super-8 movie camera, asa, 64t, books, auctions, nizo 6080, canon 814 1014 beaulieu, filmstock, diy processing labs, festivals, www.super8camera.com
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for lots of info on super-8 camera's, processing, film stock and more!Color filmstock for super-8
Information about some stock
Kodak, Fuji, Wittner, Pro8mm.com:
- Kodak Ektachrome 64T: This new Super 8 mm format film offers excellent color reproduction, fine grain and high sharpness. EKTACHROME 64T Color Reversal Film 7280 is a 64-speed tungsten balanced film with outstanding reciprocity characteristics, which give consistent color balance over a wide range of exposures. The film process is E-6.
- Kodak VISION2 500T: Offers the lowest grain available for clean, crisp images; improved neutral tone scale; and more flexibility in both film and digital postproduction.
- Kodak VISION2 200T: Color Negative Film 7217 is highly versatile and reliable. Offering excellent image structure under a wide variety of lighting conditions. And now 200T Film also enables you to shoot all scenes for digital compositing on the same stock.
- Fuji Velvia 50 Daylight reversal: Tests have shown grain and sharpness to be similar to Kodachrome 40 film (and far superior to Ektachrome 64T). Color and latitude, however, are better than K-40, offering more detail in the shadows and saturation in every hue pushed to the extreme!
- Pro8mm ASA 50 Daylight Negative:
Latitude 5-stops of fine grain saturated colors with full chrominance. Best used in full sun, without shadows. Reformatted from 5245 - Pro8mm ASA 50 Daylight Negative:
Latitude 7-stops of extreme fine grain. Sharpest super 8 film available. Shows fine detail in both image and color for very natural reproduction. Great for shooting flesh tones when there is an abundance of daylight used. Reformatted from Vision2 5201. - Pro8mm ASA 100 Tungsten Negative:
Latitude 7-stops of extreme fine grain. Sharpest super 8 film available shows fine detail in both image and color for very natural reproduction. This is great for shooting flesh tones when there is an abundance of light. Reformatted from Vision2 5212. - Pro8mm ASA 250 Daylight Negative:
Latitude 7-stops of fine grain and saturated colors for full chrominance. Reformatted from Eterna 63 250 D. - Pro8mm ASA 400 Tungsten Negative:
Latitude 7-stops of fine grain. It can be easily saturated while maintaining the subtle contrasts of skin tone. Reformatted from Fuji Eterna 400T. - Pro8mm ASA 500 No Color Balance:
Latitude 10-stop moderate grain. This the first of a new generation of film designed specifically for digital Mastering. This film has an incredible ample color space to render good flesh tones under mixed lights. Pro8/99 is very forgiving to mixed lighting situations. Reformatted from 5299 (premium stock) - Wittner CHROME 100D, Color Reversal: Contains Kodak Ektachrome 100D (7285) Film.
Interesting books on super 8mm. and filming
I asume you already have a copy of Juergen Lossau's 'Movie Cameras'. A catalog about all ever built 3,350 models: 16mm, 9.5mm, 8mm, Single 8, Super 8 and Double-Super-8 formats. From Ansco, Bell & Howell, Chinon, Fairchild, GAF, Geyer, Konica, Mamiya up to Revere, Ricoh or Wollensak. The first and only complete guide.
Check atollmedien.de for more info.
Check atollmedien.de for more info.
The complete book of 8mm (super-8, single-8, standard-8) movie making
Used Price: $0.15
8mm. movie making for pleasure
Used Price:
Its All Your Fault: How To Make It As A Hollywood Assistant
Used Price: $0.07
How to Make it in Hollywood
Used Price: $0.01
Short Films 101: How to Make a Short and Launch Your Filmmaking Career
Used Price: $0.20
Splatter Flicks: How to Make Low-Budget Horror Films
Used Price: $9.21
How to Make an Action Movie for $99
Used Price: $2.21
How to Make Your Own Feature Movie for $10,000 or Less
Used Price: $0.01
How To Make Your Movie: An Interactive Film School
Used Price: $55.00
Making Movies
Used Price: $2.75
Making a Good Script Great
Used Price: $3.04
Screen-Writer's Handbook
Used Price: $0.01
Screen Writings: Texts and Scripts from Independent Films
Used Price: $6.64
Scriptwriting for the Screen (Media Skills)
Used Price: $13.46
The Screenwriter's Workbook (A Dell trade paperback)
Used Price: $0.01
Psychology for Screenwriters
Used Price: $10.47
Writing Short Films: Structure and Content for Screenwriters
Used Price: $8.38
The Writer's Journey: Mythic Structure for Storytellers & Screenwriters
Used Price: $2.53
Is There Life After Film School: In Depth Advice From Industry Insiders
Used Price: $0.74
8mm. Festivals
Here are some festivals.
RetroThing.com
Here is the RSS feed from RetroThing, they've got interesting and/or funny news-items.
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RSS feed from www.onsuper8.org
Fetching RSS feed... please stand byBlack & white reversal & negative filmstock
Kodak Plus-X B&W Reversal: A medium-speed, panchromatic black-and-white film suitable for general exterior photography. It has a high degree of sharpness, good contrast, and tonal gradation. It can also be used in interior photography with ample artificial illumination.
Kodak Tri-X B&W Reversal: Offers finer grain and increased sharpness, and includes EASTMAN KEYKODE Numbers for easy cross-reference of shots in minutes, not hours. Reduced static support allows for a cleaner image throughout the filmmaking process.
Kahl Dokument 12ASA: High contrast black and white film particularly suitably for TV documentations, advertisement and art films.
Kahl 21 B&W Negative 100ASA: A versatile, very fine-grained black and white negative film.
Kahl 24 B&W Reversal 200ASA: A versatile, very fine-grained black-and-white reversal film with good sensitivity.
Kahl 27 High Speed Negative 400ASA: A highly sensitive negative film for use in unfavorable lighting conditions.
Pro8mm ASA 10 B&W Reversal Film: Latitude 1-stop with extreme fine grain. Ultimate contrast Hi-con film. Good for graphic style images. Reformatted from 5263.
Pro8mm ASA 100 B&W Reversal Film: Latitude 3-stops of fine grain structure. Repackaged from Plus-X reversal film to include Pro8mm award winning processing.
Pro8mm ASA 200 B&W Reversal Film: Latitude 3-stops of moderate grain structure. Repackaged from Tri-X reversal film to include Pro8mm award winning processing.
Kodak Tri-X B&W Reversal: Offers finer grain and increased sharpness, and includes EASTMAN KEYKODE Numbers for easy cross-reference of shots in minutes, not hours. Reduced static support allows for a cleaner image throughout the filmmaking process.
Kahl Dokument 12ASA: High contrast black and white film particularly suitably for TV documentations, advertisement and art films.
Kahl 21 B&W Negative 100ASA: A versatile, very fine-grained black and white negative film.
Kahl 24 B&W Reversal 200ASA: A versatile, very fine-grained black-and-white reversal film with good sensitivity.
Kahl 27 High Speed Negative 400ASA: A highly sensitive negative film for use in unfavorable lighting conditions.
Pro8mm ASA 10 B&W Reversal Film: Latitude 1-stop with extreme fine grain. Ultimate contrast Hi-con film. Good for graphic style images. Reformatted from 5263.
Pro8mm ASA 100 B&W Reversal Film: Latitude 3-stops of fine grain structure. Repackaged from Plus-X reversal film to include Pro8mm award winning processing.
Pro8mm ASA 200 B&W Reversal Film: Latitude 3-stops of moderate grain structure. Repackaged from Tri-X reversal film to include Pro8mm award winning processing.
Super-8 supplies and labs
There are many labs and supply stores in the States. Here are some. Click here for more. Or visit this site.
There are more labs! I haven't put them all here.
There are more labs! I haven't put them all here.
Cinematography.com
Fetching RSS feed... please stand byVideo-transfer
How to transfer to video
Ofcourse, there are different ways to transfer your (home-)movies to video. The easiest way is to just project it on a white screen and tape it with your video-cam. Remember: the lower the light, the better.A better option is using a glass-screen, specially made for the purpose.
www.pro8mm.com will do it for you professionally.
Or with the video workmate or video cine-mate you can do it yourself.
Under construction....
New Write! (And Add A Photo)
For more info, visit www.super8camera.com
Canon 512 / 518 / 814 / 1014 (XL-S) :
Tungsten: ISO 25, 40, 64, 100, 160, 250 and 400
Daylight: ISO 16, 25, 40, 64, 100, 160 and 250
Canon 310 / 312 / 514 (XL-S) :
Tungsten: ISO 40, 160 and 250
Daylight: ISO 25, 100 and 160
Nizo 481 / 561 / 801 :
Tungsten: ISO 16 to 160
Daylight: ISO 10 to 100
Bauer Royal C 6 / 8 / 10:
Tungsten: ISO 25 to 160
Daylight: ISO 40 to 200
Nikon R10 and R8
These camera's also measure properly: (source: super8wiki.com):
Bolex 7,5 Macrozoom (according to the manual)
Bolex 150
Bolex 155 Macrozoom
Bolex 160 Macrozoom
Canon Zoom 250
Canon Auto Zoom 1218
Chinon 674 Macro
Chinon 872 power zoom
Chinon Pacific 310
Cosina DL-80P, SSL 766 Macro, SSL 768 Macro, SSL 7610 Macro
Cosina MS-5000 XL
Elmo Super 104, 106, 108, 110
Elmo dual-filmatic,or tri-filmatic
Eumig 308 Zoom Reflex (according to a magazine from 1968, formulation is a little bit unclear, though)
Eumig Viennette 5 (and maybe Viennette 8)
Eumig Viennette 3 (and original Viennette)
GAF 735/738
GAF ST/802
GAF ST/1002
GAF ST/111E (lightmeter: 2.7v mercury battery)
Leicina Super and RT-1
Minolta: all Minolta Autopaks
Mondiflex Weekend
Nikon: all Nikons
Nizos sound and silent (photo) (except: all "Integrals" and some/all "Compacts" - see below)
Porst ZRS 448 Reflex (16asa - 250asa)
Sankyo Super MF606
Sankyo Super CM 400 (Shows 25~100D and 40~160T and has correct notch settings for 64T/40D).
Yashica Electro 8 LD-6
Yashica Super Electro 800
Zeiss Ikon S8, MS8, 808, 811, GS8
Beaulieu 2008, 3008, 4008, 5008, 6008, 7008, 9008
Leicina Special
Lomo 214, 215
Manual aperture, adjust the aperture to be 2/3 stop less than the camera meter suggests or use an external meter:
* Agfa Movexoom 4000 Synchrosound
* Bauer S715XL, S709XL (the manual states the meter sets only 40T/25D and 160T/100D) discuss
* Chinon 200/8 XL Pacific
* Cosina DL-40P, DL-60P
* Elmo 1012s-xl, 612s-xl
* Elmo Superwide
* Minolta XL-401 and XL-601
* Nizo compact series 136, 148 and more.
* Sankyo ES 66-xl, ES 44-xl, EM-40XL, EM-60XL and more.
* Quarz 1x8S-1
* Bauer C Royal 6E, 8E, 10E
* Bauer A506, A508, A512
* Eumig 860, 880 and 881 PMA
* GAF 805M
* Rollei SL82
Canon 512 / 518 / 814 / 1014 (XL-S) :
Tungsten: ISO 25, 40, 64, 100, 160, 250 and 400
Daylight: ISO 16, 25, 40, 64, 100, 160 and 250
Canon 310 / 312 / 514 (XL-S) :
Tungsten: ISO 40, 160 and 250
Daylight: ISO 25, 100 and 160
Nizo 481 / 561 / 801 :
Tungsten: ISO 16 to 160
Daylight: ISO 10 to 100
Bauer Royal C 6 / 8 / 10:
Tungsten: ISO 25 to 160
Daylight: ISO 40 to 200
Nikon R10 and R8
These camera's also measure properly: (source: super8wiki.com):
Bolex 7,5 Macrozoom (according to the manual)
Bolex 150
Bolex 155 Macrozoom
Bolex 160 Macrozoom
Canon Zoom 250
Canon Auto Zoom 1218
Chinon 674 Macro
Chinon 872 power zoom
Chinon Pacific 310
Cosina DL-80P, SSL 766 Macro, SSL 768 Macro, SSL 7610 Macro
Cosina MS-5000 XL
Elmo Super 104, 106, 108, 110
Elmo dual-filmatic,or tri-filmatic
Eumig 308 Zoom Reflex (according to a magazine from 1968, formulation is a little bit unclear, though)
Eumig Viennette 5 (and maybe Viennette 8)
Eumig Viennette 3 (and original Viennette)
GAF 735/738
GAF ST/802
GAF ST/1002
GAF ST/111E (lightmeter: 2.7v mercury battery)
Leicina Super and RT-1
Minolta: all Minolta Autopaks
Mondiflex Weekend
Nikon: all Nikons
Nizos sound and silent (photo) (except: all "Integrals" and some/all "Compacts" - see below)
Porst ZRS 448 Reflex (16asa - 250asa)
Sankyo Super MF606
Sankyo Super CM 400 (Shows 25~100D and 40~160T and has correct notch settings for 64T/40D).
Yashica Electro 8 LD-6
Yashica Super Electro 800
Zeiss Ikon S8, MS8, 808, 811, GS8
Beaulieu 2008, 3008, 4008, 5008, 6008, 7008, 9008
Leicina Special
Lomo 214, 215
Manual aperture, adjust the aperture to be 2/3 stop less than the camera meter suggests or use an external meter:
* Agfa Movexoom 4000 Synchrosound
* Bauer S715XL, S709XL (the manual states the meter sets only 40T/25D and 160T/100D) discuss
* Chinon 200/8 XL Pacific
* Cosina DL-40P, DL-60P
* Elmo 1012s-xl, 612s-xl
* Elmo Superwide
* Minolta XL-401 and XL-601
* Nizo compact series 136, 148 and more.
* Sankyo ES 66-xl, ES 44-xl, EM-40XL, EM-60XL and more.
* Quarz 1x8S-1
* Bauer C Royal 6E, 8E, 10E
* Bauer A506, A508, A512
* Eumig 860, 880 and 881 PMA
* GAF 805M
* Rollei SL82
by super8camera.com
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I've been a collector of super-8 camera's & projectors (and video-consoles and laserdiscs and.... etc. ;-)) for abo...
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