Rene Magritte Posters, Prints, Fine Art

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Ranked #147 in Arts , #3,082 overall

Rene Magritte was born in Lessines, Hainaut, in 1898, the oldest boy of Leopold Magritte, a sailor, and Adeline, a hat maker. He started classes in sketching during 1910. During 1912, his mother committed suicide through drowning herself in the River Sambre. Magritte had been there as her body was recovered from the river. The picture of his mother drifting, her dress covering her face, is thought to have been the subject of Magritte's set of art works portraying people with fabric hiding the faces, which includes Les Amants, but the artist himself rejected this reason. The paintings had been done in 1927-1928. Magritte was educated at the Academie Royale des Beaux-Arts of Brussels where he had been enrolled for two years up to 1918. In 1922 he wed Georgette Berger, a woman whom whom he had known since 1913.

Magritte was at first employed as an assistant designer in a wallpaper mill, as well as had been a poster and advertising designer. Such employment lasted up to 1926, once a contract by Galerie la Centaure in Brussels made it feasible for Magritte to be allowed to paint as full-time occupation. In 1926, he created his initial surreal art work, The Lost Jockey, and also had his initial exhibit held in Brussels during 1927. Critics deplored the exhibition. Dispirited by the failure of the show, Magritte relocated to Paris where he met French surrealist writer and artist Andre Breton, and Magritte would later become a committed member of the surrealist circle.

 

Biography

After Galerie la Centaure that Magritte had been working with closed down and the contract revenue came to an end, he went back to Brussels to worked and did advertising with. Later he set up his own office, accompanied by his brother, which brought him a salary to live on.

Early in Magritte's painting career, Surrealist supporter Edward James enabled the young artist to remain rent free in his London house so that Magritte could remain there and focus on his painting. James is seen in two of Magritte's works from this period, The Pleasure Principle and also La Reproduction Interdite.

Through the German occupancy of Belgium in World War II he stayed in Brussels, that caused to a break with Breton. By this period he gave up the violence and negative tone of his previous art, while he came back to these subject matters in the future.

Magritte's art had been first shown in America in New York during 1936, and later with two retrospective exhibitions, both also held in New York city, one in the Museum of Modern Art during 1965, with another in the Metropolitan Museum of Art in 1992. Magritte passed away of pancreatic cancer on August 15, 1967 and was laid to rest in Schaarbeek Cemetery, Brussels.

 

General interest in Magritte's art had risen substantially during the 1960's, and his imagery has helped to shape pop, minimalist as well as conceptual art. During 2005 he placed ninth in the Walloon version of The Greatest Belgian; with the Dutch language variation he placed eighteenth.

A skilled technician, his work oftentimes exhibits a collocation of average items set in an exotic circumstances, applying fresh significances to familiar items. The symbolic function of items as being different to what they appear is a common thread in his painting, as seen in the painting titled The Treachery of Images. This work depicts a pipe that appears as if it is a simple example for a tobacco shop ad. Magritte painted beneath the pipe "This is not a pipe", which looks contrary, but is in fact truthful: the work is not a pipe, but an picture of a pipe.

Magritte practiced the same technique in a art work of an apple: he painted the fruit truthfully and then applied an interior subtitle or bordering device to deny that the subject is an apple. In such Ceci n'est pas pieces, Magritte calls attention to no matter how nearly, with realism style art, we arrive at rendering an item precisely, we do not do capture the subject itself - we may not smoke tobacco from a image of a pipe.

His painting displays a more symbolic style of surrealism likened to an "automatic" form found in art by artists such as Joan Miro. Likewise full of wondrous components, his art is frequently humorous and entertaining. He as well produced a variety of surrealist editions of other celebrated art works.

 

The Empire of Light - Rene Magritte

Rene Magritte Selected Paintings & Works 

fine art

- invisible world
- A meeting of fun
- A perfect fit 1947-1948
- Abyss silver 1926
- Act of faith 1960
- After the Ball 1926
- Age of wonders 1926
- Agony of the 1927 vestale
- Ale Cicerone 1947
- Alice in Wonderland 1946
- Answer unexpected 1935
- Architecture au clair de lune
- Area I Enchanté 1953
- Area II Enchanté 1953
- Area III Enchanté 1953
- Area IV Enchanté 1953
- Area V Enchanté 1953
- Area VI Enchanté 1953
- Area VII Enchanté 1953
- Area VIII Enchanté 1953
- Art of conversation c.1963
- Art of conversation IV 1950
- At the 1950 Meeting of Pleasure
- Automatic 1928-1929
- Bather 1925
- Battle of Argonne 1958
- Beautiful captive
- Beautiful language 1952
- Beautiful night 1932
- Beautiful Society 1965-1966
- Big rendez-vous 1947
- Bird skies 1966
- Birth of the idol 1926
- Black magic
- Blaze 1945-1946 60x80
- Body blue 1928
- Bouquet any 1956
- Brilliance of Day 1967
- Call of Cîmes 1943
- calligrapher 1958
- caprice 1947
- Cascade 1961
- catapult desert 1926
- Chamber listening 1958
- Chamber of Devin 1926
- Character biomorphique the words
- choir of sphynges 1964
- Cicerone 1947
- Claude Marcy 1937
- Common Sense 1945
- Composition Cubist c.1944
- Composition with Railway Signals 1923
- Conductor 1955
- conivence 1965
- Constellation 1942
- coup in the heart
- curse 1931
- curse 1963
- Depths of the Earth 1930
- Dialogue unwound by wind 1928
- Difficult Crossing
- discovery of fire
- Domaine Enchanté 1957
- Donna
- Dual purpose 1957
- duo 1928 73x54
- Echo 1944
- elective affinities
- Elsinore 1944
- emergence II 1929
- Empire of Lights
- end of the World
- eternity 1935
- Every day 1966
- Explanation 1952
- eyes lost, 1927
- familiar World 1958
- Female-bottle c.1950
- Femme-Bouteille
- Flowers in front of the window 1920
- food of the enemy 1926
- Fortune 1957 made
- future 1950
- Georgette at the Piano
- giant
- glare of time or Composition with clock
- gold ring
- good Adventure 1937
- Good Days Mr Ingres 1943
- great outdoors 1963-1964
- Hand of Glory 1943
- harvest of clouds 65x50
- heart unveiled Portrait Tita Thirifays 1936
- hole in the wall 1958
- Human Condition II 1935
- hyphen 1942
- idea fixed 1966
- Idol 1965
- illumination 1936
- Image the window 1944
- imperfect knowledge 1948
- In the face of murmurs 1927
- Jewelry indiscreet 1963
- La Vie Heureuse 1944
- Landscape 1920
- landscape of moonlight c.1955
- Landscape with Rider 1967
- L'arc de Triomphe 1962
- Last Empire of Lights 1967
- Le Rossignol 1962 116x89
- Line of Life, or La Femme au rifle 1930
- living mirror 1935
- Living Model 1953
- Locomotive 1922
- Lofty Quantities 1962
- Lost Jockey 1926
- lovers III 1928
- lovers IV 1928
- Lying naked 1928
- mask of lightning the heart of the storm 1965-1966
- masked ball
- Master of Pleasure 1926
- Master School 1955
- Meaning of modesty 1952
- Melmoth 1959 35x46
- Mélusine 1953 30x40
- Membership on a sea Shore 1935-1936
- memory 1945
- Météore 1964
- Midnight Marriage
- Mind of the Traveler
- miraculous catch 1943
- mountain 74x50
- music lesson 1965
- My mercy c.1966 45x55
- mysterious barricades 1961
- night of love 1947
- Nocturne 1923
- Nu 1919
- Nu lying Georgette Magritte 1923
- Nu standing Seduction unexpected c.1942
- Okapi 1958
- omens 1943
- ornament of the storm
- Palace curtain 1928
- parade 65x50
- Passion of Lights 1927
- penalty lost 1962
- personal values 1952
- Perspective love
- Perspective: Madame Récamier David
- Philosophy in the Boudoir 1947
- picture itself 1961
- pilgrim 1966
- Player secret 1927
- Portrait of Arlette Magritte c.1950
- Portrait of Georgette Magritte 1944
- Portrait of Jacqueline Nonkels 1944
- Portrait of Raymond Magritte 1923-1924
- Portrait of Rene Gaffé 1942
- Portraits: Captain A. Tahon
- praise of space 1927-1928
- premeditation 1943 55x46
- priest married 1958
- Prince of Objects 1927
- Promised Land 1947
- prospect amoreuse 1935
- Recognition infinite 1933
- rest of the acrobatic 1928
- Return of the Explorer
- Road to Damascus 1966
- roses Isfahan 1965
- Scale of the 1935 fire
- Scent of the abyss 1928
- Search for absolute 1940
- Séducteur III 1951
- Self-portrait 1923
- Sensational News
- Shéhérazade c.1947-1948
- Sixteen September 1956
- Sixth Nocturne
- Son of Man 1964
- Song of sirens 1953
- Source 1944
- Souvenir travel I 1950
- Souvenir travel II 1950
- Speech given 1950 46x38
- Spirit Traveler 1926
- Spring c.1965
- Spy 1928
- Station 1922
- Sugar Bowl with Fruit and Books c.1923
- Sunglasses 1951
- Suspect
- Symposium sentimental
- Tables of the Law 1966-1967
- This is not an apple 1964
- thought perfect 1943
- tomb of wrestlers 1960
- Treaty of 1944 sensations
- upturn 66x101.5
- upturn c.1962
- Utopia 1945
- Variant of Sadness 1945
- Vestal's Agony
- victory
- View of Bruges
- Voice of blood 1948
- voice of the Absolute c.1955
- wave 1943 65x50
- wife of a soldier c.1945
- Window
- woman at the mirror 1941
- woman hidden 1929
- Women 1923
- word, 1950
- Works of Alexander 1950
- World poetic II
- Young lovers 1963

 

Companions of Fear - Rene Magritte

 

La Therapeute - Rene Magritte

 

Gonconda - Rene Magritte

 

Black Magic

 

Castle in the Pyrenees

 

Dangerous Liaisons

 

La Belle Saison

 

La Chambre d Ecoute

 

La Promesse

 

Les Amants

 

Not to be Reproduced

 

The Mysteries of the Horizon

 

The Red Model

 

The Treachery of Images

 

This Is Not An Apple

 

Time Transfixed

 

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by dandbal

René François Ghislain Magritte, born 21 November 1898 , died 15 August 1967,- was a Belgian surrealist artist. He grew familiar for a variety of hum... (more)

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