Paul Cezanne Prints, Paintings, Posters

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Paul Alexis Secretary to Zola Reading to Emile Zola

Paul Alexis Secretary to Zola Reading to Emile Zola

Paul Cezanne Son of Artist Giclee Print

La Montagne St. Victoire Art Print

Landscape Art Print

Still Life with Apples Art Print

Big Trees Art Print

The Card Players Art Print

Blue Vase Poster

Le Lac d'Annecy Art Print

Brook Art Print

View of Estaque Art Print

La Vase Paille Art Print

Blue Vase Art Print

Pommes et Biscuit Art Print

The Cézanne family had been from the small township of Cesana today located on West Piedmont, and it's been presumed that the name derived from Italian ancestry. Paul Cézanne was born in Aix-en-Provence, q in Provence in south France. Paul had been baptized in a local parish church, naming his grandmother and uncle Louis as the child's godparents. Cézanne's father, named Louis-Auguste Cézanne , had been a co-founder of a banking company which flourished all during the painter's life, giving him a secure financial state which was inaccessible to the majority of his generation and in time leading to an ample inheritance. Then again, Cézanne's mother, Anne-Elisabeth Honorine Auber, had been spirited and romantic, although quickly took offense. It had been of her that Paul obtained his view of life. Cézanne as well had 2 younger sisters, Marie, with whom he attended a elementary school each day, along with another sister named Rose.

At the age when he was ten, Paul enrolled in the Saint Joseph boarding school, a place he was trained in drawing with Spanish monk Joseph Gibert. During the year 1852 Cézanne attended the College Bourbon, which is today the Collège Mignet, where he encountered and began a friendship with future French journalist and novelist Émile Zola. Cézanne remained with the school for six years, however during the final two years he had been a day student. Between 1859 to 1861, obliging with his father's preferences, Cézanne enrolled in the law school with the University of Aix, at the same time taking in drawing classes. Contrary to the protests of his banker father, Cézanne devoted himself to following his artistic inclinations and departed Aix for Paris during 1861. Cézanne had been adamantly encouraged to reach such a decision by his friend Zola, who had been residing in the capital by this point. At length, Cézanne's father reconciled with him and endorsed his selection of pursuing a vocation in art. Cézanne afterward was given an inheritance by his father, which freed the artist completely from financial worries.

Cherries And Peaches Art Print

Card Players Art Print

Avenue at Chantilly Art Print

View over Mont St. Victoire Art Print

Dans la Vallee de l'Oise Art Print

Apples and Oranges Art Print

Ward Four At Auvers Art Print

Still Life Art Print

Turn in Road Art Print

The Card Players Art Print

The Plate of Apples Art Print

Still Life Art Print

While he was living in Paris, Cézanne encountered the Impressionist artist Camille Pissarro. At first the friendship which developed during the middle 1860s between the two was one of master and mentor, with Pissarro wielding a shaping influence upon the junior artist. During the next 10 years their collective landscape painting expeditions where the two artists visited Louveciennes as well as Pontoise, resulted in a joint working partnership between peers.

Paul Cézanne's early painting is frequently interested in the figure in a landscape and constitutes numerous art works of groupings of big, gravid forms in a landscape, created as seen through his imagination. Afterward in his career, Cézanne grew more attracted to working with direct observance and eventually evolved a softer, airy painting method which would influence the Impressionists artists greatly. All the same, in Cézanne's developed art we see the growth of a solid, virtually architectural manner of painting. All during his lifetime Cézanne fought to formulate an genuine observation of the seen world from the most precise style of rendering it in paint which he could discover. Because of this, Cézanne structurally arranged anything he detected into uncomplicated shapes as well as color planes.

Cézanne had been attracted to the simplifying of naturally happening shapes to their geometrical basics, he wished to in a manner where a tree trunk could be envisioned as a simple cylinder, or the human head a mere sphere shape. Also, the focused care that Cézanne transcribed his reflections of nature led to a significant study of binocular sight, that leads to two somewhat contrary coinciding visual percepts as well as allows for a depth perception and interwoven understanding of spacial relationships. We discover two contrasting views at the same time; Cézanne applied such a facet of visual understanding to his painting to varied extents. The reflection of this information, paired with Cézanne's hope to seize the honesty of his own personal perception of an object or view, frequently required him to depict the outlines of shapes in order to simultaneously seek to present the clearly varied views of the left and right eye. Therefore his paintings goes against as well as changes previous paragons of perspective, particularly single point view.

Cézanne's art works have been exhibited in the first exhibition at the Salon des Refusés during 1863. This Salon presented works not acceptable by the jury of the authoritative Paris Salon. The Paris Salon had declined Cézanne's entries annually between 1864 to 1869. Cézanne proceeded to send paintings to the Paris Salon up to 1882. During this year, with the intercession of associate artist Antoine Guillemet, Cézanne presented Portrait of Louis-Auguste Cézanne, Father of the Artist, reading.

Prior to 1895 Cézanne displayed paintings two times with the Impressionists. The first time had been at the debut Impressionist exhibition during 1874 and the second had been the third Impressionist exhibit during 1877. In following years a a couple of singular paintings have been exhibited at assorted venues, up to 1895, once the Paris based dealer, Ambroise Vollard, granted Cézanne his initial solo exhibition. Notwithstanding the rising public acknowledgment and fiscal success, the artist preferred to work in growing creative reclusiveness, normally taking to painting in south of France, at his loved Provence, distant from the city of Paris. He focused on a a couple of themes and had been extremely unique for nineteenth century artists because he was evenly adept in all of these styles: still life, landscapes, portraits, and additional themes which interested him. Until his death, Cézanne had compelled to project forms out of his imagination, a result of a want for obtainable nude sitters. As in his landscapes work, his portraits had been drawn out of things familiar to him, therefore that not just his wife along with his son but local peasants, friend's children as well as his art dealer functioned as topics. Cézanne's still life paintings are simultaneously decorative, painted with heavy, level coats, all the same with a weight mindful of Gustave Courbet. The props for his paintings are today still in his studio located in Aix.