Punch and Judy

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I decided to create some Punch pages because I love the song John Pole wrote about the show. Bob Vasile and I sang it on our recent album We Did It! Songs of People Behaving Badly." You can hear our version, and read Pole's lyrics, below. Pole is, himself, a "Professor," which is what the puppeteers call themselves, as well as a famous English songwriter (his other credits include "Mr Fox").

Punch supposedly comes from a character known in sixteenth century Italy as Pulcinella (Italian for little chicken - since Punch has a birdlike beak and a screechy voice). He was a member of the clown troupe known as The Commedia Delle Arte - "a motley crew of touring minstrels, poets and vagabonds."

Pulcinella was known as Polichinelle in France (Guignol in Lyon), Kasperle or Kaspar or Hans Wurst (Jack pudding) in Germany, Jan Klaassen in the Netherlands, Vasilache in Romania, Mester Jackel in Denmark, and Petrushka in Russia. Samuel Pepys' diary mentions a "Punch" show at Covent Garden in London (1662).

Punch was originally a marionette but morphed into a finger puppet in the late 18th century.

The puppet master is the "Professor." The "Bottler" is the sidekick who drums up a crowd and passes the hat.

The Punch & Judy College of Professors says the 20th- and 21st-century versions of the tale have evolved into something more akin to a primitive version of The Simpsons in which a bizarre family is used as vehicle for grotesque visual comedy and a sideways look at contemporary society.

The other day I overheard Punch asking Judy what she thought of his cathartic manifestation. She told him not to be disgusting and hit him with a frying pan. (Dan Bishop)

Important!

The Pratie Heads sing John Pole's "Punch and Judy"

Click the picture to purchase at Amazon: or, to just listen to the whole thing: The Pratie Heads sing "Punch and Judy"

The story starts innocently enough...

The nuclear family. Cute baby. Aaw.... ignore that stick.

A Punch and Judy show consists of a series of short, comic encounters between Punch and a sequence of characters. It is received wisdom that each of these encounters should last for about three minutes. (To this day, Punch professors watching another of their number flouting this rule in performance begin to shift uneasily from foot to foot)

Dealing with the fact that the puppetmaster has only two hands.

From "The heritage of dress" by Wilfred Mark Webb:

It will be obvious that only two characters can be acting at one time, as the showman has only two hands...

The showman in the case of the French Punch and Judy makes a virtue of necessity, and when the hero of the puppet-show is about to be tried for murder, the performance is interrupted in order that the following apology may be made:

"The scene which we are about to have the honour to put before you requires a tolerably large number of characters. It is, indeed, impossible to suppose that so important a prisoner as Guignol should be tried without due ceremony and by a single judge, but as the director of this theatre, like the generality of mankind, has but two hands, the actors in this scene will most of them remain quite still.

"This need not in the least interfere with the truth of the representation, for this stillness gives the administration of justice an additional solemnity.

"We may suppose that the judges are asleep, which will enable them to decide free from passion, and that the officials of the court are paralysed by the majesty of the court and the magnitude of the issues to be determined."

Punch and Judy on YouTube

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Punch is the simpleton hero who successfully outwits various characters... somehow he always manages to achieve through his stupidity what others fail to achieve by concentrated effort. (Caz Frost)

An artcard I did of Punch for a 2007 project on wetcanvas.com 

John Pole's song about Punch and Judy

Written in 1971

PUNCH AND JUDY

I am the showman and on me back
I carry me actors in me pack.
A puppet showman, that's me, yours truly,
And the stars of my show are - Punch and Judy!.
"That's the way to do it", says Punchinella -
Hump-back and hook-nose, he's a comical fella.

And the first comes up is old Punch his-self.
"Ladies and Gents," he says, "here's your good health."
He carries his big stick wherever he goes,
It's thick and strong and as long as his nose.
"That's the way to do it", says Punchinella -
Big stick and long nose, symbolic old fella!

Next up comes Judy, Punch's old lady,
Sayin' "I'm off out now, Punch, so mind the baby."
"Oh no I won't!" says Punch, "Yes, you will!" says Judy
"Cop hold o'your kid, my lad, none o' your old moody."
"That's the way to do it", says Punchinella -
Cocksure but henpecked, pathetic old fella!

The kid keeps howlin', old Punchy thumps it,
It bawls, he belts it, into bed he dumps it.
It cries, he calms it down, it bites his finger,
Punch ups and bungs it through the bloomin' winder.
"That's the way to do it", says Punchinella -
"That'll learn the bleedin' brat to yell and beller!"

Here's Mrs Judy now, come back again,
Not knowin' Punch has done the nipper in.
"Where's Baby, Punch?"she says - "Gone... gone to sleep," says.he:
"Don't you know where your own son is? You make me weep!" says she.
"That's the way to do it", says Punchinella -
"I threw it out the winder," he has to tell her.

Up jumps a copper, all dressed in blue,
Sayin', "Mr. Punch, I am arrestin' you,
I've got a warrant to take you up you for what you done."
"And I've got a warrant," says Punch, "to knock you down!"
"That's the way to do it", says Punchinella -
Kickin' him arse over head straight down the cellar.

She cries her heart out: "Where's my lil son gone?"
Says Punch, "There's plenty more where that one come from!"
With a stick she bangs and beats him something lovely -
He gets it, clubs her, kills her, kicks her ugly...
"That's the way to do it", says Punchinella -
"Why keep a wife you hate if you can kill her?"

Well, the law soon catches him and in a while
Before Judge Black Cap he's standin' trial.
"Killed wife and child?" he says, "You guilty wretch!
Take Punch away and hang him, Mr. Ketch!"
"That's the way to do it", says Punchinella -
"Hang 'em all, but don't hang me!" he cries in terror.

"See this-here noose?" says Jack, "Poke your head through."
Old Punch lets on he don't know what to do.
"In here, Mr. Ketch,? Or p'r'aps in here?"
"Hang about," the hangman says, "I'll show you where."
"That's the way to do it", says Punchinella -
Stringin' up the hangman, he's a swingin' old fella!

"Jack Ketch is dead," he cries , "Hoorah, hooray, I'm free!
Don't care if the Devil his-self should come and call on me."
"Jack Ketch is dead," he says, "Old Punch'll do them all!"
Up pops Old Nick his-self - tail, horns, hooves and all.
"That's the way to do it", says Punchinella -
"Leave it out, I'm your best friend, we're birds of a feather!"

The Devil darts at Punch but he ain't havin' it,
Nick gets his-self a stick but Punch keeps grabbin' it.
He aims a mighty swipe at Satan's nut an' -
The Devil's out for the count, as dead as mutton!.
"That's the way to do it", says Punchinella -
He's beat the Devil his-self, heroic old fella!

The show is over now, me dolls need mendin'.
But Punch and Punch's play is never-endin'
In ev'ry soul alive there's a Punch and a Judy -
In you, sir, you, ma'am, too, and me, yours truly.
"That's the way to do it", says Punchinella -
The Punch and Judy game goes on forever!

According to The Punch & Judy College of Professors: "Punch is too old to die"

Punch & Judy links

How to Make a Punch and Judy Show
When I was a young boy I found these instructions for making a Punch and Judy Show in a magazine. I cut them out, stuck them in my scrap book, and have kept them all these years. They were written by a very famous puppeteer called Francis Coudril ...
Punch and Judy World
A blog: "Around the world with Mr. Punch."
The Slapstick Symposium
The papers bring their knowledge and experience to bear on some topics that they think are worth both discussing and placing on record for general debate as Mr. Punch moves into a new Millennium. This is the first time that a number of experienced professional Punch performers have set down their views on the centuries old tradition, their place in it and their vision of the future. This is inside information from backstage NOW in Punch and Judy's topsy-turvey little world. You are invited to share it.
Book: "Punch and Judy: The Script, the Characters and their Construction"
A reprint of a popular book. Peter Fraser's work features a series of exemplary drawings of all the traditional characters of the Punch and Judy Show, including the less well known: Scaramouch, Toby, Pretty Polly, Hector the Horse, Blind Man, Jack Ketch the Hangman and The Devil. Detailed instructions of various methods of their construction include: modelling and casting, carving head, painting, hands, costume patterns. Also reproduced here is the classic text as first recorded by John Payne Collier in 1828, the primary reference for succeeding generations of showmen.
Book: "Successful Punch and Judy"
An up-to-date approach to understanding and presenting Punch and Judy at the same time respecting the tradition. This 136 page handbook draws on the author's 40 years performing experience and his many courses teaching the skills involved. How to put a show together, speak with Punch's voice, perform tested routines, and make the puppets and stage. There is a complete contemporary script, a brief history of the show and a particularly good insight into Punch's character and how to get in tune with it. This has become the standard work on the theory and practice of the Punch and Judy Show.
Web site of the Punch & Judy Fellowship
The Punch & Judy Fellowship is the largest and oldest organisation of its kind, devoted to keeping alive the tradition of Punch and Judy shows
Punch and Judy scripts
Links to various scripts for the show.
Punch & Judy: The Punch Page
The Punch Page is full of resources related to the world famous puppet and the people who have kept him alive.

Punch and Judy is a centuries-old forerunner of something like The Simpsons. It offers a grotesque parody of family life, with excursions into the surreal. (punchandjudy.org)

The Punch and Judy show: should it get NEA grants or be zoned out of existence?

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My other "Punch and Judy" lenses

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If you're in Detroit, visit the Paul McPharlin puppetry collection at the Detroit Institute of the Arts

At the Detroit Institute of the Arts houses the famous American puppetmaster Paul McPharlin's extensive puppet collection. From their website: Focused primarily on American theatrical puppets from 1850 to 1950, the Paul McPharlin Puppetry Collection is one of the most significant collections of historical puppets in the United States. The wide range of puppets represented includes primitive and folk art, music hall and vaudeville, avant-garde and experimental, cabaret, and film and television puppets.

The collection also features examples of stages and production sets, detailed records of American puppet troupes, and rare books tracing the ancient history of the puppet theater.

The McPharlin Puppetry Collection was established in 1951 ... Paul McPharlin (1903-1948) was considered by many to be the preeminent authority on puppetry during the first half of the 1900's. A skilled performer and puppet maker, he established the Marionette Fellowship of Detroit troupe in 1929, organized an important puppetry exhibit for the Chicago World's Fair in 1933, and was a founding member of the Puppeteers of America.

Because of the unique, ephemeral nature of puppetry, and the fragility of century-old puppets constructed of delicate, light sensitive materials, individual puppets cannot be permanently displayed. The McPharlin Collection is considered a special collection that will be exhibited periodically ... In 2000 the DIA received a conservation grant from the Institute of Museum and Library Services for state-of-the-art storage equipment to preserve this important legacy for future audiences.


Ed Johnson of the Puppeteers of America writes: Paul McPharlin developed interest in puppetry while an undergraduate in college in 1922. Paul, very much the scholar, made it his prime inspiration to know other puppeteers, as many as possible. He developed an extensive country-wide list of persons involved with puppetry and not only corresponded with them, but traveled widely to personally meet as many puppeteers as possible.

He began to write and publish many books on the subject starting in 1928. He sold the books to those persons on his puppeteer list. He also organized, about 1928, what was probably the first puppeteer organization in America. It was called The Marionette Fellowship . Another of his activities was an annual publication called Puppetry. It was generally known as the Yearbook of...whatever year. This became a virtual bible to puppeteers.

So by the 30's the wall of secrecy began to crack, and puppeteers began to at least know of each other. Slowly there came about an exchange of information. Also in several cities puppet groups began to form. This all came to a climax in 1936 when Paul McPharlin organized and arranged the first National Puppetry Conference in Detroit, Michigan.

I remember this well, for at the time I was just graduated from High School and was working for Paul part time in his studio. I was thrilled to be able to help with this historic event. The conference took place in June. Many of the shows and lectures took place at the Detroit Institute of Arts. Other meetings and the dinner were at the Artisan Guild, the location of Paul McPharlin's studio at that time.

Some of my other "creepy puppet" lenses

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Since 1828 the story has been called "The Tragical Comedy or Comical Tragedy of Punch and Judy"

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  • dan Dec 11, 2009 @ 3:07 am | delete
    there is a great punch and judy collection at smilv.com
  • 0ctavias0fferings Aug 12, 2009 @ 4:09 am | delete
    Excellent lens, lensrolling with my puppet lenses. Punch does reflect old ways of thinking and behaving but still has a relevance in that many men don't realise they are just like him. I'm sure Punch and Judy shows will evolve a little and Punch will always be a figure of fun, one we all love to hate.

Lenses featuring my music

Pratie Heads, Yiddish, et al.

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ChapelHillFiddler

Musician in Chapel Hill with two bands: Mappamundi, a world music - klezmer - swing band, and the Pratie Heads, a Celtic - British Isles - early music... more »

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