Hands On Shakespeare

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Look at the Elizabethan gentleman in the portrait here. Listen to what he is saying.

How can you do that?

See how his right hand is held? It is a gesture called conscienter affirmo.

According to John Bulwer this gesture means:

     TO LAY THE HAND OPEN TO OUR HEART using a kind of bowing gesture is a garb wherein we affirm a thing, swear or call God to witness a truth, and so we seem as if we would openly exhibit unto sense the testimony of our conscience or take a tacit oath, putting in security that no mental reservation doth basely divorce our words and meaning, but that all is truth that we now protest unto. This expression hath been most observed in the ancient Grecians, as Chrysippus sayeth, who from this natural expression of the hand concludes the lodging of the soul to be about the heart. The Turks at this day are observed most frequently to use this natural form of protesting, with whom the hand spread upon the breast is accounted equivalent to the most solemn oath, insomuch as whatsoever they speak or promise using this gesture may be believed as ingeniously spoken, and the accomplishment of that promise to be presumed of. If we would see this form of sincere asserveration in practice, our own histories afford us many examples. For the form that hath been and is used at this day in judiciary trials and arraignments of noblemen who are tried by their peers is that when the Lord Steward or Clerk of the Crown asketh the Peers whether the nobleman there arraigned be guilty or not, everyone of them ceremoniously by his hand to his breast affirms upon his honor and conscience he is or is not guilty, according as they find him. The particularizing of the examples I purposely omit, as unwilling to offend any noble personages who love not to hear of the tainted blood of their ancestors.

Says an awful lot, doesn't it?

This is the origin of why we hold our hands over our hearts when we pledge allegiance. It is also the basis for why this particular gentleman, before God and men, can affirm that he was, indeed, Edward Alleyn, one of the great actors of the Elizabethan stage, 400 years after his death. It is called a rhetorical gesture.

This is an introduction to rhetorical gesture, and its part in shaping an actor's craft, as well as the body language we use every day.

Stage Beauty accented the use of Rhetorical movement

stage beauty
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The visuals made the speakers understood...

View of the Old Stage and Balcony in an Elizabethan Theater




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Imagine what it was like to be inside a theater in Shakespeare's time. While the plays were going on, vendors were selling chestnuts and other snacks, patrons were gossiping about who they saw in the audience, and all sorts of mischief was definitely being managed! The words had to be riveting to get all of the crowd to quiet down - and 90% of the plays presented in those times would never come near that standard! No matter how strong the voices of the actors were, or how good the accoustics were inside the theaters - which I can attest were good, because I have performed on the stage of Shakespeare's Globe - the actors needed to do more in order to be understood, just as speakers before great crowds since ancient times needed their hands to win the crowds.

Generation by generation, we have learned the gestures that help the words be understood, the same gestures used by the great Greek and Roman orators, supplemented by gestures invented in every age along the way...

With A Wave Of A Hand

The Ballet Master Degas 1875There are two things that classical ballet, which started during the Renaissance, and Elizabethan theater have in common, which ballet kept using into more recent times: A master, or in the theater's case a book keeper, would use a baton or stick to get and keep the attention of the performers. Also, both crafts used rhetorical hand movements to convey meaning - not just to an audience, but as hand signals from master to performer. It is far more likely that gestures were used to get an actor back on track than actually saying lines out loud - saying the lines would be a last resort. And if it came to that - that stick just might be used for more than just getting an actor's attention, after the play was done!

The study of Rhetorical Gesture is called Chirologia

John Bulwer's Chirologia
This is an internet copy of the body of Bulwer's work. While he was primarily interested in the use of rhetorical gesrure in helping the deaf to communicate, he learned the gestures from the same practices used by actors on the stage: the gestures used in rhetorical speaking.

An Illustration of hand gestures from Bulwer's Chirologia

I know only one actor who has made a study of these gestures, and whose study shows in his own stage work to good effect - Drew Reeves, of The Atlanta Shakespeare Company. There is one gesture that he uses that some viewers have found very puzzling, but is correct for Elizabethan times:

Look at gesture H. It looks much like a rabbit holding its paws before it, but it is an age old gesture called despero, or without hope. I have enjoyed how Drew uses it for characters so dim we would call them hopeless!!!

Trivia: Look at the hands clapping, E and F. If you clap to the right side, you like what you are watching and are applauding it; but if you clap your hands to the left side - you don't like what you are watching, and you are indignant!!! Talk about subtle putdowns! We've shifted that gesture to what I call the Wimpy, clapping with slow, soft, bored hands...

See how many of the other gestures in this illustration you have used yourself - body language that helps you make your meaning understood.

“Don't just use the moves!
Make them natural!
It takes practice to look like you mean it...”

Answering Rhetorical Questions on Amazon...

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My Play Shakespeares

Available on Amazon

Everyone has their own Shakespeare - but does that mean there are too many Shakespeares? Is this a bad or good thing? Find out in this one act play...
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Point a finger or clap your hands...

Clap them on the right, I hope! ;)

  • TheLifestyleChanger Mar 11, 2012 @ 11:36 pm | delete
    There is so much in body language and gestures. Even if we are unaware of what we are reading in somebody else's communication, I am sure the subconscious receives the message.
  • oxfordian Dec 5, 2011 @ 7:23 pm | delete
    OMG, another thing in common. I'm a Shakespeare scholar and have done several lenses on the theatre in Shakespeare's day. (And, how's this for coincidense, I have a dog named Othello and another named Desdemona!) Yikes! this is getting spooky!
  • JollyvilleChick Oct 30, 2010 @ 9:00 am | delete
    How very interesting. I think we observe and "get" hand gestures better than we give ourselves credit. If someone is talking and puts their hands together like "B" in the example, I get ready to hear something serious.
  • WordCustard Oct 19, 2010 @ 2:09 pm | delete
    I found this fascinating, particularly seeing those gestures that we have kept as part of our non-verbal language today. Thanks for such an interesting and unusual lens.
  • The-Java-Gal Sep 29, 2010 @ 3:23 pm | delete
    Clapping to the right side! Body language has always fascinated me, and I loved the insights from a performer's perspective. Have bookmarked so I can return again and let the information really soak in. Wonderful lens!
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Behind The Shakespeares Project -

or in this case, Shakespeare's Hands!

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sandralynnsparks

People sometimes call me a madwoman, not knowing I'm okay with that: it's a madness that creates!

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