Land Art Explored

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Form, Texture, Geometric Design

I've always loved different textures and shapes of natural objects, so I loved the discovery of artists who take the use of natural materials to an ubelievably divine level!

This is my exploration of some of them...hope you enjoy this with as much delight as I did!

Some of my favorites

South Africa Rocks!

Strijdom van der Merwe

South African Land Artist

 

WOW! Who would have thought to do this with DEW?! 

Nils Udo

Wow!

Andy Goldsworthy

British Artist

 

...and flowers! 

Featured Lens

on Andy Goldsworthy

All the resources you've ever wanted on an exceptional conservationist and land artist.
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So exactly what is Land Art?

In the words of the artists...

Strijdom van der Merwe: "As a land artist, he uses the materials provided by the chosen site. His sculptural forms take shape in relation to the landscape. It is a process of working with the natural world - using sand, water, wood and rocks. He shapes these elements into geometrical forms that participate with their environment, continually changing until their final probable destruction. What remains is a photographic image..."

After seeing what he does with rocks on the beach, I'll forever think differently about stretches of sand...

Joern Hansen: "My land art sculptures, projects and installations are primarily created on location, and made with materials found there, or other nature materials (ex: branches, leaves, wood, driftwood, and stones). I emphasize that the sculptures may enrich or give an extra dimension to the site. My intention is that the sculptures and installations are experienced as an addition to the local nature. The inspiration may come from something already found in the location, a material, a root, a form, a wood block, a stone,- something that can be drawn into the foreground or emphasized. Perhaps expressing a feeling, an idea, or a mood that arises from, and suits the history or spirit of the location."

Wikipedia on Land Art

Land art, Earthworks, or Earth art is an art movement which emerged in the United States in the late 1960s and early 1970s, in which landscape and the work of art are inextricably linked. Sculptures are not placed in the landscape, rather the landscape is the very means of their creation. The works frequently exist in the open, located well away from civilization, left to change and erode under natural conditions. Many of the first works, created in the deserts of Nevada, New Mexico, Utah or Arizona were ephemeral in nature and now only exist as video recordings or photographic documents.

The best known piece, and probably the most famous piece of all land art, is Spiral Jetty (1970), for which the American Robert Smithson arranged rock, earth and algae so as to form a long (1500 ft) spiral-shape jetty protruding into Great Salt Lake in Utah. How much of the work, if any, is visible is dependent on the fluctuating water levels. Since its creation, the work has been completely covered, and then uncovered again, by water.

“I personally prefer the smaller, more intimate versions of land art.”

Some more examples

There's a lot out there, so this will be an ongoing task!
Watch this space!

Joern Hansen

European

 

All that remains is the photographic image...

Strijdom loves working in or near water



Goldsworthy - about the photograph

"My approach to the photograph is kept simple, almost routine. All work, good and bad is documented. I use standard film, lenses and no filters. Taking the photograph is not a casual act. It is very demanding and a balance is kept in which documentation does not interrupt the making. Each work grows, stays, decays - integral parts of a cycle which the photograph shows at its height, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit in that moment. A drawing or painting would be too defined. The photographs leave the reason and spirit of the work outside. They are not the purpose but the result of my art. As Yves Klein said of his monochrome paintings: 'They are the left-overs from the creative process, the ashes. My pictures, after all, are only the title deeds to my property which I have to produce when I am asked o prove that I am a proprietor.'
That art should be permanent or impermanent is not the issue. Transience in my work reflects what I find in nature and should not be confused with an attitude towards art generally. I have never been against the well made or long lasting.
The photograph does not need to shrivel and fall to the ground for change to be part of purpose. It is an outdoor experience expressed in an indoor place which uses the conventions of that place to keep its meaning clear. It is appropriate to that space as it would be inappropriate to hang a framed photograph from a tree in a wood.
If the photograph represents the work alive, then work brought indoors becomes its husk. Much of the energy is lost: stones become isolated and leaves dry out ...yet there is still enough meaning left. Not only does such work explore the relationship between indoor and outdoor alongside the image, it emphasises the physicalness of what I do."

Nils Udo

Sculptural Art 

Inspiration for next trip to the beach 

Classic use of sticks! 

Display of patience, perfection & ability

Richard Shilling

More colourful samples

by Nils Udo

...using seeds, berries and leaves 

But there's just something about sticks & water

Walter on Picasa...???

Leaves & Light 

Unknown Land Artist...let me know if this belongs to you!!!

And then there's Sand... 

Circles in the Sand 

Ooooh, so you want to explore yourself?!

Well, why didn't you say so?

So - have you made your own yet?

What do you doodle with? More permanent things, like pen, paper and paint, or sticks and stones?...and bush and bones?
Let us know so we can come and ogle it, please!

  • ShamanicShift Dec 25, 2010 @ 9:51 am | delete
    Creating a land art meditation space is on my bucket list. This lens of wondrous examples is just what I was looking for as I research and plan.
  • MarleMac Jan 6, 2011 @ 4:58 am | delete
    Merry Xmas & Happy New Year!
    Happy you're inspired! That's the idea! Yay!
  • Richard Shilling Mar 30, 2010 @ 4:29 pm | delete
    Hi, you are using one of my photos here - Clougha Egg Cairn. I generally don't mind people blogging my pictures but I do ask that there is a link back to the orginal and to me when they are posted. I would be grateful if you could add some links as there is no indication of who created and owns the image.

    Many thanks
    Richard
  • MarleMac Apr 2, 2010 @ 4:34 am | delete
    Soooo sorry Richard, I did this as soon as I realised the ommission...I usually do this. OOOPS!
    I managed to find your blog and added this to the list above as a resource.
    Your work is fabulous. Thanks for doing it and sharing!
  • Sara-Jane Bouwer Feb 20, 2010 @ 4:15 pm | delete
    Amazing stuff.....have always been a keen admirer of this artform and tried some myself....living in NZ is a great inspiration to create these works too.....
  • MarleMac Sep 16, 2009 @ 1:38 pm | in reply to MiaBellezza | delete
    Amazing! I also think there's something about a stack of stones, it stirs something in you, doesn't it? Thanks for stopping by! ...Gotto go find some stones...
  • MiaBellezza Sep 16, 2009 @ 10:08 am | delete
    I walk or bike several times usually through numerous streets and bike trails in my area. I have noticed this year several homes stacking stones, similar to the first picture in your lens. I don't know why, but I feel there's something mystical about the stacked stones. 5*
  • Cop-Speak Aug 28, 2009 @ 8:05 pm | delete
    I love your pictures... Great lens!
  • FantasyDesigns Jun 3, 2009 @ 12:07 am | delete
    I've never thought about doing something like this. It looks pretty cool. 5 *'s

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MarleMac

I love to write, create, network and SHARE!
I'm a spiritual being having a physical experience, enjoying the good stuff and sweating the rough stuff!...
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