Fencing And Swordfighting For The Stage
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Fencing And Swordfighting For The Stage
Some of the most thrilling aspects of stage performances involve combat. For example, what would Hamlet be without its numerous battles? What would Gilbert and Sullivan's Pirates of Penzance be without its piratical swashbuckling? Whether the performance is a comedy or tragedy, a "straight" play or a musical, there may be scenes of combat.
Stage Combat photo by austinbarrow
Of course, real sword fighting on stage is not advisable
Of course, real fighting on stage is not advisable, simply because it would be highly dangerous for the performers involved. Theater creates convincing illusions; combat is no exception to this. Therefore, an entire array of practices has been developed by directors and choreographers. Usually, they incorporate actual moves from martial arts or other disciplines, but change them to be less dangerous for the actors involved. These techniques are collectively known as "stage combat."
One of the more common types of stage combat is stage fencing. Stage fencing uses many of the moves and techniques common in traditional fencing, but modifies them. For example, a move may be altered so that the sword used does not travel near the actor's face.
Stage fencing may incorporate several different weapons. Among these are the stage foil, which resembles a regular foil, the dagger, and the broadsword. Rapiers may also be used. Stage combat moves vary depending on what sword is used; for example, a rapier fight will be more "nimble" than one using larger weapons. The swords may either be real, or props constructed to look like weapons. The latter, of course, is less dangerous for the actors, but requires more work to seem real.
In most productions, the stage fencing routines are developed by the choreographer of the play or musical. For larger scale productions, or for routines involving many intricate techniques, a separate fight choreographer may be used. These choreographers are trained especially in stage combat, and are more skilled in developing flashier routines.
Stage combat, when executed in the theatre, is highly routine. Although the moves may seem thrilling and immediate, they have been rehearsed time after time at varying speeds. Improvisation cannot be a part of swordfights on stage, simply because it would be dangerous to introduce an unexpected change when swords are involved. Despite this routine, however, when done well, stage combat can be spectacularly done and extremely convincing.
One of the more common types of stage combat is stage fencing. Stage fencing uses many of the moves and techniques common in traditional fencing, but modifies them. For example, a move may be altered so that the sword used does not travel near the actor's face.
Stage fencing may incorporate several different weapons. Among these are the stage foil, which resembles a regular foil, the dagger, and the broadsword. Rapiers may also be used. Stage combat moves vary depending on what sword is used; for example, a rapier fight will be more "nimble" than one using larger weapons. The swords may either be real, or props constructed to look like weapons. The latter, of course, is less dangerous for the actors, but requires more work to seem real.
In most productions, the stage fencing routines are developed by the choreographer of the play or musical. For larger scale productions, or for routines involving many intricate techniques, a separate fight choreographer may be used. These choreographers are trained especially in stage combat, and are more skilled in developing flashier routines.
Stage combat, when executed in the theatre, is highly routine. Although the moves may seem thrilling and immediate, they have been rehearsed time after time at varying speeds. Improvisation cannot be a part of swordfights on stage, simply because it would be dangerous to introduce an unexpected change when swords are involved. Despite this routine, however, when done well, stage combat can be spectacularly done and extremely convincing.
Stage Fighting
Learn more about stage combat
Some Fencing Links
- Fencing
- Guides to fencing as well as fencing forums for discussion and news about the sport.
- NBC Sports Olympics
- NBC's Olympics Coverage
- Stage Fencing Weapons
- Shop with fencing gear made for stage use as well as full replica rapiers and sabres great for fencing scenes.
Reader Feedback
Do you perform stage fights or stage fencing? What are the top tips you can provide or the problems you've run into.
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cdevries
Aug 24, 2011 @ 1:38 pm | delete
- Nice idea for a Lens! I work in theater and watching Fight Call practice is fascinating... and sometimes a little funny (my son is a fencer). You're right that stage fights have to be utterly rehearsed.
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blanckj Mar 24, 2011 @ 8:09 am | delete
- I've always found fencing to be interesting. Thanks for sharing.
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sandralynnsparks
Feb 6, 2011 @ 6:01 am | delete
- I have spent a lot of time around stage fighting; I've seen some brilliant fights along the way! The best stage sword work I ever saw was done by an actor who had studied ballet and capoeira (Brazilian martial arts dancing) and brought that training into his timing - quick, safe, brilliant work...
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sandralynnsparks
Feb 6, 2011 @ 5:59 am | delete
- You may want to switch your Guestbook settings to approve comments - my word, all the spam!
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FencingNet
Aug 4, 2011 @ 10:43 am | delete
- Thanks. Fixing that now!
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by FencingNet
FencingNet
I started fencing after seeing the brief clips of Peter Westbrook winning the Olympic Bronze medal in 1984. Since then, I've been a competitor, coach,... more »
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