Jazz Pianist and Vocalist
Background information
Seger Ellis
Born: July 4th, 1904 Houston, Texas
Seger Ellis was a jazz pianist and vocalist. He also made a few brief film appearances, most notably in collaboration with director Ida Lupino.
In the late 20s and early 30s, Ellis made several recordings for the OKeh label. He sang in a bittersweet alto, with which he was uncomfortable early in his career, believing his voice to be too high. He had a pair of hit songs - Prairie Blues and Sentimental Blues for Victor recordings, among the first to be recorded with an electric microphone.
Although he didn't achieve the same degree of fame as his contemporaries as a singer or pianist, many of his recordings included such well-known jazz musicians as Louis Armstrong.
Later in his career, Ellis focused on songwriting in preference to recording and performing.
~Source: Wikipedia
Seger Ellis
Born: July 4th, 1904 Houston, Texas
Died: 1995, Houston, Texas
Genre(s): Jazz
Instrument(s): Voice, Piano
Seger Ellis was a jazz pianist and vocalist. He also made a few brief film appearances, most notably in collaboration with director Ida Lupino.
In the late 20s and early 30s, Ellis made several recordings for the OKeh label. He sang in a bittersweet alto, with which he was uncomfortable early in his career, believing his voice to be too high. He had a pair of hit songs - Prairie Blues and Sentimental Blues for Victor recordings, among the first to be recorded with an electric microphone.
Although he didn't achieve the same degree of fame as his contemporaries as a singer or pianist, many of his recordings included such well-known jazz musicians as Louis Armstrong.
Later in his career, Ellis focused on songwriting in preference to recording and performing.
~Source: Wikipedia
Contents at a Glance
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Biography
(1)
"You're All I Want for Christmas" is one of the standard songs associated with Seger Ellis, an artist whose striking career also included jazz piano playing, a film appearances alongside the fascinating Ida Lupino and leading an eccentric brass choir. He began tinkling on the keyboard as a boy and was first engaged professionally as a radio performer in Texas in the mid '20s.
This is where a roving talent scout from the Victor label heard him, resulting in Seger's first recordings. He was inspired to try a move to New York City, making out quite well there with a new series of sides spotlighting his vocal talents. He toured England in 1928 as a soloist.
Ellis revealed yet another talent following a meeting with the popular vocal group the Mills Brothers in Cincinatti. He became the manager of this group for a few years, continuing to perform as a soloist through the '30s. Highlights of this period in which Ellis was in great demand include guest shots with the Paul Whiteman orchestra and the aforementioned film appearance, the 1934 One Rainy Afternoon.
Beginning in 1936, Seger spent nearly a year creating music with a group he called the Brass Choir, then assembled something of a more normal instrumental big-band line-up for another group under his leadership. In the early '40s he was briefly in the Army, followed by a stint working in a defence plant. After moving back to Texas he began to be less active as a performer and more involved in the songwriting craft. His Christmas ditty was recorded by the likes of Al Martino, Frankie Laine and Bing Crosby.
The Seger Ellis songwriting catalog also includes "No Baby, Nobody But You" and "You Be You but Let Me Be Me".
Biography (2)
~from The Big Band DatabaseSeger Ellis
B: July 4, 1904 Houston, TX, USA.
D: Sept. 29, 1995 Houston, TX, USA.
Played: Piano; vocals
Seger Ellis, whose career began in 1921 when radio station KPRC (Houston) hired him to broadcast a weekly show of solo piano music. In 1925, Victor Records came to Houston to record the Lloyd Finlay Orchestra. They wanted to record eight sides however Finlay had only four original songs. The Victor representative had brought two new songs with him and to fill in the remaining sides Finlay suggested Seger Ellis be brought in to record with the band. These two songs, "Mama" and "You'll Want Me Back Some Day" so impressed Victor management they brought Ellis to their Camden (NJ) recording studios in August 1925 to record fourteen more songs. They were among the first Victor recordings done using an electric microphone. Although only four were ever released, two became hit records ("Prairie Blues" and "Sentimental Blues").
Shortly after returning to Texas, Columbia asked Ellis to make his first vocal recording. He eventually became OKeh records most popular male vocalist. Many of his Okeh recordings feature jazz arrangements with studio groups that in- cluded Eddie Lang, Mugsy Spanier, Tommy Dorsey, Mannie Klein, Joe Venuti and Louis Armstrong.
In 1930 he was hired to do a nightly show on radio station WLW in Cincinnati. While there he discovered the Mills Brothers and became their first manager.
He went to Hollywood in 1934 to make a few movie shorts and while there was a frequent guest on Paul Whiteman's radio show. In late 1935 he formed his first big band. Instead of the usual reed section the band featured eight brass instuments and one clarinetist. The band became known as "The Choir Of Brass". Spud Murphy did most of the arrangements. Nate Kaziber, who like Murphy would later work with Benny Goodman, was one of the original brass section. Irving Fazola joined as clarinetist in 1937. The band made a series of recordings for Decca and appeared at Hollywood's First Swing Concert (May 1937) along with the Jimmy Dorsey, Earl Hines, Jimmie Grier, Ray Noble and Louis Prima bands. In 1939 Ellis reorganized and his new band featured the conventional four-man reed section. He disbanded in 1941 and enlisted in the Army-Air Force in 1942. Irene Taylor, his wife, was his female vocalist. She had previously sung with Paul Whitman's band, being the first woman hired by Whiteman.
Ellis devoted the remiander of his music career to songwriting. Among his many compositions are "My Beloved Is Rugged" and "11:60PM" (both recorded by Harry James), "Gene's Boogie" (recorded by Gene Krupa), and "Little Jack Frost, Get Lost" and "You're All I Want For Christmas" (both recorded by Bing Crosby). "December" was recorded by Count Basie with a Mills Brothers vocal.
Seger Ellis retired and took up residence in Texas. He died in a Houston retirement home on September 29, 1995. He was 91 years old.
~These notes on Seger Ellis contributed by Mr. Robin Lenhart.
SMITH BALLEW & SEGER ELLIS IN CONVERSATION
40 YEARS LATER...

REVIEW: Jazz In A Sentimental Mood
5.0 out of 5 stars Excellent crooner!
Seger Ellis began his professional music career in his native Texas as a jazz pianist playing with local dance bands. He was discovered by talent scouts from Victor on a recording field trip to Houston in early 1925 and made several test sides as a soloist (which were rejected, but later re-made and issued).
Encouraged by the positive response to his records, he moved to New York to pursue a solo career. Once there, record executives at OKeh discovered that he also possessed a pleasant "crooning" voice and they engaged him to make records that sounded somewhat like those of Gene Austin, Art Gilham, and Nick Lucas. However, Ellis's recordings have the added benefit of OKeh's superior recording system and all-star jazz musicians for accompaniment. Just a few of the sidemen on this disc: Louis Armstrong, Eddie Lang, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, Rube Bloom, Phil Napoleon, Manny Klein, Muggsy Spanier, Hoagy Carmichael, George Hamilton Green, Arthur Schutt, Carl Kress, and Andy Sannella. Most of the recordings feature a small combo of three to five backing musicians, and in all cases they work so well together! This is gently swinging "sweet" jazz--but jazz all the same!
Ellis was quite popular in the late 1920s, but unfortunately, his recordings have been rather neglected in the years since. Many thanks to the late George Morrow of The Old Masters for resurrecting these 26 sides. There are some great tunes in here: "Sweet Sue," "Mean To Me," "Ain't Misbehavin'," "Cheerful Little Earful,"--heck, they're all great! Perhaps my favorite on the disc is the haunting and beautiful "Nobody But You."
The remastered sound is very nice, and the booklet features a complete discography for the included selections and lengthy (and informative) notes by Allan Dodge. This is an excellent CD--one I play often--and I'm surprised no one else has reviewed it yet. I have all of the thirty-some CDs issued by the Old Masters label, and it's safe to say that this is one of my favorites.
If you like early '30s Bing Crosby, Russ Columbo, Gene Austin, check it out! You won't be disappointed. Ellis's voice may not be quite on par with Crosby or Columbo, but I find it very pleasant and the tasteful jazz accompaniments just add to the charm. Highly recommended!
~"Gimpy" Peach Johnson
Seger Ellis began his professional music career in his native Texas as a jazz pianist playing with local dance bands. He was discovered by talent scouts from Victor on a recording field trip to Houston in early 1925 and made several test sides as a soloist (which were rejected, but later re-made and issued).
Encouraged by the positive response to his records, he moved to New York to pursue a solo career. Once there, record executives at OKeh discovered that he also possessed a pleasant "crooning" voice and they engaged him to make records that sounded somewhat like those of Gene Austin, Art Gilham, and Nick Lucas. However, Ellis's recordings have the added benefit of OKeh's superior recording system and all-star jazz musicians for accompaniment. Just a few of the sidemen on this disc: Louis Armstrong, Eddie Lang, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, Rube Bloom, Phil Napoleon, Manny Klein, Muggsy Spanier, Hoagy Carmichael, George Hamilton Green, Arthur Schutt, Carl Kress, and Andy Sannella. Most of the recordings feature a small combo of three to five backing musicians, and in all cases they work so well together! This is gently swinging "sweet" jazz--but jazz all the same!
Ellis was quite popular in the late 1920s, but unfortunately, his recordings have been rather neglected in the years since. Many thanks to the late George Morrow of The Old Masters for resurrecting these 26 sides. There are some great tunes in here: "Sweet Sue," "Mean To Me," "Ain't Misbehavin'," "Cheerful Little Earful,"--heck, they're all great! Perhaps my favorite on the disc is the haunting and beautiful "Nobody But You."
The remastered sound is very nice, and the booklet features a complete discography for the included selections and lengthy (and informative) notes by Allan Dodge. This is an excellent CD--one I play often--and I'm surprised no one else has reviewed it yet. I have all of the thirty-some CDs issued by the Old Masters label, and it's safe to say that this is one of my favorites.
If you like early '30s Bing Crosby, Russ Columbo, Gene Austin, check it out! You won't be disappointed. Ellis's voice may not be quite on par with Crosby or Columbo, but I find it very pleasant and the tasteful jazz accompaniments just add to the charm. Highly recommended!
~"Gimpy" Peach Johnson
Jazz in a Sentimental Mood
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COMPILATIONS SEGER ELLIS APPEARS ON
MOST POPULAR COMPOSITIONS
- No Baby, Nobody But You
- You Be You but Let Me Be Me
- You're All I Want For Christmas
- The Shivery Stomp
Video
Further Reading
eBAY
AMAZON

Links
- Seger Ellis - Wikipedia, the free encyclopedia
- Seger Ellis (b. 1904 in Houston, Texas - d. 1995 in Houston, Texas) was a jazz pianist and vocalist. He also made a few brief film appearances, most notably ...
- MUSICMATCH: Seger Ellis
- Bio, Discography, etc.
- Seger Ellis on Flickr
- Images of Segar Ellis
- Biography
- An Archive, History, and Database of American Big Bands - from the 'Jazz Age' to the present
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