Panasonic Dmc Fz 28 Camera
Ranked #115,172 in Entertainment, #1,320,769 overall
One of the great new digital cameras that is affordable and easy to use, the fz 28 by Panasonic has topped more recent reviews than any other camera of it's type.
Panasonic fz 28 Review
At first glance the FZ 28, it looks identical to the FZ 18, the body design looks almost unchanged since the FZ 18. The external differences are indeed very slight.

The Fz 28 LCD monitor is a little larger, but an increase from 2.5 to 2.7 inches isn't exactly a major change.
The surround of the viewfinder eye piece is slightly different in shape.
There is a slight difference in the options on the main dial, and the right-hand side of the camera now sports a small hatch which hides the video output connector. This is a new feature for the FZ 28 which allows it to be connected to a HD TV. The pattern of holes over the microphone are slightly different.
The camera fires up in less than two seconds, which is exceptionally fast for a big super-zoom camera, and shuts down again just as quickly.
In terms of features, the changes are only minor, but there are a lot of them, the overall effect is a very significant improvement on what was already an outstanding camera.
Most of the changes are to the camera's automated systems.

The Fz 28 " face Detection" is now capable of tracking 15 faces at once.
Intelligent Exposure, helps to reduce the occurrence of black shadows and burned-out highlights.
The Fz 28 incorporates a Intelligent Scene Selector, which automatically selects the correct scene mode.
Intelligent ISO Control, which as the name suggests selects the best ISO setting for the situation.
Same as it's predecessor, the FZ 18, the FZ 28 has an excellent range of manual controls, with shutter and aperture priority and full manual exposure, and these too have seen some improvement.

White-balance options have been improved, dial-in colour temperature, two measured white balance settings and an option to manually adjust the color balance within quite wide parameters have been included.
This means that the camera can be set up to cope with almost any lighting conditions.
It is an impressive system, you'd have to buy a DSLR to find more adaptability.
Aperture settings from f/2.8 to f/8 and shutter speeds of 60 seconds to 1/2000th of a second, in increments of 1/3EV are available. Spot metering and a selectable focus point, which offers a lot of creative potential are now available
The metering spot can be moved to match the AF point too, which is even better.

Further improvements include a pop-up flash, which is significantly more powerful with an impressive 8.5m maximum range, and the video mode, which can now shoot in 1280x720p at 30fps, although the component video output is only in 1080i.
In single shot mode the shot-to-shot cycle time is approximately 1.8 seconds.
In unlimited continuous shooting mode it can maintain just less than two frames a second until the memory card is full.
In RAW+JPEG shooting mode it can manage a shot every 3.8 seconds, again maintaining this until the card is full. This is impressive performance,

The lens in the Fz 28 is slightly larger than it was in the fz 18 but it's effective focal length has been slightly reduced, from 28-504mm to 27-486mm.
The difference is barely noticeable, but it's always nice to have a decent wide-angle setting.
The optical quality of the lens is extremely high, as befits the Leica brand name which it bears. It produces almost no distortion at any focal length, and is pin-sharp right across the frame with no trace of chromatic aberration.

The Fz 28 LCD monitor is a little larger, but an increase from 2.5 to 2.7 inches isn't exactly a major change.
The surround of the viewfinder eye piece is slightly different in shape.
There is a slight difference in the options on the main dial, and the right-hand side of the camera now sports a small hatch which hides the video output connector. This is a new feature for the FZ 28 which allows it to be connected to a HD TV. The pattern of holes over the microphone are slightly different.
The camera fires up in less than two seconds, which is exceptionally fast for a big super-zoom camera, and shuts down again just as quickly.
In terms of features, the changes are only minor, but there are a lot of them, the overall effect is a very significant improvement on what was already an outstanding camera.
Most of the changes are to the camera's automated systems.

The Fz 28 " face Detection" is now capable of tracking 15 faces at once.
Intelligent Exposure, helps to reduce the occurrence of black shadows and burned-out highlights.
The Fz 28 incorporates a Intelligent Scene Selector, which automatically selects the correct scene mode.
Intelligent ISO Control, which as the name suggests selects the best ISO setting for the situation.
Same as it's predecessor, the FZ 18, the FZ 28 has an excellent range of manual controls, with shutter and aperture priority and full manual exposure, and these too have seen some improvement.

White-balance options have been improved, dial-in colour temperature, two measured white balance settings and an option to manually adjust the color balance within quite wide parameters have been included.
This means that the camera can be set up to cope with almost any lighting conditions.
It is an impressive system, you'd have to buy a DSLR to find more adaptability.
Aperture settings from f/2.8 to f/8 and shutter speeds of 60 seconds to 1/2000th of a second, in increments of 1/3EV are available. Spot metering and a selectable focus point, which offers a lot of creative potential are now available
The metering spot can be moved to match the AF point too, which is even better.

Further improvements include a pop-up flash, which is significantly more powerful with an impressive 8.5m maximum range, and the video mode, which can now shoot in 1280x720p at 30fps, although the component video output is only in 1080i.
In single shot mode the shot-to-shot cycle time is approximately 1.8 seconds.
In unlimited continuous shooting mode it can maintain just less than two frames a second until the memory card is full.
In RAW+JPEG shooting mode it can manage a shot every 3.8 seconds, again maintaining this until the card is full. This is impressive performance,

The lens in the Fz 28 is slightly larger than it was in the fz 18 but it's effective focal length has been slightly reduced, from 28-504mm to 27-486mm.
The difference is barely noticeable, but it's always nice to have a decent wide-angle setting.
The optical quality of the lens is extremely high, as befits the Leica brand name which it bears. It produces almost no distortion at any focal length, and is pin-sharp right across the frame with no trace of chromatic aberration.
I recommend this because...
In our opinion the Panasonic Fz 28 is currently the best all-round super-zoom camera on the market.
Click for larger image.

In terms of technology ( and cost of course) the Panasonic Fz 28 is top of the pile... at the moment.
The image processing engine has been upgraded has gone a long way towards curing one problem that has always dogged Panasonic's cameras; that of image noise.
Click for larger image.

Images at 100 and 200 ISO are now noise-free, and 400 ISO, while still showing some signs of noise, has noticeably better color fidelity.
ISO 800 and 1600 are also quite noisy and lack fine detail, but the grain of the noise pattern is a lot smoother, has better edge definition, and should make better prints.
Exposure metering, color rendition and white balance are all extremely good, and the overall picture quality is excellent, even more so if you shoot in Raw mode.
Unfortunately Adobe Photoshop's Camera RAW module doesn't yet recognize the FZ 28's Raw files, so you'll have to convert them using the supplied software, which is adequate for the job.
Click for larger image.

Taking Pic's with normal settings.
The FZ 28 will suit anyone looking for a super-zoom camera, whether they want the creative power of its extensive manual options, or the reliable simplicity of its advanced automatic features." />
Click for larger image.

In terms of technology ( and cost of course) the Panasonic Fz 28 is top of the pile... at the moment.
The image processing engine has been upgraded has gone a long way towards curing one problem that has always dogged Panasonic's cameras; that of image noise.
Click for larger image.

Images at 100 and 200 ISO are now noise-free, and 400 ISO, while still showing some signs of noise, has noticeably better color fidelity.
ISO 800 and 1600 are also quite noisy and lack fine detail, but the grain of the noise pattern is a lot smoother, has better edge definition, and should make better prints.
Exposure metering, color rendition and white balance are all extremely good, and the overall picture quality is excellent, even more so if you shoot in Raw mode.
Unfortunately Adobe Photoshop's Camera RAW module doesn't yet recognize the FZ 28's Raw files, so you'll have to convert them using the supplied software, which is adequate for the job.
Click for larger image.

Taking Pic's with normal settings.
The FZ 28 will suit anyone looking for a super-zoom camera, whether they want the creative power of its extensive manual options, or the reliable simplicity of its advanced automatic features." />
Sound off!
The Panasonic Fz 28 is, without doubt the camera to have for the amateur photographer.
If you want to capture excellent pictures you cannot do it with your phone.
The Panasonic Fz 28 puts you firmly in control or looks after you.
In either case the results will be outstanding.
Is the Panasonic Fz 28 the best camera of it's type at the moment?

Yes, the Panasonic Fz 28 is the top of the heap at the moment.
For a point and shoot camera the Panasonic Fz 28 is a little bulky. Most people enjoy a camera they can stick in their pocket.
Cool Camera Stuff From Amazon
These Panasonic Fz 28 cameras and accessories will make all the difference to your photo's.
Amatuers and professionals alike will benefit from the Fz 28's superb automated and manual settings.
With the Panasonic fz 28 you can let the camera do the work, or you can be in complete control.
Which ever way you choose to go the Panasonic Fz 28 will get you there.
Amatuers and professionals alike will benefit from the Fz 28's superb automated and manual settings.
With the Panasonic fz 28 you can let the camera do the work, or you can be in complete control.
Which ever way you choose to go the Panasonic Fz 28 will get you there.
by kentru
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