The Beautiful Lady Without Pity
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The Ballad
O what can ail thee, knight at arms,
Alone and palely loitering?
The sedge has wither'd from the lake,
And no birds sing.
2
O what can ail thee, knight at arms,
So haggard and so woe begone?
The squirrel's granary is full,
And the harvest's done.
3
I see a lily on thy brow
With anguish moist and fever dew,
And on they cheeks a fading rose
Fast withereth too.
4
I met a lady in the meads,
Full beautiful, a fairy's child,
Her hair was long, her foot was light
And her eyes were wild.
5
I made a garland for her head,
And bracelets too, and fragrant zone.
She look'd at me as she did love,
And made sweet moan.
6
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A fairy's song.
7
She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said--
I love thee true.
8
She took me to her elfin grot,
And there she wept, and sigh'd full sore,
And there I shut her wild wild eyes
With kisses four
9
And there she lulled me asleep,
And there I dream'd -- Ah! Woe betide!
The latest dream I ever dream'd
On the cold hill's side.
10
I saw pale kings, and princes too,
Pale warriors, death pale were they all;
They cried -- "La belle dame sans merci
Hath thee in thrall!"
11
I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke and found me here
On the cold hill's side
12
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is wither'd from the lake
And no birds sing.
There are two versions of the words, with slight differences
La Belle Dame sans Merci in art
La Belle Dame sans Merci was a popular subject for Pre-Raphaelite painters.
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The Interpeters
More than one view
Others far more scholarly than I have suggested the knight himself is a ghost, pointing out the symbols of death such as the lily and references to paling, withering, and fading.
The simplest interpetation is that the knight is cursed for breaking his vows of chastity, giving in to the temptation of the fairy.
A newer view, advanced by more feminist advocates, is that the knight raped the fairy - she sighs and weeps.
Looking at the body of Keat's work suggests that the ballad was simply to evoke emotion, rather than moralizing. It is sweet and sad - and need be nothing more.
Listen to the ballad
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Did you enjoy the poem, the art, or the theme of tragic love?
foovay wrote...
in reply to robertsloan2 Wow. That is a really different insight to the poem. I love it. This poem, with its so vague story is really revealing of what the reader thinks and feels about love and seduction. Thanks for sharing!
robertsloan2 wrote...
I have always loved this poem and its traditional fairytale... and tonight, suddenly, reading it, I understood it in another way.
That her magic in some ways is only the magic of seduction.
That she really is any woman who parties hearty and then tears off fast for fear of commitment. I've known many of her and thankfully, never fallen deeply in love and wanted to keep her. This fairy tale is enacted by many real women.
In our culture she gets called a slut and doesn't get that kind of elevated status, it's only the fey imagery that keeps her from just being "a heartbreaker." But that is the gist of the story -- and a kinder treatment than most.
It's not only guys who sleep around once and lose interest. Sometimes it's women. The light hearts of this world, I hope, eventually learn the ethics to stick to other lighthearts. But sometimes the Marrying Kind fall for them like a ton of bricks. It's tragic when that happens whether it's the lady or the lord sans merci.


