over your thighs, catch hold of her breasts, and enjoy her: this is "Manmathpriya" (Dear to Cupid).

If your penis is too small for a woman, the "Samputa" group of postures should be used:"Samputa" (The Jewel Case), "Pidita" (The Squeeze), "Veshtita (The Entwined) and "Vadavaka" (The Mare's Trick).

In Samputa your legs lie along hers caressing their whole length from toes to thighs. Your lover may be below you, or you may both lie on your sides, in which case she should always be on your left.

In Pidita the lovers' thighs are interlaced and squeeze each other in rhythm.

In Veshtita she crosses her thighs or rolls each one inward, thus greatly strengthening her yoni's grip.When, like a mare cruelly gripping a stallion, your lover traps and milks your penis with her vagina, it is "Vadavaka" (The Mare's Trick), which can only be perfected with long practice.

When she uses it, a woman should cease to kiss her lover and simply hold the lock. Courtesans are adept at Vadavaka, and it's a speciality with ladies from Andhra(*).

*The South-Eastern state of India

Seated, mouth to mouth, arms against arms, thighs against thighs: this is "Kaurma" The Tortoise. If the lovers' thighs, still joined, are raised, it is "Paravartita" (Turning).

If within the cave of her thighs you sit rotating your hips like a black bee, it is "Markata" (The Monkey). And if, in this pose, you turn away from her, it is "Marditaka" (Crushing Spices).

She sits with raised thighs, her feet placed either side of your waist; "linga" (penis) enters "yoni" (vagina); you rain hard blows upon her body: this is "Kshudgaga" (Striking).

When your wife sits with both knees drawn tight to her body and you mirror this posture, it is known to experts in the art of love as "Yugmapada" (The Foot Yoke).

Seated erect, the lovely girl folds one leg to her body and stretches the other along the bed, while you mirror her actions: this is "Yugmapada" (The Feet Yoke).

If, with left leg extended, she encircles your waist with her right leg, laying its ankle across her left thigh, and you do the same, it is "Svastika" (The Swastika)*.

*The Swastika is an ancient good-luck talisman based on the symbolism of a cross whirling sun-wise.
The Nazis used it the wrong way round. The Indian pundits always said this was sacrilegious and would doom them.

Sitting face to face in bed, her breasts pressed tight against your chest, let each of you lock heels behind the other's waist, and lean back clasping one another's wrists.

Now, set the swing gently in motion, your beloved, in pretended fear, clinging to your body with her flawless limbs, cooing and moaning with pleasure: this is "Dolita" (The Swing).

If, seated face to face, your toes caress the lovely woman's nipples, her feet press your chest and you make love holding each other's hands it is "Kaurma" (The Tortoise).

Seated, the lady raises one foot to point vertically over her head and steadies it with her hands, offering up her "yoni" for lovemaking: this is "Mayura" (The Peacock).

If, sitting facing her, you grasp her ankles and fasten them like a chain behind your neck, and she grips her toes as you make love, it is the delightful "Padma" (The Lotus).

Sitting erect, grip your lover's waist and pull her on to you, your loins continuously leaping together with a sound like the flapping of elephants' ears: this is "Kirtibandha" (The Knot of Fame).

Kneeling between her thighs, tickle her breasts and under her arms, call her 'my lovely darling' and print deep nailmarks around her nipples: thus "Jaya" (Victory) is expounded.

And now for the love postures with which sculptors adorn our temple walls. When a couple make love standing, or leaning against a wall or a pillar, it is called "Sthita" (Steadied).

When the woman sits in her lover's cradled hands, her arms around his neck, thighs gripping his waist, her feet pushing back and forth against a wall, it is "Avalambitaka" (Suspended).

When, catching and crushing your lover in the cage of your arms, you force her knees apart with yours and sink slowly into her, it is "Dadhyayataka" (Churning Curds).

When she leans against a wall, planting her feet as widely apart as possible, and you enter the cave between her thighs, eager for lovemaking, it is "Sammukha" (Face-to-face).

If, as you lean against the wall, your lady twines her thighs around yours, locks her feet to your knees, and clasps your neck, making love very passionately, it is "Dola" (The Swing).

When your lover draws up one leg, allowing the heel to nestle just behind your knee, and you make love, embracing her forcefully, it is "Traivikrama" (The Stride).

If you catch one of her knees firmly in your hand and stand making love with her while her hands explore and caress your body, it is "Tripadam" (The Tripod).

If she raises one leg and you catch hold of her little foot, caressing her breasts and telling her how much you love her, it is "Ekapada" (One Foot).

Her foot pressed to your heart, your arms encircling and supporting her, lean back against the wall and enjoy the lovely girl: this is "Veshta" (The Encircling).

She stands against the wall, lotus-hands on hips, long, lovely fingers reaching to her navel. Cup her foot in your palm and let your free hand caress your angel's limbs. Put your arm around her neck and enjoy her as she leans there at her ease. Vatsyayana (the author) answer otherswho knew the art of love in its great days called this posture "Tala" (The Palm).

If you lean back to a wall and your lover, clinging to your neck, places both her feet in your palms and thus makes love, this is "Dvitala" (Two Palms).

If you lift your lover by passing your elbows under her knees and gripping her buttocks while she hangs fearfully from your neck, it is "Janukurpara" (The Knee Elbow).

Your wife grips your neck and locks her legs around your waist: this is "Kirti" (Fame) - a posture not described in "Kama Sutra" or "Ratirahasya". Never try it with heavy girls.