Audio Book Narrators

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Our Favorite Audio Book Narrators

When it comes to audio books there's other talent involved in the making of a well received title beyond that of the author.

Audio book narration is an art form in and of itself, and the narrators are the ones who actually bring the authors words to life.

Don't forget to vote for your favorite narrator in the list below.

Featured narrator this month is Sean Barrett

"Sean is one of the most remarkable readers in England," says Naxos Audiobooks' Nicolas Soames, who has produced Sean reading three works of world literature-BLEAK HOUSE, Haruki Murakami's KAFKA ON THE SHORE, and Samuel Beckett's WAITING FOR GODOT.

Nicolas says Sean walks for an hour in the early morning through the streets of London to the studio: "He reads impeccably, then quietly walks home again, the traffic raging around him. No one would guess the marvels of literature he has just been producing."

Yet, with characteristic reserve, Sean tells AudioFile, "Acting is telling a story. The author gives you the characters." Dickens characters may be clearly and broadly drawn, giving a narrator plenty of clues, but Murakami and Beckett offer up infinitely complex people who are not so easy. Sean seems to find their essence.

Soames praises Sean's Nakata, Murakami's cat-finder, as "one of the great characters in the last decade." AudioFile reviews also celebrat Sean's "rich characterizations" and his ability to keep a blend of the real and surreal "totally engrossing."

Sean's career began in BBC children's television and encompasses years of radio dramas, theater credits in London, and many narrations that demonstrate his facility with accents and characters.

He became a regular narrator with ISIS Audio Books in the 1980s. Recently, Sean appeared in a live reading program celebrating Samuel Beckett's centenary with Beckett's legendary London publisher, John Calder. Sean recorded Beckett's trilogy MOLLOY, MALLONE DIES, and UNNAMABLE for Naxos, winning our reviewer's praise for capturing "an authentic flavor, reflecting the text's Irish melodiousness, pessimism, and black humor."

As the armored bear Iorek Byrnison and Lord Asriel from full cast recordings of Philip Pullman's THE GOLDEN COMPASS and THE AMBER SPYGLASS, Sean has won many fans. These remarkable performances are unique, and it is difficult to imagine a film or stage performance of Iorek that will ever have the power and passion of Sean's portrayal.

The suspense novels of James Herbert (SHRINE), Gerald Seymour's HOLDING THE ZERO, and John Creed's SIRIUS CROSSING show off Sean's talent with characters of many nationalities, genders, and social stations. Each of them gets Sean's full attention--a lesson he learned from his early days of radio drama at the BBC.

"Whatever the story, if you can give it attention and full values, you can make it good." Some voices just command or beguile you into listening. Sean Barrett's is one of them.--Robin Whitten
- 2006 Narrators Yearbook

Audio Book Narrator Profiles 

Dick Hill

Dick Hill relishes the variety of his audiobook roles and loves never setting foot on a stage. "It's an opportunity to play all the parts!" When he worked in regional theater, what Dick enjoyed most was the rehearsal process. "The fun is in the discovery." The joy of exploring a role was definitely more appealing than repeating it in each performance. With audiobooks it's all new work--every session. Dick has read audiobooks for Brilliance Audio in Michigan for six years and has logged in nearly 200 audiobooks. Like many other narrators, Dick has enjoyed a dynamic mix of thrillers, fantasy, classics, popular fiction, biography, and other nonfiction. He's acclaimed for Michael Connelly's police series featuring Harry Bosch and other gritty thrillers. But he also gets high marks for his romances. For women's voices, often difficult for male narrators, Dick steps out of his normal "tessitura," or primary range of a voice part, and wills a suspension of disbelief. Occasionally, his wife, Susie Breck, joins him in a two-voice narration, but often lately he and Susie have been a directing/narrating team.

Dick takes a visual approach to narrating books. "I have a visual picture of the scene." Using whatever the author provides, he sees the characters, adding details that help him hold them in his mind's eye. When there's a change from a daytime scene to night, Dick says he makes a subtle shift with his voice to reflect those environmental changes. "It's a clue to listeners, but also just for me." Dick has a keen appreciation of Southern writers, and his skill with them is evident in the success of titles like Billy Letts's THE HONK AND HOLLER OPENING SOON or Terry Kay's THE RUNAWAY. Brilliance's studio manager, Max Bloomquist praises Dick's interpretive skills. "His narrative voice is really robust, smooth, but with just enough grit to make it interesting." Dick also expresses a humanism that colors his vocal portraits, making characters memorable long after their scenes are over.--AudioFile December 2000

 


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You can find audio books narrated by your favorite narrators by searching for their name at our audio book store.

 


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AndreasBreitfuss wrote...

Great resource - will help with my upcoming book release. Thank you. AB

ReplyPosted January 28, 2008

by Vic_Goodman

My name is Vic Goodman and God has richly blessed me with a wonderful wife, 3 beautiful daughters, 5 grandsons, 1 granddaughter and 2 great granddaug... (more)

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