The Pentangle by Pentangle
The Pentangle was the first album recorded by the British band of the same name. Like Fairport Convention and Steeleye Span they brought folk music to a new audience, but they adopted a very different approach.
Contents at a Glance
The Pentangle
Jacqui McShee - b 25 Dec 1945, Catford, London, England; Bert Jansch - b 3 Nov 1943, Glasgow, Scotland; John Renbourn - b 8 Aug 1944, Marylebone, London, England; Danny Thompson - b 4 Apr 1939, Teignmouth, Devon, England; Terry Cox - b 13 Mar 1937, High Wycombe, Buckinghamshire, England.
Five highly gifted musicians who formed a unique band which, seemingly without effort, wove blues, jazz, and elements of rock and pop into a seamless garment.
Pentangle formed in 1967 for impromptu gigs in London's Horseshoe Pub on Tottenham Court Road, Jansch and Renbourn having built up enviable reputations as soloists and already recorded an album of duets - "Bert and John", 1966. Thompson and Cox were well known on the blues circuit, backing Alexis Korner and Duffy Power. Both men also worked regularly as session musicians. McShee was a relatively new girl on the block but had experience singing in jazz clubs. She had also appeared on Renbourn's album "Another Monday" earlier the same year. Her crystalline voice added the magic ingredient for mainstream success.
The band was quickly signed by Jo Lustig, an aggressive agent who propelled their elite status into multi-national success. As Colin Irwin wrote in the CD reissue sleevenotes: "In 1968 alone they had 11 Radio 1 sessions, played New York's Carnegie Hall and the Paris Olympia, headlined at numerous folk and jazz festivals and destroyed dozens of rain forests with the acres of newsprint they'd consumed".
There is a real sense of excitement on "The Pentangle" as the quintet embarks on its musical exploration. Jacqui McShee proves herself very capable of injecting sex into the blues on "Way Behind The Sun" as well as providing a 'sixties take on the traditional "Let No Man Steal Your Thyme" . She also sings a haunting version of the Staples Singers' "Hear My Call". The interplay between Jansch and Renbourn is superb throughout, particularly on "Bells" and "Bruton Town". Danny Thompson provides bass soloing i of the highest level, as well as some extremely dark and menacing colourings. Terry Cox doesn't merely provide a pulse, it's as if his percussion work is a commentary on the music and lyrics surrounding him. The Pentangle offers a true fusion of very different styles of music.
May 68 The Pentangle UK Transatlantic TRA 162 Highest Chart Position 21
US Reprise RS 6315 Highest Chart Position 192
1 Let No Man Steal Your Thyme (Trad; arr. Jansch, Renbourn, Cox, McShee,
Thompson)
2 Bells (Jansch, Renbourn, Cox, McShee, Thompson)
3 Hear My Call (Westbrooks, Staples)
4 Pentangling ((Jansch, Renbourn, Cox, McShee, Thompson)
5 Mirage (Jansch, McShee)
6 Way Behind The Sun (Jansch, Renbourn, Cox, Thompson)
7 Bruton Town (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
8 Waltz (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
Producer Shel Talmy; Recorded: unknown (probably IBC studios, London)
Jacqui McShee vocals; Bert Jansch guitars, vocals; John Renbourn guitars; Danny Thompson acoustic bass; Terry Cox drums, percussion, backing vocals
Cover design: Peter Blake
Sleeve notes: John Peel
Photo: Studio Hans Feurer
CD Reissue 2001 Castle CMRCD131
Bonus Tracks
9 Koan (Alternate Version) (Sullivan)
10 The Wheel (Alternate Version) (Jansch)
11 The Casbah (Alternate Version) (Jansch)
12 Bruton Town (edit 1/5/3) (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
13 Hear My Call (Alternate Version) (Westbrooks, Staples)
14 Way Behind The Sun (Alternate Version) (Jansch, Renbourn, Cox, Thompson)
15 Way Behind The Sun (Instrumental) (Jansch, Renbourn, Cox, Thompson)
Five highly gifted musicians who formed a unique band which, seemingly without effort, wove blues, jazz, and elements of rock and pop into a seamless garment.
Pentangle formed in 1967 for impromptu gigs in London's Horseshoe Pub on Tottenham Court Road, Jansch and Renbourn having built up enviable reputations as soloists and already recorded an album of duets - "Bert and John", 1966. Thompson and Cox were well known on the blues circuit, backing Alexis Korner and Duffy Power. Both men also worked regularly as session musicians. McShee was a relatively new girl on the block but had experience singing in jazz clubs. She had also appeared on Renbourn's album "Another Monday" earlier the same year. Her crystalline voice added the magic ingredient for mainstream success.
The band was quickly signed by Jo Lustig, an aggressive agent who propelled their elite status into multi-national success. As Colin Irwin wrote in the CD reissue sleevenotes: "In 1968 alone they had 11 Radio 1 sessions, played New York's Carnegie Hall and the Paris Olympia, headlined at numerous folk and jazz festivals and destroyed dozens of rain forests with the acres of newsprint they'd consumed".
There is a real sense of excitement on "The Pentangle" as the quintet embarks on its musical exploration. Jacqui McShee proves herself very capable of injecting sex into the blues on "Way Behind The Sun" as well as providing a 'sixties take on the traditional "Let No Man Steal Your Thyme" . She also sings a haunting version of the Staples Singers' "Hear My Call". The interplay between Jansch and Renbourn is superb throughout, particularly on "Bells" and "Bruton Town". Danny Thompson provides bass soloing i of the highest level, as well as some extremely dark and menacing colourings. Terry Cox doesn't merely provide a pulse, it's as if his percussion work is a commentary on the music and lyrics surrounding him. The Pentangle offers a true fusion of very different styles of music.
May 68 The Pentangle UK Transatlantic TRA 162 Highest Chart Position 21
US Reprise RS 6315 Highest Chart Position 192
1 Let No Man Steal Your Thyme (Trad; arr. Jansch, Renbourn, Cox, McShee,
Thompson)
2 Bells (Jansch, Renbourn, Cox, McShee, Thompson)
3 Hear My Call (Westbrooks, Staples)
4 Pentangling ((Jansch, Renbourn, Cox, McShee, Thompson)
5 Mirage (Jansch, McShee)
6 Way Behind The Sun (Jansch, Renbourn, Cox, Thompson)
7 Bruton Town (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
8 Waltz (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
Producer Shel Talmy; Recorded: unknown (probably IBC studios, London)
Jacqui McShee vocals; Bert Jansch guitars, vocals; John Renbourn guitars; Danny Thompson acoustic bass; Terry Cox drums, percussion, backing vocals
Cover design: Peter Blake
Sleeve notes: John Peel
Photo: Studio Hans Feurer
CD Reissue 2001 Castle CMRCD131
Bonus Tracks
9 Koan (Alternate Version) (Sullivan)
10 The Wheel (Alternate Version) (Jansch)
11 The Casbah (Alternate Version) (Jansch)
12 Bruton Town (edit 1/5/3) (Trad; arr. Jansch, Renbourn, Cox, McShee, Thompson)
13 Hear My Call (Alternate Version) (Westbrooks, Staples)
14 Way Behind The Sun (Alternate Version) (Jansch, Renbourn, Cox, Thompson)
15 Way Behind The Sun (Instrumental) (Jansch, Renbourn, Cox, Thompson)
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vallain
Jan 31, 2010 @ 3:35 pm | delete
- I loved Basket of Light and still have it in vinyl. I'll have to get it out for a listen.
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Interesting Links
- John Renbourn's homepage
- With news, gig guide, comprehensive discography and a biography of his guitars!
- Official Bert Jansch website
- Jacqui McShee's Pentangle Pages
- The Danny Thompson Website
- Terry Cox Drums
- Dead Pubs Society
- Interesting article on The Horseshoe Pub, where Pentangle first gigged.
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