We know very little about Sappho's life, but scholars have conjectured that she was a priestess who led a group of women in religious festivals, or perhaps an instructor to aristocratic young women preparing for marriage. She was apparently part of a well-to-do, politically active family. She lost her parents, Skamandronymos and Kleïs, at age six. In her thirties, she was exiled to Sicily, probably as fallout from her family's political activities.

Her older brother Charaxos was a merchant who moved to Egypt, and Sappho scolds him for taking up with a courtesan there. Her younger brother Larichos served as a page in the city hall of Mytilene, capital of Lesbos. She may have been married to a wealthy merchant named Kerkylas, but the obscene meaning of his name suggests that he may have been invented by later comic writers who sometimes used Sappho as a semi-fictional character.

Classical tradition has it that Sappho was "short, dark, and ugly," but again, this detail may have been added to her legend by comic playwrights. Classical art (see 5th century BCE vase painting above) portrays her in more flattering terms.

Several of Sappho's verses express passion towards other women. Apparently Lesbos was famous for "lesbian" tastes. Anacreon, writing a generation after Sappho, joked that the girl he loved was from "well-built Lesbos, and gapes after some other girl." However, Sappho was married and speaks fondly of her daughter Kleïs. Classical Greeks didn't have the same categories of "gay" and "straight" that we do.

The Greeks tended to relate sexuality and phases of life in a way that seems very foreign to us. In the upper class, older men would choose as protegés young men on the verge of adulthood, teaching them about politics and all aspects of a man's life, including sexuality. Once the young man reached maturity -- marked by a full beard -- it was time for him to end this relationship, get married and have children. It's possible that Sappho's relationships with younger women followed a similar pattern.

From what remains, it seems that her poetry can be divided loosely into four categories: marriage hymns; ceremonial verses probably written for performance at religious festivals; poems on mythological themes, particularly the characters of the Trojan War; and intensely personal self-revelations of passions and experience. Sometimes a poem may combine several of these themes.

Here is my translation of the only poem of Sappho's that has been preserved intact:



Deathless Aphrodite of the finely-painted throne,
wile-weaving daughter of Zeus, I pray you,
no longer with sorrows and burdens damn
my heart, Lady,

but come hither, if ever at another time
you heard my words from afar
and heeded, and, having left your father's
golden house, came

on yoked chariot; and the lovely swift
sparrows led you over the black earth
beating whirling wings down from heaven
through the middle air,

and suddenly they alighted. And you, O blessed one,
smiled with immortal visage,
and inquired what I was suffering this time and why
again I had called,

and what I really wished to happen to me
in my frenzied heart: "Whom this time should I persuade
to bring you at once into her love? who, O
Sappho, wrongs you?

But if now she flees you, soon she'll pursue you;
if she won't receive gifts, then she will give them;
if she doesn't love you, soon she will love you,
although reluctant."

Come to me even now, and loose hardship
from my anxious thought, and bring to pass as many
things as my heart desires to happen. You yourself
be my ally for the fight.



Note: you might be interested in comparing mine with Other translations of this poem.