Who is Norah Jones

Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeese

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.

Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeese

The title track is backed with 2 non album tracks '2 Men' & 'Wish I Could'. First single pulled from Norah's 2007 album Not Too Late. Having achieved enormous success with her Grammy-winning debut album Come Away With Me and the equally sensational follow-up Feels Like Home, the stage is set for Norah to become one of the most popular musicians in the world! Blue Note.

It wasn't until Fats Domino's New Orleans house was heavily damaged in Hurricane Katrina that many people realized the great R&B pioneer was still alive. Now 79 and fairly reclusive, Domino had a tremendous influence on '50s popular music, his infectious boogie-woogie and triplet-based piano style forming much of the DNA of rock, and influencing scores of artists from Elvis Presley to the Beatles and beyond. To show their appreciation, a plethora of luminaries from rock, jazz, R&B, country, folk, and blues have united for this two-disc, 30-track valentine to Domino, which features modern takes on his timeless music. "United" is a literal term here--while some performers appear solo (Elton John on "Blueberry Hill," Corinne Bailey Rae on the scorching live cut, "One Night (of Sin)"), many of the tracks offer unexpected gumbo-like "mixtures," i.e., Joss Stone teaming with Buddy Guy and the Dirty Dozen Brass Band on "Every Night about this Time." Occasionally, things stray remarkably far from Domino's blueprint (jazz great Herbie Hancock churns it up with George Porter, Jr., Zigaboo Modeliste, and Renard Poche on "I'm Gonna be a Wheel Someday"), while Paul McCartney goes the other route, offering a too-worshipful vocal impersonation ("I Want to Walk You Home"), with fellow legend Allen Toussaint on piano. Still, fine performances abound, especially Neil Young's "Walking to New Orleans," which seethes with political anger, Lucinda Williams' roots-romance of "Honey Chile," and Robbie Robertson and Galactic's visionary "Going to the River." Almost secondarily, the collection serves as an eye-opening look at the thematic span of Domino's recorded output, and, like his Greatest Hits: Walking to New Orleans, released in August 2007, it should bring renewed awareness of his legacy. The iconic musician suffered more than damage to his house in Katrina--looters stole many of his possessions, including his '50s gold records. Here's hoping Goin' Home%u2026 will yield a replacement. --Alanna Nash

Icons from the world of rock, blues, reggae, pop and country music have joined together to salute the genius of legendary piano man FATS DOMINO for the upcoming double CD set, Goin' Home: A Tribute to Fats Domino. Goin' Home is set for a September 25th release on Vanguard Records. This stellar tribute to one of the cornerstones of rock n roll music will help raise desperately needed funds specifically earmarked for instruments to be donated to New Orleans public school children. Monies raised from the sales of Goin Home will also go toward the rebuilding of Fats Domino's home and to create a community center in the Crescent City's still ravaged Lower 9th Ward. Proceeds of Goin Home will fund additional community related programs. The Tipitina's Foundation, a 501 ©(3) non-profit corporation dedicated to preserving the cultural legacy of New Orleans through music education for the youth and providing programs that support working musicians of New Orleans and the Gulf Region, conceived and executive produced Goin Home. The roster of music royalty contributing their interpretations of classic Fats Domino songs include: Sir Elton John (Blueberry Hill), Sir Paul McCartney (I Want To Walk You Home), Tom Petty (I'm Walkin ), Robert Plant (It Keeps Rainin' ), Willie Nelson (I Hear You Knockin ), B.B. King (Goin' Home) and Neil Young (Walkin' To New Orleans). Goin Home will also feature the late John Lennon's version of Fats most popular song, Ain't That A Shame. In addition, some of modern music's most prolific artists have contributed their time and talent including Lenny Kravitz, Norah Jones, Lucinda Williams, Ben Harper with The Skatalites, Toots and The Maytals, Taj Mahal, Herbie Hancock and Bonnie Raitt.

Spend an hour with Norah Jones record collection. We caught up with Norah Jones in New York City where she took some time to sit down and talk to us about the musical influences in her life - the songs she heard in the car when she was a kid, the importance of Ray Charles, and why she loves the sound of Levon Helms voice.

1 Love Me The Little Willies The Little Willies
2 Virginia Moon (feat. Norah Jones) Foo Fighters In Your Honor
3 Turn Them (feat. Norah Jones) Sean Bones "Rings"
4 Baby It's Cold Outside (feat. Norah Jones) Willie Nelson American Classic
5 Bull Rider (feat. Sasha Dobson) Norah Jones Previously unreleased
6 Ruler Of My Heart (feat. Norah Jones) Dirty Dozen Brass Band Come Away with Me (bonus)
7 The Best Part El Madmo "El Madmo"
8 Take Off Your Cool (feat. Norah Jones) OutKast Speakerboxxx/The Love Below
9 Life Is Better (feat. Norah Jones) Q-Tip The Renaissance
10 Soon The New Day (feat. Norah Jones) Talib Kweli Eardrum
11 Little Lou, Ugly Jack, Prophet John (feat. Norah Jones) Belle & Sebastian Belle & Sebastian Write About Love
12 Here We Go Again (feat. Norah Jones) Ray Charles Genius Loves Company
13 Loretta (feat. Gillian Welch & David Rawlings) Norah Jones "Live in 2004"
14 Dear John (feat. Norah Jones) Ryan Adams Jacksonville City Nights
15 Creepin' In (feat. Dolly Parton) Norah Jones Feels like Home
16 Court & Spark (feat. Norah Jones) Herbie Hancock River: The Joni Letters
17 More Than This (feat. Norah Jones) Charlie Hunter "Songs from the Analog Playground"
18 Blue Bayou (feat. M. Ward) (Live in Austin) Norah Jones "Live from Austin"