Oil Pastels:Some Basic Information

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Some General Information About Oil Pastels

I am an oil pastel artist and have been working with this medium for several years. I particularly enjoy the speed with which you can lay down color. My previous medium (watercolor pencils) was mind numbingly slow, though the realistic effects it acheived were worth every minute.

However, once I discovered Oil Pastels it was like freedom. A world of possibilities had opened up. My color usage has expanded and my art tends to have developed some impressionistic tendancies with this medium. And while I still occasionally do a painting using WC pencils, oil pastels paintings are now my primary way to create art.

Making Waves The swimming tiger painting shown here, is an oil pastel painting of mine. If you would like to see other oil pastel work of mine, or wish to get a print of this or any of my work, please visit my website Wild Faces Gallery Or if you'd like to learn more about oil pastels and how to use them please visit my blog Fur In The Paint

Greetings 

My name is Mona Majorowicz. I am a professional artist who has been making my living selling my work for some time now. I have been in the art and framing industry for over 20 years. I am an animal artist, (meaning I paint critters) who works primarily in Oil Pastel or Water Soluble Pencil.

Currently, I own and operate Wild Faces Gallery with my husband Mike, in a small rural town in Iowa. There we sell my original artwork and prints as well as do quality custom framing and offer Giclee printing for other artists.

I maintain a blog about art and the creative experience called Fur In The Paint, as well as write a regular column for Apples 'N Oats (an equestrian magazine) about painting horses.

Animals are my passion and art is how I choose to express it.

A Brief History on Oil Pastels 

Oil pastels are a relatively new medium. They were originally developed in 1921 and later improved in 1927 at the Sakura Crayon Company. The original product was to be a combination of the crayon and the pastel. Thus the name Cray-Pas was born. Cray-Pas are considered a children's medium as they are made with dyed fillers and have no archival qualities.

In 1949 Henri Sennelier, in collaboration with Pablo Picasso and Henri Goetz, created a new professional grade oil pastel. Picasso is said to have asked for a medium that could work on any surface, such as wood, canvas and metal. Oil pastel offered him the most direct way to work. No brush or instrument interfered between the artist's gestures and the work.

History Reference: www.oilpastelsociety.com

What are Oil Pastels? 

Oil pastels are small crayon like sticks. They measure about 3inches long and 1/4 of an inch thick They can be square or round, and may or may not come wrapped in paper.

There are three grades of oil pastels.
  • Children's Grade (Cray-Pas)

  • Student Grade (Van Gogh)

  • Professional Grade (Holbein, Sennelier)


  • Professional grade oil pastels consist of a pigment mixed with a non-drying inert oil and wax binder. They are non-yellowing and acid free. Oil pastels can be applied to any surface as they have excellent adhesion. They will never harden, so they will never crack and they maintain archival stability.

    Protecting the Finished Artwork 

    Because they never really dry, they must be handled carefully as they can be damaged. Most artists use 1 of 3 methods to protect their completed works.

    Cover with a wax paper.This is a good plan for temporary storage. For anything long term, you should really get them framed.

    Frame under glass. (My personal way of going.)You must be sure to provide an air space between the glass and the painting with the use of matting or spacers.

    Apply a fixative or varnish. This is somewhat controversial. Sennelier makes an oil pastel fixative spray. But I would recommend only using it with Sennelier oil pastels. Personally, I don't use fixative because Holbein, my main brand, says not too.

    The Oil Pastel Brands That I Use 

    Most oil pastels vary in coverage and texture. Some are very firm while others are buttery soft. Experiment with a few different types when trying to determine whether oil pastels are a medium for you. All the brands I use are professional grade.

    Holbein - my favorite. They are firm have great coverage and color and are wonderful for mark making. They also have an extensive color range.

    Caran d' Ache - This was the first brand I tried and I enjoyed them so much I never looked back. The are slightly softer than the Holbeins with a more limited color range.

    Sennelier - Excellent quality oil pastel. They are buttery soft. Because of this I am not a huge fan. However their colors are sumptuous. I do use Senneliers but tend to mix them with the afore mentioned other two.

    Note: I recently tried Sakura Specialist They were recently created by Cray-Pas. They are seriously hard and their coverage is a little weak. When I first tried them I was disappointed but I have played with them some since. And have learned to use them in combination with the others effectively. Not my favorite, but that is more about how I prefer to work than a reflection of the pastels.

    Where I Get My Oil Pastels 

    I usually get whatever open stock (individual pastels) I can at whatever local art supply stores we run across when we are out at an event. Usually Dick Blick. Living in the boonies as we do, this means I can usually only replace the most common brands.

    Where To Find Open Stock
    www.dickblick.com In most DickBlick stores.
    www.dakotapastels.com These guys are great. They carry all the brands in open stock. The only place that I have found so far, that does so.

    Where To Find Complete Sets

    www.dickblick.com
    www.cheapjoes.com
    www.jerrysartarama.com

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